Tuesday Tomorrow
Hex by Thomas Olde Heuvelt
Published by: Tor Nightfire
Publication Date: September 21st, 2021
Format: Paperback, 384 Pages
To Buy
The official patter:
"The English language debut of the bestselling Dutch novel, Hex, from Thomas Olde Heuvelt - a Hugo and World Fantasy award nominated talent to watch.
Whoever is born here, is doomed to stay 'til death. Whoever settles, never leaves.
Welcome to Black Spring, the seemingly picturesque Hudson Valley town haunted by the Black Rock Witch, a seventeenth century woman whose eyes and mouth are sewn shut. Muzzled, she walks the streets and enters homes at will. She stands next to children's bed for nights on end. Everybody knows that her eyes may never be opened or the consequences will be too terrible to bear.
The elders of Black Spring have virtually quarantined the town by using high-tech surveillance to prevent their curse from spreading. Frustrated with being kept in lockdown, the town's teenagers decide to break their strict regulations and go viral with the haunting. But, in so doing, they send the town spiraling into dark, medieval practices of the distant past.
This chilling novel heralds the arrival of an exciting new voice in mainstream horror and dark fantasy."
A whole town being haunted? YAS!
All These Bodies by Kendare Blake
Published by: Quill Tree Books
Publication Date: September 21st, 2021
Format: Hardcover, 304 Pages
To Buy
The official patter:
"Sixteen bloodless bodies. Two teenagers. One impossible explanation. In this edge-of-your-seat mystery from #1 New York Times bestselling author Kendare Blake, the truth is as hard to believe as it is to find.
Summer 1958. A gruesome killer plagues the Midwest, leaving behind a trail of bodies completely drained of blood.
Michael Jensen, an aspiring journalist whose father happens to be the town sheriff, never imagined that the Bloodless Murders would come to his backyard. Not until the night the Carlson family was found murdered in their home. Marie Catherine Hale, a diminutive fifteen-year-old, was discovered at the scene - covered in blood. She is the sole suspect in custody.
Michael didn’t think that he would be part of the investigation, but he is pulled in when Marie decides that he is the only one she will confess to. As Marie recounts her version of the story, it falls to Michael to find the truth: What really happened the night that the Carlsons were killed? And how did one girl wind up in the middle of all these bodies?"
A fantastical In Cold Blood.
Malpertuis by Jean Ray
Published by: Wakefield Press
Publication Date: September 21st, 2021
Format: Paperback, 256 Pages
To Buy
The official patter:
"Jean Ray brilliantly upends the haunted-house tradition in this widely acclaimed puzzlebox of a novel.
A reinvention of the Gothic novel and an established classic of fantastic literature, Malpertuis is as inventive and gripping today as when it first appeared in French in the dark year of 1943.
Malpertuis is a puzzle box of nested narratives wrested from a set of manuscripts stolen from a monastery. A bizarre collection of distrustful relatives has gathered together in the ancient stone mansion of a sea-trading dynasty for the impending death of the occult scientist, Uncle Cassave, and the reading of his will. Forced to dwell together for the remainder of their lives within the stifling walls of Malpertuis for the sake of a cursed inheritance, their banal existence gradually gives way to love affairs and secret plots, as the building slowly exposes a malevolence that eventually leads to a series of ghastly deaths.
The eccentric personalities it houses - which include an obsessive taxidermist, a hypochondriac, a trio of vengeful sisters and a former paint store manager who has gone mad - begin to shed like skins to reveal yet another hidden story buried in the novel's structure, one that turns the haunted-house tradition on its head and culminates in an apocalyptic denouement."
I am ALL about different takes on the Gothic and the haunted house tradition in literature!
When Things Get Dark edited by Ellen Datlow
Published by: Titan Books
Publication Date: September 21st, 2021
Format: Hardcover, 352 Pages
To Buy
The official patter:
"A chilling anthology in tribute to the genius of Shirley Jackson, collecting today’s best horror writers. Featuring Joyce Carol Oates, Josh Malerman, Paul Tremblay, Richard Kadrey, Stephen Graham Jones, Elizabeth Hand and more.
A collection of new and exclusive short stories inspired by, and in tribute to, Shirley Jackson.
Shirley Jackson is a seminal writer of horror and mystery fiction, whose legacy resonates globally today. Chilling, human, poignant and strange, her stories have inspired a generation of writers and readers.
This anthology, edited by legendary horror editor Ellen Datlow, will bring together today’s leading horror writers to offer their own personal tribute to the work of Shirley Jackson.
Featuring Joyce Carol Oates, Josh Malerman, Carmen Maria Machado, Paul Tremblay, Richard Kadrey, Stephen Graham Jones, Elizabeth Hand, Kelly Link, Cassandra Khaw, Karen Heuler, Benjamin Percy, John Langan, Laird Barron, Jeffrey Ford, M. Rickert, Seanan McGuire, Gemma Files, and Genevieve Valentine."
It's about Shirley Jackson, so I'm here for it! Though I find it funny that the stock photo is in use by a lot of books right now, even one my friend designed!
MR Cadmus by Peter Ackroyd
Published by: Canongate Books
Publication Date: September 21st, 2021
Format: Paperback, 192 Pages
To Buy
The official patter:
"Two apparently harmless women reside in cottages one building apart in the idyllic English village of Little Camborne. Miss Finch and Miss Swallow, cousins, have put their pasts behind them and settled into conventional country life. But when a mysterious foreigner, Theodore Cadmus - from a Mediterranean island nobody has heard of - moves into the middle cottage, the safe monotony of their lives is shattered.
Soon, long-hidden secrets and long-held grudges threaten to surface, drawing all into a vortex of subterfuge, theft, violence, mayhem...and murder."
So, in other words, just my Midsomer Murders-esque kind of dream!
Cats Galore Encore! by Susan Herbert
Published by: Thames and Hudson
Publication Date: September 21st, 2021
Format: Hardcover, 192 Pages
To Buy
The official patter:
"This second litter of cultured cats delves further into the work of painter Susan Herbert, with another helping of cats in much-loved works of art.
This follow-up to the smash hit Cats Galore delves further into the work of artist Susan Herbert, whose delightful reimaginings of famous artworks have won her a devoted international following. Herbert’s first book, The Cats Gallery of Art, was published in 1990, and since then her work has appeared in numerous books, featuring cats in iconic works of art, as well as scenes from opera, Shakespearean plays, and the movies - all with her trademark blend of humor and her ability to capture those essential feline characteristics instantly recognizable to cat lovers everywhere.
In Cats Galore Encore!, furry felines take over yet more of the world’s most famous masterpieces. They crowd into the pages of the fifteenth-century Tres Riches Heures tapestry, zoom through the air as cherubs in royal portraits, before loosening things up in the nineteenth century as artists take paint and palette out into the countryside. Ranging from medieval illuminated manuscripts to old master stalwarts such as Rembrandt and Johannes Vermeer, through to the likes of Claude Monet and Dante Gabriel Rossetti, this second helping of cats in art will delight fans of the beloved artist."
Susan Herbert was everyone in the nineties and I am HERE FOR THE RENAISSANCE!
After seeing the amazing interpretation of Shirley Jackson's The Haunting of Hill House that Mike Flanagan pulled off I was beyond excited for The Haunting of Bly Manor. And this was only approximately 79% to do with Rahul Kohli being cast. OK, it was probably closer to 100% because I am not a fan of The Turn of the Screw like I am with The Haunting of Hill House, but that's why this adaptation is so perfect, it made me like The Turn of the Screw and the other stories by Henry James that were incorporated. This miniseries turned a bleak tale of possible madness into a love story. And not just a single love story either! There are many couples to ship here. In fact this show might have healed and broken my heart simultaneously. If someone were to say to me "it's you, it's me, it's us" I would probably break down sobbing right this second. Yet this phrase which comes to mean so much about the power of love started out menacing. That's what's amazing here. The way the story unfolds. What was one thing becomes another and another and everything you think you knew keeps changing. This is a miniseries that could easily be rewatched the second you finish it just to fill in the gaps you might have missed. The one thing I found odd when reading reviews of what people have dubbed the second season of Mike Flanagan's "Haunting" series is that so many people took exception to the penultimate episode shot in black and white, "The Romance of Certain Old Clothes." This episode set centuries earlier explains how Bly Manor came to be the haunted place it is with Mike Flanagan's wife, Kate Siegel, Theo from The Haunting of Hill House, taking center stage. This episode is lyrical and perfectly paced. There are phrases that come back to me again and again while thinking about this show. "She would sleep, she would wake, she would walk." And while yes, this could be a way to explain all our lives during quarantine and it's repetitive nature, it also taps into the broken record aspect of a haunting. How ghosts are just reliving the same moments over and over again which is why the penultimate episode is crucial! This show is time loops and the supernatural and true love all mashed up together and all I have to say is more!
I admit it, I was extremely worried about this adaptation of Terry Pratchett's work. For years and years he'd been trying to get this adaptation going and then he died and I figured well, The Watch was never going to happen. I didn't view it as much of a loss as of all the Discworld properties that had been adapted I felt only Going Postal really worked and the only one I had ever really been excited about was when Sam Raimi was attached to Tiffany Aching because I SO want to see Bruce Campbell as a feegle! But then Good Omens was a hit and The Watch was back. I reluctantly admit to the fact that I saw the preview for The Watch a handful of times before I even realized it was a Terry Pratchett adaptation. I remember seeing the first picture and the Brutalist cyberpunk vibe they were going for and just dismissed it outright, hence why I probably didn't put two and two together when the trailer dropped. But I was willing to give it a try. I couldn't be like all those other Pratchett fans dismissing it outright! I have to have informed dislike. And it turned out I didn't dislike it... in fact I kind of loved it. I didn't think Richard Dormer would work as the beloved Sam Vimes, having only seen him in Fortitude, but he brought an interesting and very pugnacious vibe to Sam. I can actually see him on the covers of the books as illustrated by Paul Kidby. As for Carrot and Angua, they are literally almost exactly as I pictured them. But the stars of this show are Sybil and Cheery. Sybil was taken from the periphery of Sam's life and given a place front and center and she just kicks ass, there's no other way to say it. I also love how awkward she and Sam are around each other, there's true chemistry there. But far and away this season is about Cheery. I so loved Jo Eaton-Kent as Cheery I can no longer see the character any other way. There's also so much depth brought to the character about finding yourself and how much bravery that takes and yes, the beard does make an appearance people! I just literally can't with how much I loved Cheery as brought to life by Jo. You are doing yourself a disfavor if you don't tune in. So it's not perfect, neither are Practhett's books the way they jump around in their narrative style, which this show fully embraces! So come on, embrace The Watch! 
When Sorrows Come by Seanan McGuire
Slewfoot by Brom
White Smoke by Tiffany D. Jackson
My Sweet Girl by Amanda Jayatissa
Farewell Blues by Maggie Robinson
Alma Presses Play by Tina Cane
Kevin Smith's Secret Stash by Kevin Smith
THIS is THE SHOW I've been waiting all year for. Heck, YEARS for, so yes, I might be a tad more critical because I just re-read all the books in the Grishaverse and therefore little things were getting to me amongst the greatness of this epic, like I do not believe there is any way Zoya would have bangs. Yes, she's a Squaller so she could probably maintain them, perfectly balancing humidity and placement, I just don't think they're Zoya... And yes, I admit I've probably thought about this more than was necessary, but that's just me. The grandeur and the beauty and the bangs are all here on display. This is the epic fantasy we've been needing to purge Game of Thrones out of our system, so STOP comparing it to Game of Thrones! Unless you've read all the books then I'll let you call Zoya Daenerys Targaryen 2.0. But that is all. There is so much they go right in this adaptation. I was so wary of Kaz, Jesper, Inej, Nina, and Matthias being brought forward in time I was shocked how well they fit in, merging the original trilogy and the first duology. This led to some wonderful "what if" scenarios like the Darkling and Kaz meeting in an alley. Kaz's exit was priceless. In fact while I feel the casting was so perfect throughout, hats off to Kit Young, he IS Jesper. I don't know if I've ever seen a book to screen adaptation get something so right. He just doesn't play the character well, he is Jesper! And as for the addition of Milo? Dear saints, I didn't know how much this series needed a goat until it happened! The only real issues I took had to do with budgetary concerns. They used beautiful Eastern European locations in Budapest, but Leigh so lovingly describes the Little Palace in detail I wish they had had the funds to actually build it, or at least the dining hall. Also sometimes the CGI was a little off, especially when Mal and Alina were hunting the stage, Mal himself looked like he was CGI right out of a video game and I was fighting some true uncanny valley issues. So in the end my analysis is, they got in pretty damn right, I just feel like I'm more in the world when I'm reading the books. Which now need a goat.
OK, I know with what I'm about to admit everyone is going to be shocked, but until this miniseries I had not heard of or watched the original movie adaptation of Rumer Godden's book that is a classic starring Deborah Kerr. Black Narcissus won Oscars and accolades when it was released in 1947, eerily on the day that would be my birthday come the seventies. So, putting aside my lack of a complete film education, what it meant was I was going into this series fresh. In fact I saw an ad only a day before it aired and it was being touted as Diana Rigg's last appearance, that is until Edgar Wright admits defeat and releases Last Night in Soho to streaming, so I said, let's see what this Black Narcissus is all about! Also I have probably rightly pissed off Edgar Wright now by not knowing this movie and saying that movie theaters are dead and streaming is the only safe option in this day and age. Oh well, I'm still looking forward to Last Night in Soho... So this version of Black Narcissus, compared to no other, was a wonderful little idyll of nuns trying to do good against all odds in a very haunted place. I mean this miniseries just oozed Gothic vibes, it was delicious! I constantly love how the building blocks of what is considered Gothic can be changed time and time again to create a whole new slant that you'd never think of. Nuns tend to align themselves more with the horror genre, and to tackle their desires and damnation in a human and real way within the Gothic sphere felt fresh to me, and again note I haven't seen the original film. Though the driving force of the three episode miniseries is Sister Ruth and her going more and more off the rails in this remote location. I don't know if you're supposed to hate Sister Ruth and long for her corruption and death, but I totally did. Her obsession with the male caretaker, Mr. Dean, and her delusions about Mr. Dean and Sister Clodagh make her more and more unstable and I loved every minute of it. I think this was all enhanced by the performace of Aisling Franciosi as Sister Ruth. I knew I knew her from somewhere and wherever that was I hated her in that. Turns out it was The Fall, the Gillian Anderson/Jamie Dornan show, which is, in my mind, the most overrated piece of shit I have ever watched. It is easily one of the worst shows I've ever seen and wish I could forget I ever saw it. Anyway, Aisling was the shitty teenager in love with the father of the kids she babysat and who knew he was a killer and was all OK with that. So yeah, I liked seeing her suffer in this. But does that say more about me or Black Narcissus?
Deadly Summer Nights by Vicki Delany 
Nice Girls by Catherine Dang
Miss Kopp Investigates by Amy Stewart
The Matchmaker's Lonely Heart by Nancy Campbell Allen
The Heron's Cry by Ann Cleeves
Murder at Standing Stone Manor by Eric Brown
The Summoning by J.P. Smith
The Haunting of Leigh Harker by Darcy Coates
The Collector's Daughter by Gill Paul
Certain Dark Things by Silvia Moreno-Garcia
Forever Young by Hayley Mills
Philippa Gregory miniseries are like crack to me. I need them so much it hurts. The White Queen, The White Princess, The Spanish Princess, yes, yes, and yes, I need them so much I can barely handle it. In fact when are we getting a new one? No, I'm serious, I NEED TO KNOW! I also love how we've been following these characters through different iterations and different actors now for seven years! I can't comprehend that it's been that long but it has. While The White Queen might still be my favorite, The Spanish Princess was the only one lucky enough to secure a second season. And while I knew when this series ended we'd no longer get to see Catherine onscreen anymore, but we all know what happened to Catherine so I'm OK with that, because unlike any of the other series this one wouldn't be able to survive recasting. Charlotte Hope is and forever will be Catherine of Aragon. The fact that she's British and not Spanish will probably come as much of a shock to other fans of the show as it was for me. Her accent is perfect, her mighty will in that small, frail, female body, it's like a mouse with the roar of a lion and it is unforgettable. Give this woman an Emmy NOW! It takes a lot to be so central a figure to a miniseries, even if your character is technically the star, when you're surrounded by the cream of the crop of British actors; Laura Carmichael, Andrew Buchan, Ray Stevenson, Harriet Walter, Elliot Cowan, and freakin' Peter Egan to name a few! Yet she holds the focus even while sharing scenes with these titans of the small screen. In fact the scenes with her and Peter Egan as General Thomas Howard are just perfection, and funny, with her being a Catholic and him being someone unrepentant of his foul language except in her presence. But my favorite part of season two was the increased insanity of the Tudors, oddly not exemplified by Henry but by his sister Meg as she tries to rule Scotland. Seeing Georgie Henley, who is famous for playing Lucy Pevensie in The Chronicles of Narnia films, go medieval on the Scottish clans asses was a sight to behold. She was magnificently deranged and worthy of a spin-off. In fact, can we make that happen? 
