strange and random happenstance

Bookshops and Bonedust by Travis Baldree
Published by: Tor Books
Publication Date: November 7th, 2023
Format: Paperback, 352 Pages
Rating: ★★★★★
To Buy

Viv's dreams are finally coming true. She might be a young and inexperienced mercenary, but what she lacks in knowledge she makes up for in enthusiasm. But she is green, in more ways than one, and after spending the best two months of her life with Rackham's Ravens on the trail of the necromancer Varine the Pale and her army, the worst thing happens. She's injured. Sidelined in the seaside town of Murk. Room and board. And boy is she quickly bored. She has to be in fighting fit when Rackham comes back through town in a few months. Whatever it takes she will be ready. To that end she starts roaming the streets to build her strength up. Though it's not so much her strength as shoddy workmanship that results in her crutch going straight through the boardwalk in front of a bookstore. And Viv is an orc of honor. She goes inside to confess her crime and hopes to offset the damage by buying a book. Something she's never done. The store's own, a rattkin named Fern, is intrigued by Viv and gives her a book with the caveat that when she finishes it she comes back and tells her what she thought. She's not to worry about payment, she can pay if she decides to keep it. Viv decides to keep it. She never knew that books could be exciting and sexy and a whole new type of adventure. In fact she not only pays for the book but she fixes the boardwalk outside Fern's store. In fact soon Viv is a regular at the store with her new friend Gallina, a gnome who wants to be a mercenary just like Viv. They start to fix up Fern's shop, hoping to bring in new customers. Well, actually, any customers. Fern's at her wit's end. This shop was the dream of her father and she doesn't want to lose the last thing of his she has left. Well, if Viv has her way, Fern won't. They source new furniture and make reading nooks and book displays and have baked goods from the sexy dwarven baker down the street, Maylee. It might not be the recuperation that Viv expected, but it's turning out to be the one she needed. Until a man in gray appears. He sends a shiver down Viv's spine. The next day he leaves behind a satchel in the bookstore and nearly kills Viv in a fight but Gallina comes to her rescue. All three brawlers end up under the gimlet glare of Iridia, the head Gatewarden. They cool their heels overnight, but when dawn comes the mysterious stranger is gone but in his place is the certainty that he worked for Varine. The fight Viv was sidelined from might be coming to Murk. And now she has something more to lose than her life.

My book club read Legends and Lattes. And if there's one thing about my book club it's that we have such radically different tastes when it comes to books that we will never agree on anything. So for those of you thinking that Legends and Lattes is a fairly innocuous book you'd be wrong. Because one member had "issues." Of course this is the member whose tastes I am the least compatible with. They actually tried to defend Scattered All Over the Earth by Yōko Tawada, otherwise known as the book that almost did me in, as perhaps being written ironically. With that much hate and racism even if it was ironic the toxicity oozing out of the pages made me physically ill and put me in a reading slump for a long time. So their issues with Legends and Lattes? They felt that Viv didn't struggle enough in her decision to give up her mercenary lifestyle and that it was too much a fait accompli. They wanted turmoil and second-guessing. I personally didn't feel this because the journey of Viv wasn't her journey to realizing she wanted to change her life but to making her coffeeshop a success. So what they wanted was another book. What they wanted, ironically, was this book. When Legends and Lattes was chosen for book club I had just finished reading it the month prior and instead of rereading it I thought to myself, how about reading the prequel/sequel instead? Which meant that I could say, hey, you know all that lack of struggle you were complaining about? Read this instead. Because here we don't have a settled Viv, we have a young and hungry Viv who is in forced convalescence. She was trying to prove herself and waylaid by an injury she's a ball of pent-up frustration with no outlet. But I love that Viv. And I love that this is the proto Legends and Lattes Viv. You can feel her youth and her thirst for adventure, but you can also see how because of this injury and the friendships she's made in Murk this time was formative. This is where her love of reading started. As well as her love of baked goods... But what touched me most is Fern. Fern sees this injured orc shamble into her bookshop and sees someone who has never picked up a book. Someone who doesn't understand that adventure can be found on the page as much as on the trail of a necromancer. And she asks Viv to give her a chance to turn her into a reader. Because hasn't every one of us had a Fern in our life? Someone who hands us the right book at the right time and that's it. We're booklovers for life. Oh, and ironically, the fact that this book has a necromancer would have alienated a different member of my book club. We all might be booklovers, we just really love different things.

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: Baking, Books, Bookshops and Bonedust, Bookstore, Fern, Gallina, Injury, Legends and Lattes, Mercenary, Murk, Necromancer, Orc, Rattkin, Scattered All Over the Earth, Top Ten, Varine the Pale, Viv, Yoko Tawada

A Declaration of the Rights of Magicians by H.G. Parry
Published by: Redhook
Publication Date: June 23rd, 2020
Format: Hardcover, 544 Pages
Rating: ★★★
To Buy

France is on the brink of revolution. In a small room in Arras Maximilien Robespierre has a dream. The dream is of the worst night of his life. His mother was taken away by the Knights Templar because she was a necromancer. The truth is more complicated. She might have had the magic in her blood but she actually is taken away to the Bastille to face execution because Robespierre was the one who, in his childish innocence, brought his pet bird back to life, and she is protecting her child. Only this time there's a stranger in his dream. A man who will become his benefactor. He will amplify Robespierre's powers, help Robespierre to mesmerize his audiences with his oratories on how the aristocracy is using their power to destroy their fellow man. How magic, which could save lives, is punished when used. And Robespierre's audience listens. Once he gets to Paris he and his friends, Camille Desmoulins and George Danton, light a fire in the population. They storm the Bastille, they form a new government, they fight for the rights of man and magician. While across the water in England William Pitt the Younger and his dear friend William Wilberforce are also fighting for the rights of man after formative years consisting of drinking cheap wine in a seedy hostelry in France. While Pitt hopes to one day live in a world where those with magic aren't punished, he sees what's happening in France and knows now is not the time. Whereas Wilberforce has more specific rights he wishes to fight. He wants to end the horror that is the slave trade. Magic is used to bind and control slaves. They can't even move a muscle without being told to. They are trapped within their own minds and can't even scream. Wilberforce views the end of slavery as his purpose on this Earth. A noble cause. A noble cause that catches the eye of Robespierre's benefactor. But then, the benefactor is interested in anything to do with France and William Pitt. And Wilberforce's abolitionist ideals could threaten the French colony of Saint-Domingue. A colony that is soon to rise up. And one slave, Fina, will hear the voice across the water and be called. And the voice she hears is Robespierre's benefactor. What could this voice want? From William Pitt's perspective it looks like he wants the world to burn.

Much like the small groups of friends going from their formative years to integral figures in history this book starts as a small ember and bursts into a conflagration. It interweaves real history with magic in a dizzying Dickensian detailed tome. H.G. Parry has not just created a fascinating alternate historical fantasy but a believable magic system. But then she outdoes herself by creating an entirely new mythology for vampires that works within the framework of her magic system due to blood magic. Which means I get to add this book to my vampires shelf. And of course I have a vampires shelf. Though the vampirism is perhaps my main sticking point in A Declaration of the Rights of Magicians. Not it's existence but the way Robespierre's benefactor who is a vampire turns Robespierre into his Renfield. This makes me question again and again if H.G. Parry is somehow trying to redeem Robespierre. Here's the thing, yes, Robespierre in actuality, like in the book, has the best of intentions and believes in rights for all but does that really matter when your actions lead to the death of seventeen thousand people? Sure he might have started out on the right side of history but he ended up firmly on the wrong side of history. Seventeen thousand dead proves my point. Oh, and let's not forget killing his monarchs. Here his benefactor is egging him on. Animate one corpse or I won't help you. Kill the King or I won't help you. Form an army of the dead or I won't help you. And time and time again Robespierre bows down to the demands because he really believes that the ends will justify the means. Here's the thing, they don't. They really don't. Each time he agrees his way to hell is paved a little further. But the problem is his benefactor. By having him push Robespierre it's taking away Robespierre's accountability. The mob hold him accountable but we as readers are meant to feel something else. That perhaps he was just a pawn. Yes, in real life, perhaps the mob mentality pushed him to his evil acts, but here it was a vampire. And I don't know if I'm OK with questioning my feelings towards him. But that's what A Declaration of the Rights of Magicians does time and time again, it makes me question weighty issues from slavery to abolition to accountability to basic human rights. There may be magic but you won't find a more human novel out there.

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: A Declaration of the Rights of Magicians, Abolition, French Revolution, H.G. Parry, Necromancer, Regency Magic, Renfield, Robespierre, Slavery, The Shadow Histories, The Terror, Vampire, Wilberforce, William Pitt

Gideon the Ninth by Tamsyn Muir
Published by: Tor.com
Publication Date: September 9th, 2019
Format: Kindle, 479 Pages
Rating: ★★★★
To Buy

Gideon wants nothing to do with the Ninth. The house is nothing more than a creepy death cult guarding a locked tomb that is quickly dying out. She wants off the planet and out of the life she's begrudgingly lived. But her countless escape plans have never worked and this newest one is no different, even if it's the closest she's ever come. She is once again stopped by her nemesis, Harrowhark Nonagesimus. Harrowhark is the scion of the Ninth. A wickedly powerful necromancer who has been puppeteering her parents corpses for years in an effort to make it look like the Ninth is still a functional house and not on it's last legs. This appearance is more important than ever as the Emperor has called all nine houses to his abandoned palace, Canaan House, to compete for the honor to become Lyctors, eternals who serve at his side. The problem is that each house has to have a cavalier, a warrior, indefatigable and unbeatable, who protects the necromancer. The only real contender for Harrowhark's cavalier is Gideon. The problem is Gideon wasn't trained for this role and more importantly she'd rather see Harrowhark dead than be the one having to save her. So Harrowhark makes a deal. They go to Canaan House, they put on the show of a lifetime, Harrowhark wins and becomes a Lyctor and Gideon gets to ride off into the sunset. Gideon doesn't like this plan. Gideon doesn't think it will work. Gideon doesn't have a choice. When they arrive at Canaan House Gideon is quickly abandoned by Harrowhark who plays up the mystique of the the Ninth House by being wreathed in shrouds and totally unavailable to Gideon. Gideon sees quite quickly that the reputation of the Ninth makes all the other houses wary of her, and yet, slowly she starts to befriend them. That's when they start dying. This Lyctor test was set up in a way that makes the suspicious houses unable to win, but amply able to die. Will Gideon even live to cash in on Harrowhark's promise or will she die screaming in agony on a distant planet? At least she won't die near the benighted locked tomb...

Me and much lauded books rarely get along. My tastes are rarely the tastes of the masses. And yet again and again I feel drawn to read them. That's how I picked up Gideon the Ninth. Though I was circumspect in that I knew it might not be for me and therefore got it from my local library. I mean, lesbian necromancers in space sounds awesome, but there was that voice saying, but is it for you? Turns out it was. But not without the reservations continuing for quite awhile. After my first night of reading I actually reached out to my friends asking them "has anyone read Gideon the Ninth? I am a die hard must finish a book and have literally only given up on one in the last decade...but this isn't catching my interest at all..." Theories ranged from it being the victim of hype to it just being very polarizing. But I refused to give up and this book is literally why I don't give up on books, aside from that one a few years back which I try not to think of. Gideon the Ninth literally took a third of the way through the book to click and when it did it became magnificent. This became the Gothic space thriller of my dreams! Teams of two pitted against each other in order to find keys to literally unlock secrets in the biggest most haunted space palace you could imagine. There were elements of The Haunting of Hill House and The Hunger Games and Rose Red! I literally was dumbfounded that the book I had bemoaned became this epic read. One of my friends was shocked it went from a possible DNF to four stars in the span of a week. I was even encouraging him to keep going because he would be surprised by what it became. Therefore I use this book as a reminder, whatever you use to cull your TBR Pile, a hundred page rule, a quarter rule, whatever, it wouldn't have worked here. Never judge a book until you read that last line, it might end up one of your favorite reads.

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: Cavalier, Gideon Nav, Gideon the Ninth, Going Gothic, Gothic, Harrowhark, Harrowhark Nonagesimus, Haunted House, Necromancer, Rose Red, Space Opera, Tamsyn Muir, TBR, The Haunting of Hill House, The Hunger Games

Gideon the Ninth by Tamsyn Muir
Published by: Tor.com
Publication Date: September 9th, 2019
Format: Kindle, 479 Pages
Rating: ★★★★
To Buy

Gideon wants nothing to do with the Ninth. The house is nothing more than a creepy death cult guarding a locked tomb that is quickly dying out. She wants off the planet and out of the life she's begrudgingly lived. But her countless escape plans have never worked and this newest one is no different, even if it's the closest she's ever come. She is once again stopped by her nemesis, Harrowhark Nonagesimus. Harrowhark is the scion of the Ninth. A wickedly powerful necromancer who has been puppeteering her parents corpses for years in an effort to make it look like the Ninth is still a functional house and not on it's last legs. This appearance is more important than ever as the Emperor has called all nine houses to his abandoned palace, Canaan House, to compete for the honor to become Lyctors, eternals who serve at his side. The problem is that each house has to have a cavalier, a warrior, indefatigable and unbeatable, who protects the necromancer. The only real contender for Harrowhark's cavalier is Gideon. The problem is Gideon wasn't trained for this role and more importantly she'd rather see Harrowhark dead than be the one having to save her. So Harrowhark makes a deal. They go to Canaan House, they put on the show of a lifetime, Harrowhark wins and becomes a Lyctor and Gideon gets to ride off into the sunset. Gideon doesn't like this plan. Gideon doesn't think it will work. Gideon doesn't have a choice. When they arrive at Canaan House Gideon is quickly abandoned by Harrowhark who plays up the mystique of the the Ninth House by being wreathed in shrouds and totally unavailable to Gideon. Gideon sees quite quickly that the reputation of the Ninth makes all the other houses wary of her, and yet, slowly she starts to befriend them. That's when they start dying. This Lyctor test was set up in a way that makes the suspicious houses unable to win, but amply able to die. Will Gideon even live to cash in on Harrowhark's promise or will she die screaming in agony on a distant planet? At least she won't die near the benighted locked tomb...

Me and much lauded books rarely get along. My tastes are rarely the tastes of the masses. And yet again and again I feel drawn to read them. That's how I picked up Gideon the Ninth. Though I was circumspect in that I knew it might not be for me and therefore got it from my local library. I mean, lesbian necromancers in space sounds awesome, but there was that voice saying, but is it for you? Turns out it was. But not without the reservations continuing for quite awhile. After my first night of reading I actually reached out to my friends asking them "has anyone read Gideon the Ninth? I am a die hard must finish a book and have literally only given up on one in the last decade...but this isn't catching my interest at all..." Theories ranged from it being the victim of hype to it just being very polarizing. But I refused to give up and this book is literally why I don't give up on books, aside from that one a few years back which I try not to think of. Gideon the Ninth literally took a third of the way through the book to click and when it did it became magnificent. This became the Gothic space thriller of my dreams! Teams of two pitted against each other in order to find keys to literally unlock secrets in the biggest most haunted space palace you could imagine. There were elements of The Haunting of Hill House and The Hunger Games and Rose Red! I literally was dumbfounded that the book I had bemoaned became this epic read. One of my friends was shocked it went from a possible DNF to four stars in the span of a week. I was even encouraging him to keep going because he would be surprised by what it became. Therefore I use this book as a reminder, whatever you use to cull your TBR Pile, a hundred page rule, a quarter rule, whatever, it wouldn't have worked here. Never judge a book until you read that last line, it might end up one of your favorite reads.

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: Cavalier, Gideon Nav, Gideon the Ninth, Gothic, Harrowhark, Harrowhark Nonagesimus, Haunted House, Necromancer, Rose Red, Space Opera, Tamsyn Muir, TBR, The Haunting of Hill House, The Hunger Games

Necromancing the Stone (Necromancer Book 2) by Lish McBride
Published by: Henry Holt & Company
Publication Date: September 18th, 2012
Format: Hardcover, 344 Pages
Rating: ★★★
To Buy

Sam is having a hard time adjusting to his new life. If he could just have time to come to terms with what he is, then perhaps life would fall into place. But no, he has no such luxury. He hits the ground running and must come to terms with this new world he's been thrust into on the fly. His home being the home of his enemy whom he killed, if it isn't weird enough, apparently wants to kill him to return for the loss of their master. Then there's his new duties taking over from Douglas as the area Necromancer with a seat on the council, something Douglas loved and had decades to prepare for, thrust at a moments notice on Sam. Add in complications of being in love with a werewolf, trust issues with his family, and, well, it's not going to be easy. When the head of the local werewolf pack is murdered, as a man dealing in death, Sam is called in to solve the case. The death means he's lost a friend, his girlfriend, and, if he's not careful, his reputation and maybe his life. But Sam is getting very good at learning things as he goes... it's the only chance he has of survival.

People don't like change. This one fact is the only justification that I can latch onto for the tired old trope of the indestructible bad guy. At the end of every installment, be it book or movie, the erstwhile heroes triumph over evil by killing the baddie and saving the day. Or did they? Bad guys have a sad tendency not to stay dead. As Buffy says to Dracula at the end of the season five episode "Buffy vs. Dracula": "You think I don't watch your movies? Rolling her eyes. You always come back." I hate this trope. I don't care if you loved the bad guy and love the interaction with the hero and all that jazz, I don't want the bad guys to "always come back!" I want something new, something excited, not the same old villains again and again. This is why I hate daleks, cybermen, and Douglas! I despised Douglas in the first installment of Lish's Necromancer series, and even if he is stuck in that nebulous world between life and death and he's "different", well, it's not going to make me like her bringing him back, that's for sure!

Necromancing the Stone seems hell bent on trying to humanize Douglas, to make us have some empathy for him by fleshing out his backstory. Here's the thing, you can't humanize someone this evil. It's like saying that Harry Potter and the Half-Blood Prince humanizes Voldemort! No, it doesn't. The backstory gives us insight and knowledge, but it can never absolve evil. We can get origins of evil, never justifications for evil. There are some people, some acts, that no matter what we learn or what knowledge is imparted, what they did can never be forgiven. It would be like saying Hitler had his reasons and you can kind of get where he was coming from. No! Not only does Lish take a trope I hate but she uses that trope to try to empathize with evil. By hanging her narrative off this misshapen and ill conceived structure I can never fully embrace this book, it's tired, derivative (there might be more Harry Potter then I have previously hinted), and flawed. Also Lish really needs to add some mystery, because having a backstage seat with the bad guy means having everything laid out in front of you and gives the book no driving force and makes it all sadly inevitable.

The tired tropes aren't my only issue. Sometimes you get the feeling that author's aren't connected to the world around them. It's not that they don't get cultural references or jokes, it's that they are "out of time" if you will. What do I mean by this vague statement? I mean that the jokes are old. The characters in this book are in their late teens, early twenties, and they are making jokes that make sense for my generation, people in their thirties. There is NO WAY kids of today would get jokes about the "Care Bear Stare." Or Jerry Maguire! This isn't happening. Yes I have to admit that it would be hard to tap into this younger generation and make your jokes relevant, when you, as a writer, are probably totally amused by your own writing. The thing is, you are writing this book for an audience, and that audience isn't you. Yes, we could argue that all books are written for yourself, but let's not, let's look at the realities of publishing and the fact that this is a YA book for people who don't know about Care Bears or other 80s ephemera. Go find the teens, hang out with them for a minute and get out of your own youth. Lish, you're not the only author to suffer from this disorder, look to the Veronica Mars writers, just know that it should be addressed in future works.

Yet despite all these tropes and flaws and tired jokes there's something that I just can't resist in this book. Lish has a unique sense of humor and the times when Sam is just hanging at his house with his army of attack gnomes and his nymphs and minotaur playing Frisbee in the yard, everything is oddly quirky and right and you want to live there. It's the down time in the book that she's nailed. The vignettes that lend themselves to short stories or novellas. The interaction between James and his new "masters." The inconvenience of having a chupacabra as a pet. It's the little things that are so perfect that you want to somehow have Lish find a way to translate this small scale perfection to the larger structure of the book. If she could just expand on the little moments of bliss and not lose them in the translation to plot or large action sequences she could be a force to be reckoned with... sadly she is not yet there.

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: Buffy the Vampire Slayer, Care Bears, Chupacabra, Dracula, Gnomes, Harry Potter, Harry Potter and the Half-Blood Prince, Lish McBride, Necromancer, Necromancing the Stone, Veronica Mars, YA

Hold Me Closer, Necromancer (Necromancer Book 1) by Lish McBride
Published by: Square Fish
Publication Date: May 8th, 2012
Format: Paperback, 343 Pages
Rating: ★★
To Buy

Sam is nothing much. He's a skateboarding slacker who wasn't cut out for college and eeks out a living at the local fast food joint with his friends, most of whom crash in his minuscule apartment. Everything changes when he breaks a tail light of a swanky car in the parking lot during a heated game of spud hockey, wherein potatoes can do serious damage to vintage cars if you're a crappy shot. The owner of the car, Douglas, is not pleased, but even more, shocked when he encounters Sam, who has more in common with Douglas then he could ever imagine. Sam might not know it yet, but he's a Necromancer, and so is Douglas. Necromancers don't really reside near each other or play well others, and Douglas is quick to make this point to Sam when he delivers the head of Sam's friend Brooke to his shitty apartment's door. Sam now has to figure out the truth that has been hidden from him his whole life and hope that he will survive his run in with Douglas, as well as other varieties of beasties he thought only lived in science fiction.

It's not a good sign when the best part of a book is an amusing title. But even the title loses a bit of it's luster when the song title gag is repeated at the start of every chapter. I had not heard of Lish McBride when I went to one of the tour stops of the Fierce Reads Tour back in 2012. I will admit I was solely there to stalk Marissa Meyer, she of the Lunar Chronicles, but all four of the authors present made a good impression, Lish was perhaps the most memorable. She was amusing, sarcastic, laid back, and had an obvious love of sleep, which she was needing desperately, and that's something I could seriously relate to at the time being in the middle of an amazingly busy time in my life, so much so that even taking the day off to go to an author signing resulted in me getting hives. The event had me wanting to read all the authors books instantly, but Lish's more then any of the others.

I thought to myself, if she could just capture part of herself on the page then it would be a truly awesome read. Sadly the only place I could sense Lish's personality was in the "Go Fish: Questions for the Author" extra at the back of the book. The book wasn't bad, it wasn't good, it was just flat. It felt like the book had had the soul drained out of it. I'm not sure how it got to this state, perhaps through over editing as Lish's personality was systematically stripped out of the book so that it lacked anything recognizable from her. Sometimes too much editing can have this effect... but for such a memorable person she has written a very forgettable book that was Reaper meets Mercy Thompson with the head in the box from season two of Deadwood and the job prospects of Being Human with a little Kevin Smith and a few moments of unforgettable weirdness. Hello zombie panda!

The writing style of the book also really grated on me. I have issues when authors are being "cute" or "clever" with their narration. In other words, when they tend to waffle back and forth between 1st and 3rd person. For every instance that it works, Erin Morgenstern's The Night Circus, there are hundreds of instances where it fails, I'm looking at you Scalzi and that crap ending to Redshirts! Here it fails. Not on the epicness of the Scalzi scale, but it still doesn't work. The only way for this technique to really work is for it to flow with the story, but Lish seemed to be forcing it. The switching up felt like it was a writing exercise, like homework, and seeing as this book started out as part of her thesis to graduate with an MFA in fiction... that's just what it is. Homework. Do you like reading other people's homework? I didn't think so.

Yet I think, seeing as this is a first book, I could have been forgiving, I could have overlooked a lot of the flaws if it weren't for Douglas. Every book does need an antagonist. They're the stock villain that our hero must fight and whose downfall we root for. But just because you're the bad guy doesn't mean that you can just skate through the book. Oh no! A bad guy has to be just as dynamic for a book to be balanced. And I don't think my hatred of Douglas is based on the fact that his sections of the book where the ones in third person... though that did annoy me. On second thought though, just the fact that the villain has his own chapters annoys the hell out of me because it takes away the mystery knowing what he's up to, knowing his motives, and knowing how he plans to mess with Sam. In fact that might be just a general issue with this book, not having mystery makes you not in a rush to get to that last page but slowly amble in a way that you could stop or start at any time.

But really, I meant to be talking about Douglas. He's unrepentant evil. There is nothing interesting about him. He is not compelling, he is not dynamic, he is just evil. Sometimes the most fun in a book is gotten in uncovering a back story, finding a grain of goodness, where good turned evil. But the only person that Douglas reminded me of was Patrick Bateman in American Psycho... a comparison that isn't in Douglas's favor. Because of the structure of American Psycho, by being in Bateman's mind we get a depth, even amongst the evil. Douglas was just flat, blah, evil. Evil for evils sake and nothing more. I just hated him outright. In fact, I hated him so much I didn't want to read any part of the book he was in. If you're reading a book the worst thing that could happen is to have a character that makes the book so unenjoyable that you would rather put the book down then read another line about them. While Sam was meh in my opinion, just a few lines in a Douglas chapter and I was begging for Sam's return! I just hope Douglas stays dead, but via horror conventions, I know he's not. Douglas is truly sapping my will to pick up Necromancing the Stone...

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: American Psycho, Being Human, Deadwood, Fierce Reads, Hold Me Closer Necromancer, John Scalzi, Kevin Smith, Lish McBride, Marissa Meyer, Mercy Thompson, Necromancer, Necromancing the Stone, Reaper