Showing posts with label Summer School. Show all posts
Showing posts with label Summer School. Show all posts

Friday, January 30, 2026

Book Review 2025 #1 - Cari Thomas's The Burial Witch

The Burial Witch by Cari Thomas
Published by: HarperCollins Publishers
Publication Date: June 5th, 2025
Format: Hardcover, 150 Pages
Rating: ★★★★★
To Buy (different edition than one reviewed)

It's summer and Miranda Richardson has every second of her time accounted for. She has spent her life trying to live up to the expectations of her parents who already have two perfect children. But she never thinks she's good enough. If she can't even smile right for the family photo how is she going to achieve all her goals? They're laminated and on her wall; GOALS BEFORE THIRTY. Which is why instead of going to the park with her brother she is digging through boxes in the attic for a school project on the Richardson Family Tree. She's learning all about the Smiths and Evans from Shropshire and the local steel industry. Despite her father's enthusiasm she doesn't think she could be more bored if she tried. Yet she chose to look into her father's family and not her mother's. As she shifts the boxes of the past in the attic she finds a suitcase. It obviously belonged to her maternal grandparents. They emigrated from Nigeria to Peckham. Since their deaths her mother never talks about them. They are Richardsons, they can achieve anything they set their minds to. They don't dig into their past, they are a future-facing family. Which would be why Miranda is learning about Shropshire's steel industry. Her mother has made it clear that that part of their lives, her life, is over. The past is the past. But it's about to affect Miranda's present. In the suitcase she finds a box. There is something inside the box. When she moves it there is a clunking sound. Getting it open becomes her obsession. It's like a fairy tale come to life, this is her test. And she's failing because fairy tales don't come with instructions. She starts to slip in her work and she's distracted at church and lashing out. This little coffin shaped box leads her to do the unheard of. She has never disobeyed her parents, she wants to be like her mother when she grows up, and yet she goes to a shop that is off-limits. When A Sense of Craft opened in Richmond Miranda's mother tired to have it shut down. But this store and it's owner, Maya, might be Miranda's only hope. Though Miranda can't help but feel that Maya is a threat. That she's somehow involved in what's happening. Especially when Maya's advice opens the box to reveal a wooden doll. What could this mean? Miranda has to get to the bottom of this. Her summer was written and now she's dealing with magical forces, first loves, demonic dreams. If she wasn't highly strung before the events of the last few weeks she is now. The question is, will she embrace what's to come or bury it in a shallow grave?

Since I finished Shadowstitch I have been desperately craving anything new in Cari Thomas's The Language of Magic series. So when The Burial Witch novella was announced I was overjoyed. Preordered it from England to get it two months early overjoyed. And then I learned it was about Miranda. And my joy was somewhat tempered. It's not that I dislike Miranda, she's just the least interesting member of this Scooby Gang. Miranda has just been there, doing her thing, being conflicted about her religious beliefs and equally fighting and embracing this new aspect to herself, this magical aspect. She just is. And then The Burial Witch comes out and now I have to reread the whole series because of this new insight I have into her. Her OCD nature, her wanting to please her parents, her fear of the "other," all of this I relate to. Some from when I was her age, some from now. It's like she represents the different stages of my life and she's had to have all these changes thrust on her over one short summer. But what really struck me about her book, this book, is that you have to have no foreknowledge of anything else in this series for this book to work. It is a self-contained little masterpiece of a novella. Really, think British Stephen King at the top of his game and that's The Burial Witch. This is a perfect standalone horror novella in the tradition of Carrie. A religious girl is confronted by the unknown, there's temptation in this new knowledge, then, being who she is, she must find out more and goes to a forbidden shop where it's revealed that magic is real. And that dichotomy, that struggle in Miranda that Maya tries to help her with is to show her that not all religion is Christian and not all magic is bad. Which brings in the Vodun religion. Most people just think of rather racist and stereotypical Voodoo tropes. Whereas real Vodun is nothing like the movies would have you think. Yes, it's far away from anything Miranda might have experienced, and let us not forget she's lived a very sheltered life, but it's still holy. It's still divine. And so many books only use Vodun for the tropes, here it's handled thoughtfully. And what I really appreciate is that seeing as this series is set in England there's a certain kind of view of British magic. It's very Anglocentric. Yet England, like the rest of the world, is a melting pot. Therefore it makes sense that there are different kinds of magic. And having Vodun from Nigeria just works. There's a balance here that makes it both terrifying and respectful. Because it's how Miranda handles the changes where all the fear arises. The villain isn't magic, the villain is change. The villain is a future that wasn't planned out and laminated. That's a horror we can all relate to.

Wednesday, January 28, 2026

Book Review 2025 #3 - Heather Fawcett's Emily Wilde's Map of the Otherlands

Emily Wilde's Map of the Otherlands by Heather Fawcett
Published by: Del Rey Books
Publication Date: January 16th, 2024
Format: Hardcover, 352 Pages
Rating: ★★★★★
To Buy

Cambridge professor, Emily Wilde, PhD, MPhil, BSc, Dde, tenured, is back and this time she's going to be the one doing the rescuing! Because the Folk are calling again. And their intent is deadly. Emily and Bambleby are back at Cambridge teaching. She's now a published author with tenor and a much more spacious office that gives her a little distance from Wendell. After all she hasn't decided yet if she'll accept his marriage proposal. He is deposed faerie royalty and that is problematic. Especially when his stepmother sends several assassins after him. The attack during one of his lectures does rather out him as one of the Folk. Thankfully only one person was paying attention. But it couldn't have been a worse person to have witnessed it. The Department Head of Dryadology, Dr. Farris Rose. One doesn't know if he's angry at his own ignorance or at the danger that has been lurking nearby for his entire tenure since his predecessor was abducted by a bogle in the Hebrides. One thing is clear, he's willing to help Emily get Bambleby back to his realm as fast as possible. Which means it's time to put Emily's theory about a back door, a nexus, used by the common fae that courtly fae are unaware of, to the test. Plus it will be invaluable to her new project, a mapbook of the faerie realms. Emily believes she has located a nexus in the Alps, specifically the village of St. Liesl in western Austria. The reasoning behind this is that the famous dryadologist Danielle de Grey mysteriously disappeared there over fifty years ago while investigating fauns in the region. Tree fauns that are unique to Wendell's realm. And getting Wendell home is more dire than ever because he's losing control of his powers. It turns out that the attack on his lecture wasn't the only attempt on his life. His stepmother has also poisoned him. And on his birthday no less! Has she no decency!?! So the expedition to the Alps is happening immediately, and Bambleby and Emily won't be alone. Dr. Farris Rose has spent years studying the Folk of the Alps, he convinces them they need his expertise. This is not exactly a magnanimous gesture. He sees it as a way to help Emily and get ride of Wendell. Plus, he's willing to live with a lapse in ethics in exchange for answers to the great scientific mysteries of our times. And then there's Emily's niece, Ariadne. The brightest student Emily has ever taught with an impressive alacrity for getting what she wants, like being included on this excursion and being Emily's assistant. They are in for a dangerous adventure. The townsfolk of St. Liesl warn them that the night is full of dangers and the kingdom they are searching for has had a disproportionate number of disappearances. But it's their only option if they are to save Wendell. If they're lucky perhaps they will solve the disappearance of de Grey as well. If they're unlucky they may never be heard from again.

Oh my, I don't know when I've enjoyed a book so much recently. And while I love Emily and Bambleby and all the new characters, even Dr. Rose, my heart is in it for Danielle de Grey. The very idea of folklorists becoming folklore brings a smile to my face. To be out there, searching for the answers, theories of trade routes connecting faerie realms, and to just disappear. To have all your research, everything about you overshadowed by your disappearance. And yet this doesn't diminish her reputation, she was known as an irreverent character who has become something of a folk hero. An enduring legend of dryadology, and here is Emily accidentally solving the mystery while trying to help Wendell. Because while it was thought that she had become lost in the Otherlands, an old name for the faerie realms, she was trapped in the borderlands, wandering the edges of different overlapping realms where time lost all meaning. Which is why spottings of her around St. Liesl show her at different ages. She's in a fluid and amorphous fog enshrouded land where she can appear at any age. Was she even being seen or was she some echo imprinted on the wind? What's more, the love of her life, a fellow professor, Bran Eichorn, disappeared in 1862 searching for her in the environs of St. Liesl. He too was lost to the borderlands, forever searching for her. It was he that Emily first encountered. There was some connection between the two of them, perhaps the foot that Emily nicked that used to belong to de Grey. But he understands what she is trying to do and attempts to convince her that finding Dani is the answer. Emily can't be sure if this is altruistic or not. But just the idea of these two lovers walking through the mist for over half a century calling out to one another is so Bronte-esque that I can't help but love every second of their apparently doomed romance. Thankfully things end for them better than they did for Cathy and Heathcliff. But then again, it's not like any ending could be worse than theirs now can it? Just the whole vibe here made me want to go to the Alps and hide in a cottage and wander through the fog, but only during daylight hours while being tethered to an immobile stricture. What I also find interesting is that in reading about Eichorn and de Grey's relationship, they were unmarried but lived together in the 1860s. Were the social mores of this world that different from ours? Was it because she was viewed as irreverent that this was allowed? Or was it because she was a professor? Or is it because of the interaction between the human realm and the faerie realm creating different sexual mores due to what's been observed? I mean, Emily and Bambleby are at it in a tent and I have to ask, is this socially permissible? Because I love everything about this world and if they are a lot less prudish and "Victorian," well, all the better!

Friday, August 29, 2025

Book Review - Heather Fawcett's Emily Wilde's Compendium of Lost Tales

Emily Wilde's Encyclopaedia of Faeries by Heather Fawcett
Published by: Del Rey Books
Publication Date: February 11th, 2025
Format: Hardcover, 368 Pages
Rating: ★★★★
To Buy

Stories are the architecture of Faerie, more powerful than magic, more powerful than kings, and Cambridge professor, Emily Wilde, PhD, MPhil, BSc, Dde, tenured, is now in the middle of one. She and her fiance, Wendell Bambleby, are about to retake his kingdom. They've both taken a sabbatical from Cambridge to accomplish this goal. Wendell has been in exile from the Silva Lupi since his stepmother killed his entire family and assumed the throne. Thanks to Emily he not only has a way back, but his stepmother might have already perished by poisoning and he has a rather intimidating entourage. One wouldn't want to show up in one of the most dangerous Faerie realms without a plan. So they swan in with the guardians lead by Razkarden, the trolls, the tree fauns, and the fuchszwerge, the fox-faeries, lead by Snowbell. And they are met with no opposition. Which might be the most unnerving thing about entering the Silva Lupi. Eventually Queen Arna's half-brother, Lord Taran, saunters up and tells them the lay of the land. Arna isn't dead but if Wendell wants the throne he has to best Lord Taran. It's nothing personal, violence comes as naturally as drawing breath to the monarchs of the Silva Lupi, and he promised Wendell's father that he would protect the kingdom from a weak ruler. Lord Taran is the greatest swordsman in the land, and, for a while, Wendell holds his own, but it's not in swordplay that he bests his father, it's by his needle and thread. The path cleared they ascend their thrones and it seems that their only problem will be Emily adjusting the the great many monsters in Wendell's court. But Queen Arna has a neatly constructed vengeance in store. As Emily poisoned her she has in turn poisoned the land. Emily and Wendell worked so hard to find a way back to his world, that all their efforts should have been brought to this; only Wendell's death will lift the curse. Nothing more, nothing less. The Folk do appreciate a story that comes full circle. So in the logical extension of the illogic of Faerie, Emily will save the day due to her living a life lead by scholarly tomes. Stories are the foundations of this world, they may be used as a compass, a guiding star. They just need the right story, they need their guiding star, and this problem will just go away. Once she finds "King Macan's Bees" she thinks she has the answer, the story echoes the present problems, but it's uncanny how accurate it echoes them. Which worries Emily. Queen Arna is cunning and while Emily will never tire of untangling a faerie mystery, could this one be Wendell's last?

Heather Fawcett's Lady Emily series has been a magical, if at times menacing, romp through Faerie and it's academic accouterments. And while I've loved all the volumes in this series I find myself singling this one out as the most magical. While I could say it's because I've grown accustomed to the horrors, much like Emily is attempting to with the monsters in Wendell's court, I think it's really because of a few scenes of such magic that my breath was taken away. The most magical of these is when Emily and Wendell officially marry. In Faerie you don't have to have a big ceremony, you just have to declare your intentions and the deed is done. Which, let's be honest, Emily enjoyed far more than being the center of attention. But when they make their intentions known on a boat as they go to confront his stepmother when they pull apart from sealing their bond with a kiss the world around them is celebrating their love. Faeries are gathering along the shore with lights, like a forest full of fireflies, they illuminate the dark in a way that is pure magic. This is what I've always pictured when I think of the realms of faeries. Little me laying in bed being told fairy tales thrills at this moment. And my love of fairy tales is brought to a whole new level in this volume. Because Heather Fawcett tackles the intersectionality of ghost stories and fairy tales. That's right, Heather Fawcett is bringing in spiritualism into a story I already love and upping the game to a whole new level. So, ghost stories and fairy tales. They could both be under the umbrella of folklore, but personally I like to put them under the umbrella of horror. Because true ghost stories and fairy tales are terrifying. And that fear, that aspect of horror is what draws me in every time. It's the dark shadow of bedtime tales, those that keep you up at night because they have the ring of truth. For me, these types of tales are interchangeable. They are both about something otherworldly. And that this was acknowledged in this series makes me giddy. What's more, it's one of the reasons dryadology even exists as a discipline, because of people studying ghosts. Though, to take this even further, Archibald Robbins of the University of Amsterdam was an iconoclast who theorized there were interactions between the Folk and the spirit world. Then Helen Worthington-West took this further and presented a paper about a brownie who had spoken with the recently deceased using a door. Doors, like the door Emily needed to find to return Wendell to his realm. But this door goes to a spiritual limbo. A place half in the world, half elsewhere, where the ghosts of the Folk linger. Oh my, it's the commingling of two things that in my mind have always been linked that I just can't get enough of. I want more. And I totally agree with Emily, she should have been studying ghost stories instead of the histories of great faerie monarchs.

Wednesday, August 27, 2025

Book Review - Lev Grossman's The Magician's Land

The Magician's Land by Lev Grossman
Published by: Penguin Books
Publication Date: August 5th, 2014
Format: Paperback, 416 Pages
Rating: ★★★★★
To Buy

Quentin Coldwater saved magic. Quentin Coldwater saved Fillory. So what was his reward? Banishment. Back to Earth. He found his place, his home, his reason for being in a fantastical world and now he's been cut adrift. He goes back to the only other place he's ever thought of as home, Brakebills. Thankfully he's able to get a teaching job there while he studies his only connection to Fillory, a spell he found in the Neitherlands which he can't even begin to understand. He finds a kind of contentment there. But his life is going to face much more upheaval. First his father dies and he leaves Brakebills for the funeral. At "home" he realizes, now, more than ever, how he never fit into the "real" world. Brakebills though won't be his safe haven for much longer. There's a group of students called "The League" founded by Plum Purchas. They mete out justice on those they feel have done wrong. Like Wharton who purposefully withholds libations during dinner. There prank against Wharton goes horrifically wrong. The magical wards protecting Brakebills are endangered. The incursion is someone Quentin knows. It's Alice. But she's a niffin. Plum is expelled and Quentin is fired. Of their own accord they both show up at a meetup looking to hire magicians for a heist. It was inevitable they'd meet on the outside, they're both magicians and they're both in need of money. The heist fails. Spectacularly. Though they end up in possession of a book written by Martin Chatwin. Fillory is calling to Quentin again. Or so he thinks. But maybe this time it's calling to Plum. Because she has a secret. She's Martin Chatwin's great-granddaughter. On her mother's side. The two of them hide out in New York City in a bolthole that Plum has had for awhile in case they're on anyone's radar after the heist. There they discover a spell in Martin's book to create a new magical land. Having nothing better to do they attempt it and instead of getting a mini Fillory they get an eerie mirror version of the house they're staying in which happens to be inhabited by Alice, the niffin. Who Quentin is able to restore to her human body thanks to the spell from the Neitherlands. Something she is very furious about. She saw everything, she knew everything, from the dawn of time until it's demise and now she's stuck in a meat sack which craves bacon. But everything has a purpose and Alice's return coincides with Eliot's. He has come to inform them that Fillory is ending. The apocalypse has begun. There are no keys to save it this time. Though there's Alice. She saw the beginning of Fillory on her "travels" and her knowledge could save Fillory. Can they save Fillory? Rebuild that world? Or do they want to build their own?

For those of us who grew up on The Chronicles of Narnia, The Dark is Rising Sequence, The Chronicles of Prydain, and The Neverending Story, this series was written for us, though with far less nightmare fuel. We might have been jaded by life but after three books, like Quentin, we are able to find the wonder and joy once again in the world. Or find it at least temporarily with an ending reminiscent of the epic cataclysmic nothingness of The Neverending Story that brought back to life a whole world at the hands of one broken little book nerd. A world ended and a new one began. Because of book nerds. Never forget our power. We are legion. Though there's one thing that every book nerd who has read this series has fantasized about and that's actually being able to read the five Fillory and Further books by Christopher Plover. Yes, there's the small matter that they don't exist, nor does Christopher Plover, but Lev Grossman could conceivably write them. In fact if you go on a deep dive into Reddit there are rumors that at one time he considered doing just that. Obviously this never came to be because otherwise I would be reading them right now. Though if they did exist the question arises, would they prove worthy of their supposed compatriots? Could they rise to the level of C.S. Lewis or Michael Ende? Because we have learned a fair bit about The World in the Walls, The Girl Who Told Time, The Flying Forest, The Secret Sea, and The Wandering Dune over the course of Lev Grossman's three books. We've even learned there are secretly two more books; The Magicians written by Jane Chatwin, and The Door in the Page: My Life in Two Worlds by Rupert Chatwin and could they really meet expectations and known storylines? Well, it's this second book by Rupert that we finally get to read in The Magician's Land. And after reading Rupert's account I can safely say that I think Lev Grossman is well capable of this Ploverian feat. Fillory and Further could be real if Lev Grossman would just make it so. While the whole series has callbacks to other famous children's tales, this one felt more real, more like Narnia, if just because of structure, the story within the story. I also really started to think about the Chatwins being real people, not just characters in a book. And how being nobodies in the real world and being kings and queens in Fillory must really fuck with your head. I mean, no wonder Martin became a psycho, the stuff with Plover notwithstanding. I'd never really thought about this disconnect. You go to the magical world and everything is fixed, unless you know C.S. Lewis kills you all. But this series has been all about how magic doesn't fix you, a magical world doesn't make everything right. And while we've seen this again and again, this somehow was the first time it really struck home for me. That disconnect. Not just the coming back to reality and growing up, but the whole, this is really fucked up. And who created this "purity" rule? And how did that get broken, was it because of Martin breaking the rules? Selling his humanity to Umber? And is that how the Brakebills crowd got in? I have questions. I will always have questions. But I also have certainty. Certainty in my love of this series, in the fact that Lev Grossman could write Fillory and Further if he so wanted, and in the fact that magic can be found anywhere because this world is just as fucked up as any imaginary one.

Wednesday, August 20, 2025

Book Review - Lev Grossman's The Magician King

The Magician King by Lev Grossman
Published by: Penguin Books
Publication Date: August 9th, 2011
Format: Paperback, 432 Pages
Rating: ★★★★★
To Buy

Being a beloved ruler is all well and good, but sometimes it can get a little staid what with the daily balcony appearances for the common folk and the governing. Which is why the High Kings and Queens of Fillory, Eliot, Janet, Quentin, and Julia are hunting for one of Fillory's prophetic Unique Beasts, the Seeing Hare. Things don't exactly go to plan, the Master of the Hunt, Jollyby, catches the Hare and it predicts horrors and then Jollyby drops dead. Poor Jollyby. He had some memorable assets. But it's Fillory, it's a magical world, weird shit is bound to happen. Plus, how exactly do you follow through with investigating an omen? When trying to figure this out the rulers discover that the Outer Islands haven't paid their taxes in years and Quentin decides that sailing the Eastern Ocean and collecting some back taxes could be an interesting quest. Quentin resurrects and refurbishes the Muntjac and he and Julia and a few fellow compatriots head east. Which is how they meet Elaine and learn about the magic key that winds the world. Or, as Quentin realizes, the quest he should be on. They journey further east, to After Island, where he and Julia find a key and are sent straight home. Not to Castle Whitespire. To Earth. Which means they have to find a way back to Fillory. Logic dictates that they could return via the method that got them there in the first place, but Josh was the last one seen with the button and who knows what quest he's currently on. The first place to look therefore is Brakebills. But they are unable to get through the school's defenses and therefore Quentin is about to have a steep learning curve into what Julia has been up to the past few years. Because Brakebills rejected her and she had to learn her magic in other ways, through magic safe houses. Rough and crude magic that Quentin is baffled even works. Hedge Witches know the real cost of power and Julia gets a lead on someone who can help them. That someone turns out to be Josh. Who has sold the button. Because palazzos in Venice aren't cheap. But thankfully Venice has its own dragon who breaks it all down for Quentin. The magic that Julia summoned before ascending the throne in Fillory has gotten the attention of the Gods. All of them. And they don't like humans using their magic. So, not only do Quentin and Julia have to get back to Fillory, they have to save it and magic. Or else be beyond deity screwed.

Because of the tonal shift it's kind of hard to believe that The Magician King was written by the same author as The Magicians. Especially in regard to Quentin Coldwater. It's kind of like he's had a personality transplant. Whereas The Magicians was riddled with his angst and how he kept trying to find something to magically "fix" his life, which ironically couldn't be fixed with magic, here he's hopeful. He's full of the spirit of adventure and his love of Fillory. The angst is out the window and he's somehow grown into accepting what life throws at him and rolling with the punches instead of bemoaning his fate. And while this is fascinating, and something that should be dwelled on as part of the "hero's journey" he embarks on over the course of this book, it's Julia and the "heroine's journey" that is important here. Because this is Julia's book. The Magician King is like a mirror of The Magicians. Whereas Quentin viewed his life was ruined by Brakebills, Julia's actually was ruined by Brakebills, but because they didn't let her in. So she finds magic the only way she can, on the mean streets. OK, technically in magical safe houses, but still, it's not the hallowed halls of Brakebills. Which I find ironic because everyone who disliked the staid poncey pedagogy of The Magicians would embrace Julia's journey but they probably wouldn't give this series a second chance. Which is a shame. And also makes me glad that I was willing to stick with this series. Because I love this weird mirrorworld that Lev Grossman has created. And there are parts of me that are geeking out over things that are just little Easter Eggs for uber book dorks like me. For example, The Magicians pays homage to Brideshead Revisited. But it pays homage to the main characters of the novel, Charles Ryder and Sebastian Flyte, Quentin Coldwater and Eliot Waugh by another name. In Brideshead Revisited Sebastian Flyte's father, Lord Marchmain, is the outcast of his family, abandoning his wife and his home for Venice where he is in residence with his mistress. He is the black sheep, the other side of the coin, he is the opposite of Quentin, he is Julia. So what do they do in The Magician King that makes me so giddy? Quentin and Julia go to Venice. The sanctuary of the outcasts. Heck, that's where Josh has been hanging out all this time. They could have literally gone anywhere and yet Lev Grossman writes that they went to Venice to find Josh and talk to a dragon. Perfection. Now if I could just get past my squick at Julia's "rebel nerve endings [that] attempted to send pleasure signals to her brain, whereupon her brain burned them out... never to feel again" when she's being raped this would be a perfect book.

Friday, August 15, 2025

Book Review Rebecca Yarros's Onyx Storm

Onyx Storm by Rebecca Yarros
Published by: Entangled: Red Tower Books
Publication Date: January 21st, 2025
Format: Hardcover, 640 Pages
Rating: ★★★★★
To Buy

They weren't rebels, they were revolutionaries. They fled the lies they had been told but in Navarre's darkest hour they returned. They were able to raise the wards around Basgiath. They saved those they could. But so many were lost and so many more will be lost. Violet's mother, General Lilith Sorrengail, is dead. Aretia's wards will fail. And Xaden is... Xaden channeled from the source to save Basgiath. The price will be his soul. He will become venin. Violet will not believe this. Just because there are no accounts of initiates just walking away from the power doesn't mean that Xaden isn't strong enough. They just have to be careful. After the loss of her mother Violet can't face the loss of the miracle that is her and Xaden. What they are is the result of a precise combination of tragedies that broke them both so completely that when they collided they became something entirely new. But the venin call to Xaden. Jack Barlowe is locked up down in the cells calling to him. Tempting him. Though Jack won't give up the name of his Sage or anything other than trivial information. The venin want Xaden ignorant so that he will have no choice but to become one of them. As their desiccation of the Continent has shown, they are greedy and will stop at nothing. That greed means they won't be satisfied with just Xaden, they want Violet and her irid as well. Which is one piece of needed information that the venin accidentally gave up. Violet now knows exactly what kind of dragon Andarna is. She's an irid scorpiontail. The seventh dragon species now has a name. Which means they can search them out and perhaps power the second wardstone and protect Aretia. But the systematic erasure of history in the archives has them hitting wall after wall. Violet needs her father's research on the second Krovlan Uprising. Which, much like the irids, isn't in Navarre, and definitely isn't on the Continent. She must follow in her father's footsteps, she must journey to Cordyn and from there book passage to Deverelli. She must seek out the merchant Narelle Anselm and take with her the rarest item she possesses. Only there is no magic beyond the Continent. A journey beyond the bounds of magic with dragons and gryphons in search of knowledge and irids seems foolhardy to those in charge. But it is a journey that they must undertake. No matter the dangers. No matter the sacrifices. Though can Violet and Tairn survive if it's Xaden and Sgaeyl who must be sacrificed?

I love this series a ridiculous amount. And one of the reasons is how ridiculous it is. It's angst and trauma and death turned up to eleven. It's like reliving your teenage horrors but with the foreknowledge that nothing good is going to come of it. Yet beneath the trappings of dragons and hot sex there's the message about the importance of history and libraries and books. Oh, this is a series that is really pro book. And, in this day and age, we need that. While the previous two volumes dealt with the systematic erasure of the horrible history of Navarre and how they saved themselves at the cost of everyone else and then erased their history so no one would know of their crimes against humanity, this volume is about personal versus national history. Unbeknownst to our cast of characters they are going to get a whole heaping of personal trauma due to secrets in their past. Ironically while slowly turning into a soulless monster Xaden gets off the lightest with only having to confront his mother Talia. Sure, it's the dinner party from hell, a lot of poison might be involved, but at least it's over quickly. Whereas Violet has to face up to the fact that her parents were keeping a lot of secrets from her and she now has no one to confront about the lies. The least of which is that her paternal grandmother Niara isn't the one who cut off communication with her son and his family, it was the other way around. Because Violet's father, Asher, was up to a whole lot of shady shit; trying to dedicate his daughter to the goddess of war, writing books and secreting them away on other islands, teaching her best friend languages so that he could help her, basically planning for the end times and his daughter's education, but in secret. Sure, it's nice to know the answers are out there and your father was always thinking of you, but wouldn't it have just been so much easier to just be honest? The duplicity and lies have to be eating away at Violet. But then again, her brother made her believe he was dead, so it's not like anyone in the Sorrengail family knows what a healthy relationship is. Though nothing will destroy you as much as what Andarna has to face. She went on this perilous journey with Violet in the hopes the irids would help, or at least fire the wardstone, but she really just wanted to know her family. And her family are assholes. They tell Andarna that she is broken. She was nothing more than a test for humans and they failed. To be told you're nothing, to be told you're broken, my heart broke for Andarna. Damn. All these characters just need hugs. But Andarna gets to go first, come here you pretty irid you!

Wednesday, August 13, 2025

Book Review - Leigh Bardugo's Hell Bent

Hell Bent by Leigh Bardugo
Published by: Flatiron Books
Publication Date: January 10th, 2023
Format: Hardcover, 496 Pages
Rating: ★★★
To Buy (different edition than one reviewed)

Michelle Alameddine has a warning for Alex Stern. Whatever is out there, beyond the Veil, it isn't just Grays. And while this advice is prescient it won't sway Alex. The late, unlamented, Dean Sandow planned for the Hellbeast to devour her Virgil, Darlington, because he was too smart for his own good. But those smarts meant that he survived. As a demon. A gentleman demon. Trapped in hell. And Alex is going to rescue her gentleman demon. Because that night, almost a year ago, she did nothing to save Darlington and has been struggling with her responsibilities and her guilt ever since. The members of Lethe are going to stage a sulfurous jailbreak. The problem is, hell doesn't like thieves. But it does like its murderers. Which might actually come in handy. It's not exactly like Alex's hands are clean. The problem confronting them is that first, they actually have to find a way into hell, and second, they have to do it without the Lethe board finding out. And they only have one clue, that the portal to hell, the Gauntlet, is on hallowed grown. They have literally searched all of New Haven's copious churches to no avail. Approaching Scroll and Key would seem the next logical step as they deal in portals but Alex isn't exactly their favorite person. Especially after her and Dawes trick them and things go catastrophically wrong. As in Darlington, the demon, is now trapped in a protective circle in the ballroom at Black Elm. And while the board doesn't know about Darlington's "return" they do know about the damage to Scroll and Key and strongly suspect what they were up to. What they were specifically told never to attempt. And while Darlington is "back" his soul is still in hell, meaning, this heist is just beginning. With time running out and all eyes on them they need to get Darlington's soul as soon as they can. Dawes has pieced together a ritual and once they realize that the Gauntlet is in Sterling Library, a very different kind of hallowed ground, they just need to assemble four murderers willing to take the journey. Thankfully anyone who's worked with Lethe long enough has gotten their hands dirty, which means that Alex, Dawes, and Detective Turner fit the bill. They just need a fourth, and they find that fourth in the surprising form of Bonesman Tripp Helmuth. He's a ray of sunshine with a surprisingly dark past. They are ready to die and go to hell. Who knows if they will make it back. Who knows if they will succeed. Who knows if they will come back alone.

Originally viewed as an epic series Leigh Bardugo has honed Alex Stern's story down to a trilogy. Which means that Hell Bent is now that problematic middle child. And it's an odd problem here. Because while fixing that which I found originally annoying in Ninth House, specifically the insular and esoteric details that only one who attended Yale would care about, and focusing more on the characters, she has lost some of the originality in this series. Hell Bent feels like it could be any other urban fantasy series, and at times there were strong Buffy the Vampire Slayer overtones. Hell Bent lacked the polish and precision of the first volume which is painfully obvious in the copious timeline errors. If there's one murder on a Saturday night and another on that Sunday morning, they aren't days apart. They aren't even day apart. But what we lose in the tight plotting and editing we gain in character development. By narrowing down the focus to only six characters and their journey to hell and back we can understand them better. In Ninth House Alex seemed to not only be fighting the Grays but fighting her very existence. She didn't understand her place in the world or what she wanted so she was all reaction not action. Which, yes, you can build a story that way, it's just not as compelling. Here we see how special Yale has become to her. It's the first real home she's ever had. There's always a roof over her head and breakfast foods in her pockets. She has friends she can rely on to help, not hurt her. She's falling in love with literature and spends copious hours just reading old paperbacks for enjoyment. The academic life suits her. This also makes her more protective of others, she's not just looking out for herself but her friends and, in particular, her mother. She is learning what it is to be an adult and survive in this world and it makes you care about her and Dawes and all the rest of them, even golden retriever Tripp, all the more. Which is why Leigh Bardugo's interpretation of vampires is so interesting and terrifying. While I don't consider myself an expert on vampires I know enough and the fact that in this universe vampires are actually demons that drain a human into nothing more than a husk and then become them is genius and terrifying. I don't know if it's been done before, but it felt fresh and original and, as previously mentioned, terrifying. Add in the soul revelation, and, well, yes, hints of Angelus, but also, something so unique that I almost forgave the more pedestrian plot points. Almost.

Friday, August 8, 2025

Book Review - Lev Grossman's The Magicians

The Magicians by Lev Grossman
Published by: Penguin Books
Publication Date: August 11th, 2009
Format: Paperback, 402 Pages
Rating: ★★★★★
To Buy

Quentin Coldwater is special. He has a GPA higher than most people realize they go. But every time he reaches a goal he no longer wants it. He is dissatisfied and disillusioned with his life at seventeen. Then something happens to him that feels like it could be lifted straight from his favorite book series by Christopher Plover, Fillory and Further. On a cold bleak fall day in Brooklyn after discovering a dead body and having an odd interaction with an attractive paramedic, Q walks through a community garden and ends up on a sea of freshly cut summer lawn. There's someone waiting for him. His exam is about to start. Never mind that Quentin knows nothing about this mysterious place or this exam, something in him tells him that the fictional Chatwins would rise to the challenge and so will he. After a series of honestly baffling tests he is told what he has started to suspect since he walked onto that lawn; magic is real. Not only that but he has been accepted to the prestigious Brakebills University for Magical Pedagogy. Here, after five years of matriculation, he will graduate a magician. His former life will be left behind and a new world will be opened to him. Quentin leaps into his new life but is distressed that his dissatisfaction seems to have followed him. His new life is nothing like his old life and yet the depression is seeping in. He has a new group of friends, the Physical Kids, Eliot, Janet, Josh, and Alice. Especially Alice. They are a prestigious clique, hanging out in their cottage and just drinking in their youth and their powers. But this grows stale. Eliot, Janet, and Josh graduate a year before Quentin and Alice and by the end of their final year at Brakebills Quentin seriously doesn't care about anything, not even his relationship with Alice, which he spectacularly destroys by sleeping with Janet and Eliot. And just when the entropy of his life is almost too much to bear in walks what might save him, what has to save him... The knowledge that Fillory is real and that they can go there. These books saved Q's life again and again. Who knows, maybe they will save him again? Or perhaps he's doomed to a life of despair and disillusionment.

I have now read this book three times in order to write a review that will do The Magicians justice. The problem is that each time I have read it my opinion has been so vastly different I don't know how to take in all these variables. I mean, how much of my opinion was shaped by my love of the television series? Well, the second time I read it, a lot. I was even changing Janet to Margo in my head. But four years after the show has ended so much has changed that I feel like I'm seeing the book with new eyes. There's such a jaded quality to Q. Nothing will ever bring him satisfaction or contentment. This is postmodernist Brideshead Revisited, or, as my friend Flavia said, nothing more than a "wall of pure nihilistic snobbery." And yes, that is true. But given the way of the world and all that we've been through over the past few years, I'm feeling in a very jaded and nihilistic mood. What really connected to me this time though was the fallibility of authors. Christopher Plover's Fillory and Further series is like Narnia or Harry Potter. That comfort read that so many children retreat to even as they age. Because the more adult you are the more you need that comfort blanket. Though much like real authors of that era, J.M. Barrie, Lewis Carroll, Plover had a dirty secret. A secret that changed Fillory forever. But time and time again these older authors aren't mentioned, it's J.K. Rowling and Harry Potter that is entwined with The Magicians. And J.K. Rowling is such a problematic author I don't even know where to start. There were rumors for years that she wasn't the beacon of light many people took her to be. It was only in 2013 when she started writing under a pseudonym chosen because Robert Galbraith Hall created conversion therapy that the mask started to slip. Though not many people picked up on the significance of her nom de plume. By Troubled Blood, the fifth book published as Galbraith in 2020, the mask was fully off. She's a full on TERF. The hate she spews is almost incomprehensible, unless you look at the world around us. Make America Hate Again! That disillusionment with her means this hit just right. Throw in the horrors of what Amazon and Netflix are frantically trying to cover up about Neil Gaiman, and well, this book reads less postmodernist, less open to interpretation, and more, the world sucks, magic isn't going to help, everyone is horrible. And somehow that was very cathartic. Unvarnished truth.

Wednesday, August 6, 2025

Book Review - Cari Thomas's The Burial Witch

The Burial Witch by Cari Thomas
Published by: HarperCollins Publishers
Publication Date: June 5th, 2025
Format: Hardcover, 150 Pages
Rating: ★★★★★
To Buy (different edition than one reviewed)

It's summer and Miranda Richardson has every second of her time accounted for. She has spent her life trying to live up to the expectations of her parents who already have two perfect children. But she never thinks she's good enough. If she can't even smile right for the family photo how is she going to achieve all her goals? They're laminated and on her wall; GOALS BEFORE THIRTY. Which is why instead of going to the park with her brother she is digging through boxes in the attic for a school project on the Richardson Family Tree. She's learning all about the Smiths and Evans from Shropshire and the local steel industry. Despite her father's enthusiasm she doesn't think she could be more bored if she tried. Yet she chose to look into her father's family and not her mother's. As she shifts the boxes of the past in the attic she finds a suitcase. It obviously belonged to her maternal grandparents. They emigrated from Nigeria to Peckham. Since their deaths her mother never talks about them. They are Richardsons, they can achieve anything they set their minds to. They don't dig into their past, they are a future-facing family. Which would be why Miranda is learning about Shropshire's steel industry. Her mother has made it clear that that part of their lives, her life, is over. The past is the past. But it's about to affect Miranda's present. In the suitcase she finds a box. There is something inside the box. When she moves it there is a clunking sound. Getting it open becomes her obsession. It's like a fairy tale come to life, this is her test. And she's failing because fairy tales don't come with instructions. She starts to slip in her work and she's distracted at church and lashing out. This little coffin shaped box leads her to do the unheard of. She has never disobeyed her parents, she wants to be like her mother when she grows up, and yet she goes to a shop that is off-limits. When A Sense of Craft opened in Richmond Miranda's mother tired to have it shut down. But this store and it's owner, Maya, might be Miranda's only hope. Though Miranda can't help but feel that Maya is a threat. That she's somehow involved in what's happening. Especially when Maya's advice opens the box to reveal a wooden doll. What could this mean? Miranda has to get to the bottom of this. Her summer was written and now she's dealing with magical forces, first loves, demonic dreams. If she wasn't highly strung before the events of the last few weeks she is now. The question is, will she embrace what's to come or bury it in a shallow grave?

Since I finished Shadowstitch I have been desperately craving anything new in Cari Thomas's The Language of Magic series. So when The Burial Witch novella was announced I was overjoyed. Preordered it from England to get it two months early overjoyed. And then I learned it was about Miranda. And my joy was somewhat tempered. It's not that I dislike Miranda, she's just the least interesting member of this Scooby Gang. Miranda has just been there, doing her thing, being conflicted about her religious beliefs and equally fighting and embracing this new aspect to herself, this magical aspect. She just is. And then The Burial Witch comes out and now I have to reread the whole series because of this new insight I have into her. Her OCD nature, her wanting to please her parents, her fear of the "other," all of this I relate to. Some from when I was her age some from now. It's like she represents the different stages of my life and she's had to have all these changes thrust on her over one short summer. But what really struck me about her book, this book, is that you have to have no foreknowledge of anything else in this series for this book to work. It is a self-contained little masterpiece of a novella. Really, think British Stephen King at the top of his game and that's The Burial Witch. This is a perfect standalone horror novella in the tradition of Carrie. A religious girl is confronted by the unknown, there's temptation in this new knowledge, then, being who she is, she must find out more and goes to a forbidden shop where it's revealed that magic is real. And that dichotomy, that struggle in Miranda that Maya tries to help her with is to show her that not all religion is Christian and not all magic is bad. Which brings in the Vodun religion. Most people just think of rather racist and stereotypical Voodoo tropes. Whereas real Vodun is nothing like the movies would have you think. Yes, it's far away from anything Miranda might have experienced, and let us not forget she's lived a very sheltered life, but it's still holy. It's still divine. And so many books only use Vodun for the tropes, here it's handled thoughtfully. And what I really appreciate is that seeing as this series is set in England there's a certain kind of view of British magic. It's very Anglocentric. Yet England, like the rest of the world, is a melting pot. Therefore it makes sense that there are different kinds of magic. And having Vodun from Nigeria just works. There's a balance here that makes it both terrifying and respectful. Because it's how Miranda handles the changes where all the fear arises. The villain isn't magic, the villain is change. The villain is a future that wasn't planned out and laminated. That's a horror we can all relate to.

Friday, August 1, 2025

Book Review - Maureen Johnson's Nine Liars

Nine Liars by Maureen Johnson
Published by: Katherine Tegen Books
Publication Date: December 27th, 2022
Format: Hardcover, 464 Pages
Rating: ★★
To Buy

All Stevie Bell's friends are planning their futures but after solving the case of a lifetime she is unsure what to do with her life. It's her final year of high school and she should be thinking about college applications but all she can think about is how much she misses her boyfriend. David is now studying in England. That's a whole ocean away. But he has an idea that gives Stevie life. Ellingham Academy is more than a little indebted to Stevie, what with saving it from closing and all, so he thinks the school would be willing to swing a study abroad program for her and their friends as the school has embraced remote learning in an attempt to keep their students alive. And he's right. Dr. Jenny Quinn, the new director of Ellingham, gives Stevie, Janelle, Vi, and Nate permission. With strict guidelines. This is a cultural trip that will last one week. They will be staying in London at Craven House which is where David lives. It's a hodgepodge of student housing but it fits their needs and Stevie's needs in particular. Because right now Stevie needs some alone time with David. But as soon as they land he's got a thing. You'd think coming across an ocean would be more important than a "thing" but David has always been an enigma. Maybe that's what drew Stevie to him? After a delay David plays the tour guide, culminating at the London Eye where he introduces them to his classmate and study partner, Izzy. Izzy instantly raises Stevie's hackles. She's too nice, too perfect, but then she hands Stevie the best gift, an unsolved murder. Nothing else matters now. This trip has narrowed it's focus down to two objectives, solve the cold case from the summer of 1995 involving Izzy's aunt Angela Gill and lose her virginity to David. Landmarks and tourist traps be damned. Her friends are now there to just cover her ass with Dr. Quinn as she delves into a time when everyone was listening to Blur. "The Nine" were a sketch comedy group that went to Cambridge and lived an entwined and internecine life in shitty student housing. Clothes, food, partners, everything was shared. Their graduation was the end of an era. So in grand fashion they were trooping out to Merryweather, a country manor house owned by the family of one of their cohort, Sebastian Holt-Carey. The rest of the party consisted of Theo Bailey, Noel Butler, Peter Elmore, Angela Gill, Rosie Mortimer, Julian Reynolds, Sooz Rillington, and Yash Varma. They piled into two cars and sped off for the countryside. That night during a drunken game of hide-and-seek with a storm brewing Noel and Rosie were murdered. They weren't found until morning in the woodshed, all evidence washed away. The police assumed it was a failed burglary. No one was ever caught. Which is where Stevie comes in. She's on a tight deadline, but if her friends will just cover for her she might pull off the impossible. Yet again.

As I have mentioned before this series has a split personality disorder. There's the historical crimes that I am drawn to and the YA angst I cringe from. Sadly this volume leaned hard into the cringe while giving us an historical crime I couldn't care less about. So, the historical case, what I am calling Peter's Murderous Friends. This cold case isn't so much a cold case as one left unsolved due to police disinterest. They decided, due to scant evidence and whose house it was, to just chock it up to burglars and leave it at that. As for why "The Nine" didn't want the case to be thoroughly investigated, I think they just didn't want to look too hard at themselves and opted for ignorance. Did they want to have a killer amongst them? No. And ignorance is bliss. So why should we, as readers, care for a cold case that no one else cared for? Especially as we don't have any connection to Noel and Rosie. They are just two of nine characters that were infodumped on us and unlike "good girl" Sabrina Abbot in The Box in the Woods we have no emotional investment, no tie to them. And then, when you get right down to the basic facts, so much of this plays out the same way as The Box in the Woods, with a small group connected to the crime still alive so when something happens it is obviously one of them. I understand the need for modern day stakes, and it worked in The Box in the Woods, but here it felt too contrived. And as for Peter's Murderous Friends? I would have just rather watched Peter's Friends. Because seriously, I love that movie. It is perfection. So when you take the same setup, Cambridge sketch comedy group reuniting at one of their country estates, well, just adding in murder isn't enough. You have to have the same emotional connection as you do to Peter and Rodger and Maggie and all the rest. And that did it in under two hours. Here Maureen Johnson couldn't do it in over four hundred pages! I was so excited for this volume, finally, a county house murder by Maureen Johnson. If there was anyone more excited than her it was me, because a can never get enough of English country houses. But this just didn't work. Aside from being the first author I've read to accurately and logically explain a ha-ha. I just can't get beyond my disinterest verging on hatred of "The Nine." Though in the end I hated Stevie more. I hate what she did to her friends. Constantly lying to them and getting them caught up in schemes that were dangerous all for her obsessions, both murderous and lustful. This wasn't about nine liars, Stevie made liars of them all. The only bright spot I have is that with that cliffhanger of David macking on someone new is that perhaps he can finally be written out.

Friday, July 25, 2025

Book Review - Heather Fawcett's Emily Wilde's Map of the Otherlands

Emily Wilde's Map of the Otherlands by Heather Fawcett
Published by: Del Rey Books
Publication Date: January 16th, 2024
Format: Hardcover, 352 Pages
Rating: ★★★★★
To Buy

Cambridge professor, Emily Wilde, PhD, MPhil, BSc, Dde, tenured, is back and this time she's going to be the one doing the rescuing! Because the Folk are calling again. And their intent is deadly. Emily and Bambleby are back at Cambridge teaching. She's now a published author with tenor and a much more spacious office that gives her a little distance from Wendell. After all she hasn't decided yet if she'll accept his marriage proposal. He is deposed faerie royalty and that is problematic. Especially when his stepmother sends several assassins after him. The attack during one of his lectures does rather out him as one of the Folk. Thankfully only one person was paying attention. But it couldn't have been a worse person to have witnessed it. The Department Head of Dryadology, Dr. Farris Rose. One doesn't know if he's angry at his own ignorance or at the danger that has been lurking nearby for his entire tenure since his predecessor was abducted by a bogle in the Hebrides. One thing is clear, he's willing to help Emily get Bambleby back to his realm as fast as possible. Which means it's time to put Emily's theory about a back door, a nexus, used by the common fae that courtly fae are unaware of, to the test. Plus it will be invaluable to her new project, a mapbook of the faerie realms. Emily believes she has located a nexus in the Alps, specifically the village of St. Liesl in western Austria. The reasoning behind this is that the famous dryadologist Danielle de Grey mysteriously disappeared there over fifty years ago while investigating fauns in the region. Tree fauns that are unique to Wendell's realm. And getting Wendell home is more dire than ever because he's losing control of his powers. It turns out that the attack on his lecture wasn't the only attempt on his life. His stepmother has also poisoned him. And on his birthday no less! Has she no decency!?! So the expedition to the Alps is happening immediately, and Bambleby and Emily won't be alone. Dr. Farris Rose has spent years studying the Folk of the Alps, he convinces them they need his expertise. This is not exactly a magnanimous gesture. He sees it as a way to help Emily and get ride of Wendell. Plus, he's willing to live with a lapse in ethics in exchange for answers to the great scientific mysteries of our times. And then there's Emily's niece, Ariadne. The brightest student Emily has ever taught with an impressive alacrity for getting what she wants, like being included on this excursion and being Emily's assistant. They are in for a dangerous adventure. The townsfolk of St. Liesl warn them that the night is full of dangers and the kingdom they are searching for has had a disproportionate number of disappearances. But it's their only option if they are to save Wendell. If they're lucky perhaps they will solve the disappearance of de Grey as well. If they're unlucky they may never be heard from again.

Oh my, I don't know when I've enjoyed a book so much recently. And while I love Emily and Bambleby and all the new characters, even Dr. Rose, my heart is in it for Danielle de Grey. The very idea of folklorists becoming folklore brings a smile to my face. To be out there, searching for the answers, theories of trade routes connecting faerie realms, and to just disappear. To have all your research, everything about you overshadowed by your disappearance. And yet this doesn't diminish her reputation, she was known as an irreverent character who has become something of a folk hero. An enduring legend of dryadology, and here is Emily accidentally solving the mystery while trying to help Wendell. Because while it was thought that she had become lost in the Otherlands, an old name for the faerie realms, she was trapped in the borderlands, wandering the edges of different overlapping realms where time lost all meaning. Which is why spottings of her around St. Liesl show her at different ages. She's in a fluid and amorphous fog enshrouded land where she can appear at any age. Was she even being seen or was she some echo imprinted on the wind? What's more, the love of her life, a fellow professor, Bran Eichorn, disappeared in 1862 searching for her in the environs of St. Liesl. He too was lost to the borderlands, forever searching for her. It was he that Emily first encountered. There was some connection between the two of them, perhaps the foot that Emily nicked that used to belong to de Grey. But he understands what she is trying to do and attempts to convince her that finding Dani is the answer. Emily can't be sure if this is altruistic or not. But just the idea of these two lovers walking through the mist for over half a century calling out to one another is so Bronte-esque that I can't help but love every second of their apparently doomed romance. Thankfully things end for them better than they did for Cathy and Heathcliff. But then again, it's not like any ending could be worse than there's now can it? Just the whole vibe here made me want to go to the Alps and hide in a cottage and wander through the fog, but only during daylight hours while being tethered to an immobile stricture. What I also find interesting is that in reading about Eichorn and de Grey's relationship, they were unmarried but lived together in the 1860s. Were the social mores of this world that different from ours? Was it because she was viewed as irreverent that this was allowed? Or was it because she was a professor? Or is it because of the interaction between the human realm and the faerie realm creating different sexual mores due to what's been observed? I mean, Emily and Bambleby are at it in a tent and I have to ask, is this socially permissible? Because I love everything about this world and if they are a lot less prudish and "Victorian," well, all the better!

Wednesday, July 23, 2025

Book Review - Rebecca Yarros's Iron Flame

Iron Flame by Rebecca Yarros
Published by: Entangled: Red Tower Books
Publication Date: November 7th, 2023
Format: Hardcover, 640 Pages
Rating: ★★★★★
To Buy

Everything Violet Sorrengail has ever known is a lie, even the fact that her brother Brennan was dead. She thought folklore was just that. Folklore. Tales to tell your children to behave or else the venin will come and get you. Only the tales about the venin are real. Dark Wielders who draw their power directly from the source, not from a bond with a dragon or gryphon. And she's seen what they can do. She almost died because of them. And her ignorance could have gotten her killed. But now it's her knowledge that is just as dangerous. Because she knows the real reason behind the Tyrrish Rebellion. Tyrrendor wanted to secede from Navarre so that they could join Poromiel in the fight against the venin. And Tyrrendor still plans to fight. Aretia wasn't destroyed as everyone was told. It's still the seat of the revolution. And Xaden Riorson is one of a seven member assembly leading the revolt, along with Violet's brother, Brennan. But the revolution needs continued access to Basgiath to arm themselves. So Violet must return to the War College and pretend that everything is fine, that her mother, the great General Lilith Sorrengail, hasn't been lying to her and the people of Navarre for years in order to protect Navarre at the expense of others. And on top of everything Violet is having dragon issues. Her dragon Tairn is bonded to Xaden's dragon Sgaeyl and Xaden has been assigned to the front, so much of their time is making sure the bonded pair gets to spend as much time as possible together, damn the inconvenience to their riders. Also Violet's bonus dragon Andarna is going through some changes and is laying low. The lie that they fabricated to cover up their run-in with venin means that the new Vice Commandant, Varrish, is suspicious of them. Suspicions that he acts upon in cruel and unusual ways, from trying to keep Sgaeyl and Tairn apart to inflicting punishments on Violet when she won't produce Andarna at his command. The breaking point though is when Varrish literally almost breaks Violet with five days of torture. Violet staged a raid into the archives to get information on the history of Basgiath and the First Six and how to replicate Navarre's wards. Needless to say an extreme interrogation session wasn't the outcome she had hoped for. But her eventual escape means that Basgiath is no longer safe. The revolutionaries, those who know or have come to know the truth, flee to Aretia and Riorson House. There they continue the education of the riders while also engaging in diplomatic talks with Poromiel. But even with allies the enemy grows closer and those closest to Violet still have secrets. Will Navarre survive or will they fall? It all depends on Violet and the secret knowledge she has gleaned.

This book is just bonkers in the best possible way. I mean, some of the things, I just can't. It's too absurd but at the same time totally makes sense to the characters. The gryphon riders legitimately call the dragon riders out on their barbaric practices and how they commit wholesale slaughter of their students and everyone from Basgiath is like, no, that's totally normal right? Kill the weak and all that. Why would you let someone survive? And the gryphon riders are all like, you're mental, OK? And you know what, they are mental, and I love them for it. A large chunk of the student population abandons Basgiath to join the revolution in Aretia and what's the first thing they do? No, they don't assign them jobs or ways in which to help the war effort, they open up their own school. They literally start schooling people in the middle of a war. Damn. I love these idiots. You really just have to embrace the chaos that is contained within the pages of these books. Because if you start to question anything, well, that way insanity lies. Like, how do they have the same months as us? Really. I kind of need to know. Because August is named after Emperor Augustus, the Roman leader, and well... There's no Rome here if you get my drift. And I'm not talking about a drift of gryphons! And you know, no Latin so no October. It doesn't matter that the first of that month is Threshing! Because I don't know how they have that month. But as is my motto with these books, embrace the chaos. These are basically teenagers riding around on giant siege monsters, so, well, suspend your disbelief. Because it's like this, no matter the fantastical in the fantasy genre it's the distilled truths that are brought to the forefront that make this genre more real, more human, than any other genre. What I really connected to is the bond forged between rider and dragon. And while you could say it's more a bond of never-ending friendship to me it's deeper. It's the bond between a human and their beloved pet. The soulmating of a person and a little ball of fur, or in this case a big ball of scales. If you've never experienced this kind of love just read Andarna's speech at the end of Iron Flame. Yes, it might decimate you, and it left me a wreck and in tears, but it's about choice and how you chose your person. Andarna waited for Violet for 650 years. She heard the elders talk of a girl with the mind of a scribe and the heart of a rider and she knew that that girl would be hers. I get teary just thinking about that. About finding your soulmate, picking your destiny, and love. Because in the end that's what this book is about, love.

Friday, July 18, 2025

Book Review - Olivie Blake's The Atlas Six

The Atlas Six by Olivie Blake
Published by: Tor Books
Publication Date: March 1st, 2022
Format: Paperback, 416 Pages
Rating: ★★★
To Buy

The Alexandrian Society hoards the knowledge of the ages. The elite magicians who earn a place within the library's hallowed walls are destined for a life of privilege and wealth. It is more than an honor to be one of the six candidates selected every ten years. It is a passport to the life of your dreams. This year's candidates have been handpicked by the library's caretaker, Atlas Blakely. They have precisely one year to prove their worth and at the end of that time five of them will be initiated. The candidates are Libby Rhodes and Nico de Varona, two people who have been circling and competing with each other their whole lives and whose physical powers compliment each other making them symbiotic, much to their mutual disdain. Reina Mori is a naturalist, meaning plants like to talk to her and view her as their mother. Parisa Kamali has never met a mind she couldn't read until she met Atlas Blakely. Callum Nova is similar to Parisa, only that he doesn't just read minds, he influences them. He can get inside you and damage and change you in ways you could never even imagine. And finally there's Tristan Caine. He sees the world as it is. As it really is. Illusions don't phase him and he's used his powers for years to remake himself to be the man he imagines he wants to be. They all have their reasons for accepting Atlas Blakely's invitation. Some of them want to escape the world, some of them want to learn more about the world, and some of them want to protect those they love out in the world. Not one of them has the same reasons for being there and yet they must coexist in the Alexandrian's Society's house until their first year is up and one of them loses the keys to the kingdom while the others move beyond mere initiates. The problem with holding the keys to all the knowledge is that someone else will want what you have. And the Society has it's enemies. The Forum being key among them. The Forum believes that knowledge should be made public. That it is wrong to let only the elite have access. On the six's first night in the house the Forum attempts an incursion. They attack the library. The six must defend it. Which they do. They work together despite already forming cliques. They are a team. They don't know that they are puppets. They were had picked by Atlas for a very specific reason. He's had a plan that has taken years to put into action. A plan that started to be formed back when he was an initiate. The question is, what will the six due to their puppeteer when they find out his plans?

I just learned that this book was originally self-published and that answers a lot of my questions about it. Like why is it so clunky? Why are sentences badly structured with poor and often repetitive word choices? Why are the philosophical issues and lectures so bad and confusing that if I was in the class I'd drop the course? Were the blurbs supposed to give away the big twist that one of them will be killed? Did an editor ever actually look at this? Am I reading the revised edition? Because if so, it still needed heavy editing. But even with those problems, you can see that this could be something and hopefully the subsequent two volumes will take it there. I'm really fascinated by the idea of the library being sentient or having control. Mainly because this then starts to tip away from dark academia and into haunted house territory... Which might be my favorite genre. Though that all depends on if Olivie Blake can find her voice. Because this book feels too much like the juvenalia of an eventually great writer. She's on her way. She's just not there yet. She's still stuck in writing fanfic about The Magicians, but hopefully that's a phase she will move on from. And one thing that is a rookie mistake that just kept getting under my skin is in the name she gave one of her characters. Let's talk Libby Rhodes. And I'm not talking about the fact she's Alice Quinn 2.0. I'm literally talking about her given name. When Libby first appears it's onstage at her graduation sparing with Nico. It's very New York academia with sexual tension. In other words, magical Gossip Girl. So, if you wanted to, I don't know, distance yourself from this whole Gossip Girl vibe you're sending out, perhaps don't name the character a nearly indistinguishable name from one of that series's characters. Serena van der Woodsen's mother Lily's maiden name is Rhodes. Serena's mother's name is Lily Rhodes. And while yes, Libby physically resembles Lily's sister Carol more... I mean, Carol was played by Krysten Ritter in the failed backdoor pilot, if you are even a Gossip Girl dilettante, you can't keep from grinding your teeth at the Libby/Lily Rhodes of it all. The only thing that kept me from going completely over the edge is that at least Libby is an approved diminutive of Elizabeth. Yes. I have approved diminutives of my name. The hard and fast rule is if one of the main letters isn't in the name Elizabeth it isn't a diminutive it's an entirely different name. Like Betsy. Betsy can not be a diminutive because of the "s." Likewise, if you're spelling of Elizabeth is Elisabeth, you can not have the diminutive of Liza. So. Libby is approved. But this particular Libby? She should have had more thoughtful nomenclature.

Wednesday, July 16, 2025

Book Review - Maureen Johnson's The Box in the Woods

The Box in the Woods by Maureen Johnson
Published by: Katherine Tegen Books
Publication Date: June 15th, 2021
Format: Hardcover, 400 Pages
Rating: ★★★
To Buy

Solving that which no one else was able to solve should be the biggest high a true crime geek will ever experience. And it is. It just doesn't last. The return to reality was a little harsher than Stevie expected. Spending the summer working at a grocery store at the deli counter isn't exactly the glamorous career she had planned for herself. I mean, the apron doesn't even go with her crime solving red vinyl raincoat! Thankfully she is about to be saved from a summer of drudgery by the new owner of a kid's summer camp in the Berkshires. Carson Buchwald is the owner of Box Box, a subscription box company, as in literal boxes, with delusions of becoming a true crime podcaster. Which is why he bought Shady Pines, the new moniker of a camp all true crime enthusiasts know by it's original name, Camp Wonder Falls. In 1978 four local teens who had just graduated high school in nearby Barlow Corners, Massachusetts, all counselors at the camp, were murdered. There was an old hunting blind about four miles from camp where the counselors were known to party. On that fateful July night the revelers, Todd Cooper, Diane McClure, and Sabrina Abbott were stabbed and stacked like cordwood in the hunting blind while Eric Wilde, the local drug dealer, almost made it back to camp. His body was found first. The most disturbing facts about the case were the brutality and the message painted inside the blind; SURPRISE. And yet the case was never solved. It wasn't a drug deal gone bad or the work of local serial killer "The Woodsman" as DNA ruled him out, and a revenge killing just didn't make sense. The case was badly handled and entered the lore of famous unsolved crimes. Which is why Carson wants to hire Stevie. She'd come and work at the camp and solve the case for his podcast. The chance to get away from deli meats means she'll even brave the wilderness. She is so not the outdoorsy type. Which means a support network is needed and Nate and Janelle agree to come with. They are on the case. Unfortunately the town is rather hostile once they realize Carson's intentions. It looks like he was trying to buy them off with a shiny new library. And in a way he was. Because the answer has to be among the townsfolk. It's the only thing that makes sense. Why else was it never solved? Because someone didn't want it solved. That someone isn't Sabrina's sister Allison. She's willing to help Stevie. But that help might cost her her life. Because more than four people have died and the killing will continue unless Stevie connects the dots.

The Box in the Woods is a bit of a reset for this series. The first three books were dealing with one case and all it's connecting repercussions at Ellingham Academy. Here Stevie is removed from that academic setting and into that most classic of teen horror tropes, a summer camp. And as everyone knows the best parts of a summer slasher are technology breaking down and there being nowhere to run. Which makes the seventies the perfect era for the "historical" crime to be set. And thankfully we are all about the historical in this installment and veer away from the hysteria that Stevie's boyfriend David brings in his wake. Seriously, I agree with so many reviewers who are just fed up with him. He brings nothing to the conversation and this book was all the better for his being almost entirely omitted. What really drew me in though was that this small little town and it's summer camp is Gilmore Girls meets Twin Peaks that just happens to shoehorn in a slasher flick and some Nazis. So yes, you might think that sounds all over the place, but if you're the right kind of person, AKA someone who I'd be friends with, you will totally get that all these disparate elements can fit together perfectly if you have the right mindset and sense of humor. Dark humor. But for me this isn't just a series reset it's also a turning point for Stevie. When she was investigating the Ellingham case all the principal characters were dead. She was legitimately investigating a true cold case, as in all the participates were cold in their graves. Here the crime happened in 1978 so, while not recent history weeps the reviewer who was born in that year, it's still a recent enough crime that those people directly affected, like Sabrina's sister Allison, are still alive. This is new and interesting. Stevie has had to deal with the fallout of a case and it's present day repercussions but she hasn't had to deal with the trauma of real people. She's so focused and inward when she's on a case she sometimes doesn't think of the bigger picture. Which is all well and good when it's a true cold case. When the obsession and the drive aren't running over victims. But here she could easily steamroller over someone to whom this case is an open wound. She has to tread carefully. Not just because the actual killer could still be alive but because the family of the victims are in need of support. They can help but there has to be respect and assurances. When dealing with Allison Stevie is growing. She's learning that there's more to solving crime than just the crime. There's the survivors. That aspect is one she needs to work on. But this is a good start.

Friday, July 11, 2025

Book Review - Rebecca Yarros's Fourth Wing

Fourth Wing by Rebecca Yarros
Published by: Entangled: Red Tower Books
Publication Date: May 2nd, 2023
Format: Kindle, 663 Pages
Rating: ★★★★★
To Buy (different edition than one reviewed)

General Lilith Sorrengail is the Commander of Basgiath War College. But she is infamous for putting down the Tyrrish Rebellion with her dragon Aimsir by capturing the separatist leaders. Though she lost her son Brennan at the the hands of the rebel's leader, Fen Riorson, during the Battle of Aretia. Brennan's death broke his father's heart while his two sisters carried on as best they could. Mira always wanted to be a rider like her mother and is now a First-Lieutenant. But Violet took after her father. When her mother was pregnant with Violet she was gravely ill causing Violet to be born with all the color and strength drained from her. Her ligaments and joints tend to subluxate frequently so her future as a scribe, like her father, seemed assured. But then her father died and the spring before she'd start in the Scribe Quadrant her mother informed her that she was entering the Riders Quadrant. A move that seemed folly to all, but General Sorrengail was adamant. No child of hers would enter the Scribe Quadrant. Beyond all hope Violent survives Conscription Day where the hopefuls must survive the parapet to enter the Riders Quadrant. Which means she only has to somehow complete the Gauntlet and hope she bonds with a dragon during Threshing, neither of which will be easy. And that is if none of her peers decide to eliminate her first. She is a very desirable target. She is weak, but more importantly, she is General Sorrengail's daughter. And it just so happens that the Riders Quadrant is chock full of the children of the separatists who were conscripted after their parents' failed rebellion. Riders who very much hold a grudge against Violet's mother, making Violet a target for revenge. Especially by Xaden Riorson. Sure his father killed Brennan, but her mother killed his father. As well as the parents of all his friends. With only one loyal family friend, Dain Aetos, to look out for her, Violent learns she's got to look out for herself. What she lacks in brawn she'll make up for in brains and copious amounts of poison. And against everyone's expectations she succeeds. At a level that some start to question when she bonds with not one but two dragons. Something that has never happened before. And yet her mother isn't pleased. It's almost like she wanted her daughter to die. But perhaps that's because Violet is too smart for her own good. She starts to notice things, books missing from the Archives when they should have every book ever written in Navarre. And she starts to notice Xaden. She really shouldn't notice him. But it's like she can't help herself. By the end of her first year she'll perhaps wish that she hadn't survived the parapet because the truth, a truth that Xaden helps her to find, might be just too painful to bear.

Me and "popular" books tend to not get along. We're like fire and ice, or as I read recently, a library and a loud party. Which means I was very skeptical about Fourth Wing. But everyone was talking about how good it was and I don't like to be left out of book "movements" no matter how much I might regret it later and so I requested it through OverDrive and went into it knowing literally nothing. And yes, I mean nothing. I didn't even know there were dragons in it. But I now know one thing emphatically. I don't regret it at all. Even if you had told me the details I don't think I could have grasped how hard I would fall for this book that's like a sexy Harry Potter meets Game of Thrones but with even more death to such a degree that there's a campness to it. I mean it's like, how much more death is there going to be? All the death. And it will hurt. But it will also entertain. It's weird that this much death and destruction could be so entertaining, but here we are, it's the best book I read in 2024. It is what it is. Though what this book really did, besides remind me how much I have always loved dragons, is how much I love fantasy. What fantasy does is take you away to another place and time and then hit you with the home truths that you need to hear. Through the filter of fantasy we learn more about ourselves than I think in any other genre. And that's where this got me. Because this book was all about how history is written by the victors. That it "only takes one desperate generation to change history - even erase it." Books are knowledge but if that knowledge is censured then the truth is up for grabs. We're seeing it right now, all around us. Why else are they trying to ban books? It's not just because they fear the contents but because they fear us having any kind of reasoning, deductive or otherwise. Knowledge really is power. And moreover, readers are more empathetic, and well, we can't have that now can we? But what terrifies me is that while Rebecca Yarros says that it takes "[o]ne generation to change the text. One generation chooses to teach that text. The next grows, and the lie becomes history." We are seeing that around us at an accelerated rate. An attempt to literally overthrow democracy is viewed by many as just a peaceful gathering. We all saw it with our own eyes and yet people are denying that that's what they saw. Could it be because "[l]ies are comforting. Truth is painful." We must not accept the big lie! And the way this is presented to us, through Violet just looking for a beloved book her father read to her and realizing that there has to be a reason folklore is now considered dangerous is poignant. But she keeps digging and the truth she learns, well, that's the very reason her mother wanted her not be a scribe. Because General Sorrengail is ashamed of the truth. And maybe that's a sign that what she did is wrong?

Wednesday, July 9, 2025

Book Review - Cari Thomas's Shadowstitch

Shadowstitch by Cari Thomas
Published by: HarperCollins Publishers
Publication Date: June 6th, 2024
Format: Hardcover, 658 Pages
Rating: ★★★★
To Buy (different edition than one reviewed)

Anna Everdell's life has been turned upside down by the arrival of Effie Fawkes. Her sister. Her twin sister. Her twin sister whom she never knew about. They were separated after their parents' death in the hope of surviving the curse that killed them. Anna was raised by her unlamented Aunt while Effie was raised by their mother's best friend Selene. The curse is such that they are fated to love the same man with deadly consequences. That man in Attis Lockerby. He is Selene's true child, unlike Effie, born and raised to break the curse. But Anna and Effie could never live without Attis so they must find another way. All three of them living together under Selene's roof isn't ideal but after the death of her Aunt, Anna can't face that house of horrors she called home. She was tortured her entire life and for what? To learn to hide her true self? Which might be a valuable skill in the current atmosphere. Protective coloration is needed with what's coming. Her Aunt might not have been wrong about the Hunters. There is a new government agency, the WIPS, the Witchcraft Inquisitorial and Prevention Services. They are tasked with investigating the rising cases of hysteria. And Anna's school, St. Olave's, is the epicenter of the hysteria, thanks in no small part to their coven's manipulations of mean girl Darcey. The school year starts with investigations and inquisitions. Things that were whispered about are now spoken aloud, that Effie, Anna, Manda, and Rowan are witches. It just so happens that on this one occasion they are right. The terror gripping London intensifies when on the one year anniversary of the death of the faceless women in Big Ben the ravens at the Tower of London start to act up. Everyone knows the legend, if the ravens leave the Tower London will fall. The Coven of the Dark Moon must therefore keep their heads down. Which is exactly what Effie doesn't want to do. She will never kowtow to anyone no matter if it endangers herself or others. And the coven is having teething issues as the member try to discover their affinities. Their powers are starting to develop but Anna's are still unpredictable and that puts everyone in danger. Anna and Effie need to find out what their mother learned about their curse and trace it back to it's origins in the 1600s in an attempt to break it. But even those who talk to the dead, the Hel Witches, don't seem able to help. The only one actually helping Anna is her ex Peter Nowell. He wants to "save" Anna. But it looks like she and her coven might be beyond saving.

In the modern era a witch hunt is a term used politically. Think of McCarthyism. Now that was an actual political witch hunt. But in the current era there is a certain bombastic politician who likes to throw the phrase around. A lot. He might just be the most powerful person in the world to my dismay and the dismay of many others. I'm sure he probably doesn't even know what it means. He just says it as a way to get his followers to believe he is being wrongly persecuted. Because, sadly, most witch hunts were about punishing the innocent, usually clever women for being helpful to their communities, though there are also cases of mass delusions and well, plain old spite and revenge. This certain politician is all about the spite and revenge. He plays the victim for sympathy again and again. But just his intoning of the phrase "witch hunt" repeated ad infinitum has made it relevant again. Not because he is the victim of said witch hunts, but because he is carrying them out on innumerable people unjustly. It is the classic case of Republican projection, whatever they say the Democrats are doing to them they are doing themselves. It's reprehensible. But because of the omnipresence of witch hunts this lends a grounding in reality to Shadowstitch. Yes, they really are witches, yes, they might have done some questionable curses, but that doesn't make the witch hunt justified. It's just rounding up the "other" and punishing them for not falling into line. Just because a book is fantasy doesn't mean it's not reality. Some of the harshest truths and bleakest realities can be seen clearer when focused through the lens of fantasy. Just look to Andor. This is a show set a long time ago in a galaxy far, far away, and yet there isn't a more relevant show out there that speaks to this moment in history. The Ghorman Massacre, holy hell, it is so powerful and terrifying because I can see that happening at any moment to people I love and care for. Shadowstitch also speaks to this moment. But it speaks to it in the way Arthur's Miller's The Crucible did, which besides being about teenagers, please ignore the anachronistic use of that word for the Salem witch trials, was about McCarthyism. It all comes full circle. But with a dash of the Third Reich. Because where would a book about teenage witches be without some Nazis Youths.

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