Book Review - Heather Fawcett's Emily Wilde's Compendium of Lost Tales
Emily Wilde's Encyclopaedia of Faeries by Heather Fawcett
Published by: Del Rey Books
Publication Date: February 11th, 2025
Format: Hardcover, 368 Pages
Rating: ★★★★
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Stories are the architecture of Faerie, more powerful than magic, more powerful than kings, and Cambridge professor, Emily Wilde, PhD, MPhil, BSc, Dde, tenured, is now in the middle of one. She and her fiance, Wendell Bambleby, are about to retake his kingdom. They've both taken a sabbatical from Cambridge to accomplish this goal. Wendell has been in exile from the Silva Lupi since his stepmother killed his entire family and assumed the throne. Thanks to Emily he not only has a way back, but his stepmother might have already perished by poisoning and he has a rather intimidating entourage. One wouldn't want to show up in one of the most dangerous Faerie realms without a plan. So they swan in with the guardians lead by Razkarden, the trolls, the tree fauns, and the fuchszwerge, the fox-faeries, lead by Snowbell. And they are met with no opposition. Which might be the most unnerving thing about entering the Silva Lupi. Eventually Queen Arna's half-brother, Lord Taran, saunters up and tells them the lay of the land. Arna isn't dead but if Wendell wants the throne he has to best Lord Taran. It's nothing personal, violence comes as naturally as drawing breath to the monarchs of the Silva Lupi, and he promised Wendell's father that he would protect the kingdom from a weak ruler. Lord Taran is the greatest swordsman in the land, and, for a while, Wendell holds his own, but it's not in swordplay that he bests his father, it's by his needle and thread. The path cleared they ascend their thrones and it seems that their only problem will be Emily adjusting the the great many monsters in Wendell's court. But Queen Arna has a neatly constructed vengeance in store. As Emily poisoned her she has in turn poisoned the land. Emily and Wendell worked so hard to find a way back to his world, that all their efforts should have been brought to this; only Wendell's death will lift the curse. Nothing more, nothing less. The Folk do appreciate a story that comes full circle. So in the logical extension of the illogic of Faerie, Emily will save the day due to her living a life lead by scholarly tomes. Stories are the foundations of this world, they may be used as a compass, a guiding star. They just need the right story, they need their guiding star, and this problem will just go away. Once she finds "King Macan's Bees" she thinks she has the answer, the story echoes the present problems, but it's uncanny how accurate it echoes them. Which worries Emily. Queen Arna is cunning and while Emily will never tire of untangling a faerie mystery, could this one be Wendell's last?
Heather Fawcett's Lady Emily series has been a magical, if at times menacing, romp through Faerie and it's academic accouterments. And while I've loved all the volumes in this series I find myself singling this one out as the most magical. While I could say it's because I've grown accustomed to the horrors, much like Emily is attempting to with the monsters in Wendell's court, I think it's really because of a few scenes of such magic that my breath was taken away. The most magical of these is when Emily and Wendell officially marry. In Faerie you don't have to have a big ceremony, you just have to declare your intentions and the deed is done. Which, let's be honest, Emily enjoyed far more than being the center of attention. But when they make their intentions known on a boat as they go to confront his stepmother when they pull apart from sealing their bond with a kiss the world around them is celebrating their love. Faeries are gathering along the shore with lights, like a forest full of fireflies, they illuminate the dark in a way that is pure magic. This is what I've always pictured when I think of the realms of faeries. Little me laying in bed being told fairy tales thrills at this moment. And my love of fairy tales is brought to a whole new level in this volume. Because Heather Fawcett tackles the intersectionality of ghost stories and fairy tales. That's right, Heather Fawcett is bringing in spiritualism into a story I already love and upping the game to a whole new level. So, ghost stories and fairy tales. They could both be under the umbrella of folklore, but personally I like to put them under the umbrella of horror. Because true ghost stories and fairy tales are terrifying. And that fear, that aspect of horror is what draws me in every time. It's the dark shadow of bedtime tales, those that keep you up at night because they have the ring of truth. For me, these types of tales are interchangeable. They are both about something otherworldly. And that this was acknowledged in this series makes me giddy. What's more, it's one of the reasons dryadology even exists as a discipline, because of people studying ghosts. Though, to take this even further, Archibald Robbins of the University of Amsterdam was an iconoclast who theorized there were interactions between the Folk and the spirit world. Then Helen Worthington-West took this further and presented a paper about a brownie who had spoken with the recently deceased using a door. Doors, like the door Emily needed to find to return Wendell to his realm. But this door goes to a spiritual limbo. A place half in the world, half elsewhere, where the ghosts of the Folk linger. Oh my, it's the commingling of two things that in my mind have always been linked that I just can't get enough of. I want more. And I totally agree with Emily, she should have been studying ghost stories instead of the histories of great faerie monarchs.
