strange and random happenstance

The Witches of Cambridge by Alice Hoffman
Published by: Scribner
Publication Date: September 8th, 2026
Format: Hardcover, 416 Pages
Rating: ★★
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Ava has grown up cloistered and unaware of who she is. Her first night away from home all of her mother's warnings come back to her: "Lock the door, call out if there is a stranger, stay away from girls who go out at midnight, beware those who wish to take you to the world underground, where there are no rules and no way to return to all that you've known." But what she learns that first night at Radcliffe is that everything she's ever known is a lie and the girl standing above her bed asking her to leap out a window at midnight is her other half. Ava and Lauren are opposites in every way, light and dark, the flower and the hazel branch. Even fire and ice to match their coloration. Ava didn't even know witches existed. She knew she was different, growing up in Maine in the 1940s she wasn't allowed to socialize with other children and occasionally had to be tethered in the family orchard so she wouldn't take to the skies, but a witch!?! That's the stuff of fairy tales. Until she meets Lauren. Lauren is from a tony Cambridge family of witches that trace their ancestry back to the 1600s. In other words, Lauren knows that witches exist because she's one of them. And she knows that Ava is a witch because why else would she be assigned as her roommate for the one night they have to stay in the dorms. Because witches don't live in dorms, they live in a special house run by the Lilith Society that began not long after the first witch of Cambridge came to settle in the marshlands in 1693. So while technically they are Radcliffe students, they are something else as well, not by choice, or by reason, but by legacy. And after they find their invitations and sneak out the window an act of salvation binds them together forever. An act that will save them time and time again as they battle with their own legacies. Because Ava doesn't know why or how she's in Cambridge but she starts to find letters hidden in books written by the First Witch. She starts to realize their is way more to her past than her mother has ever told her. And then she falls in love with the wrong person, Jamie Mather. He comes from a long line of dangerous men. Lauren's grandmother has always said that the Mathers did something that could never be forgiven. And here's Ava giving him her heart. Which is why Lauren has hardened hers. Ever since the death of her parents she has gravitated towards the dark. The Crooked Path calls to her. Which brings danger to Lilith House. McCarthyism is gripping the nation and when one of their number disappears before the graduation ceremony at the end of their first year they know they are being targeted. Can two friends overcome their differences to right the wrongs around them or will they selfishly care only for themselves?

I had an internal struggle as to whether I'd pick up this book right now because after reading all of her Practical Magic series I was kind of burned out on Alice Hoffman. There's only so far you can get on vibes alone. Sure, there's a comfort factor, but sometimes that just isn't enough. But then two things lured me in, McCarthyism and dark academia. Two things that actually have next to nothing to do with this book and seem to be just a veneer of time and place. As Tim Curry memorably says in Clue; "Communism was just a red herring." The "specter" of McCarthyism affects none of our characters in any way and seems to be more a "teachable moment" like the lack of contraception. Over and over again we hear about witch hunts and the danger from hunters but Lauren's brother is in far more danger from the Lavender Scare than she and Ava ever were from hunters. As for the aura of fear hanging over Lilith House? That was because Lauren was going down the left-handed path and her professor/lover killing her housemates. The fact that the police weren't able to figure out what happened to their fellow housemates still baffles me. All three women were connected to him and yet the police just couldn't figure it out. Probably because they were too busy trying to get laid by Lauren's brother. Yet this all pales in comparison to the real problem of this book, she is now outright plagiarizing herself. There is a similarity to all of Alice Hoffman's books which is comforting. But which, as I mentioned before, is sometimes not enough. Here though the similarities attained a new level. She is lifting her own material to make a new book. Cutting and pasting the legacy of the Owens family to begin a new witchy series. I wouldn't make this accusation without proof, so let me lay it on you. The Witches of Cambridge is two entwined stories. The first is ostensibly about a trio of witches, two "sisters" and their gay brother. The second is about the First Witch of Cambridge. The problem is, I've read these two stories before. The first is The Rules of Magic about Franny, Jet, and Vincent Owens and their growing up starting in the late fifties. In fact Franny was supposed to attend Radcliffe so this reads almost as an alternative timeline. The second is Magic Lessons, a long slog of a read about Maria Owens and her life, but more importantly the curse she laid on her family. I hated reading Magic Lessons so much that reading a simulacrum of her story with the First Witch of Cambridge gave me PTSD. There are just constant reminders that this is just a Frankensteinian creation; insane asylums, secrets, homosexual persecution, unexpected pregnancies, banished loves, exile, wolf dogs, failing the Bechdel test, I could just keep listing them, but unless you've read all these books I don't think you'll believe me. I mean, what are the chances there are two different characters in two different books that were from the same area of Cornwall!?! Or that apparently every man involved in the Salem Witch Trials was in love with a witch? Or at least his descendant was. The déjà vu was just too strong for me with this book. Perhaps it will bring you comfort, for me it brought hives.

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: Alice Hoffman, Cambridge, Clue, Dark Academia, Déjà Vu, Lilith House, Magic Lessons, McCarthyism, Plagiarism, Radcliffe College, Season of the Witch, The Crooked Path, The Rules of Magic, The Witches of Cambridge, Tim Curry

Emily Wilde's Map of the Otherlands by Heather Fawcett
Published by: Del Rey Books
Publication Date: January 16th, 2024
Format: Hardcover, 352 Pages
Rating: ★★★★★
To Buy

Cambridge professor, Emily Wilde, PhD, MPhil, BSc, Dde, tenured, is back and this time she's going to be the one doing the rescuing! Because the Folk are calling again. And their intent is deadly. Emily and Bambleby are back at Cambridge teaching. She's now a published author with tenor and a much more spacious office that gives her a little distance from Wendell. After all she hasn't decided yet if she'll accept his marriage proposal. He is deposed faerie royalty and that is problematic. Especially when his stepmother sends several assassins after him. The attack during one of his lectures does rather out him as one of the Folk. Thankfully only one person was paying attention. But it couldn't have been a worse person to have witnessed it. The Department Head of Dryadology, Dr. Farris Rose. One doesn't know if he's angry at his own ignorance or at the danger that has been lurking nearby for his entire tenure since his predecessor was abducted by a bogle in the Hebrides. One thing is clear, he's willing to help Emily get Bambleby back to his realm as fast as possible. Which means it's time to put Emily's theory about a back door, a nexus, used by the common fae that courtly fae are unaware of, to the test. Plus it will be invaluable to her new project, a mapbook of the faerie realms. Emily believes she has located a nexus in the Alps, specifically the village of St. Liesl in western Austria. The reasoning behind this is that the famous dryadologist Danielle de Grey mysteriously disappeared there over fifty years ago while investigating fauns in the region. Tree fauns that are unique to Wendell's realm. And getting Wendell home is more dire than ever because he's losing control of his powers. It turns out that the attack on his lecture wasn't the only attempt on his life. His stepmother has also poisoned him. And on his birthday no less! Has she no decency!?! So the expedition to the Alps is happening immediately, and Bambleby and Emily won't be alone. Dr. Farris Rose has spent years studying the Folk of the Alps, he convinces them they need his expertise. This is not exactly a magnanimous gesture. He sees it as a way to help Emily and get ride of Wendell. Plus, he's willing to live with a lapse in ethics in exchange for answers to the great scientific mysteries of our times. And then there's Emily's niece, Ariadne. The brightest student Emily has ever taught with an impressive alacrity for getting what she wants, like being included on this excursion and being Emily's assistant. They are in for a dangerous adventure. The townsfolk of St. Liesl warn them that the night is full of dangers and the kingdom they are searching for has had a disproportionate number of disappearances. But it's their only option if they are to save Wendell. If they're lucky perhaps they will solve the disappearance of de Grey as well. If they're unlucky they may never be heard from again.

Oh my, I don't know when I've enjoyed a book so much recently. And while I love Emily and Bambleby and all the new characters, even Dr. Rose, my heart is in it for Danielle de Grey. The very idea of folklorists becoming folklore brings a smile to my face. To be out there, searching for the answers, theories of trade routes connecting faerie realms, and to just disappear. To have all your research, everything about you overshadowed by your disappearance. And yet this doesn't diminish her reputation, she was known as an irreverent character who has become something of a folk hero. An enduring legend of dryadology, and here is Emily accidentally solving the mystery while trying to help Wendell. Because while it was thought that she had become lost in the Otherlands, an old name for the faerie realms, she was trapped in the borderlands, wandering the edges of different overlapping realms where time lost all meaning. Which is why spottings of her around St. Liesl show her at different ages. She's in a fluid and amorphous fog enshrouded land where she can appear at any age. Was she even being seen or was she some echo imprinted on the wind? What's more, the love of her life, a fellow professor, Bran Eichorn, disappeared in 1862 searching for her in the environs of St. Liesl. He too was lost to the borderlands, forever searching for her. It was he that Emily first encountered. There was some connection between the two of them, perhaps the foot that Emily nicked that used to belong to de Grey. But he understands what she is trying to do and attempts to convince her that finding Dani is the answer. Emily can't be sure if this is altruistic or not. But just the idea of these two lovers walking through the mist for over half a century calling out to one another is so Bronte-esque that I can't help but love every second of their apparently doomed romance. Thankfully things end for them better than they did for Cathy and Heathcliff. But then again, it's not like any ending could be worse than theirs now can it? Just the whole vibe here made me want to go to the Alps and hide in a cottage and wander through the fog, but only during daylight hours while being tethered to an immobile stricture. What I also find interesting is that in reading about Eichorn and de Grey's relationship, they were unmarried but lived together in the 1860s. Were the social mores of this world that different from ours? Was it because she was viewed as irreverent that this was allowed? Or was it because she was a professor? Or is it because of the interaction between the human realm and the faerie realm creating different sexual mores due to what's been observed? I mean, Emily and Bambleby are at it in a tent and I have to ask, is this socially permissible? Because I love everything about this world and if they are a lot less prudish and "Victorian," well, all the better!

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: Alps, Borderlands, Bran Eichorn, Brontes, Cambridge, Cathy Earnshaw, Danielle de Grey, Dr. Farris Rose, Emily Wilde, Emily Wilde's Map of the Otherlands, Fauns, Heather Fawcett, Summer School, Top Ten, Wendell Bambleby

Emily Wilde's Encyclopaedia of Faeries by Heather Fawcett
Published by: Del Rey Books
Publication Date: February 11th, 2025
Format: Hardcover, 368 Pages
Rating: ★★★★
To Buy

Stories are the architecture of Faerie, more powerful than magic, more powerful than kings, and Cambridge professor, Emily Wilde, PhD, MPhil, BSc, Dde, tenured, is now in the middle of one. She and her fiance, Wendell Bambleby, are about to retake his kingdom. They've both taken a sabbatical from Cambridge to accomplish this goal. Wendell has been in exile from the Silva Lupi since his stepmother killed his entire family and assumed the throne. Thanks to Emily he not only has a way back, but his stepmother might have already perished by poisoning and he has a rather intimidating entourage. One wouldn't want to show up in one of the most dangerous Faerie realms without a plan. So they swan in with the guardians lead by Razkarden, the trolls, the tree fauns, and the fuchszwerge, the fox-faeries, lead by Snowbell. And they are met with no opposition. Which might be the most unnerving thing about entering the Silva Lupi. Eventually Queen Arna's half-brother, Lord Taran, saunters up and tells them the lay of the land. Arna isn't dead but if Wendell wants the throne he has to best Lord Taran. It's nothing personal, violence comes as naturally as drawing breath to the monarchs of the Silva Lupi, and he promised Wendell's father that he would protect the kingdom from a weak ruler. Lord Taran is the greatest swordsman in the land, and, for a while, Wendell holds his own, but it's not in swordplay that he bests his father, it's by his needle and thread. The path cleared they ascend their thrones and it seems that their only problem will be Emily adjusting the the great many monsters in Wendell's court. But Queen Arna has a neatly constructed vengeance in store. As Emily poisoned her she has in turn poisoned the land. Emily and Wendell worked so hard to find a way back to his world, that all their efforts should have been brought to this; only Wendell's death will lift the curse. Nothing more, nothing less. The Folk do appreciate a story that comes full circle. So in the logical extension of the illogic of Faerie, Emily will save the day due to her living a life lead by scholarly tomes. Stories are the foundations of this world, they may be used as a compass, a guiding star. They just need the right story, they need their guiding star, and this problem will just go away. Once she finds "King Macan's Bees" she thinks she has the answer, the story echoes the present problems, but it's uncanny how accurate it echoes them. Which worries Emily. Queen Arna is cunning and while Emily will never tire of untangling a faerie mystery, could this one be Wendell's last?

Heather Fawcett's Lady Emily series has been a magical, if at times menacing, romp through Faerie and it's academic accouterments. And while I've loved all the volumes in this series I find myself singling this one out as the most magical. While I could say it's because I've grown accustomed to the horrors, much like Emily is attempting to with the monsters in Wendell's court, I think it's really because of a few scenes of such magic that my breath was taken away. The most magical of these is when Emily and Wendell officially marry. In Faerie you don't have to have a big ceremony, you just have to declare your intentions and the deed is done. Which, let's be honest, Emily enjoyed far more than being the center of attention. But when they make their intentions known on a boat as they go to confront his stepmother when they pull apart from sealing their bond with a kiss the world around them is celebrating their love. Faeries are gathering along the shore with lights, like a forest full of fireflies, they illuminate the dark in a way that is pure magic. This is what I've always pictured when I think of the realms of faeries. Little me laying in bed being told fairy tales thrills at this moment. And my love of fairy tales is brought to a whole new level in this volume. Because Heather Fawcett tackles the intersectionality of ghost stories and fairy tales. That's right, Heather Fawcett is bringing in spiritualism into a story I already love and upping the game to a whole new level. So, ghost stories and fairy tales. They could both be under the umbrella of folklore, but personally I like to put them under the umbrella of horror. Because true ghost stories and fairy tales are terrifying. And that fear, that aspect of horror is what draws me in every time. It's the dark shadow of bedtime tales, those that keep you up at night because they have the ring of truth. For me, these types of tales are interchangeable. They are both about something otherworldly. And that this was acknowledged in this series makes me giddy. What's more, it's one of the reasons dryadology even exists as a discipline, because of people studying ghosts. Though, to take this even further, Archibald Robbins of the University of Amsterdam was an iconoclast who theorized there were interactions between the Folk and the spirit world. Then Helen Worthington-West took this further and presented a paper about a brownie who had spoken with the recently deceased using a door. Doors, like the door Emily needed to find to return Wendell to his realm. But this door goes to a spiritual limbo. A place half in the world, half elsewhere, where the ghosts of the Folk linger. Oh my, it's the commingling of two things that in my mind have always been linked that I just can't get enough of. I want more. And I totally agree with Emily, she should have been studying ghost stories instead of the histories of great faerie monarchs.

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: Cambridge, Emily Wilde, Emily Wilde's Compendium of Lost Tales, Faeries, Fairy Tales, Ghost Stories, Heather Fawcett, King Macan's Bees, Poison, Queen Arna, Silva Lupi, Spiritualism, Stories, Summer School, Wendell Bambleby

Nine Liars by Maureen Johnson
Published by: Katherine Tegen Books
Publication Date: December 27th, 2022
Format: Hardcover, 464 Pages
Rating: ★★
To Buy

All Stevie Bell's friends are planning their futures but after solving the case of a lifetime she is unsure what to do with her life. It's her final year of high school and she should be thinking about college applications but all she can think about is how much she misses her boyfriend. David is now studying in England. That's a whole ocean away. But he has an idea that gives Stevie life. Ellingham Academy is more than a little indebted to Stevie, what with saving it from closing and all, so he thinks the school would be willing to swing a study abroad program for her and their friends as the school has embraced remote learning in an attempt to keep their students alive. And he's right. Dr. Jenny Quinn, the new director of Ellingham, gives Stevie, Janelle, Vi, and Nate permission. With strict guidelines. This is a cultural trip that will last one week. They will be staying in London at Craven House which is where David lives. It's a hodgepodge of student housing but it fits their needs and Stevie's needs in particular. Because right now Stevie needs some alone time with David. But as soon as they land he's got a thing. You'd think coming across an ocean would be more important than a "thing" but David has always been an enigma. Maybe that's what drew Stevie to him? After a delay David plays the tour guide, culminating at the London Eye where he introduces them to his classmate and study partner, Izzy. Izzy instantly raises Stevie's hackles. She's too nice, too perfect, but then she hands Stevie the best gift, an unsolved murder. Nothing else matters now. This trip has narrowed it's focus down to two objectives, solve the cold case from the summer of 1995 involving Izzy's aunt Angela Gill and lose her virginity to David. Landmarks and tourist traps be damned. Her friends are now there to just cover her ass with Dr. Quinn as she delves into a time when everyone was listening to Blur. "The Nine" were a sketch comedy group that went to Cambridge and lived an entwined and internecine life in shitty student housing. Clothes, food, partners, everything was shared. Their graduation was the end of an era. So in grand fashion they were trooping out to Merryweather, a country manor house owned by the family of one of their cohort, Sebastian Holt-Carey. The rest of the party consisted of Theo Bailey, Noel Butler, Peter Elmore, Angela Gill, Rosie Mortimer, Julian Reynolds, Sooz Rillington, and Yash Varma. They piled into two cars and sped off for the countryside. That night during a drunken game of hide-and-seek with a storm brewing Noel and Rosie were murdered. They weren't found until morning in the woodshed, all evidence washed away. The police assumed it was a failed burglary. No one was ever caught. Which is where Stevie comes in. She's on a tight deadline, but if her friends will just cover for her she might pull off the impossible. Yet again.

As I have mentioned before this series has a split personality disorder. There's the historical crimes that I am drawn to and the YA angst I cringe from. Sadly this volume leaned hard into the cringe while giving us an historical crime I couldn't care less about. So, the historical case, what I am calling Peter's Murderous Friends. This cold case isn't so much a cold case as one left unsolved due to police disinterest. They decided, due to scant evidence and whose house it was, to just chock it up to burglars and leave it at that. As for why "The Nine" didn't want the case to be thoroughly investigated, I think they just didn't want to look too hard at themselves and opted for ignorance. Did they want to have a killer amongst them? No. And ignorance is bliss. So why should we, as readers, care for a cold case that no one else cared for? Especially as we don't have any connection to Noel and Rosie. They are just two of nine characters that were infodumped on us and unlike "good girl" Sabrina Abbot in The Box in the Woods we have no emotional investment, no tie to them. And then, when you get right down to the basic facts, so much of this plays out the same way as The Box in the Woods, with a small group connected to the crime still alive so when something happens it is obviously one of them. I understand the need for modern day stakes, and it worked in The Box in the Woods, but here it felt too contrived. And as for Peter's Murderous Friends? I would have just rather watched Peter's Friends. Because seriously, I love that movie. It is perfection. So when you take the same setup, Cambridge sketch comedy group reuniting at one of their country estates, well, just adding in murder isn't enough. You have to have the same emotional connection as you do to Peter and Rodger and Maggie and all the rest. And that did it in under two hours. Here Maureen Johnson couldn't do it in over four hundred pages! I was so excited for this volume, finally, a county house murder by Maureen Johnson. If there was anyone more excited than her it was me, because a can never get enough of English country houses. But this just didn't work. Aside from being the first author I've read to accurately and logically explain a ha-ha. I just can't get beyond my disinterest verging on hatred of "The Nine." Though in the end I hated Stevie more. I hate what she did to her friends. Constantly lying to them and getting them caught up in schemes that were dangerous all for her obsessions, both murderous and lustful. This wasn't about nine liars, Stevie made liars of them all. The only bright spot I have is that with that cliffhanger of David macking on someone new is that perhaps he can finally be written out.

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: Axe Murder, British Country House, Cambridge, Cold Case, Ellingham Academy, Infodump, London, London Eye, Maureen Johnson, Nine Liars, Peter's Friends, Peter's Murderous Friends, Stevie Bell, Summer School, The Box in the Woods

Emily Wilde's Map of the Otherlands by Heather Fawcett
Published by: Del Rey Books
Publication Date: January 16th, 2024
Format: Hardcover, 352 Pages
Rating: ★★★★★
To Buy

Cambridge professor, Emily Wilde, PhD, MPhil, BSc, Dde, tenured, is back and this time she's going to be the one doing the rescuing! Because the Folk are calling again. And their intent is deadly. Emily and Bambleby are back at Cambridge teaching. She's now a published author with tenor and a much more spacious office that gives her a little distance from Wendell. After all she hasn't decided yet if she'll accept his marriage proposal. He is deposed faerie royalty and that is problematic. Especially when his stepmother sends several assassins after him. The attack during one of his lectures does rather out him as one of the Folk. Thankfully only one person was paying attention. But it couldn't have been a worse person to have witnessed it. The Department Head of Dryadology, Dr. Farris Rose. One doesn't know if he's angry at his own ignorance or at the danger that has been lurking nearby for his entire tenure since his predecessor was abducted by a bogle in the Hebrides. One thing is clear, he's willing to help Emily get Bambleby back to his realm as fast as possible. Which means it's time to put Emily's theory about a back door, a nexus, used by the common fae that courtly fae are unaware of, to the test. Plus it will be invaluable to her new project, a mapbook of the faerie realms. Emily believes she has located a nexus in the Alps, specifically the village of St. Liesl in western Austria. The reasoning behind this is that the famous dryadologist Danielle de Grey mysteriously disappeared there over fifty years ago while investigating fauns in the region. Tree fauns that are unique to Wendell's realm. And getting Wendell home is more dire than ever because he's losing control of his powers. It turns out that the attack on his lecture wasn't the only attempt on his life. His stepmother has also poisoned him. And on his birthday no less! Has she no decency!?! So the expedition to the Alps is happening immediately, and Bambleby and Emily won't be alone. Dr. Farris Rose has spent years studying the Folk of the Alps, he convinces them they need his expertise. This is not exactly a magnanimous gesture. He sees it as a way to help Emily and get ride of Wendell. Plus, he's willing to live with a lapse in ethics in exchange for answers to the great scientific mysteries of our times. And then there's Emily's niece, Ariadne. The brightest student Emily has ever taught with an impressive alacrity for getting what she wants, like being included on this excursion and being Emily's assistant. They are in for a dangerous adventure. The townsfolk of St. Liesl warn them that the night is full of dangers and the kingdom they are searching for has had a disproportionate number of disappearances. But it's their only option if they are to save Wendell. If they're lucky perhaps they will solve the disappearance of de Grey as well. If they're unlucky they may never be heard from again.

Oh my, I don't know when I've enjoyed a book so much recently. And while I love Emily and Bambleby and all the new characters, even Dr. Rose, my heart is in it for Danielle de Grey. The very idea of folklorists becoming folklore brings a smile to my face. To be out there, searching for the answers, theories of trade routes connecting faerie realms, and to just disappear. To have all your research, everything about you overshadowed by your disappearance. And yet this doesn't diminish her reputation, she was known as an irreverent character who has become something of a folk hero. An enduring legend of dryadology, and here is Emily accidentally solving the mystery while trying to help Wendell. Because while it was thought that she had become lost in the Otherlands, an old name for the faerie realms, she was trapped in the borderlands, wandering the edges of different overlapping realms where time lost all meaning. Which is why spottings of her around St. Liesl show her at different ages. She's in a fluid and amorphous fog enshrouded land where she can appear at any age. Was she even being seen or was she some echo imprinted on the wind? What's more, the love of her life, a fellow professor, Bran Eichorn, disappeared in 1862 searching for her in the environs of St. Liesl. He too was lost to the borderlands, forever searching for her. It was he that Emily first encountered. There was some connection between the two of them, perhaps the foot that Emily nicked that used to belong to de Grey. But he understands what she is trying to do and attempts to convince her that finding Dani is the answer. Emily can't be sure if this is altruistic or not. But just the idea of these two lovers walking through the mist for over half a century calling out to one another is so Bronte-esque that I can't help but love every second of their apparently doomed romance. Thankfully things end for them better than they did for Cathy and Heathcliff. But then again, it's not like any ending could be worse than there's now can it? Just the whole vibe here made me want to go to the Alps and hide in a cottage and wander through the fog, but only during daylight hours while being tethered to an immobile stricture. What I also find interesting is that in reading about Eichorn and de Grey's relationship, they were unmarried but lived together in the 1860s. Were the social mores of this world that different from ours? Was it because she was viewed as irreverent that this was allowed? Or was it because she was a professor? Or is it because of the interaction between the human realm and the faerie realm creating different sexual mores due to what's been observed? I mean, Emily and Bambleby are at it in a tent and I have to ask, is this socially permissible? Because I love everything about this world and if they are a lot less prudish and "Victorian," well, all the better!

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: Alps, Ariadne Wilde, Borderlands, Bran Eichorn, Brontes, Cambridge, Cathy Earnshaw, Danielle de Grey, Dr. Farris Rose, Emily Wilde, Emily Wilde's Map of the Otherlands, Fauns, Heather Fawcett, Summer School, Wendell Bambleby

Emily Wilde's Encyclopaedia of Faeries by Heather Fawcett
Published by: Del Rey Books
Publication Date: January 10th, 2023
Format: Hardcover, 336 Pages
Rating: ★★★★
To Buy

Cambridge professor, Emily Wilde, PhD, MPhil, BSc, Dde, untenured, is hoping to change this status with her research trip to Hrafnsvik, Ljosland, the most isolated of Scandinavian countries, an island situated off the Norwegian coastline brushing the arctic circle. Emily is the foremost dryadologist in her field, but being a prickly woman inept at small talk has limited her advancement within the remorseless academic hierarchy. She knows better than most, she's been ensconced there since she was fifteen. When Emily's Grandfather, an amateur folklorist, died when she was a child his library became her best friend. Most children love faeries for their magic, but not Emily. To her the Folk were another world with their own rules and customs, and to a child who felt ill-suited to the human realm the lure was irresistible. And it's in the stories you unlock the secrets of the Folk. There are held the deepest truths. Because the Folk cannot be understood, living in accordance to whims and fancies that are little more than a series of contradictions with jealously guarded traditions that are erratically followed. They can be cataloged but true understanding is impossible. And that is exactly what Emily plans to do to achieve tenure. She is writing an encyclopedia. Her encyclopedia with be a pinnacle of faerie scholarship, though it is still incomplete and in manuscript form. A heavy thing presently totally some five hundred pages not including the appendices. It will be extensive, alphabetized, cross-referenced, and paired with illustrations as well as a phonetic guide. She is in Ljosland to learn about their Hidden Ones. They will be the feather in her cap and form the final entry to her life's work. She arrives with her dog Shadow and soon turns the village against her. Luckily, or not, depending on your point of view, her colleague Wendell Bambleby has decided to follow her in her hunt with his servants, commonly referred to as students, in tow. He has a reason for being there. He's been under a cloud of suspicion since it turned out his Schwarzwald study was faked. The incident has tarnished his reputation and therefore his ability to get funding and someone as unassailable as Emily could launder his reputation. They could coauthor a paper and do a joint presentation at the upcoming International Conference of Dryadology and Experimental Folklore in Paris. This would limit her time in Hrafnsvik and cede some of the credit to Bambleby. But it is acceptable. The only problem is Bambleby embeds himself into the lives of these villagers. They are suffering at the hands of the Folk. Five people have been taken in the last four years and a rather horrific changeling is in residence. And Emily feels the need to help. Though it might be far more dangerous to herself than she ever could have imagined and reveals Bambleby's secret to the world.

For quite some time now, in other words, the two years since this book has been in print, people have been telling me how much I needed to read it. And, I have to begrudgingly admit, that they were right. I don't like to admit I'm ever wrong if you were wondering, which I think is something Emily and I might agree on. Emily might be a bit too prickly for me at times and her empathy can wax and wane depending on her scholarly goals, but the book is a delicious blend of Amelia Peabody and The Mummy, obviously the 1999 classic staring Brendan Fraser and Rachel Weisz, with a huge helping of Philip Pullman's His Dark Materials. Yet at the same time wonderfully unique while capturing a bygone era were academic research and journaling were in high regard. Sigh, for the academic life of a bygone era. Though it's the concept of home and homeland that weaves through this book that connected to me and made my heart ache. Homeland both ancestral and personal. On my mother's side I am fully Norwegian. You get all my family together and not only is it obvious we're related, but we're all blonde hair and blue eyes and about as tall as you can make us. The Scandinavian ideal. So I really connected with the people of Hrafnsvik. Yes, Ljosland doesn't exist and is an amalgam of Norway and Iceland, but it felt like my ancestral home. Here though I have to drop a note in for those people who say that this book insults Norwegians by being more Icelandic than Norwegian by saying that firstly, this is fictional, and secondly, the cross-pollination of myths, legends, and even names plays into Emily's theory that the Folk are far more in contact with each other than most academics think and just because this island is off the coast of Norway it is not Norwegian. Though you can't help thinking of Scandinavian cultures and Norway in particular with their fairy tales, folk tales, and fables. Oh, and the trolls. There are A LOT of trolls according to Norwegians. But when it comes time for a book to be written about fairies they're almost always set in England. It was wonderfully refreshing to see the less represented cultural creations takes center stage. And one of those creations has a big secret I'm about to spill, so if you don't want to know what Bambleby's secret is, turn away now. So Bambleby is Folk. In fact he's a dispossessed king. While he puts on a show of a lackadaisical cad he's really just someone horribly homesick. And I know exactly how he feels, mourning for a home you may never return to. I felt his pain because it is mine. While home is where your family is and he and Emily find a home in Hrafnsvik, it's also the homes that they can't return to, that I can't return to or have never been to that made this book resonate with me.

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: Cambridge, Dryadology, Emily Wilde, Emily Wilde's Encyclopedia of Faeries, Folk, Found Family, Heather Fawcett, Hidden Ones, His Dark Materials, Home, Iceland, Norway, Scandinavian, Summer School, The Mummy, Wendell Bambleby

Maurice by E.M. Forster
Published by: Book-of-the-Month Club
Publication Date: 1971
Format: Hardcover, 319 Pages
Rating: ★
To Buy (different edition than one reviewed)

Maurice Hall leads an unexceptional life. He is neither brilliant nor dense. He is comfortably middle of the road. But ever since his teacher took him aside one day when he was fourteen to tell him about the facts of life, due to Maurice's father being dead, Maurice has known he was different. He felt removed from marriage as being life's goal. He spent years lost in the fog of puberty and adolescence to one day find a hand reaching out of the mist to him making everything clear. That hand belonged to Clive Durham, and Maurice thought that Clive would be the love of his life. Because that is how Maurice is different, he has always been attracted to men, but never known the truth of himself till Clive. They were together throughout their years at Cambridge, Clive introducing him to the world of the Greeks. In fact Clive and Maurice spend several happy years together until one day Clive says that after his recent illness he is no longer attracted to men and now wants to marry and settle down with the woman of his dreams. Maurice doesn't know how to handle this new information. How does going to Rome turn you heterosexual? He is at sea and can only see two ways out, he shall either kill himself or cure himself. Perhaps hypnotism is the answer? A doctor whom he visits says he has a fifty percent success rate. Though it's clear that Maurice can not cure who he is. Yet little does he realize that perhaps Clive wasn't the love of his life. Perhaps life can go on without Clive. Biting the bullet and visiting Clive and his new wife at the ancestral pile, Penge, Maurice meets an insolent young under-gamekeeper, Alec Scudder, who answers Maurice's cry of need in the night. But does Alec spell ruin or redemption for Maurice? Either way, it spells the end of the comfortable suburban life he has been living till now. Because who knows if homosexual relationships, true human nature, will ever be accepted in England.

Maurice was written right before the outbreak of WWI yet was never published during Forster's lifetime. A select group of friends read it and passed it around between them but Forster didn't seem to think that it was worth it to publish the book during his lifetime. This is of course due to the public perception of homosexuality combined with his book having a happy ending. It would have been obscene libel and might have gone the way of Lady Chatterley's Lover. But there's a part of me that really wishes he had published it. To have an established author release a book that was a homosexual love story might have shaken up the society of the time and deservedly so. It shows two different, yet loving, homosexual relationships between consenting adults. I can't help but wonder if Maurice was published earlier, if more authors of the time showed that this is just human nature, that maybe, just maybe, acceptance would be more prolific. And perhaps it wouldn't have taken until 1967 to decriminalise homosexual acts in private between consenting adults. The publication of Maurice being delayed made it an odd duck. It felt like it's time had already been and gone, missing the boat completely. Not to mention that the execution is lackluster with Maurice almost being a caricature. And yet it was so refreshing to find characters who just accepted who they were. Clive Durham never denied that he preferred men. Never. From his youngest yearnings he was honest with himself and his honesty let Maurice realize his own truth, that he too had always been only attracted to men. But was Forster really advocating for being openly in love? Maurice tells Alec that two against the world can do anything. Well, to me, that means to live in defiance of society, to take on the world. To Maurice it means to retire from society and hide in the greenwood like actual fairies. WHAT!?! I thought two against the world can do anything? So true love is acceptable only by complete removal from the society that is trying to conform them? The choice offered here isn't really a choice. You can make yourself an outcast, and let society win, or conform with society and let society win. Don't you get it? Love wins!

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: Alec Scudder, Cambridge, Clive Durham, E.M. Forster, Homosexuality, Human Nature, Hypnotism, Lady Chatterley's Lover, Love, Maurice, Maurice Hall, Obscene Libel, Posthumous, Pride, Rome, Sexual Offences Act 1967, WWI

Life in Squares
Starring: Phoebe Fox, Eve Best, Christian Brassington, Eleanor Bron, James Clay, Lydia Leonard, Catherine McCormack, James Norton, Rupert Penry-Jones, Ed Birch, Ben Lloyd-Hughes, Jack Davenport, Sam Hoare, Andrew Havill, Elliot Cowan, Edmund Kingsley, James Northcote, Deborah Findlay, Anton Lesser, Al Weaver, Guy Henry, Jenny Howe, Charlie Appleyard, Maximilian Scull, Finn Jones, Louis Fisher, Edmund Digby-Jones, Rosie Ede, Lucy Boynton, Simon Thomas, and Emily Bruni
Release Date: July 27th, 2015 - August 10th, 2015
Rating: ★★
To Watch

Siblings Vanessa, Virginia, and Adrian Stephen have been liberated from societal, conventional, and parental expectations with the death of their father. Though Virginia's mental health remains delicate a hovering Aunt is no match to their desire to freely express themselves and break free of the assigned rolls expected of them. If they use only one spoon for the entire household, so be it! Dishes take up so much time that could be used productively in the pursuit of art! In an effort to give the girls a glimpse of the greater artistic community Adrian invites over his college friends for salons. At first Vanessa and Virginia feel that they are still constrained, being the hostesses of these evenings, but slowly they become equals to the Cambridge and Oxford educated boys. Thus the Bloomsbury Group came to exist, but their relationships would often be fraught. The love triangles were endless and endlessly discussed. Virginia was forever concerned with losing her sister to marriage, the state to which their hovering Aunt approved above all others! The art critic Clive Bell seemed the most likely candidate to whisk Vanessa away. And after the heartbreaking death of their brother to typhoid Virginia lost her sister to Bell and her sisters newfound love of copulation which soon brought about her first child, Julian. But five years later Virginia would marry Leonard Woolf, though wouldn't take as much joy in copulation as her sister and sadly would have a bad breakdown resulting in a suicide attempt. She was able to come back from this and her first book was published in 1915. With war on the horizon a significant portion of the Bloomsbury Group decamped from Bloomsbury. Vanessa, Duncan Grant, and Duncan's lover David Garnett moved to the Sussex countryside where Vanessa and Duncan could paint while Duncan and David worked the land instead of serving in the army. But this move to the countryside would complicate everything, as Vanessa realized that the homosexual Duncan was the love of her life and she decided that they would have a child together, which they did. Years pass in which no one talks about all their trysts and on the eve of another world war everything starts to break apart. 

Dorothy Parker famously quipped that the Bloomsbury Group "lived in squares, painted in circles and loved in triangles." The squares and the circles of this adaptation are pitch perfect. The atmosphere, the rooms with every visible surface decorated, the feeling of a lived in artistic space is spot on, so much so that I've started to look at my door jambs and think that they are lacking something in being painted a flat white. I wanted to walk through those rooms and just absorb the creativity. Unfortunately this miniseries is all about the triangles. And I have a feeling that watching the background as I did wasn't the intended purpose in making this promiscuous miniseries. Comprising of three episodes the first two episodes are all about graphic copulation while the third is the Group clumsily dealing with the fallout of said copulation. Now I'm not one to be a prude, I just feel that graphic sex needs to be in aid of something, in particular, the story being told. Here it just seemed to be shorthand for their freedom, both intellectually and sexually. Yet there was a line that struck me as odd, Vanessa receives a letter from Virginia who is on her honeymoon saying she doesn't think sex is all it's cracked up to be and Vanessa blithely replies that the Duckworths messed Virginia up. This sent me down a Wikipedia rabbit hole learning about Virigina's sexual abuse at the hands of her stepbrothers, the Duckworths. I'm sorry, what!?! There's a real issue here that should be dealt with instead it's glossed over or made bawdy, more copulation please! This was the turning point for me. And this doesn't even cover Vanessa's daughter marrying her father's ex-lover! If something so important could be shoved aside as nothing then how could I enjoy anything I was seeing? This disconnect was made "easier" by the switching of the cast between the second and third episodes. In the first two episodes we see glimpses of their future selves played by different actors, and these glimpses were fine and were meant to cushion the blow of switching to the older actors. The problem was I was invested in the younger actors and their relationships, the older actors, once on their own, had no chemistry. None! Nothing at all, it was horrid. And as for Eve Best as the older Vanessa, do they do Razzies for television?

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: Bloomsbury Group, Cambridge, Dorothy Parker, Duncan Grant, Leonard Woolf, Life in Squares, Love Triangle, Miniseries, Oxford, Razzie, Roaring Back to Reading, Sex, Sexual Abuse, Vanessa Bell, Virgina Woolf, WWI, WWII

"Why the 1920s? I'd been writing books set in the Regency (early 1800s) for 15 years before I started writing mysteries. I wanted a change of period and I saw certain parallels between the Regency and the 1920s that intrigued me. Both were periods of great changes, especially for women. 

For a start, consider clothes. Around 1800, the enormous hoops and tight lacing of the 18th century gave way to the Empire gown. The clothes allowed women to move more freely--There's a charming picture from the Regency of young women playing badminton. Of course, Victorian fashion regressed to crinolines and bustles and tight lacing. Worse followed, the Edwardian "Grecian Bend," corsetted to make the bosom stick out in one direction and the bottom in the other. Then came World War I, truly a liberating event for women however catastrophic otherwise. Because of the shortage of men during and after the war (about 1 million British soldiers killed), women were able and needed to work at jobs they'd never aspired to before. Land Girls even wore trousers! 

Another revolution was in transportation. Again around 1800, roads were improving, highwaymen and footpads were much reduced in numbers, and someone invented springs for carriages. Travel was so much easier that gentlemen going up to London for Parliament and the court took their wives and daughters along, and the London Season was born. Later came the railways, but still a respectable young lady would not travel without a male or older female relative for chaperon. World War I and the automobile age put an end to that. By the 1920s, a young woman who had driven generals about during the war were not about to be satisfied with sitting meekly behind the chauffeur. They owned and drove their own motor cars. 

By 1919, women over 30 could even vote in national elections and graduate from Oxford University (though not from Cambridge for another 30+ years!). 

For Daisy Dalrymple, finding her way in a swiftly changing world is as much of a challenge as solving any of the crimes she just happens to stumble upon." - Carola Dunn

Carola Dunn started out her writing career with historical romances set in that most favorite period of mine, Regency England. But it was her mysteries staring the Honourable Daisy Dalrymple that really caught the reading public, me included. The series now spans to twenty volumes, with the twenty-first coming out later this year. What I love about this series is that it has the Golden Age mystique, but there's a modern sensibility to Daisy that gives you an immediate connection to the narrative. I am so happy to include Carola in my Golden Summer and I hope you'll check out her wonderful books... if I haven't tempted you yet, hopefully my reviews over the next few days will.

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: Cambridge, Carola Dunn, Daisy Dalrymple, Empire Gowns, Golden Summer, Land Girls, London Season, Mystery, Oxford, Regency

"As for why I love the period –which is the same thing really as why I set my books in it: I had read all of Agatha Christie, Dorothy Sayers or Ngaio Marsh's books while I was in my teens!

What novelists enjoy is putting their characters in jeopardy and then seeing how they get out of it (or don't!). The 1914-1918 Great War put everybody in jeopardy; it changed the lives of everybody in Britain; not just because of the huge casualties but because new ideas emerged - about a woman's place, about class, about foreigners. It offered exciting new possibilities in technology, in travel and in entertainment: cinema, jazz, recorded music. What followed in the 1920's was a fast-moving time of revolutions, economic disasters and a devil may care attitude among the elite.

There were too few men to provide husbands, too few who wanted to be servants in big houses. Heirs had been killed, once grand families were hiding the fact that they were nearly destitute.

In Golden Age fiction, which I have loved practically since I could read it, there are stock characters: the spinster, the brash incomer with new money, the injured war veteran, the outsider –usually a nattily dressed European. Mistrust of strangers, bequests, inheritances, false identities, lost letters and unsuitable marriage were very real issues but wonderful for a fiction writer.

What I like is that these situations and these characters, who were actually created by the aftermath of the war, appear in novels set in the 20's in quite traditional privileged surroundings: an Oxford College, a country house, a cathedral close, an exclusive school; apparently un-changed, closed societies and perfect places for tensions and a dramatic tale to unfold and to create atmosphere.

One of my books, The Return of Captain Emmett, concerns a young officer trying to settle back into peacetime but finding himself confronted with the death of a friend, the past and its violent mysteries. The Strange Fate of Kitty Easton is set in a struggling country house where the men who worked on the estate have almost all been killed in the war and a child has disappeared. In my next book, At Break of Day, (comes out in autumn) one character is a wealthy Englishman who has long lived in New York, escaping a potential scandal back home. In 1915 he is called up to serve his birth country and, returning to England, his secrets start to unravel." -  Elizabeth Speller

Elizabeth Speller is the author of three novels (one forthcoming this fall, which I am excited to read even though it doesn't star Laurence Bartram) and four non-fiction books, one of which is a memoir. She is also a poet and recently won the Bridport poetry competition and was short-listed for the Forward Prize in 2009, which led to her sensitive handling of poets in her book The Return of Captain John Emmett. Elizabeth Speller had the envious opportunity to read Classics at Cambridge as a mature student where she received a post-graduate degree in Ancient History. She has had numerous jobs, one of which, making a survey of inscriptions in a large village churchyard, I am sure helped with the creation of Laurence Bartram, and most definitely contributed to his own fictitious book on churches.

Elizabeth is currently the Chair of the Criticos Prize (for an outstanding book in English about, or inspired by, Greece) and holds a Royal Literary Fund fellowship at the University of Warwick. She divides her time between Glouchestershire and Greece, working in a restored shepherd's hut in an old apple orchard on the edge of a Cotswold valley and in a small cottage on the Ionian island of Paxos. The Return of Captain John Emmett is an astounding mystery that will rivet you to your seat and was actually chosen as a Richard and Judy Summer Book Club pick in 2011, though I would hope you are more swayed by me then Richard and Judy... This book was followed up with the labyrinthine The Strange Fate of Kitty Easton, which I am hoping fervently will not be the last we see of Laurence Bartram. I am honored to have Elizabeth Speller as the first of many authors participating in my Golden Summer, a place rightfully reserved for her and Laurence!

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: Agatha Christie, At Break of Day, Cambridge, Dorothy L. Sayers, Elizabeth Speller, Golden Summer, Greece, Laurence Bartram, The Great War, The Return of Captain John Emmett, The Strange Fate of Kitty Easton