strange and random happenstance

Death in the Floating City by Tasha Alexander
Published by: Minotaur
Publication Date: October 16th, 2012
Format: Hardcover, 320 Pages
Rating: ★★★★★
To Buy

As a child there is always that one person whom you are thrust into a relationship with because of your parents. The greatest joy of growing up is that there comes a time when you no longer have to associate with them and can relegate them to your past. Which is exactly what Emily did with Emma Callum. Emma ran off with an Italian Duke and Emily never thought of her again. Until Emma reached out for help. She had heard of Emily's success in solving crimes and is in desperate need of her assistance. Stranded in Venice Emma doesn't even speak Italian and her father-in-law Conte Barozzi has gone and gotten himself murdered and her husband Paolo is missing. If there was ever a time for Emily's help it is now. But even murder can't fully change someone and as Emma flirts with Emily's husband Colin instead of answering their questions Emily wonders if it was wise to help her old nemesis. Though Emily and her husband are professionals and they will do the job asked of them despite the hindrance of Emma. Their first clue is a ring that was found on the Conte's body and a historian is needed.

Luckily when they arrived in Venice a note was waiting at their hotel from a local scholar turned bookseller inquiring after the ring. Emily is hoping Signore Caravello can help answer a few questions as to the ring's provenance. With his magnifying glass he finds two initials next to the maker's mark, BB and NV. Because the ring was found in the possession of a Barozzi, it's assumed that this belonged to some relative. Emily, now with the help of Singnore Caravello's daughter Donata, searches for this relative and finds Besina, who lived in the 15th century. Yet their one hope of confirming her as the ring's owner is dashed when the painting that just might have shown her wearing it is vandalized. What's more the Barozzis sworn enemies, the Vendelinos, swear that the ring is theirs and has been missing for centuries. Soon Emily and Colin are juggling not just a murder, but valuable missing books, a possibly forgotten legacy, a medium whose reputation was destroyed, the Conte's probable mistress and her jealous husband, and most disturbing of all, a person dressed as a plague doctor following Emily through the canals of Venice. Yet the crucial question is, can they solve the crime in the present by finding out what happen to Besina all those years ago?

There is a plethora of books set in Venice, and the truth is the setting doesn't make the book but a well written book can make the setting, forever linking the two in your mind. Death in the Floating City perfectly fits into the pantheon of books set in Venice that were instant classics for me, from Daphne Du Maurier's Don't Look Now to Mary Robinette Kowal's Valour and Vanity to Susanna Clark's Jonathan Strange and Mr. Norrell. These are all books that show Venice as imperfect yet lead you to fall in love with the city despite it's issues. I'm not talking about the fact that it's sinking into the seas, but the Italian way of life as it was back in the day. As I think of it in my mind as women's rights, marriages, and whores oh my. Courtesans, mistresses, and illegitimate children were all par for the course in Venice. What's so fascinating though is the way Tasha writes so that there's our modern POV then there's Emily's POV, which is Victorian but constantly working to break the shackles and think more modern, and then the Venetian POV which is far more fluid and modern, but that fluidity and the resultant issues drives the plot forward. It's literally a culture clash at it's most dramatic and I couldn't put it down.

What really drove the narrative in this installment was that the secondary story instead of being journals or letters that are concurrent with our story was instead the story of Besina and her ill fated love to Nicolo Vendelino way back in 1489. At first I was prejudiced against this story because being set in Italy and the couple in question being from warring houses I was sure this would be Tasha's take on Romeo and Juliet and personally, that isn't a favorite play of mine. Yes, it's a classic, I mean, it's Shakespeare after all, but not all Shakespeare floats my boat. Oh how wrong I was to compare it to that play of the Bard's. This secondary storyline soon became my favorite part of Death in the Floating City and I had to restrain myself from jumping ahead to see how it played out. The best way I can describe the story of Besina and Nicolo is that it's like Sarah Dunant decided to write her version of Drake Carne and Morwenna Chynoweth's star-crossed romance from Poldark. Much as with the two young lovers on Poldark, my heart was continually breaking, hoping for Besina to break free and be with Nicolo. Their story is tragic and heartbreaking and achingly perfect. Because, if I'm being honest, much like how Shakespeare wrote Romeo and Juliet, sometimes perfection isn't a happily ever after.

Even though my attachment to Besina and Nicolo is the reason I lost my heart to this book I can not discount all the other awesomeness contained within the pages of Death in the Floating City. The menacing plague doctor like the "child" in the raincoat in Don't Look Now is haunting, but that's just the tip of the iceberg! There's Caterina Brexiano, the maligned medium! There's Brother Giovanni with his knowledge of books and his hunt for the truth. As for the books? Oh dear me, I swoon at the valuable books and illuminated manuscripts contained within these pages. But the vapors don't stop there. The gorgeous illuminated manuscripts contain secrets not just in their detailed artwork but on the very pages they were written. Secrets hidden in art? This is Lady Emily's version of The Da Vinci Code, but next level, because instead of being bogged down with religiosity we are on the hunt for the story of Besina and Nicolo! A love lost to history recovered! This book didn't just make me want to go to Venice, it made me want to delve back into my art history studies. Oh, I do love a good illuminated manuscript. If only they all held such secrets as the ones Tasha has dreamed up!

It should be a truth universally acknowledged that we all have in our past some frenemy. Imagine the theme song to Veronica Mars playing here... While Emily never considered Emma her friend, she was in one of those situations where friendship was forced on her and it turned sour, or shattered like her doll's face when Emma destroyed it. Whether it's similar to Emily's case or just a friend from childhood that proved themselves a complete and utter two-faced bitch, there's someone in everyone's past whom we'd rather avoid but some lingering sentimentality, AKA the sign that you are the better person, makes you willing to help if they reach out a hand. That is the situation Emily faces. While there is that deep temptation to just laugh from afar, something that social media makes so easy in this day and age, there's the other, more juicy feeling that you can prove to them that you are the better person. You hope that your help will finally awaken some kind of gratitude in them, but as is often the case, as Emily sees, they are just the same person but older. You can see them more clearly for who they are and you pity instead of hate them. But still, reaching out that hand and being the better person? Priceless.

Now here's a question I have for the floor. Hopefully you have been encouraged by Alexander Autumn to pick up one or all of Tasha's wonderful Lady Emily series and I want your expert opinion. Is this the first time that Emily's writing is shown to be definitely written from a future date for an audience? Because Emily has a throw away line about how her identification of NV would prove to be entirely inaccurate, proving this was written at a later date. Also at the same time she says "as you will see" where the you is us, meaning, definite knowledge of an audience. Now I don't have any problem with this, seeing as an author that Tasha greatly admires, Elizabeth Peters, used such devices in her Amelia Peabody series which is another series I love. In fact, there's a part of me, a part that will reference but will not spoil the ending of this book, that noticed a certain resolution that mirrors an event that takes place at the end of the sixth installment in that series, The Last Camel Died at Noon, that makes me think, Tasha did this on purpose. If she did this for that very reason, that's cunning. But also if you think about it, this is the first case that Emily and Colin take that doesn't literally land on their doorstep, so that could have been why there's a change as well... either way, I'll be waiting to see if this writing quirk happens again. Onwards to the next book!

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: Alexander Autumn, Amelia Peabody, Death in the Floating City, Don't Look Now, Elizabeth Peters, Poldark, Romeo and Juliet, Tasha Alexander, The Da Vinci Code, Venice, Veronica Mars

Death in the Floating City by Tasha Alexander
Published by: Minotaur
Publication Date: October 16th, 2012
Format: Hardcover, 320 Pages
Rating: ★★★★★
To Buy

As a child there is always that one person whom you are thrust into a relationship with because of your parents. The greatest joy of growing up is that there comes a time when you no longer have to associate with them and can relegate them to your past. Which is exactly what Emily did with Emma Callum. Emma ran off with an Italian Duke and Emily never thought of her again. Until Emma reached out for help. She had heard of Emily's success in solving crimes and is in desperate need of her assistance. Stranded in Venice Emma doesn't even speak Italian and her father-in-law Conte Barozzi has gone and gotten himself murdered and her husband Paolo is missing. If there was ever a time for Emily's help it is now. But even murder can't fully change someone and as Emma flirts with Emily's husband Colin instead of answering their questions Emily wonders if it was wise to help her old nemesis. Though Emily and her husband are professionals and they will do the job asked of them despite the hindrance of Emma. Their first clue is a ring that was found on the Conte's body and a historian is needed.

Luckily when they arrived in Venice a note was waiting at their hotel from a local scholar turned bookseller inquiring after the ring. Emily is hoping Signore Caravello can help answer a few questions as to the ring's provenance. With his magnifying glass he finds two initials next to the maker's mark, BB and NV. Because the ring was found in the possession of a Barozzi, it's assumed that this belonged to some relative. Emily, now with the help of Singnore Caravello's daughter Donata, searches for this relative and finds Besina, who lived in the 15th century. Yet their one hope of confirming her as the ring's owner is dashed when the painting that just might have shown her wearing it is vandalized. What's more the Barozzis sworn enemies, the Vendelinos, swear that the ring is theirs and has been missing for centuries. Soon Emily and Colin are juggling not just a murder, but valuable missing books, a possibly forgotten legacy, a medium whose reputation was destroyed, the Conte's probable mistress and her jealous husband, and most disturbing of all, a person dressed as a plague doctor following Emily through the canals of Venice. Yet the crucial question is, can they solve the crime in the present by finding out what happen to Besina all those years ago?

There is a plethora of books set in Venice, and the truth is the setting doesn't make the book but a well written book can make the setting, forever linking the two in your mind. Death in the Floating City perfectly fits into the pantheon of books set in Venice that were instant classics for me, from Daphne Du Maurier's Don't Look Now to Mary Robinette Kowal's Valour and Vanity to Susanna Clark's Jonathan Strange and Mr. Norrell. These are all books that show Venice as imperfect yet lead you to fall in love with the city despite it's issues. I'm not talking about the fact that it's sinking into the seas, but the Italian way of life as it was back in the day. As I think of it in my mind as women's rights, marriages, and whores oh my. Courtesans, mistresses, and illegitimate children were all par for the course in Venice. What's so fascinating though is the way Tasha writes so that there's our modern POV then there's Emily's POV, which is Victorian but constantly working to break the shackles and think more modern, and then the Venetian POV which is far more fluid and modern, but that fluidity and the resultant issues drives the plot forward. It's literally a culture clash at it's most dramatic and I couldn't put it down.

What really drove the narrative in this installment was that the secondary story instead of being journals or letters that are concurrent with our story was instead the story of Besina and her ill fated love to Nicolo Vendelino way back in 1489. At first I was prejudiced against this story because being set in Italy and the couple in question being from warring houses I was sure this would be Tasha's take on Romeo and Juliet and personally, that isn't a favorite play of mine. Yes, it's a classic, I mean, it's Shakespeare after all, but not all Shakespeare floats my boat. Oh how wrong I was to compare it to that play of the Bard's. This secondary storyline soon became my favorite part of Death in the Floating City and I had to restrain myself from jumping ahead to see how it played out. The best way I can describe the story of Besina and Nicolo is that it's like Sarah Dunant decided to write her version of Drake Carne and Morwenna Chynoweth's star-crossed romance from Poldark. Much as with the two young lovers on Poldark, my heart was continually breaking, hoping for Besina to break free and be with Nicolo. Their story is tragic and heartbreaking and achingly perfect. Because, if I'm being honest, much like how Shakespeare wrote Romeo and Juliet, sometimes perfection isn't a happily ever after.

Even though my attachment to Besina and Nicolo is the reason I lost my heart to this book I can not discount all the other awesomeness contained within the pages of Death in the Floating City. The menacing plague doctor like the "child" in the raincoat in Don't Look Now is haunting, but that's just the tip of the iceberg! There's Caterina Brexiano, the maligned medium! There's Brother Giovanni with his knowledge of books and his hunt for the truth. As for the books? Oh dear me, I swoon at the valuable books and illuminated manuscripts contained within these pages. But the vapors don't stop there. The gorgeous illuminated manuscripts contain secrets not just in their detailed artwork but on the very pages they were written. Secrets hidden in art? This is Lady Emily's version of The Da Vinci Code, but next level, because instead of being bogged down with religiosity we are on the hunt for the story of Besina and Nicolo! A love lost to history recovered! This book didn't just make me want to go to Venice, it made me want to delve back into my art history studies. Oh, I do love a good illuminated manuscript. If only they all held such secrets as the ones Tasha has dreamed up!

It should be a truth universally acknowledged that we all have in our past some frenemy. Imagine the theme song to Veronica Mars playing here... While Emily never considered Emma her friend, she was in one of those situations where friendship was forced on her and it turned sour, or shattered like her doll's face when Emma destroyed it. Whether it's similar to Emily's case or just a friend from childhood that proved themselves a complete and utter two-faced bitch, there's someone in everyone's past whom we'd rather avoid but some lingering sentimentality, AKA the sign that you are the better person, makes you willing to help if they reach out a hand. That is the situation Emily faces. While there is that deep temptation to just laugh from afar, something that social media makes so easy in this day and age, there's the other, more juicy feeling that you can prove to them that you are the better person. You hope that your help will finally awaken some kind of gratitude in them, but as is often the case, as Emily sees, they are just the same person but older. You can see them more clearly for who they are and you pity instead of hate them. But still, reaching out that hand and being the better person? Priceless.

Now here's a question I have for the floor. Hopefully you have been encouraged by Alexander Autumn to pick up one or all of Tasha's wonderful Lady Emily series and I want your expert opinion. Is this the first time that Emily's writing is shown to be definitely written from a future date for an audience? Because Emily has a throw away line about how her identification of NV would prove to be entirely inaccurate, proving this was written at a later date. Also at the same time she says "as you will see" where the you is us, meaning, definite knowledge of an audience. Now I don't have any problem with this, seeing as an author that Tasha greatly admires, Elizabeth Peters, used such devices in her Amelia Peabody series which is another series I love. In fact, there's a part of me, a part that will reference but will not spoil the ending of this book, that noticed a certain resolution that mirrors an event that takes place at the end of the sixth installment in that series, The Last Camel Died at Noon, that makes me think, Tasha did this on purpose. If she did this for that very reason, that's cunning. But also if you think about it, this is the first case that Emily and Colin take that doesn't literally land on their doorstep, so that could have been why there's a change as well... either way, I'll be waiting to see if this writing quirk happens again. Onwards to the next book!

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: Alexander Autumn, Amelia Peabody, Death in the Floating City, Don't Look Now, Elizabeth Peters, Poldark, Romeo and Juliet, Tasha Alexander, The Da Vinci Code, Venice, Veronica Mars

If someone were to ask what my favorite TV series is, iZombie would be a strong contender. Whereas if you were to ask me what one of my most hated graphic novel series I've ever read is I'd again probably say iZombie. Quite literally the only thing the two have in common is the name from which the genius of Rob Thomas, of Veronica Mars fame not Matchbox Twenty fame, made this quirky show that harkens back to Veronica in the crime solving structure and societal warfare but puts a whole new spin on how the crimes are solved. This crime solving ability is all down to the casting of the lead. Rose McIver as Olivia Moore (Liv Moore, get it? You'll need to like puns to like this show!) is the delicate shoulders whom this show rests on. Because the quirk to the crime solving? She eats the victims brains and sees flashes of their lives, which also tend to bleed into her own as she takes on their traits. She has become a country western singer, a stripper, a kleptomaniac, so far it's unending how these other people change her while also expanding her heart. Of course there's a big bad, with the ever sexy David Anders as Blaine DeBeers, but it's the heart of the show, the friendships, not the nemeses that make it the only zombie show you should be watching. Plus I CAN NOT wait for the upcoming season now that the existence of zombies is known. Because in a show that is able to constantly change and reinvent itself it's now changed their whole world and I say bring it!   

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: And the Emmy Goes To, Blaine DeBeers, Chameleonic, David Anders, Graphic Novel, iZombie, Liv Moore, Matchbox Twenty, Olivia Moore, Rob Thomas, Rose McIver, Veronica Mars, Zombies

Right about now you're probably thinking that she can't be serious including the dark reinterpretation of the Archie comics on her "must watch" list from the last year's television viewing? Oh yes I am. Deadly serious! Like when Jason Blossom's body washed ashore serious. Firstly, as a kid I loved reading the Archie comics, and yes, when I heard they were making Riverdale I was skeptical. In fact I didn't even watch it when it aired on the CW, instead, during a dark and trying weekend I really needed an escape and Riverdale was on Netflix and I binged it. I binged it hard and I loved every minute of it. It quite literally got me through each day knowing that at the end of it I could watch it. From eighties teen icons being the parents to me finally actually feeling something other than loathing for Veronica, I was shocked how much I enjoyed it. The show had a very specific target it was aiming for, trying to make Riverdale land somewhere between Veronica Mars and Twin Peaks and it hit the mark. It also didn't hurt that Betty's mom was played by Twin Peaks alum Mädchen Amick. There's a murder to be solved, there are shady dealings, gangs, and Jughead Jones becomes a Holden Caulfield for a new generation. Though once you realize that yes, that IS Skeet Ulrich as Jughead's dad you may start to feel a little old. I can't wait until it returns and I can tune into even more deadly teen drama with secret pregnancies, liaisons with teachers, and some kick ass music by Josie and the Pussycats. Just leave your high school hangups at the door of Pop's and grab a shake, just watch out for Archie's dad bleeding to death on the floor.  

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: 80s, Adaptation, And the Emmy Goes To, Archie Comics, Comics, CW, High School, Holden Caulfield, Jason Blossom, Josie and the Pussycats, Madchen Amick, Murder, Netflix, Riverdale, Twin Peaks, Veronica Mars

The Garden Intrigue had me scratching my head a little trying to find just the right couple, my brain was like some bad casting session throwing random people together until I finally found my Emma. Augustus would still take some time, but without a doubt, once I thought of Kristen Bell I looked no further.

Name: Kristen Bell

"Dream" Character Casting for the Lauren Willig Miniseries: Emma Delagardie

First Impression: Was actually in Deadwood. I have a tendency to forget it's her, but her fate on those two episodes, um, that's not hard to forget. It was fun recently re-watching all of Deadwood and seeing her again now that I'm such a fan.

Why they'd be the perfect actor for the Lauren Willig Miniseries: Firstly, she's a petite blond and is American. But more importantly, she has sass. Can't you just see her at one of Augustus's readings with her heckling him? I sure can. Kristen Bell, bring on the snark! But alternately, Emma is a nurturing motherly character, and Bell is a marshmallow, and I think she can totally bring the fierce mamma bear aspect too. And if you doubt her child rearing instincts, watch her as Mary Poppins in Mary Poppins Quits, if not just for how funny it is.

Lasting Impression: Um, Veronica Mars people! I am a Marshmallow! I kickstarted the movie! I was seriously hooked after just seeing part of one episode, it didn't hurt that in that episode they were watching Colin Firth's version of Pride and Prejudice. But in all seriousness, if I could I would totally be Veronica Mars when I grow up.

What else you've seen them in: While known for making cameos in all of Rob Thomas's works, including Party Down and hopefully iZombie, most people probably now know her as the voice of Anna in Frozen. Yep, Bell does independent AND mainstream, because she's that versatile. And although only seen in the finale, she was known for years as the voice of Gossip Girl. But aside from Veronica Mars her most memorable role to me was as Sarah in Forgetting Sarah Marshall, because seriously, who would choose Russell Brand over Jason Segal!?! Oh, and she's in the show House of Lies, but I haven't watched it yet so I can't give you an opinion on it.

Can't believe it's them: She's in Pootie Tang!?! Seriously? She was actually in this? I can't stop laughing! Pootie Tang!

Wish they hadn't: Heroes. Seriously. How did such a strong show go so wrong? Also, her character was lame and then she was involved with Sylar and then didn't he kill her? Lame lame lame. Plus that haircut isn't helping her. Plus how is this show coming back?

Bio: Bell was born in Michigan where she got the acting bug freshman year in high school, going on to star in her school's production of The Wizard of Oz. Right after graduation she went to New York to study at the prestigious Tish School of the Arts majoring in musical theatre, but failed to graduate because she was offered the role of Becky Thatcher in the Broadway musical version of The Adventures of Tom Sawyer. After staring in many plays and musicals on Broadway she finally headed to LA where in under two years she was headlining her own show for UPN, aka, the fabulous Veronica Mars. Since then she's been constantly working in both big budget movies, she's freakin' Anna from Frozen! And small movies, Veronica Mars is back! With her husband Dax Shepard they made commercials for the Samsung Galaxy Tab S that are hugely popular and also showcase their expanding family. She also does tons of work for charities, from the ASPCA to Invisible Children. Basically she is all round awesome!

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: Deadwood, Dream Casting, Emma Delagardie, Frozen, Heroes, Jason Segel, Kristen Bell, Lauren Willig, Mary Poppins, Musicals, Rob Thomas, Russell Brand, The Garden Intrigue, The Wizard of Oz, Veronica Mars

First Frost by Sarah Addison Allen
Published by: St. Martin's Press
Publication Date: January 20th, 2015
Format: Hardcover, 304 Pages
To Buy

The official patter:
"From the New York Times bestselling author of GARDEN SPELLS comes a story of the Waverley family, in a novel as sparkling as the first dusting of frost on new-fallen leaves...

It's October in Bascom, North Carolina, and autumn will not go quietly. As temperatures drop and leaves begin to turn, the Waverley women are made restless by the whims of their mischievous apple tree... and all the magic that swirls around it. But this year, first frost has much more in store.

Claire Waverley has started a successful new venture, Waverley’s Candies. Though her handcrafted confections—rose to recall lost love, lavender to promote happiness and lemon verbena to soothe throats and minds—are singularly effective, the business of selling them is costing her the everyday joys of her family, and her belief in her own precious gifts.

Sydney Waverley, too, is losing her balance. With each passing day she longs more for a baby— a namesake for her wonderful Henry. Yet the longer she tries, the more her desire becomes an unquenchable thirst, stealing the pleasure out of the life she already has.

Sydney’s daughter, Bay, has lost her heart to the boy she knows it belongs to…if only he could see it, too. But how can he, when he is so far outside her grasp that he appears to her as little more than a puff of smoke?

When a mysterious stranger shows up and challenges the very heart of their family, each of them must make choices they have never confronted before. And through it all, the Waverley sisters must search for a way to hold their family together through their troublesome season of change, waiting for that extraordinary event that is First Frost.

Lose yourself in Sarah Addison Allen's enchanting world and fall for her charmed characters in this captivating story that proves that a happily-ever-after is never the real ending to a story. It’s where the real story begins."

Oh, yes please!

Veronica Mars: Mr. Kiss and Tell by Rob Thomas and Jennifer Graham
Published by: Vintage
Publication Date: January 20th, 2015
Format: Paperback, 336 Pages
To Buy

The official patter:
"In the second book in the New York Times bestselling mystery series, Veronica Mars is back with a case that will expose the hidden workings of one of Neptune’s most murderous locations.

The Neptune Grand has always been the seaside town’s ritziest hotel, despite the shady dealings and high-profile scandals that seem to follow its elite guests. When a woman claims that she was brutally assaulted in one of its rooms and left for dead by a staff member, the owners know that they have a potential powder keg on their hands. They turn to Veronica to disprove—or prove—the woman's story.

The case is a complicated mix of hard facts, mysterious occurrences, and uncooperative witnesses. The hotel refuses to turn over its reservation list and the victim won’t divulge who she was meeting that night. Add in the facts that the attack happened months ago, the victim’s memory is fuzzy, and there are holes in the hotel’s surveillance system, and Veronica has a convoluted mess on her hands. As she works to fill in the missing pieces, it becomes clear that someone is lying—but who? And why?"

The books are all well and good, but can't we bring back the series?

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: First Frost, Jennifer Graham, Mr. Kiss and Tell, Rob Thomas, Sarah Addison Allen, Tuesday Tomorrow, Veronica Mars

Necromancing the Stone (Necromancer Book 2) by Lish McBride
Published by: Henry Holt & Company
Publication Date: September 18th, 2012
Format: Hardcover, 344 Pages
Rating: ★★★
To Buy

Sam is having a hard time adjusting to his new life. If he could just have time to come to terms with what he is, then perhaps life would fall into place. But no, he has no such luxury. He hits the ground running and must come to terms with this new world he's been thrust into on the fly. His home being the home of his enemy whom he killed, if it isn't weird enough, apparently wants to kill him to return for the loss of their master. Then there's his new duties taking over from Douglas as the area Necromancer with a seat on the council, something Douglas loved and had decades to prepare for, thrust at a moments notice on Sam. Add in complications of being in love with a werewolf, trust issues with his family, and, well, it's not going to be easy. When the head of the local werewolf pack is murdered, as a man dealing in death, Sam is called in to solve the case. The death means he's lost a friend, his girlfriend, and, if he's not careful, his reputation and maybe his life. But Sam is getting very good at learning things as he goes... it's the only chance he has of survival.

People don't like change. This one fact is the only justification that I can latch onto for the tired old trope of the indestructible bad guy. At the end of every installment, be it book or movie, the erstwhile heroes triumph over evil by killing the baddie and saving the day. Or did they? Bad guys have a sad tendency not to stay dead. As Buffy says to Dracula at the end of the season five episode "Buffy vs. Dracula": "You think I don't watch your movies? Rolling her eyes. You always come back." I hate this trope. I don't care if you loved the bad guy and love the interaction with the hero and all that jazz, I don't want the bad guys to "always come back!" I want something new, something excited, not the same old villains again and again. This is why I hate daleks, cybermen, and Douglas! I despised Douglas in the first installment of Lish's Necromancer series, and even if he is stuck in that nebulous world between life and death and he's "different", well, it's not going to make me like her bringing him back, that's for sure!

Necromancing the Stone seems hell bent on trying to humanize Douglas, to make us have some empathy for him by fleshing out his backstory. Here's the thing, you can't humanize someone this evil. It's like saying that Harry Potter and the Half-Blood Prince humanizes Voldemort! No, it doesn't. The backstory gives us insight and knowledge, but it can never absolve evil. We can get origins of evil, never justifications for evil. There are some people, some acts, that no matter what we learn or what knowledge is imparted, what they did can never be forgiven. It would be like saying Hitler had his reasons and you can kind of get where he was coming from. No! Not only does Lish take a trope I hate but she uses that trope to try to empathize with evil. By hanging her narrative off this misshapen and ill conceived structure I can never fully embrace this book, it's tired, derivative (there might be more Harry Potter then I have previously hinted), and flawed. Also Lish really needs to add some mystery, because having a backstage seat with the bad guy means having everything laid out in front of you and gives the book no driving force and makes it all sadly inevitable.

The tired tropes aren't my only issue. Sometimes you get the feeling that author's aren't connected to the world around them. It's not that they don't get cultural references or jokes, it's that they are "out of time" if you will. What do I mean by this vague statement? I mean that the jokes are old. The characters in this book are in their late teens, early twenties, and they are making jokes that make sense for my generation, people in their thirties. There is NO WAY kids of today would get jokes about the "Care Bear Stare." Or Jerry Maguire! This isn't happening. Yes I have to admit that it would be hard to tap into this younger generation and make your jokes relevant, when you, as a writer, are probably totally amused by your own writing. The thing is, you are writing this book for an audience, and that audience isn't you. Yes, we could argue that all books are written for yourself, but let's not, let's look at the realities of publishing and the fact that this is a YA book for people who don't know about Care Bears or other 80s ephemera. Go find the teens, hang out with them for a minute and get out of your own youth. Lish, you're not the only author to suffer from this disorder, look to the Veronica Mars writers, just know that it should be addressed in future works.

Yet despite all these tropes and flaws and tired jokes there's something that I just can't resist in this book. Lish has a unique sense of humor and the times when Sam is just hanging at his house with his army of attack gnomes and his nymphs and minotaur playing Frisbee in the yard, everything is oddly quirky and right and you want to live there. It's the down time in the book that she's nailed. The vignettes that lend themselves to short stories or novellas. The interaction between James and his new "masters." The inconvenience of having a chupacabra as a pet. It's the little things that are so perfect that you want to somehow have Lish find a way to translate this small scale perfection to the larger structure of the book. If she could just expand on the little moments of bliss and not lose them in the translation to plot or large action sequences she could be a force to be reckoned with... sadly she is not yet there.

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: Buffy the Vampire Slayer, Care Bears, Chupacabra, Dracula, Gnomes, Harry Potter, Harry Potter and the Half-Blood Prince, Lish McBride, Necromancer, Necromancing the Stone, Veronica Mars, YA

City of Ashes (The Mortal Instruments Book 2) by Cassandra Clare
Published by: Margaret K. McElderry
Publication Date: March 25th, 2008
Format: Hardcover, 464 Pages
Rating: ★
To Buy

Clary's mom is still in a coma. But her mother isn't her only family anymore. Clary not only has an evil father planning world domination under the guise of the greater good, but a brother in Jace, whom she was starting to fall for, luckily they found out about their shared genes in time, no matter how much they wish it wasn't true. Jace and Clary being the offspring of Valentine has caused quite a stir among the Shadowhunters. Because Clary is new to this "other" world she is basically ignored by the Clave, but Jace... Jace isn't getting off that easy. Until Jace can prove his past ignorance of his lineage and that all his motives where for the good of the Clave he is to be locked up by the Silent Brothers.

While he is detained awaiting his "trial" by the sacred Soul-Sword that will know if he is telling the truth, his father Valentine arrives at the Silent City and massacres the Brothers and steals the sword, the second of the Mortal Instruments. Even if Jace wasn't under suspicion because of his father and being at the scene of another crime, he'd want to get to the bottom of this because it's in his blood as a Shadowhunter to protect the world from the downworlders. Downworlders who are flocking to Valentine as he uses the sword to call them to his side. Can Jace, Clary, and the younger Shadowhunters work secretly for the good of all without being accused of ulterior motives?

I'm sure you've all experienced this phenomena. You're reading a book, it's good bordering on great and because of some reason you set it down. It could be work, it could be prior commitments, it could even be another book you've been dying to read and it has finally come out and you can't wait another minute to start it. But you set down your book and when you pick it back up the magic is gone. There's a part of you that's thinking, it's not the book, it's me, the common refrain of all breakups. You try to make it work, but no matter how hard you try you can't reconnect.

The book is now a chore to read and you're just pushing through, trying to finish, all the while wondering what happened. This happened with me and City of Ashes. In the beginning I was flying through it, surprised by how much I was enjoying it after the first book was, well, wasn't up to my high expectations. I was even able to forgive Clare's habit of unbelievable predictability. She's so heavy handed with the foreshadowing that it's laughable. She telegraphs every punch so that there is no surprise when the blow falls. But I was ok with all this and then I wasn't.

I am not sure if it was the superiority of writing and worldbuilding of the book I forsook City of Ashes for or just that City of Ashes had reached it's apex and was quickly declining, but we irrevocably had a falling out. Yes, it was my mistake to set down this book, because who knows if I would have grown to dislike it as much as I did. I have an inkling that I would, and that inkling is Jace. I hate Jace with the fury of ten thousand suns. He is an unlikable arrogant ass. What's the refrain all good writers should abide by, show don't tell. Having all the characters say that Jace isn't really all that bad doesn't counteract the douchebaggery he's perpetrating on every single page. He's not a misunderstood misanthrope, he's a dick. An unrepentant ass isn't ever going to be a good hero or even an antihero, they're just going to be always an ass. And in this case an ass surrounded by a whole lot of flat two dimensional characters.

But what I despise about Jace is that he's basically the love interest. I was relieved when at the end of the first book that it turned out Jace and Clary are siblings because then Clare could drop this stupid budding love affair. Of course, I can see that they are somehow going to miraculously not be related just so they can get it on, and that is where the book tipped for me, when Jace was brought back as the taboo love of Clary. By having Jace, all be it temporarily, not the love interest I became interested in the book. Clare quickly cured me of all I liked, hence I think our breakup was inevitable.

So about this love. Let's say that Jace and Clary are related and there's no deus ex machina waiting in the wings to make their love acceptable, then we're in familiar literary trope territory, incest! Man, authors love incest, consensual, non consensual, startling revelation, secretive, scandalous, fabulously camp, it's out there from Flowers in the Attic to Game of Thrones to Veronica Mars to Arrested Development. And, it's just overdone already people. Using it as a shocking plot device over and over makes it lose it's shock value.

I could spend hours sitting here just listing all the books I've read or shows I've watched where this was supposed to be a big icky reveal and instead had me rolling my eyes going, oh please, not again. Donna Tartt, Diane Setterfield, Charlaine Harris, George R R Martin have all pulled this and have desensitized me to this trope once and for all. THE ONLY way this trope would have helped this book would have been to permanently part Jace and Clary on the romantic level, but that's not happening, so just, cut it out, ok, it's bad that I just got Dave Coulier from Full House in my head just then... but that's the level this trope has reached... bad and tacky 80s comedian level.

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: Arrested Development, Cassandra Clare, Charlaine Harris, City of Ashes, Diane Setterfield, Donna Tartt, Flowers in the Attic, Full House, Games of Thrones, GRRM, Incest, Jace, Mortal Instruments, Veronica Mars

Choices of One by Timothy Zhan
Published by: LucasBooks
Publication Date: July 19th, 2011
Format: Hardcover, 384 Pages
To Buy
The official patter:
"The fate of the Rebellion rests on Luke Skywalker’s next move. But have the rebels entered a safe harbor or a death trap?

Eight months after the Battle of Yavin, the Rebellion is in desperate need of a new base. So when Governor Ferrouz of Candoras Sector proposes an alliance, offering the Rebels sanctuary in return for protection against the alien warlord Nuso Esva, Luke, Leia, Han, and Chewie are sent to evaluate the deal.

Mara Jade, the Emperor’s Hand, is also heading for Candoras, along with the five renegade stormtroopers known as the Hand of Judgment. Their mission: to punish Ferrouz’s treason and smash the Rebels for good.

But in this treacherous game of betrayals within betrayals, a wild card is waiting to be played."

Ok, interesting fact of the day... Timothy Zhan is THE REASON I am such a big reader. Why you might ask? Well... as a kid I was a Star Wars addict. I mean, serious, hard core, my summer was just watching the movies looped. After watching them for the millionth time, I craved something new, that's where Timothy Zhan enters in. I picked up the first book in his Thrawn series, Heir to the Empire and was hooked. It was my gateway drug, from Heir to the Empire to, basically, every other book. So yeah to Timothy Zhan, twenty years ago you made me a reader by expanding on the Star Wars universe, and yes, I am totally buying the newest installment.

The Girl is Murder by Kathryn Miller Haines
Published by: Roaring Brook Press
Publication Date: July 19th, 2011
Format: Hardcover, 352 Pages
To Buy
The official patter:
"Iris Anderson is only 15, but she's quickly mastering the art of deception in this YA novel for fans of Veronica Mars.

It's the Fall of 1942 and Iris's world is rapidly changing. Her Pop is back from the war with a missing leg, limiting his ability to do the physically grueling part of his detective work. Iris is dying to help, especially when she discovers that one of Pop's cases involves a boy at her school. Now, instead of sitting at home watching Deanna Durbin movies, Iris is sneaking out of the house, double crossing her friends, and dancing at the Savoy till all hours of the night. There's certainly never a dull moment in the private eye business."

Kathryn Miller Haines, best known for her Rosie Winter books is now writing a YA book. That right there sells me... but then you say Veronica Mars, and maybe now I'm a little over excited.

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: Choices of One, Heir to the Empire, Kathryn Miller Haines, Star Wars, The Girl is Murder, Thrawn, Timothy Zhan, Veronica Mars

Everyone has their Knightly. It's just a fact, just like everyone has their Darcy. I was recently thinking this over and I realized there was only one Knightly for me, and he goes by the name of Josh. That's right, my ideal Knightly is Paul Rudd in Clueless. My love for him has never waned, as it has for the others. I have always hated Mark Strong as Knightly, too old, too bald, but he does make a good villain, Sherlock Holmes and Robin Hood anyone? Jeremy Northam is basically the perfect romantic hero, and the way he pulls off those high starched collars is sublime, but he's too godly, too, not of this earth for me. Johnny Lee Miller is a perfect match for Emma, so therefore, not the perfect match for me. But it's not that he's better than all these other superb actors, it's that my love remains. I fell in love the first time I saw him on that horrid Saturday soap Sisters, but it wasn't until the following year that I was a goner and he had me for life. I saw Clueless, not even knowing that it was based on Jane Austen, who would, a few short months after the movie was released, become my favorite author. Plus Paul Rudd is just such an extraordinary actor, from co-creating one of my favorite shows, Party Down, to doing hilarious cameos in everything from Forgetting Sarah Marshall to Veronica Mars, he is perfect. And I challenge you to find a better episode in season three of Veronica Mars than when he plays a washed up rocker, Desmond Fellowes. Phoebe on Friends never deserved his wonderfulness, this man was on Little Britian after all! Here's to you Paul, my Knightly! So who's your Knightly?

Posted by Miss Eliza at 12:00 AM 4 comments  

Labels: Clueless, Friends, Jane Austen, Jeremy Northam, Johnny Lee Miller, Little Britian, Mark Strong, Mr. Knightly, Party Down, Paul Rudd, Robin Hood, Sherlock Holmes, Veronica Mars

The Spellman Files (The Spellmans Book 1) by Lisa Lutz
Published by: Simon & Schuster
Publication Date: March 13th, 2007
Format: Paperback, 358 Pages
Rating: ★★★★★
To Order

"I cannot pinpoint the precise moment when it all began, but I can say for sure that the beginning didn't happen three days ago, one week, one month or even one year ago. To truly understand what happened to my family, I have to start at the very beginning, and that happened a long time ago." So begins Isabel's narration leading to the major event that happens to the Spellmans. But before we can get to the what, there's the how, presented in a pastiche of images from the history of the Spellman family. Isabel, our erstwhile and extremely dysfunctional heroine, was born into a family of PIs. Her father's an ex-cop, forced into early retirement by a bad back, he took up the only solid living an ex-cop is uniquely suited for, Private Investigation. On the job he met Olivia and it was true love. Their firstborn, David, was everything a child should be, hansom, athletic, smart and hardworking, growing up to be a lawyer. When Isabel came along she felt that it was only right that she was everything David was not, unruly, hard to handle and a juvenile deliquint... and perfectly suited for Spellman Investigations. But when Isabel was 14 the family was in for a surprise, in the form of Rae. Olivia and Albert found out that they were going to have another baby, while at the same time Al's brother Ray was dying of cancer. Rae was named in honor of the heroic ex-cop who then didn't die. Uncle Ray had an epiphany. If clean living made him sick then he'd just do what he wanted, mainly gambling, drinking and whoring which lead to a depletion of his resources and he moved into the residence of 1799 Clay Street, home of Spellman Investigations and the whole Spellman clan, minus David.

What follows is a narration of the odd events and circumstances that result when you've been raised in a family where spying, tailing, car chases, recreational surveillance, bugging, extortion, blackmail and all around prying into each others lives is the status quo. "The Spellman Wars" take many forms, from Rae stealing "new uncle Ray's" lucky shirt and holding it for ransom, to Isabel meeting a cute dentist on the job and then pretending she's a schoolteacher in order to date him, to mass sugar consumption, to fake drug deals... the wars are manifold with many skirmishes and allegiance shifts. But in the end Isabel decides that maybe this isn't the life for her and she asks to be let out. Her parents agree to her leaving if she can solve an extremely cold case involving the disappearance of one Andrew Snow, thinking that in a job where mysteries are rare, perhaps this will whet her appetite and return the status quo. But the status is very not quo when all the duplicity and infighting leads to Rae's disappearance.

I can not emphasize enough how much I enjoy the Spellmans in all their dysfunctions and obsessions, which I can sadly relate too. The interesting quirks and different forms of addictions each character possesses is hilarious, but at the same time, oddly realistic. From Rae's addiction to sugar and recreational surveillance, to Izzy's drink and Get Smart, to Uncle Ray's women and cards. Each character has there own set of flaws that make them unique, but at the same time, obviously related and relatable. Also the way the story is told in little snippets, like a dossier, makes you see the overall history of the characters through specific incidents and examples versus having an extremely long backstory. It also stripes away the Hollywood glamor of the PI's life showing the dysfunction and strained relationships that result from needing to always know the why. Isabel's headlong pursuit of the truth is single-minded and self destructive, but haven't we all been there? Knowing we should stop and we've gone too far, but knowing that we will still do it anyway. Fans of Veronica Mars will enjoy the same kind of mystery combined with a dry wit. I really can't recommend this book, and all Lisa Lutz's books enough! But be forewarned... be prepared to having the overwhelming desire to watch mass quantities of Get Smart afterwords! Luckily now available on DVD.

Make sure to enter my Surfeit of Spying Spellmans Giveaway to win this, or any of the other Spellman books. All signed 1st editions!

Posted by Miss Eliza at 12:00 PM 1 comments  

Labels: 1799 Clay Street, Book Review, David Spellman, Get Smart, Isabel, Lisa Lutz, New Uncle Ray, PI, Rae, Spellman Investiagtions, The Spellman Files, The Spellman Wars, Veronica Mars