Showing posts with label High School. Show all posts
Showing posts with label High School. Show all posts

Wednesday, July 3, 2024

Book Review - Madeline Miller's Circe

Circe by Madeline Miller
Published by: Little, Brown and Company
Publication Date: April 10th, 2018
Format: Hardcover, 393 Pages
Rating: ★★
To Buy

Circe's family is divine. Her one companion is her brother, Aeëtes, who is also shunned by their mother. But soon Circe is alone, Aeëtes sent far away, just like all her other siblings. In despair she falls for a mortal, Glaucos. Knowing that she can never have a life with a mortal she begs her grandmother to transform her love into a god. Her grandmother can not help. So Circe uses a secret her brother Aeëtes found and transforms her love using pharmaka. He is welcomed into the family with open arms but he is married off to Scylla, not Circe. Circe once again uses pharmaka and transforms Scylla into a monster. Her own father, Helios, doesn't believe that Circe is that powerful. But Aeëtes does. He tells their father that he and his sister are pharmakis. Witches. Due to willingly searching out pharmaka, which are magical herbs that grow from blood spilled when the Titans and Olympians battled, Circe is exiled to the island of Aiaia. There she hones her craft and luxuriates in the freedom of exile. No longer alone among her family but alone with herself. Though Hermes brings her distressing news, Scylla is the terror of the seas. When the opportunity arises to leave her island she tries to stop Scylla but just sees the horror she has wrought. More horror awaits her as she acts as midwife to her sister who births the Minotaur. Returning to Aiaia she is lonelier than ever, though family occasionally pass through. Always with demands. But at least they don't pose the danger of man. The captain of a lost ship rapes her. She starts taking the precaution of turning all sailors into pigs. But Odysseus is different. He's smart and witty and a born storyteller. When he finally departs she is pregnant with his child, Telegonus. She hides him away for years and years until he builds himself a boat and goes and kills his father. Accidentally. When he returns home he brings with him Odysseus' wife, Penelope, and her son, Telemachus, seeking her protection. But perhaps her island isn't a refuge but a crutch. A place to hide from the world. Now, perhaps, with Telemachus by her side, she might see the world.

Every once in awhile I have this almost uncontrollable urge to read Homer. In recent years this is because Tasha Alexander's wondrous creation, Lady Emily, is always espousing reading him. In the original Greek. And if there's one person in life that it wouldn't be bad to emulate, it's Lady Emily. She's smart, witty, and well educated. Something we all wish we were. This is one of the reasons I was so excited to read Circe. Here I could dip my toe back in the Aegean while getting to see Odysseus through the female gaze. And while I wasn't the member of my book club who mentally checked out as soon as there were people with blue skin, I quickly remembered why I don't read Homer. I hate Odysseus. With a passion. I don't know what makes me forget this information and then keep trying to reread the Odyssey, but it's a hate the likes of which Mrs. White would sympathize. I read the Odyssey in freshman English and I detested it. Odysseus is just everything wrong with men. I just can't with him. The first time I fooled myself into thinking that I couldn't have hated the Odyssey as much as I thought was when NBC did a prestige miniseries in 1997 staring Armand Assante and Greta Scacchi. The real reason I was interested in it is because Jim Henson's Creature Shop did the special effects but that's just extraneous information. I didn't make it through the miniseries. I don't think I even made it through part one. And Odysseus is the reason I didn't like Circe. This isn't her story. It's his. And his. And his. And his. There is no insight into her unless you call a woman's entire life being formed around the men in it revolutionary, well, then I guess that's an insight, but personally I'd say, welcome to womanhood... Especially around 12th or 13th century BCE. I just can't understand why people are saying this is such a powerful and feminist book. Did we read the same book? Because her life is blighted by men and in the end she sacrifices everything for a man and it's never about her it's about them. This is just the Odyssey from another point of view without any depth. I don't care if there are blue skinned people, I don't care if Odysseus had to make a cameo, I do care that this is being praised as revolutionary writing when it's just the same old thing. This could have been something. But it wasn't. Stop deluding yourself that it was.

Friday, December 1, 2023

Wednesday

You might be wondering, why is she including Wednesday on her list of adaptations, it's not like it was a book...or was it? I'm putting this in under a technicality, because while Charles Addams created the cartoons for The New Yorker for the most part, they were later published in several books from Addams and Evil to Dear Dead Days. In fact I have a whole bookshelf groaning under the weight of all my Charles Addams books. There's even a cookbook which isn't for the faint of heart. I am an Addams Family connoisseur, I don't just have books, I have licensed artwork, Funko Pops, I have the entire Department 56 Addams Family Village, minus Fester with his light bulb and Wednesday and Pugsley with the guillotine, I have all the action figures, minus Wednesday, to the cartoon series, the SNES Addams Family video game is my favorite video game of all time and I can't count the number of times I've beat it, I have an original movie poster from 1991, and I don't know how many copies of the film I've gone through on different media from VHS to the "More Mamushka" Blu-ray release. The Addams Family is the story of my life. I remember a writing assignment in seventh grade that was actually Addams Family fanfic. Therefore Wednesday, well, it had to be something special to actually become a part of my own special Addams Family canon. I mean, Tim Burton was definitely the right choice despite not making a movie I liked since 2005, as was Jenna Ortega who proved her acting chops to me with her turn as Ellie in season two of You and I swear if they don't bring her back for the final season I will revolt. And yet I was hesitant to watch. I did't want to be disappointed. All my friends were texting me how good it was and yet I delayed, I mean the show went viral, that couldn't be good could it? Me, the girl who in 1999 had a Tim Burton film fest and who ranks The Addams Family with Raul Julia as one of her favorite movies ever just couldn't get up the nerve to watch the series. Obviously I wouldn't be writing this if I hadn't watched the show. And I enjoyed it. It wasn't phenomenal, but it was interesting and created it's own lore while at the same time paying homage to all the previous adaptations. The fan service was top notch, especially everything to do with the pilgrims, and if Christine Baranski doesn't get a role in season two I will weep. But here's the thing, the fan service is fun asides, or clever plot points, it never takes away from the whole. And Bridgerton could learn a lesson or two from Wednesday's modern cello covers. But what does take away from the show is the petty backbiting and a love triangle that's just too high school coupled with, but aren't both guys creeps? This makes it feel painfully YA at times and it detracts from the show. Just look to the 1991 version, that was rated PG-13, very close to the TV-14 of the show, and yet you never felt that it was childish. Perhaps with a teenage lead character it was bound to come across as childish occasionally, I just know they can do better, and I think Jenna Ortega agrees with me because next season there is going to be no love interest and more horror. Now that's what I like to hear. That and the sound of a well snapped finger.

Wednesday, March 2, 2022

Book Review - Jane Austen's Sense & Sensibility

Sense and Sensibility by Jane Austen
Published by: Max Press
Publication Date: 1811
Format: Hardcover, 368 Pages
Rating: ★★★★★
To Buy (different edition than one reviewed)

Elinor is pragmatic about the death of their father. They have lost their home and they will find a new one and carry on. Her younger sister Marianne has opted for another approach, misery exponentially increased by any dear memory of her father and the beloved house they all shared. Their mother is perfectly happy wallowing with Marianne while watching her step-son and his odious wife Fanny destroy Norland Park, that is until that odious Fanny insinuates that Elinor isn't good enough for her brother Edward Ferrars and Mrs. Dashwood can not remove them fast enough from Fanny's presence. Thanks to kind relations they are able to leave the odious Fanny behind and settle at Barton Cottage, part of Barton Park were Mrs. Dashwood's cousin, Sir John Middleton, resides. There they have a new social circle of relatives and friends, from a Colonel Brandon to a certain Lucy Steele, who might just destroy Elinor's heart unknowingly. Marianne is drawn to one person in particular, Willoughby. Willoughby is the same in all her sensibilities and they are soon as thick as thieves and their engagement is expected to be announced daily, much to Colonel Brandon's dismay. Yet the announcement never comes and Willoughby takes off to London and they hear no more from him. If only Elinor understood where Marianne and Willoughby stood she feels like she could help her sister, but she is in the dark. So when Sir John's mother-in-law, Mrs. Jennings, invites the two girls to accompany her to London Marianne jumps at the chance, while Elinor views it as an opportunity to get at the truth even if she'd rather stay at home. But London will be a proving ground for the young girls' hearts. Will either of them find a happily ever after or are their hearts destined to be forever broken by their first loves?

It seems odd to me that in a high school that actually had a good English department where I read many classics I never read any Jane Austen. By the friends I made through various bizarre and arcane clubs I was introduced to her via the Colin Firth miniseries in February of my senior year. This was on my level, being more into films than books at the tender age of seventeen. It was the perfect bridge from one art form to another. At that time I was adamant that I wasn't going to college in the fall, and I in fact didn't, but that didn't mean I was averse to learning and reading and I took it upon myself that summer to acquaint myself with the classics, many of which had been made into films starring Emma Thompson. She was a powerful bridge to Austen and also to Forster. The summer of 1996 was spent on my side porch reading classics I never thought I would ever pick up. Though it was to Austen I felt the most visceral a connection. Sense and Sensibility was the first book of hers that I read and I remember towards the end reading it in my bedroom because of the copious sobbing that accompanied my reading. When Edward arrived at Barton cottage to declare his freedom and his desire to marry Elinor, I just sat in my window crying. I never knew a book could do this to me. I was forever converted to Austen and through her I found a love of classics. Though this book now makes me feel a tad old. When I first read Sense and Sensibility I was the same age as Marianne is for most of the story but now I'm older than the flannel waistcoat wearing Colonel at 35 and Mrs. Dashwood at about 40. Which gave me an "oh dear" moment. I am OLDER than Colonel Brandon who was thought too old for love! I will just have to remember, Austen shows us that love can happen at any age, along with the copious weeping.

Friday, June 5, 2020

Book Review - F. Scott Fitzgerald's The Great Gatsby

The Great Gatsby by F. Scott Fitzgerald
Published by: Penguin
Publication Date: 1925
Format: Hardcover, 198 Pages
Rating: ★★★
To Buy

Nick Carraway has moved east to sell bonds in New York City. Because that's what young men do to make money right? Move east and sell bonds. But living out on Long Island he has an advantage across the bay. His wealthy former classmate from Yale, Tom Buchanan, lives in a luxurious house with his wife Daisy, who just happens to be Nick's cousin. At Nick's first dinner at their home he meets Jordan Baker, a rather infamous golfer, and gets ringside seats to the drama of the Buchanan household. There's trouble in paradise as Tom's mistress has the gall to call during the dinner hour! Of course, being old classmates, Nick is drawn into Tom's extramarital activities, and it isn't long before Nick is partying in the couple's love nest in the city where Myrtle's sister is insisting to Nick that Tom and Myrtle are miserable in their marriages and if it wasn't for Daisy being a Catholic there'd be two divorces and one marriage faster than you can blink. Nick can't be sure of this assertion and soon his life is about to be complicated by even more intrigue. He's going to be brought into Jay Gatsby's orbit. Jay Gatsby is Nick's infamous neighbor. Infamous for his parties and his secretive past. Everyone comes to his parties and yet no one ever sees him. Nick is about to see a lot of him as he brings Nick into his world and into his greatest regret, losing Daisy, the love of his life. He asks Nick to be a go-between. Of course fearing rejection he uses his own go-between, Jordan Baker. The request is simple enough, can Nick invite Daisy to his humble abode, only to have Gatsby swing in and take them to his manse next door? Nick is glad to help, especially as it's Jordan asking, and soon, like Daisy, he is under Gatsby's spell. But as Gatsby and Daisy's courtship from before the war proves, love and wooing never go smooth. Soon Tom realizes what is happening and there is a great reckoning that not everyone survives. That is the price of wealth and woo.

The Great Gatsby is light on plot with little depth and an unreliable narrator and for those very reasons it has become a classic. Other than a distinct "Americanness" and much rumination on the American Dream, everything is open to interpretation. Can we believe a word Nick says? Probably not. Can we blame Gatsby for how he made his fortune in order to woo the woman he loves? Depends on how he really got his money... which the characters themselves like to discuss ad nauseam. Can the valley of ashes be real or is it just a metaphor? You can literally read anything you want into this book. I was strongly reminded in the laborious and best skipped introduction of certain friends of mine who can talk for hours on end about the color symbolism in 2001: A Space Odyssey. What red means in one shot, followed by the blue of another. If they had a desire to, which I'm sure they don't, they could go into the symbolism of color that larders the pages of this book. The green light at the end of Daisy's dock, the golden sheen coming off Gatsby, all of it can be taken as something or nothing. The green could be tied to Daisy and how her voice is full of money. The green could be her openness to Gatsby's return. His golden sheen could be an outward aura of his wealth or a reference to the golden calf from the Bible and all the symbolism that weights him down because of that. In fact, though I never took a high school class that actually read The Great Gatsby, I can see why it's a popular one to teach. There is so much that can be drawn out of this book literally anything any student says is a possible interpretation. There is no wrong answer where it comes to The Great Gatsby! In fact, here's my weird little interpretation. I think The Great Gatsby is the inspiration for the TV series Remington Steele. Now prove me wrong! You literally can't. Steele is a man of infinite style whose past is dubious and who embodies the American Dream. He may or may not have tragedy in his past and as for that past, it shifts and changes with each retelling. Who knows, he might also have medals for heroic service as well as the known warrants for his arrest. This is how much this one book has become a part of the American consciousness that a popular TV show from the 80s could draw meaning form it for a modern audience and make it continually relevant. The Great Gatsby is a book for the ages.

Wednesday, September 13, 2017

Riverdale

Right about now you're probably thinking that she can't be serious including the dark reinterpretation of the Archie comics on her "must watch" list from the last year's television viewing? Oh yes I am. Deadly serious! Like when Jason Blossom's body washed ashore serious. Firstly, as a kid I loved reading the Archie comics, and yes, when I heard they were making Riverdale I was skeptical. In fact I didn't even watch it when it aired on the CW, instead, during a dark and trying weekend I really needed an escape and Riverdale was on Netflix and I binged it. I binged it hard and I loved every minute of it. It quite literally got me through each day knowing that at the end of it I could watch it. From eighties teen icons being the parents to me finally actually feeling something other than loathing for Veronica, I was shocked how much I enjoyed it. The show had a very specific target it was aiming for, trying to make Riverdale land somewhere between Veronica Mars and Twin Peaks and it hit the mark. It also didn't hurt that Betty's mom was played by Twin Peaks alum Mädchen Amick. There's a murder to be solved, there are shady dealings, gangs, and Jughead Jones becomes a Holden Caulfield for a new generation. Though once you realize that yes, that IS Skeet Ulrich as Jughead's dad you may start to feel a little old. I can't wait until it returns and I can tune into even more deadly teen drama with secret pregnancies, liaisons with teachers, and some kick ass music by Josie and the Pussycats. Just leave your high school hangups at the door of Pop's and grab a shake, just watch out for Archie's dad bleeding to death on the floor.  

Friday, July 29, 2016

Science Fiction

For me, my turning into a bookworm all started with science fiction. The reason is two fold. When I was younger I rarely read at all. Instead I watched lots of movies. In particular I watched a LOT of Star Wars. When I mean I watched a lot of Star Wars, I mean really a lot. I mean an entire summer just watching the original trilogy over and over. When I found the Star Wars Expanded Universe in the form of Timothy Zahn's Heir to the Empire, I felt as if a whole new world was open to me. I give Timothy Zahn almost all of the credit for turning me into the bookworm I am now and I hope one day to tell him that in person. He took characters I already loved and gave them new adventures for me to devour. The second half of my conversion was due to Douglas Adams. After high school I spent that summer reading all of The Hitchhiker's Guide to the Galaxy as well as all of Jane Austen, but that's another story. Those books by Adams are still a touchstone for me. I remember how it felt to hold them with the circular embossing on the covers while I laughed at the absurdity of Arthur Dent's predicament. It almost makes me want to curl up on the side porch in blistering heat and re-read the full trilogy, as this would be the cheapest form of time travel. But the truth is over time I have moved away from science fiction and more to it's counterpart of fantasy. I remember years ago the heated discussions online of the divide between science fiction and fantasy despite them being shelved together in bookstores. It all came down to dragons. So perhaps I like my imaginary worlds to have a few dragons these days. This means that my science fiction reading has lapsed of late. So more than anything I'm trying to reconnect with my roots here. To go back to imaginative storytelling with a science base and the occasional spacecraft. Here's to worlds without dragons! And of course Star Wars!

Friday, June 5, 2015

Movie Review - Congo

Congo
Based on the book by Michael Crichton
Starring: Laura Linney, Dylan Walsh, Ernie Hudson, Tim Curry, Grant Heslov, Joe Don Baker, Adewale Akinnuoye-Agbaje, Bruce Campbell, Taylor Nichols, Joe Pantoliano, Delroy Lindo, Stuart Pankin, Peter Jason, James Karen, Shayna Fox, and Frank Welker
Release Date: June 9th, 1995
Rating: ★
To Buy

Charlie Travers is leading an expedition in the Congo to find diamonds to power high tech communications devices, in other words, lasers, for TraviCom, a company run by his father. Charlie misses his second check in with his father back in Huston and when they get the video feed back online they see death and destruction everywhere and a mysterious ape like creature rushing past the camera. Charlie's father, R.B. Travis, begs his employee Doctor Karen Ross to go to the Congo. Karen agrees if the expedition is really to save Charlie, her former fiance, and not to get the diamonds. In California, Doctor Peter Elliott runs Project Amy, which has been teaching Amy the gorilla sign language. Amy is amazing, she has a glove that allows her to actually speak when signing and she's learned to paint. Of course the paintings are actually a form of therapy to help with her nightmares. Peter wishes to return Amy to her home in the Congo but the University doesn't want to lose Amy and the cost would be prohibitive. Enter Herkermer Homolka, a philanthropist who claims his interest is to see Amy happy, when really he suspects Amy is the key to finding the lost city of Zinj and King Solomon's Diamond Mines. Do to necessity Karen Ross attaches herself to Amy's party and they have only a few political hiccups in entering the Congo. With their forces combined will they find the diamonds, Charlie, or Amy's home? Or will they find nothing but death and destruction?

In 1995 Congo was tied with Sphere, well, maybe a little ahead of Sphere, as my favorite Crichton book; and it was going to be a movie! Not only that, it was going to be a movie with Tim Curry, my most favorite of all actors! Rocky Horror and Clue forever! The movie just happened to be opening right after my junior year of high school ended. I was counting down the days to summer break and then the last few weeks of my junior year descended into hell. I got the sickest I had ever been in years, I can still remember the pain as if it was yesterday. I had such a severe ear infection that I kept thinking if only I could get that metal spike from The X-Files and jam it in my ear everything would be better. I didn't sleep for days, making me test the theory that if you stay awake for three days straight you're insane. I quite possibly was, but aren't we all mad here?

I was so disoriented I picked up a soldering iron in art metal from the wrong end. Yes, that's right, I thought why not pick it up by the searing hot metal end that likes to burn flesh. Luckily for some unknown reason I picked it up with my non-dominate left hand, so I could at least still write and take all my finals the coming week, oh happy day. I spent all my spare time trying to finish my stained glass project with my one good hand, and then I had a week's worth of finals and on Saturday morning, before getting to see Congo, I had the ACTs. Because what better then to take the ACTs with a fever of 104! I still say getting a 26 when I was giggling to myself at the absurdity of my situation and randomly selecting answers was pretty darn good. It was good enough for the school I was applying to so that's all that mattered. And then, after all this suffering, my reward was Congo. It wasn't much of a reward. 

Of all the adaptations of Crichton's films Congo is begging for a remake. If not just for the advancement in technology, could the new version try to maintain any aspect of the book, oh, and can Andy Serkis play Amy? Bring back those ominous hand paddles and crush some skulls! Seriously, I have a new cast in mind and it would be awesome. Just saying, Jennifer Lawrence, Lee Pace, and Toby Stephens. Back to this version... the biggest and most detrimental change from page to screen in my mind is the changes wrought with the character of Doctor Karen Ross. Putting aside my hatred of Laura Linney, because I have a strong feeling that it was this movie that started this hate, this adaptation once again shows that for Hollywood woman can't be strong and ruthless, yes they can be strong, yes they can make tough decisions, but it all comes down to gooey romantic feelings. Ah, ick. Karen Ross didn't want to go to the Congo to prove she could do it, to succeed and get the diamonds at all costs, as in the book, oh no, she went to rescue her ex-fiance and her boss's son! Yes, it's all about saving someone she loved!

I wonder if Michael Crichton when watching all these various films of his books ever cringed. He doesn't write weak females and yet time and again they are made weaker. By making Doctor Ross all about her heart they are taking a book about ruthless business practices and making it into a doomed love story. By doing this they are shifting the burden for their journey into the Congo onto Amy. Amy's return to the wild becomes foremost. Instead of Amy being an addition to the expedition, Doctor Ross is an addition to Amy's release. And this change doesn't work because this throws the whole plot into turmoil and forces the movie to add in unnecessary characters that are literally cannon fodder in an attempt to keep the diamond subplot. And yes, that is a laser powered by diamonds. Yes, seriously, lasers! Lasers that could punch a hole in the moon. Say what? I know a psychic vegan who can do this and yes, it is still more believable the this freakin' laser.

By taking Doctor Ross out of the driver's seat the movie now needs someone to get Amy, she is now the star after all, to Africa AND have the interest in the diamonds. Hence, as much as it pains me to say he's an unnecessary character, Tim Curry is brought in as the ludicrous Herkermer Homolka. Firstly, who thought of that name? Secondly, why are we having this weird H. Rider Haggard throw back? The whole point of Congo was to have a modern interpretation of the adventure novels of Haggard, not do this weird clash of modern and old fashioned. Mesh the two don't set them off against each other. Also, Curry is basically the great white hunter, but so is Ernie Hudson, why do we need two characters that could, in a better written story serve the same purpose? For my money, despite my adoration of Curry, I'd stick with Hudson, he was the only one who was perfect in this plane wreck of a movie.

But, oh dear. Despite ranting about all the changes I haven't even gotten to the worst of it. I'm talking about Amy. Firstly lets talk animatronics. All the apes were done by Stan Winston who, if we were to judge him by this movie, has never seen an ape in his life. Seriously. What they hell. By the end of the movie we're in this weird guns blazing human engineered ape cave with everything going to shit in epic The Island of Doctor Moreau fashion, what the fuck. And I mean the crappy film version. Which came out a year after this film and was also done by Stan Winston. Sigh. So firstly, we have apes that don't even look like apes, then add Amy's "Power Glove." Though, to reference the Nintendo Power Glove is a disservice to Nintendo. So apparently having Peter translate Amy's sign language or even just having subtitles wasn't "cool" enough and instead we get this weird childish talking ape. And yes, if you ask me at a party, I will do my impersonation. Yes, it's so bad it deserves one. Easily. Also, interesting fact, if you had a friend named Amy in high school, this might just be their most hated film because of the "Power Glove."

The first and only time I watched this film I was so distracted by plot changes and talking apes I missed the weirdest part of this movie, and that's the jungle itself. Now, I'm not talking about the built sets that looked like they were rejects from Legends of the Hidden Temple or Xena: Warrior Princess, a conclusion that is easy to reach because of Bruce Campbell being in the movie. I mean seriously, look at that river, doesn't it look a little chocolaty to you? Is that ape throwing eyeballs at Bruce really Augustus Gloop? That is a whole different level of cheesiness. No, what I'm talking about is that the jungle is SO OBVIOUSLY NOT Africa, something my fevered brain missed the first time around. Yes, it's probably hard to get permission to film there, but still... why not just build the whole freakin' jungle, you badly built enough of it already. For the majority of the film I thought perhaps I was mistaken in the film's stupidity of not even filming in Africa, but the credits confirmed it. Costa Rica it is! In fact, isn't this the rain forest where some dinos fled to after leaving Jurassic Park? But then again, the people behind this film obviously thought the viewing public was made of idiots having the lost city of Zinj's architecture based on Cambodian temples... you know, that Asian country half a world away... or maybe they were just so stupid they didn't know or care. Because if you walk away from this film with one impression it's that it was made by idiots.

Wednesday, May 20, 2015

Book Review - Michael Crichton's Jurassic Park

Jurassic Park by Michael Crichton
Published by: Ballantine Books
Publication Date: January, 1990
Format: Paperback, 399 Pages
Rating: ★★★
To Buy (different edition than one reviewed)

Paleontologist Alan Grant is working in the Badlands of South Dakota on his dig site with his student Ellie Sattler. Alan's been working the site for many years thanks recently to a grant from billionaire John Hammond. For awhile he was funded by Hammond's company InGen, but the hassle of dealing with their apparently irrelevant questions about dinosaurs made him sever ties with them. Those ties are going to be tested in the next few days. An apparent dinosaur has been found on the coast of Costa Rica, inland from Hammond's private island. Hammond has asked Grant and Sattler to come to this island for an "inspection." It turns out that Hammond has been building a theme park and his investors are getting jumpy. By bringing a group capable of assessing the safety of the island together Hammond hopes to quell the dissent. Though the shocking truth of the park rattles Grant. Hammond has been able to genetically recreate dinosaurs and has made these newly resurrected creatures the theme of his resort. Another one of the assessment group, mathematician Ian Malcolm, is predicting doom and gloom, saying that his projections show that Jurassic Park is inherently dangerous. To prove Malcolm wrong Hammond has invited his two young grandchildren along to show the parks safety. The park isn't safe. Malcolm was right. They will be lucky to escape with their lives.

Jurassic Park was the beginning. The problem I've always had with school is that I only want to take what I'm interested in. College, aside from those pesky prerequisites, was ideal for me in that my entire schedule could be tailor made to be art, art, and more art. Whereas high school, high school was not. I would attempt to delay the inevitable as long as possible. One way I did that was to not take science freshman year. Sure, this meant that I was then taking science with the grade lower then me, but it meant that I had a year with no science, so it was totally worth it. And it's not that I hate science, well, I have issues, let's put it like that. But aside from physics, my brain isn't programed that way. It's a subject I would rather avoid if I can. Luckily I had a biology teacher who understood that for some students cutting apart a fetal pig wasn't the highlight of their week. And don't get me started on microscopes, they make me all cross eyed, I just can't stand looking through them! So my teacher had other projects that could be done to boost our scores, and while aligning myself with the Australian foreign exchange student who loved to cut things helped out some, I was needing to do some of these other projects badly. One project I did was I got to build a cross section of a plant cell out of clay and then paint and label the whole thing. I loved building it and my teacher loved it so much he asked to keep it. Another project option was to write a book report on Jurassic Park. The movie had just come out over the summer break and was still dominating theaters. I devoured the book and was desperate to have my own slice of real amber. Thus began an addiction that would take in everything Crichton has ever written.

Coming back to the book over twenty years later was a surreal experience. While I have read the sequel a fair few times I haven't picked up Jurassic Park since that book report when I was a sophomore. More then any of Crichton's other books Jurassic Park has become part of our culture. It is THE book that people associate with Crichton. It has spawned a franchise that is part of our collective unconscious so much so that even Weird Al has parodied it with his album artwork for "Alapalooza." When the movie came out it tapped into the zeitgeist and hasn't left. The problem this creates in reading the book is that the visuals from the movie are burned into our brains. The book and the movie have become so intertwined that you can't just read the book without having the key visual images come to mind. The T-Rex doesn't just attack the tour, the glass of water must first ripple to draw out the tension. The T-Rex must roar and the banner must fall. And you know what? These scenes aren't in the book! But you expect them to be, you picture them anyway. While I love movies, there's a part of me that wishes there was some way to keep the book and the movie separate and have no cross contamination.

As time has passed the movie has replaced the book in my brain, but it's time that's the real villain in re-reading Jurassic Park. The truth is I've grown up. I'm no longer a teenager, not that I'd want to be, but there are certain things unique to being a teenager, in particular a teenager with a little brother. And that is I've lost my knowledge of dinosaurs. When you're a kid there's something mystical that makes dinosaurs an all consuming passion, especially for boys. Most of my childhood was taken up with dinosaurs. My brother's bedroom was papered with every kind of poster of a dinosaur you could imagine. I remember when the Milwaukee Public Museum had their grand opening for their dinosaur exhibit and we were there. Since that day I have had nightmares about the Tyrannosaurus ripping out the guts of that Triceratops that is on gruesome display, forever trapped in that horrific moment. Back then if someone where to say a dinosaur name I'd instantly know the visual. Now, not so much. I have three dinosaurs in my brain now that I can instantly recognize, Tyrannosaurus, Brontosaurus, and Triceratops. There are seventeen varieties of dinosaurs in Jurassic Park. I have no idea what they look like and this is a big problem when trying to visualize the story. I muddle their names and I don't know one from the other. The confusion that results saps the fear from the book for me.

To have a thriller that no longer has any fear kind of defeats the purpose of the book. Because the fear of the dinosaurs is the only thing driving this book forward. Therefore I had no drive to keep reading it and instead of devouring this book I kind of leisurely strolled to the end. The characters, especially Lex and her grandfather, are so annoying that you are rooting for the dinosaurs to kill them; preferably in a long and agonizing manner. There are so many plot problems with the book that I felt like thumping my head against a wall. Why does this have to be the most popular of Crichton's books? There are so many better ones! The secondary plot though drove me to distraction. So, while they're out in the park they see some raptors jump on board the ship to the mainland and then they have 18 hours or whatever to get ahold of the ship to tell them to turn around. Grant mentions this every few hours to remind us of this totally unnecessary plot contrivance. Why is it unnecessary? Because we have pretty much stated the fact that dinosaurs have already made it to the mainland so what's three more raptors? Also, if it's to add more urgency to their trek through the park, I thought just surviving would be enough?

But I quibble. I pick. This was an ok read, far more enjoyable then the book I'm reading at the moment. Crichton has a similarity to his books but also a breadth to his subjects that feels like home and it's fun diving back in after all these years. I wouldn't be the critic I am today with my love of reading if Crichton didn't spark it. And the more I re-read Crichton the more I see how eerily accurate he was in predicting human behavior and trends. His books are just as relevant, if not more so, then the day they were written. I know the scientific community never liked Crichton being so outspoken and were always criticizing his views, perhaps because his hits were too close to the mark. I wonder what he'd have to say about companies like Monsanto and what they've been up to. I mean, sure, in Jurassic Park we are given a worst case scenario of scientific advancement being made just because they could without thinking of the long term consequences of releasing dinosaurs back into the world; but look to the smaller scale, to the GMO crisis that abounds now! Think about a company like Monsanto spraying a field of corn with a pesticide they're not quite sure what it will do and they end up with rat stomachs exploding. Hammond is the epitome of the problem, nearsighted people looking for their own glory; go hang the world. More and more the world is being made up of these people. Malcolm is right, it's not about the earth surviving us, it's about us surviving us.

Friday, May 1, 2015

Crichton Celebration

Shocking as it may seem that an Anglophile and bibliophile became this way because of one of the most popular bestselling authors of thrillers and science fiction it is still true. Michael Crichton made me who I am. My formative years were all television shows and movies, with the occasional novelization of said television show or movie as my reading for the year. I'd sometimes daringly branch out to such books as Timothy Zahn's continuation of the Star Wars saga; but reading for fun was something I rarely did. Thanks to a biology teacher who knew some kids weren't cut out for science I found a love of one author and a love of reading that would change my life.

It was my sophomore year in high school and I was finally taking biology. The previous year I was able to convince my parents that if they made me take science my first year I'd be more likely to skip school... seeing as how much I already skipped it's surprising that this ploy worked. But I really lucked out in my biology teacher. I got to build a model of a plant cell, which my teacher liked so much that he asked to keep it. In later years in high school I would use my artistic talents in as many classes as I could to my benefit, even doing a painting for my history class of Martin Luther King and Malcolm X, but this was the first time I realized that I could use my skill set outside of art classes. One of these optional assignments in biology was reading Jurassic Park.

Jurassic Park was the very first Michael Crichton book that I read and over the next few years I would devour everything he had ever written. Because I still had such a love of movies whenever a Crichton book was adapted for the screen this became a big deal. The mid nineties was the perfect time to be a Crichton fanatic in this regard. Jurassic Park, Rising Sun, Disclosure, Congo, The Lost World, Sphere, and The 13th Warrior were all made into films! I remember the sheer excitement of getting to go to an advance screening of The Lost World at Point Cinema with my friends. Yes, the movie was awful, but I can still remember that anticipation. That anticipatory excitement is once again running through me, I mean have you seen the trailer for Jurassic World yet? This got me to thinking of all the Crichton books that I haven't read in years and all the movies I only saw in the theaters and I thought, it's time to revisit my roots. And thus my Crichton Celebration was born. I hope you'll join me the next two months counting down to Jurassic World with a look back at Crichton's and my shared past.

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