Showing posts with label The Language of Magic. Show all posts
Showing posts with label The Language of Magic. Show all posts

Friday, January 30, 2026

Book Review 2025 #1 - Cari Thomas's The Burial Witch

The Burial Witch by Cari Thomas
Published by: HarperCollins Publishers
Publication Date: June 5th, 2025
Format: Hardcover, 150 Pages
Rating: ★★★★★
To Buy (different edition than one reviewed)

It's summer and Miranda Richardson has every second of her time accounted for. She has spent her life trying to live up to the expectations of her parents who already have two perfect children. But she never thinks she's good enough. If she can't even smile right for the family photo how is she going to achieve all her goals? They're laminated and on her wall; GOALS BEFORE THIRTY. Which is why instead of going to the park with her brother she is digging through boxes in the attic for a school project on the Richardson Family Tree. She's learning all about the Smiths and Evans from Shropshire and the local steel industry. Despite her father's enthusiasm she doesn't think she could be more bored if she tried. Yet she chose to look into her father's family and not her mother's. As she shifts the boxes of the past in the attic she finds a suitcase. It obviously belonged to her maternal grandparents. They emigrated from Nigeria to Peckham. Since their deaths her mother never talks about them. They are Richardsons, they can achieve anything they set their minds to. They don't dig into their past, they are a future-facing family. Which would be why Miranda is learning about Shropshire's steel industry. Her mother has made it clear that that part of their lives, her life, is over. The past is the past. But it's about to affect Miranda's present. In the suitcase she finds a box. There is something inside the box. When she moves it there is a clunking sound. Getting it open becomes her obsession. It's like a fairy tale come to life, this is her test. And she's failing because fairy tales don't come with instructions. She starts to slip in her work and she's distracted at church and lashing out. This little coffin shaped box leads her to do the unheard of. She has never disobeyed her parents, she wants to be like her mother when she grows up, and yet she goes to a shop that is off-limits. When A Sense of Craft opened in Richmond Miranda's mother tired to have it shut down. But this store and it's owner, Maya, might be Miranda's only hope. Though Miranda can't help but feel that Maya is a threat. That she's somehow involved in what's happening. Especially when Maya's advice opens the box to reveal a wooden doll. What could this mean? Miranda has to get to the bottom of this. Her summer was written and now she's dealing with magical forces, first loves, demonic dreams. If she wasn't highly strung before the events of the last few weeks she is now. The question is, will she embrace what's to come or bury it in a shallow grave?

Since I finished Shadowstitch I have been desperately craving anything new in Cari Thomas's The Language of Magic series. So when The Burial Witch novella was announced I was overjoyed. Preordered it from England to get it two months early overjoyed. And then I learned it was about Miranda. And my joy was somewhat tempered. It's not that I dislike Miranda, she's just the least interesting member of this Scooby Gang. Miranda has just been there, doing her thing, being conflicted about her religious beliefs and equally fighting and embracing this new aspect to herself, this magical aspect. She just is. And then The Burial Witch comes out and now I have to reread the whole series because of this new insight I have into her. Her OCD nature, her wanting to please her parents, her fear of the "other," all of this I relate to. Some from when I was her age, some from now. It's like she represents the different stages of my life and she's had to have all these changes thrust on her over one short summer. But what really struck me about her book, this book, is that you have to have no foreknowledge of anything else in this series for this book to work. It is a self-contained little masterpiece of a novella. Really, think British Stephen King at the top of his game and that's The Burial Witch. This is a perfect standalone horror novella in the tradition of Carrie. A religious girl is confronted by the unknown, there's temptation in this new knowledge, then, being who she is, she must find out more and goes to a forbidden shop where it's revealed that magic is real. And that dichotomy, that struggle in Miranda that Maya tries to help her with is to show her that not all religion is Christian and not all magic is bad. Which brings in the Vodun religion. Most people just think of rather racist and stereotypical Voodoo tropes. Whereas real Vodun is nothing like the movies would have you think. Yes, it's far away from anything Miranda might have experienced, and let us not forget she's lived a very sheltered life, but it's still holy. It's still divine. And so many books only use Vodun for the tropes, here it's handled thoughtfully. And what I really appreciate is that seeing as this series is set in England there's a certain kind of view of British magic. It's very Anglocentric. Yet England, like the rest of the world, is a melting pot. Therefore it makes sense that there are different kinds of magic. And having Vodun from Nigeria just works. There's a balance here that makes it both terrifying and respectful. Because it's how Miranda handles the changes where all the fear arises. The villain isn't magic, the villain is change. The villain is a future that wasn't planned out and laminated. That's a horror we can all relate to.

Wednesday, August 6, 2025

Book Review - Cari Thomas's The Burial Witch

The Burial Witch by Cari Thomas
Published by: HarperCollins Publishers
Publication Date: June 5th, 2025
Format: Hardcover, 150 Pages
Rating: ★★★★★
To Buy (different edition than one reviewed)

It's summer and Miranda Richardson has every second of her time accounted for. She has spent her life trying to live up to the expectations of her parents who already have two perfect children. But she never thinks she's good enough. If she can't even smile right for the family photo how is she going to achieve all her goals? They're laminated and on her wall; GOALS BEFORE THIRTY. Which is why instead of going to the park with her brother she is digging through boxes in the attic for a school project on the Richardson Family Tree. She's learning all about the Smiths and Evans from Shropshire and the local steel industry. Despite her father's enthusiasm she doesn't think she could be more bored if she tried. Yet she chose to look into her father's family and not her mother's. As she shifts the boxes of the past in the attic she finds a suitcase. It obviously belonged to her maternal grandparents. They emigrated from Nigeria to Peckham. Since their deaths her mother never talks about them. They are Richardsons, they can achieve anything they set their minds to. They don't dig into their past, they are a future-facing family. Which would be why Miranda is learning about Shropshire's steel industry. Her mother has made it clear that that part of their lives, her life, is over. The past is the past. But it's about to affect Miranda's present. In the suitcase she finds a box. There is something inside the box. When she moves it there is a clunking sound. Getting it open becomes her obsession. It's like a fairy tale come to life, this is her test. And she's failing because fairy tales don't come with instructions. She starts to slip in her work and she's distracted at church and lashing out. This little coffin shaped box leads her to do the unheard of. She has never disobeyed her parents, she wants to be like her mother when she grows up, and yet she goes to a shop that is off-limits. When A Sense of Craft opened in Richmond Miranda's mother tired to have it shut down. But this store and it's owner, Maya, might be Miranda's only hope. Though Miranda can't help but feel that Maya is a threat. That she's somehow involved in what's happening. Especially when Maya's advice opens the box to reveal a wooden doll. What could this mean? Miranda has to get to the bottom of this. Her summer was written and now she's dealing with magical forces, first loves, demonic dreams. If she wasn't highly strung before the events of the last few weeks she is now. The question is, will she embrace what's to come or bury it in a shallow grave?

Since I finished Shadowstitch I have been desperately craving anything new in Cari Thomas's The Language of Magic series. So when The Burial Witch novella was announced I was overjoyed. Preordered it from England to get it two months early overjoyed. And then I learned it was about Miranda. And my joy was somewhat tempered. It's not that I dislike Miranda, she's just the least interesting member of this Scooby Gang. Miranda has just been there, doing her thing, being conflicted about her religious beliefs and equally fighting and embracing this new aspect to herself, this magical aspect. She just is. And then The Burial Witch comes out and now I have to reread the whole series because of this new insight I have into her. Her OCD nature, her wanting to please her parents, her fear of the "other," all of this I relate to. Some from when I was her age some from now. It's like she represents the different stages of my life and she's had to have all these changes thrust on her over one short summer. But what really struck me about her book, this book, is that you have to have no foreknowledge of anything else in this series for this book to work. It is a self-contained little masterpiece of a novella. Really, think British Stephen King at the top of his game and that's The Burial Witch. This is a perfect standalone horror novella in the tradition of Carrie. A religious girl is confronted by the unknown, there's temptation in this new knowledge, then, being who she is, she must find out more and goes to a forbidden shop where it's revealed that magic is real. And that dichotomy, that struggle in Miranda that Maya tries to help her with is to show her that not all religion is Christian and not all magic is bad. Which brings in the Vodun religion. Most people just think of rather racist and stereotypical Voodoo tropes. Whereas real Vodun is nothing like the movies would have you think. Yes, it's far away from anything Miranda might have experienced, and let us not forget she's lived a very sheltered life, but it's still holy. It's still divine. And so many books only use Vodun for the tropes, here it's handled thoughtfully. And what I really appreciate is that seeing as this series is set in England there's a certain kind of view of British magic. It's very Anglocentric. Yet England, like the rest of the world, is a melting pot. Therefore it makes sense that there are different kinds of magic. And having Vodun from Nigeria just works. There's a balance here that makes it both terrifying and respectful. Because it's how Miranda handles the changes where all the fear arises. The villain isn't magic, the villain is change. The villain is a future that wasn't planned out and laminated. That's a horror we can all relate to.

Wednesday, July 2, 2025

Book Review - Cari Thomas's The Hedge Witch

The Hedge Witch by Cari Thomas
Published by: Voyager
Publication Date: June 6th, 2023
Format: Hardcover, 144 Pages
Rating: ★★★
To Buy (different edition than one reviewed)

Rowan's family is large and quirky. The Greenfinchs are part of the Wort Cummings grove, another mark of eccentricity against Rowan. Yet Rowan would turn her back on all that for a chance at being popular. She doesn't want to think about how she fits into her family or her grove, she wants to dream about her first kiss and boys. But dreams will have to wait as reality crashes in. She's going to be spending the summer tending to hedges. In Wales. Rowan should be pleased she's leaving the crowded homestead and spending the summer in the Welsh countryside helping her Aunt Winnie who is a hedge witch. After all, those hedges do need watching. But Rowan is convinced her socials need watching more. How else can she know what all her classmates are up to? And it's not like remote Welsh villages are known for their cell service. Though her mother insists they are known for their rugged and handsome boys, which Rowan does not want to hear about from her mother. Especially when she learns that her Aunt Winnie has a boyfriend, meaning Aunt Winifred officially has more of a life than herself. Remote Welsh villages also aren't known for their magic. Because magic is supposed to be locked down. There's a lid on it so that the non-magical folk, the cowans, don't learn of it's existence. And someone isn't playing by the rules in Coedyllaeth. And unbeknownst to Rowan she's about to fall in with them. There aren't many kids her age about and the few magical ones there are form a little band. A band that has their own rules. Laila seems to be the leader, a daughter of a Moon Sower who takes Rowan under her wing. As Rowan informs her, she is desperate for gossip. Any gossip. And that's how she learns about the the oddly quaint town that is chockablock with eccentrics, after all a remote Welsh village surrounded by mystical woodlands with plenty of space and privacy does attract them. What these secretive folk don't like is odd happenings. And they've been occurring. Words disappearing from signs, hands disappearing from clocks. Things that could be written off as vandalism but that others would say is magic. They need to stop. And Rowan might be the only one who can stop them. Maybe summer won't be so boring after all?

When you find a series you love it's hard to wait for each volume to be completed. It might feel like eons when it's just a year or two. We're not bringing George R.R. Martin of Patrick Rothfuss into this conversation. Obviously. And I feel a bit of a hypocrite mentioning this in regard to Cari Thomas's The Language of Magic series because I binged all three available books one after the other last summer. It took me about a month and as I'm writing this review I am feeling the need to do a reread to stave off the withdrawal but will probably save that for when the next book in the main series is minimally announced. Because Cari Thomas is a thoughtful author and besides the man tetraology she is writing a companion prequel novella tetraology with each volume focusing on one of our heroines, Anna Everdell, Effie Fawkes, Rowan Greenfinch, and Miranda Richardson. As I type this I am awaiting the shipping notification for the second novella focusing on Miranda, The Burial Witch, but the first novella wisely focused on Rowan. I say wisely because Rowan is my favorite. Or maybe I should say, because I am Rowan. The thing about this world and these character that Cari Thomas has built is is they are relatable, they are wonderful, and they are occasionally problematic, which makes them painfully real. Effie and Manda in particular aren't written to be sympathetic, but that doesn't mean reading about them isn't enjoyable. You are completely drawn into the drama. The four of them bouncing off each other and causing chaos. Of course, taking them out of that dynamic and seeing them on their own is what this spin-off series is about. And that brings us back to Rowan. I loved Rowan for the moment she first appeared on the page with Darcey being mean about her weight. And then I met her family. They out Weasley the Weasleys. The Christmas celebrations in Shadowstitch are ones I want to crawl into the book and live. Here though she's thrown out into the country, away from her copious family, and she has to learn to solve problems on her own. Which she does with great aplomb. I also love that she has a batty Aunt that is basically a combination of the Witches from Discworld, prickly like Granny Weatherwax but with a libido of Nanny Ogg. I'm so glad she made an appearance in Shadowstitch. Dare I say I just want more of all of it? Yes I do dare. More!

Friday, June 20, 2025

Book Review - Cari Thomas's Threadneedle

Threadneedle by Cari Thomas
Published by: HarperCollins Publishers
Publication Date: May 27th, 2021
Format: Hardcover, 559 Pages
Rating: ★★★★
To Buy (different edition than one reviewed)

The Dark Times are long gone. Or so most witches believe. Not the Binders. They believe magic is the first sin and the Hunters will rise again. They bind their powers to avoid temptation and exert control. Anna Everdell's parents where killed by magic and love. It might have been her father's hands that killed her mother but they were controlled by magic. Raised by her Aunt under the tenants of the Binders Anna hasn't been allowed to practice magic. She's not even allowed to dream. Which makes Selene's visits so enticing. Selene was her mother's best friend and she has floated in and out of Anna's life bringing with her presents and stories of a world where magic isn't repressed. I life Anna might have had had her parents not died. Needless to say her Aunt doesn't approve. Especially this year. It's Anna's sixteenth birthday and the date of her binding is fast approaching. Selene is expected for a birthday lunch, so of course she shows up for dinner with two teenagers in tow. Selene has never mentioned her daughter Effie before, an odd omission as she is the same age as Anna. And wherever Effie goes Attis follows. Effie, Attis, and particularly Selene are the type of witches Anna's Aunt has warned her about, those who flaunt their magic. It is dangerous to do so. Or so Anna has been taught. Her Aunt warns her that she is to avoid Effie and Attis at all costs, but when Effie Fawkes's name is read at morning assembly at St. Olave's avoiding Effie has just become a lot harder. Especially as Anna doesn't have any friends at school. The mean girls; Darcey, Olivia, and Corinne, have held the reigns of power at St. Olave's for as long as Anna can remember and they set their sights on Effie. But Effie isn't one to shy away from a fight. She looks around her and sees the outcasts, the students who have been ground under Darcey's heel, and she draws them to her; Rowan, Miranda, and of course, Anna. They have been chosen by Effie to form a coven. Something Anna's Aunt would heartily disapprove of. But in the bowels of St. Olave's in room 13B they come together to experiment with magic. At first it's just little things. Things you learn as a child. Then wonders unveiled of a magical London Anna never knew existed. Though teenage girls have desires, teenage girls have enemies, and soon things start to sour. And what magic Anna does is off. Something is wrong. But it's not just her magic, six faceless women have been hanged in Big Ben. Could her Aunt have been right? Is magic a sin and are the Hunters rising? Effie would laugh at her for thinking such thoughts, but her Aunt might be more right than Anna ever knew.

If you were a teen of a certain bent in the nineties The Craft is seminal. Yes, you probably also watched Charmed, but that was more of a guilty pleasure you didn't talk about. With The Craft it was something entirely different. If you heard someone hadn't seen the movie you would just sit them down and make them watch it. Immediately. It didn't matter if you were in the middle of something else or even at a party, it was time for The Craft. You even have strong opinions about Robin Tunney's wig. I mean, we all know it's horrible, but here shaving her head for another equally influential film, Empire Records, means that we are stuck with The Craft not being completely perfect. But maybe that makes it all the more beloved. I honestly didn't know what I was getting into with Threadneedle. I bought the book under a misapprehension. I thought it was going to be like the second book in Deborah Harkness's All Souls Trilogy, Shadow of Night. In other words historical witches doing magic with needle and thread. I don't know where I got this idea from but about five minutes into reading I didn't care because this was a British version of The Craft! And being an acolyte of The Craft, I instantly started harassing all my bookish friends with this knowledge I had just learned. They HAD to read Threadneedle. Immediately. I mean, Anna is Sarah, Effie is Nancy, Rowan is Bonnie, and Miranda is Rochelle. Though saying this is just a British version of The Craft takes away from the amazingly dark and complicated world that Cari Thomas has built. Yes, there's Anna's introduction to the "wonders" of magic, stores that sell memories, astonishing snow globes, libraries for the lost, but that is what every kid who checked the back of a wardrobe would expect of a story with teen witches. The added layer of menace and the Binders is just horrific and riveting. I find it a little ironic that what so many people found off-putting is what I embraced. Sometimes a story needs to be dark to do justice to the characters. The world we live in right now isn't exactly rainbows and sunshine and to show these kids growing up in fear and rage shines a mirror on us. We need to do better, we need to destroy the Hunters among us. We need to offer protection and love, because look at what can happen. Look how easy it is to just accept that this is your lot in life. Anna was willing to bind her true self because it's all she knew. She still has an uphill battle, but at least she is no longer ignorant. Ignorance is the real danger. And of course the Hunters. Because they are real.

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