Book Review 2025 #1 - Cari Thomas's The Burial Witch
The Burial Witch by Cari Thomas
Published by: HarperCollins Publishers
Publication Date: June 5th, 2025
Format: Hardcover, 150 Pages
Rating: ★★★★★
To Buy (different edition than one reviewed)
It's summer and Miranda Richardson has every second of her time accounted for. She has spent her life trying to live up to the expectations of her parents who already have two perfect children. But she never thinks she's good enough. If she can't even smile right for the family photo how is she going to achieve all her goals? They're laminated and on her wall; GOALS BEFORE THIRTY. Which is why instead of going to the park with her brother she is digging through boxes in the attic for a school project on the Richardson Family Tree. She's learning all about the Smiths and Evans from Shropshire and the local steel industry. Despite her father's enthusiasm she doesn't think she could be more bored if she tried. Yet she chose to look into her father's family and not her mother's. As she shifts the boxes of the past in the attic she finds a suitcase. It obviously belonged to her maternal grandparents. They emigrated from Nigeria to Peckham. Since their deaths her mother never talks about them. They are Richardsons, they can achieve anything they set their minds to. They don't dig into their past, they are a future-facing family. Which would be why Miranda is learning about Shropshire's steel industry. Her mother has made it clear that that part of their lives, her life, is over. The past is the past. But it's about to affect Miranda's present. In the suitcase she finds a box. There is something inside the box. When she moves it there is a clunking sound. Getting it open becomes her obsession. It's like a fairy tale come to life, this is her test. And she's failing because fairy tales don't come with instructions. She starts to slip in her work and she's distracted at church and lashing out. This little coffin shaped box leads her to do the unheard of. She has never disobeyed her parents, she wants to be like her mother when she grows up, and yet she goes to a shop that is off-limits. When A Sense of Craft opened in Richmond Miranda's mother tired to have it shut down. But this store and it's owner, Maya, might be Miranda's only hope. Though Miranda can't help but feel that Maya is a threat. That she's somehow involved in what's happening. Especially when Maya's advice opens the box to reveal a wooden doll. What could this mean? Miranda has to get to the bottom of this. Her summer was written and now she's dealing with magical forces, first loves, demonic dreams. If she wasn't highly strung before the events of the last few weeks she is now. The question is, will she embrace what's to come or bury it in a shallow grave?
Since I finished Shadowstitch I have been desperately craving anything new in Cari Thomas's The Language of Magic series. So when The Burial Witch novella was announced I was overjoyed. Preordered it from England to get it two months early overjoyed. And then I learned it was about Miranda. And my joy was somewhat tempered. It's not that I dislike Miranda, she's just the least interesting member of this Scooby Gang. Miranda has just been there, doing her thing, being conflicted about her religious beliefs and equally fighting and embracing this new aspect to herself, this magical aspect. She just is. And then The Burial Witch comes out and now I have to reread the whole series because of this new insight I have into her. Her OCD nature, her wanting to please her parents, her fear of the "other," all of this I relate to. Some from when I was her age, some from now. It's like she represents the different stages of my life and she's had to have all these changes thrust on her over one short summer. But what really struck me about her book, this book, is that you have to have no foreknowledge of anything else in this series for this book to work. It is a self-contained little masterpiece of a novella. Really, think British Stephen King at the top of his game and that's The Burial Witch. This is a perfect standalone horror novella in the tradition of Carrie. A religious girl is confronted by the unknown, there's temptation in this new knowledge, then, being who she is, she must find out more and goes to a forbidden shop where it's revealed that magic is real. And that dichotomy, that struggle in Miranda that Maya tries to help her with is to show her that not all religion is Christian and not all magic is bad. Which brings in the Vodun religion. Most people just think of rather racist and stereotypical Voodoo tropes. Whereas real Vodun is nothing like the movies would have you think. Yes, it's far away from anything Miranda might have experienced, and let us not forget she's lived a very sheltered life, but it's still holy. It's still divine. And so many books only use Vodun for the tropes, here it's handled thoughtfully. And what I really appreciate is that seeing as this series is set in England there's a certain kind of view of British magic. It's very Anglocentric. Yet England, like the rest of the world, is a melting pot. Therefore it makes sense that there are different kinds of magic. And having Vodun from Nigeria just works. There's a balance here that makes it both terrifying and respectful. Because it's how Miranda handles the changes where all the fear arises. The villain isn't magic, the villain is change. The villain is a future that wasn't planned out and laminated. That's a horror we can all relate to.
Earlier this year when I Am Not Okay With This debuted I admit I was suffering superhero fatigue. I mean, seriously, why do we need so many films and shows churning out the same story over and over again? So a story about a young girl, Sydney Novak, dealing with sudden powers did not feel like something I wanted to watch. Again. Enter my book club, and the fact that almost every single member started harassing me to watch this superhero origin story. I think they might have even threatened me, which I of course forgave as soon as I watched the show. I Am Not Okay With This reinvents the superhero origin story for those with superhero fatigue. It's a coming of age tale that just happens to have supernatural elements. I have since become a spokesperson for this show demanding everyone I know to watch it. The way I catch them is by saying it's as if John Hughes and David Lynch decided to make a show together. Because that is seriously the vibe. The teen angst, the music, the mysteries, the full out Carrie dance! What makes it even more special is that it's about not just Sydney struggling with her new powers, it's her struggling with who she is, and in particular her sexual orientation as she realizes she has feelings for her best friend Dina. This show is just unabashedly fun and inclusive and wonderful and Netflix I am still BEYOND pissed with you for cancelling this delightful series. Yes, I have the graphic novel to still read, but that isn't enough. I want more teen angst, I want to know who that stranger at the end offering to help Sydney was, and most importantly, I want more Stanley Barber. Stanley Barber has entered my pantheon of great geeky boys. He joins such luminaries as Duckie and Bill Haverchuck. Keep on being you Stanley. Keep on being you. 
Carrie by Stephen King
