Book Review - Maureen Johnson's Nine Liars
Nine Liars by Maureen Johnson
Published by: Katherine Tegen Books
Publication Date: December 27th, 2022
Format: Hardcover, 464 Pages
Rating: ★★
To Buy
All Stevie Bell's friends are planning their futures but after solving the case of a lifetime she is unsure what to do with her life. It's her final year of high school and she should be thinking about college applications but all she can think about is how much she misses her boyfriend. David is now studying in England. That's a whole ocean away. But he has an idea that gives Stevie life. Ellingham Academy is more than a little indebted to Stevie, what with saving it from closing and all, so he thinks the school would be willing to swing a study abroad program for her and their friends as the school has embraced remote learning in an attempt to keep their students alive. And he's right. Dr. Jenny Quinn, the new director of Ellingham, gives Stevie, Janelle, Vi, and Nate permission. With strict guidelines. This is a cultural trip that will last one week. They will be staying in London at Craven House which is where David lives. It's a hodgepodge of student housing but it fits their needs and Stevie's needs in particular. Because right now Stevie needs some alone time with David. But as soon as they land he's got a thing. You'd think coming across an ocean would be more important than a "thing" but David has always been an enigma. Maybe that's what drew Stevie to him? After a delay David plays the tour guide, culminating at the London Eye where he introduces them to his classmate and study partner, Izzy. Izzy instantly raises Stevie's hackles. She's too nice, too perfect, but then she hands Stevie the best gift, an unsolved murder. Nothing else matters now. This trip has narrowed it's focus down to two objectives, solve the cold case from the summer of 1995 involving Izzy's aunt Angela Gill and lose her virginity to David. Landmarks and tourist traps be damned. Her friends are now there to just cover her ass with Dr. Quinn as she delves into a time when everyone was listening to Blur. "The Nine" were a sketch comedy group that went to Cambridge and lived an entwined and internecine life in shitty student housing. Clothes, food, partners, everything was shared. Their graduation was the end of an era. So in grand fashion they were trooping out to Merryweather, a country manor house owned by the family of one of their cohort, Sebastian Holt-Carey. The rest of the party consisted of Theo Bailey, Noel Butler, Peter Elmore, Angela Gill, Rosie Mortimer, Julian Reynolds, Sooz Rillington, and Yash Varma. They piled into two cars and sped off for the countryside. That night during a drunken game of hide-and-seek with a storm brewing Noel and Rosie were murdered. They weren't found until morning in the woodshed, all evidence washed away. The police assumed it was a failed burglary. No one was ever caught. Which is where Stevie comes in. She's on a tight deadline, but if her friends will just cover for her she might pull off the impossible. Yet again.
As I have mentioned before this series has a split personality disorder. There's the historical crimes that I am drawn to and the YA angst I cringe from. Sadly this volume leaned hard into the cringe while giving us an historical crime I couldn't care less about. So, the historical case, what I am calling Peter's Murderous Friends. This cold case isn't so much a cold case as one left unsolved due to police disinterest. They decided, due to scant evidence and whose house it was, to just chock it up to burglars and leave it at that. As for why "The Nine" didn't want the case to be thoroughly investigated, I think they just didn't want to look too hard at themselves and opted for ignorance. Did they want to have a killer amongst them? No. And ignorance is bliss. So why should we, as readers, care for a cold case that no one else cared for? Especially as we don't have any connection to Noel and Rosie. They are just two of nine characters that were infodumped on us and unlike "good girl" Sabrina Abbot in The Box in the Woods we have no emotional investment, no tie to them. And then, when you get right down to the basic facts, so much of this plays out the same way as The Box in the Woods, with a small group connected to the crime still alive so when something happens it is obviously one of them. I understand the need for modern day stakes, and it worked in The Box in the Woods, but here it felt too contrived. And as for Peter's Murderous Friends? I would have just rather watched Peter's Friends. Because seriously, I love that movie. It is perfection. So when you take the same setup, Cambridge sketch comedy group reuniting at one of their country estates, well, just adding in murder isn't enough. You have to have the same emotional connection as you do to Peter and Rodger and Maggie and all the rest. And that did it in under two hours. Here Maureen Johnson couldn't do it in over four hundred pages! I was so excited for this volume, finally, a county house murder by Maureen Johnson. If there was anyone more excited than her it was me, because a can never get enough of English country houses. But this just didn't work. Aside from being the first author I've read to accurately and logically explain a ha-ha. I just can't get beyond my disinterest verging on hatred of "The Nine." Though in the end I hated Stevie more. I hate what she did to her friends. Constantly lying to them and getting them caught up in schemes that were dangerous all for her obsessions, both murderous and lustful. This wasn't about nine liars, Stevie made liars of them all. The only bright spot I have is that with that cliffhanger of David macking on someone new is that perhaps he can finally be written out.
At the Bottom of the Garden by Camilla Bruce
The Weekend Guests by Liza North
Head Cases by John McMahon
The Rules of Fortune by Danielle Prescod
Beast of the North Woods by Annelise Ryan
Barbarian's Heart by Ruby Dixon
A Lady Would Know Better by Emma Theriault
Lord of Intrigue by Nina Jarrett
The Girl Made of Stars by K.E. Le Veque
There's Something About Mira by Sonali Dev
Abduction of a Slave by Dana Stabenow
Nine Liars by Maureen Johnson
The Lost Witch by Paige Crutcher
The Marriage List by Ella Quinn
The Hunting Party by Lucy Foley
As a person with an obsessive disorder once I find a film I love I will just watch it over and over again. This was very bad on VHS tapes when I was young. I would literally wear them out. I even once wore out a DVD set... At the beginning of high school the film being obsessed over was Dead Again. Doomed lovers reincarnated to not only get their happily ever after but to get revenge for their deaths? Oh yes please! What I loved most about it was the fact that Kenneth Branagh and Emma Thompson weren't just lovers in the film but their love was real! I became a little obsessed with their relationship and would watch anything they were in together, with especial love for Peter's Friends and Much Ado About Nothing. In our house we had a book on the history of Masterpiece Theatre and there was a picture in it from Fortunes of War. Seeing as this was the miniseries they met on and where they fell in love, to me, this was the beginning of their love story and therefore it was very important that I watch it. At the time you couldn't rent the miniseries so I had to content myself with drawing the picture in the book. I remember that I was convinced the only way to get Emma's hat right was with watercolor pencils. Let's just say I'm still not the best with this medium and when I was a teenager I was worse. I kind of ruined the picture and moved on to obsessing over the movie The Tall Guy, Emma Thompson, Jeff Goldblum, pure genius. By the time I finally got to watch Fortunes of War Kenneth and Emma's marriage had imploded, and she had thankfully found love again in the arms of Willougby and as I thought at the time, Kenneth could go fuck himself. In fact I kind of still feel that way but begrudgingly admit he occasionally has talent. So it was bittersweet seeing this miniseries that meant so much to me long before I had seen it. In fact, in my mind, they aren't the stars of this miniseries. Yes, I know, I know, it says they are, but Ronald Pickup as Prince Yakimov stole the show. He had a little bit of an Edward Gorey vibe with his long fur coat, and I just adore him. And when he met his tragic end in Greece, not only did I learn about the atrocities the Nazis perpetrated on the Greek, but I also felt like I had lost a friend. RIP Prince Yakimov. But thankfully Ronald Pickup was still making movies and television shows until his death at the age of 80 this year.
Stephen Fry and Hugh Laurie are gateway drugs to the best of British comedy. For me it all started with Peter's Friends, which is technically not a comedy, but Fry and Laurie also go beyond the bounds of the comedic label, so I think that's a good starting off point. From there I found The Young Ones, Filthy Rich and Catflap, Blackadder, A Bit of Fry and Laurie, and, of course, Jeeves and Wooster. To this day they are to me everything that is great and good about British acting and television. I will listen to or watch anything that they are in, but it's when they are working together that they reach new heights. Jeeves and Wooster was actually made concurrently with A Bit of Fry and Laurie and I think that them working together at all times made the relationship between Bertie and Jeeves that much more real. What's more, their personalities kind of fit their characters so much so that at times I might wonder if Stephen Fry is wandering around Hugh Laurie's house tidying it up and putting things to rights. Stephen Fry's fussy side comes out while Hugh Laurie's goofy side with a large dollop of musicality come to the fore. Jeeves and Wooster is pure fun comfort viewing, it has the beautiful country houses, troubles that aren't too troubling, and there's the fact that you'll see all your favorite British actors playing minor rolls which were constantly being recast, usually to delightful results. I mean four different actresses playing Aunt Dahlia kind of lends itself to the idea that Bertie has a never-ending stream of interfering aunts. But series two was when the show found it's stride. Series one they rouged Laurie's checks so much he looked like a comical vaudeville drunk. But in series two Simon Langton took over as director! Not only did he direct the seminal Pride and Prejudice adaptation, the one with Colin Firth, but episodes of Upstairs, Downstairs, The Duchess of Duke Street, Love for Lydia, Rebecca with Jeremy Brett, Poirot, Rosemary and Thyme, Foyle's War, and Midsomer Murders! Plus series two happens to have my most watched episode of Jeeves and Wooster. How is it I've seen "Chuffy" what seems like a million times? Perhaps because it's the episode where Jeeves quits... Heaven forfend! Don't worry, it all works out! It always does in the England that never was of P.G. Wodehouse.
