strange and random happenstance

Ah, YA. I remember when you used to be a very small section near the Children's books and then slowly rose claiming more and more shelf space in bookstores until you were victorious and practically the entire second floor of Borders. In fact some of my favorite books and indeed many of my favorite series that I currently read are YA. I can't describe how fascinating it was to have watched this development. I think it's akin to when teenagers became a word back in the late thirties. They were always there, always present, but not quite fully formed because there wasn't a brand, a label that explained exactly what they were. And then one day, they were teenagers. And then one day, there were books for teenagers. And then a little while later, there was YA. Books written just for these young adults, but really, there are a lot of adults that read them to, because books and book genres shouldn't define your reading habits or shame you. OK, so that might have gotten a little ranty, but the truth is, YA books are so well written that most authors are fighting to release books in this genre. In fact, just a two summers ago I reveled in reading YA series for that whole summer. I read books by authors I hope never to read again, but I also found authors that I love so much I'm now a convert to anything they write. Therefore when looking at this current summer I realized I couldn't skip a YA section. There are just too many YA books out there that I want to read and not enough time! So I hope you'll join me with these final four books to end Backlog Bonanza with a bang.

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: Backlog Bonanza, Bookstores, Borders, Cassandra Clare, Children, Leigh Bardugo, Summer, Summer Series, Teenagers, YA, Young Adult

Siege and Storm (The Grisha Book 2) by Leigh Bardugo
Published by: Henry Holt and Co.
Publication Date: June 4th, 2013
Format: Hardcover, 448 Pages
Rating: ★★★★★
To Buy

Alina and Mal barely escaped the Darkling in the fold of nothingness that divides Ravka. Alina wrested back control of her power from the Darkling, but not before a deadly price was paid. Hiding out half way around the world Alina is haunted by what happened and the choices she has made. Sickening, she longs to use her powers and the ill gotten amplifier, but it is too risky. She has turned her back on Ravka, hoping for a new life with Mal and that the rumors of the Darkling's continued existence are a lie. But they can not hide forever. The Darkling finds them across the true sea. He has plans for Alina and disturbing new powers of his own.

Instead of taking his captives back to Ravka, the Darkling takes them far north on the hunt for another creature out of fairy tale and myth. A second forbidden amplifier for Alina's powers. Though little does the Darkling know that there are other people who also have plans for Alina. Plans that she can't ignore. Alina can no longer turn her back on her country's suffering as the Grisha are ostracized and the country is divided. She agrees to return and lead the second army in the place of the Darkling with the sole purpose of his downfall. Yet are her new powers and believed divinity a match for the Darkling? Or does she need more power in order to succeed? Does she in fact desire more power?

In the battle of good versus evil there always comes a time when the wiser action is to run. To regroup and come back hopefully stronger then before. While necessary, this can sometimes lead to boring storytelling. The suffering, the privations, the hardships, the hope of news that perhaps the luck of the enemy is running out. These stories are never my favorite. The driving force is fear and it can therefore lead to too many tropes. After the epic showdown in the fold between Alina and the Darkling, I was sure that this book would follow this tried and tested path and be the bridge book till the final showdown. I was happily surprised.

By having the Darkling force them out of hiding almost immediately, the story opened up new vistas. Alina and Mal could go on the offensive while preparing a strong defense. Yet what I most loved was that the forces of light regrouped in Os Alta. I really wasn't ready to part with this courtly life. It was a Russian Fairy Tale Palace that housed Hogwarts. I was despondent that I wouldn't get to walk the corridors of the Little Palace once more, thankfully I was saved from mopery. I not only got an a-typical middle book, but one that delivered all I could hope for and a little more (*cough* pirates *cough*).

For all her avoidance of tropes, Bardugo isn't immune to them. Seriously, I want to know why when girls are the protagonists of books that they always have two boys vying for their attention? I mean seriously. It's not like this is a new trope, it's been around as long as storytelling has been, and you know what, it kind of gets on my nerves. Yes, there's an element of wish fulfilment here. Who doesn't want an escape, to sink into a book and become one with the heroine and be loved and lusted after from one and all? But there's this other, darker side to me that's saying, but is that realistic? Maybe we've been fed these fairy tales too long and need to break free.

Can't a girl just have one guy? One person to be true to? Or none at all? Especially since this is YA, aren't we just giving young girls unrealistic expectations of not just finding mister right, but having a mister wrong there too wanting you? Or maybe the bitter little cat lady is showing through my carefully constructed veneer and I should just embrace that Alina gets Nathan Fillion and Blake Ritson fighting over her. Oh, I've cast Nathan Fillion as Mal and Blake Ritson as the Darkling in my version of Siege and Storm, just FYI. I know you all want Blake Ritson as a bizarre apparition showing up in your bed chamber no matter how you fall on this trope...

Far from the tropes of men and women, Bardugo has tapped into the vein of Russian folktales and brought out what modernization and progress mean to our shared past. In Siege and Storm the words of the Darkling that the time of the Grisha is coming to a close is not only explored by expanded on. There is this interesting dynamic of past versus future, with the old ways dying off. The future doesn't belong to Tsar's and magic and fairy tales, but to iron and steel and guns. Yes, we see glimpses that perhaps, just maybe, there could be a world where they could coexist, feeding each other, but that seems like the true fairy tale.

Yet what strikes me most is that while Ravka might possibly be saved by these modern military advancements, their only true hope lies with Alina. Alina isn't a creature of the modern world, she is of the old world. She is of the time when maps still bared legends that said beyond here there be monsters. She thinks in fairy stories of the too too clever fox. The third amplifier she seeks is that of the fire bird, a creature of myth that isn't just in one or two stories, but in every story of Ravka. A fairy tale holds the key to the future, and that is a world that I want to live in. A world where stories are real.

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: Blake Ritson, Darkling, Fairy Tales, Grisha Trilogy, Leigh Bardugo, Nathan Fillion, Os Alta, Pirates, Ravka, Russia, Saint, Siege and Storm, Summer Series

White Cat (Curse Workers Book 1) by Holly Black
Published by: Margaret K. McElderry
Publication Date: May 4th, 2010
Format: Hardcover, 320 Pages
Rating: ★★★★
To Buy

Cassel almost killed himself. He didn't mean to and he has no idea how he ended up on the roof of his dorm in the middle of the night. But this little escapade has him suspended from school pending further inquiry into his "sleepwalking." In the meantime that means he's sent back to his family. His family of Curse Workers. His mom is actually in jail because of her manipulation of a millionaire, so he is thrust on his brothers and grandfather, all of whom are using their "abilities" to help the mob run by Zacharov. Zacharov whose daughter Lila disappeared a few years earlier. But Cassel knows the truth. He killed her. He killed the girl he loved. Though not with "magic" just his own two hands, because Cassel doesn't have any powers. He has no "magic." But growing up in his family he knows how to cheat, gamble, grift and con. So he has no worries about getting himself back into school, it'll be easy. Yet nothing is easy once a white cat walks out of his dreams and into his life.

There are times in life when there's just too much shit raining down on you that you don't think anything will help. All you want to do is get lost somewhere, for me that's usually between the pages of a book. But you have your doubts that it's even possible with the weight of the world on your shoulders. I was in such a frame of mind when I picked up White Cat and I can't lie, I struggled at first to get into the book. The blending of diverse genres wasn't drawing me in and the magic system seemed too loosely defined and the outside world kept nagging at me to pay attention to it. But then that magical thing happened. All book lovers will know what I mean. All of a sudden, about sixty pages in, the book hooked me. I didn't want to stop reading, despite the late hour and the emotional day making my eyelids droop. This book isn't by any means a masterpiece, it's not a book that changed my outlook on the world. But White Cat did give me a reprieve from the world and for that I will ever be grateful.

White Cat is a bizarre combination of genres, it's like the first X-Men movie with some Harry Potter thrown in with the larger framework being Boardwalk Empire meets Dirty Rotten Scoundrels, because that is the best con artist movie of all time hands down, there's no debating that fact. All these differing genres were more at war with each other then forming a cohesive whole, making the book very disjointed. The first major hurtle was the system of "magic" or I should say "curses." You are thrown headfirst into the deep end, where it feels like Black just expects you to intuitively know how this system works. I'm not sure if this was purposeful or not. Cassel himself is half ignorant of the workings of the world he lives in, so maybe this was to make use relate more to him and learn along with him. Which, if that is the case, I guess it makes sense, but it made the book hard to get into.

The aspect of the book that just made me latch on was when the history of Curse Workers was discussed. The way Curse Work is associated with the criminal element and Australia, being a penal colony, having many Workers is fascinating to me. Plus the prohibition gangster aspects and the rise of organized crime. Also the mythic and heroic history, like the Russian Folklore that peeps in, why can't the book be all this? I keep thinking, if this was done as a period piece, like Boardwalk Empire, it might, just might, be the coolest book ever. Also people wore more gloves in olden times!

But for everything that goes right in the book, for all the originality, there is an equally strong reliance on tropes. You better be a fan of worldbuilding to enjoy this book because there aren't many surprises in store plotwise. Two big plot points are so obvious, instead of leaving breadcrumbs to hint at the truth it felt like Black was leaving baguettes. Big crunchy French baguettes probably a day old so they are a little hard and capable of beating a man to death. Luckily Black doesn't wait to the book's denouement to reveal these obvious twists, because if they had been the big finale, this book wouldn't be being written about favorably right now.

But what I took most issue with is that the little gang, the threesome of Cassel, Sam and Daneca, are just Harry, Ron and Hermione. Now I know that J.K. Rowling didn't invent this pairing, she doesn't have a claim on it, but seriously, YA authors, stop emulating it! It's old hat, it's lazy, it's played out. In simple words, stop. Black is even more obvious then most with Daneca being an exact clone of Hermione, heck she even forms her own version of S.P.E.W. called HEX, for the repressed workers! And the whole bushy brown hair swot thing too. Yes the Harry Potter books changed YA literature forever. Guess what? You're not going to write the next Harry Potter so move on. Build you own world, write your own book, don't borrow, and in the case of your friend Cassandra Clare, don't steal. This could be an awesome series if it stays on track... and if it doesn't have anymore epic cover fails. Short haired white cat! Sheesh, not long haired...

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: Boardwalk Empire, Cassandra Clare, Dirty Rotten Scoundrels, Harry Potter, Historical Fiction, Holly Black, J.K. Rowling, Mafia, Magic, Summer Series, The Curse Workers, White Cat, X-Men

City of Fallen Angels (The Mortal Instruments Book 4) by Cassandra Clare
Published by: Margaret K. McElderry
Publication Date: April 5th, 2011
Format: Hardcover, 432 Pages
Rating: ★
To Buy

Every action has it's consequence. There is a price to pay for bringing Jace back from the dead, as there is for Simon being a vampire who can now walk in daylight and repel attacks on his person because he bears the mark of Cain. Yet when Jace was brought back or when Clary traced the mark onto Simon's forehead, none of them thought that the punishment for that one action would be so severe. They all are trying to resume their normal lives and are planning for Clary's mom's wedding to Luke when the repercussions start to be felt. Simon has apparently the most to deal with, what with his mom finding out about him being a vampire, resulting in his being kicked out having to move in with one of his band mates. But that family squabble could happen to anyone, minus the vampirism, it's the threats on his life that are more disturbing, as well as different factions of supernaturals having an unhealthy interest in his ability to walk in daylight. Though it's Jace's problem that could be their undoing. Nightmares seem like a mundane concern when stacked up against Simon's problems. Though the nightmares might be what undoes them all.

Have you ever been reading a book or a series of books that just turns you off reading altogether? There's just something or a lot of somethings that piss you off so much that the thought of picking up another book and reading any written word makes you panic and flee into fits of hyper productivity in anything other then your "to be read" pile. This is a rare occurrence for me, the last time happened to coincide with the final Twilight book and put me off reading for the entire month of August. I'm thinking that I can overcome this malaise quickly... or at least I hope I can because I really have other books to read, but in the meantime, well, my office is getting clean!

As you have probably guessed I am not the biggest fan of this series, even if I have been taking a sort of gleeful revenge by writing scathing reviews. Yet after this forth book I almost think I can't take it anymore. And there's two more books! OK, I am getting a little twitchy thinking about those final two volumes. Power through, power through. Yes, I have developed a mantra in an attempt to just get done. Also, it's not that these Mortal Instrument books are the worst I've ever read, it's just lazy writing (how can a windowless room have a stained glass window later in the scene?) with predictable plots, like, stop hitting me over the head with you "subtle" foreshadowing Clare! I just don't like these books. There. I've said it. I. Don't. Like. These. Books.

I shall now illuminate my reasoning like a window magically appearing in a windowless room, seriously, editors, how could you not fix that. I had hope with City of Fallen Angels because the book did shift it's primary focus off the angtsy Jace and Clary (have I mentioned before how much I hate these names?) and Simon has became our protagonist, and I was all hyped. Simon, someone different, a geeky little vampire and how he's handling his transition... which somehow became the most boring story ever. One is that Simon's vampirism has made him sexy so he's juggling two girls, please, no. Stick to who he is. The other is that there are SO MANY good becoming stories out there about newbie vampires and this one didn't even come close. I think my common refrain for this series is just go watch Buffy the Vampire Slayer and leave it at that. But other great shows with becoming stories... how about Being Human? I'm talking UK NOT US people. If it wasn't for the fact that I know there is so much great literature, films, and television shows about vampires, this series would have sworn me off them for good. As it is, I could do with a supernatural reprieve for a few months. Thankfully I swore off True Blood awhile ago otherwise I wouldn't be able to watch it's final season.

But nothing is getting to me as much as Clary and her budding artistic abilities. Thank Lilith that Clary has stopped talking about the sky, it literally made this book shorter by a hundred pages. As an artist, illustrator, and designer myself, I have one thing to say: Get the Terms Right Clare! It is very apparent when someone is writing about things outside their skill set and they don't bother to do the research. This gets on my nerves. I'm sure that everyone who has a specific trade or knowledge of something will cringe when it's wrongly applied. I sometimes catch it with things I have a passing knowledge of, but like when I'm watching the new series of Father Brown, I'm not the person on the message boards posting about how his vestments are wrong for the time period. Also, this guy does exist, go check out the imdb boards!

However, on art, I'm going to call you out! Firstly, art terms and writing terms aren't interchangeable. So while artists sometimes use the word "draft" it rarely means the same thing, but I'll let this one slide, because sometimes common vernacular ends up trumping actual meaning. But you're not getting away with Clary calling her drawing of Jace an illustration. It could be a drawing, a sketch, or a portrait, but NOT an illustration. See, an illustration is an image that accompanies text. I mean just look at the freaking definition in a dictionary! An illustration is "something that illustrates, as a picture in a book or magazine." Unless Clary is writing some erotica about Jace that she needs an illustration of his sleeping body for IT IS A DRAWING. I'd say do better Clare, but after four books, I see you can't do better, it's the same thing over and over again. I'll finish your series, but then we're done.

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: Art, Being Human, Buffy the Vampire Slayer, Cassandra Clare, City of Fallen Angels, Clary, Father Brown, Illustration, Jace, Mortal Instruments, Simon, Summer Series, True Blood, Twilight, Vampires

Sever (The Chemical Garden Book 3) by Lauren DeStefano
Published by: Simon and Schuster
Publication Date: February 12th, 2013
Format: Hardcover, 384 Pages
Rating: ★★
To Buy

Rhine is now officially her father-in-law's medical experiment. Brought back to the family compound, her husband doesn't even know she's being "treated" in the basement, along with many other people who were supposedly long gone. Even when finally faced with the truth of his father's crimes, Linden can't quite cope and chooses to believe the lie he's lived his entire life. Yet he is savvy enough to try to protect his two remaining wives by hiding them at his uncle's house. After all that Rhine has been through she is surprised to see that two of her fellow captives are willing to help her find her brother and put right what went wrong.

Rhine's husband Linden and her sister wife Cecily help in the hunt for Rowan. Finding Rowan won't be as hard as Rhine thought. In the aftermath of her disappearance and supposed death in a medical experiment, Rowan might just have cracked, as his anti science rantings and bombing of medical centers would indicate. But maybe, just maybe, there's a giant conspiracy afoot which will make friends of enemies and hopefully end this death sentence hanging over all the world. Twenty is too young to die.

And then the series became a rip off of M. Night Shyamalan's The Villiage, which was a rip off of Running Out of Time... but with a bit more of a lean towards the Margaret Peterson Haddix book, and I threw my hands up in the air in exasperation. If it wasn't for that unexpected bloodbath at the end in which I took not just a little bit of joy, there would be nothing memorable about this book other then the faint melancholy I feel for what this series could have been. The unbelievability of the underlying reason for everything that happens means that everything in the book is on an unstable base and is therefore unbelievable as well.

Just because a book is set in a dystopian society doesn't mean that you get to ignore logic. The whole point of dystopian versus fantasy is that it is a possibility. Something could go wrong with our society, a virus, a massive power failure, a war, something that could go wrong does and we are plunged into a future nightmare. You can't just decide that I have this cool idea as to how society could became a certain way and force it on society. People have a hive mind mentality, they won't go against this hive mind, and what DeStefano suggests happens is so against the hive mind, it's unacceptable as what drives the plot.

So, now is the time if you haven't seen The Village to stop reading, because besides spoiling this book I plan to spoil the movie, neither of which are worth your time, so really, I'm doing you a favor. OK, so in the utterly predictable movie The Village, a group comes together and basically removes themselves from society. They have seen the horror that humanity has became and want to live a safe, insular life without any outside influence. The group makes this decision for their safety, their heath, and the safety and future of their children. Self exile for the continuation of the species. This is feasible on a small scale, because they are like-minded individuals who are brought together through grief and come to a similar conclusion.

With Sever we learn that the ENTIRE United States decides to eschew technology and anything outside the contiguous forty-eight states in exchange for perfect health and children with genes that will mean they live out their lives at the physical peak of humanity, which, of course, backfires on them. They even re-write history so that the outside world no longer exists. What country does DeStefano live in? The US going all "Village" and giving away it's love of gadgets and technology and access to the world for perfect health? Um no. We sadly live in a world where a person would kill someone for an iPhone, there's no chance in hell this would ever happen. To disconnect from the outside world, well maybe, but give up gadgets? No. The hive mind will prevail!

I can't believe in a virus that is caused by a situation that could never, ever, ever, happen. I'm sorry, I just can't buy into the world of this series anymore, which, by they way, it's title doesn't make any sense. "The Chemical Garden" um... yeah, not working. I thought it would be cool if maybe it was poisonous plants that did this, but using it as a pun on a hospital nursery, lame. Yet it is to do with what is in that nursery that the moral question the series is asking originates from. All this comes down to is the question of what would we do for our children? I'm not saying that the breeders could actually get everyone to agree to this world by playing the "children our our future" card, but I can see where they are coming from.

The Village was for the future and the children, and look what those parents did to give them a better world. Would we be willing to let our children suffer pain if it helped in the long run? Is Vaughn's evil experiments and dissection of his dead daughters-in-law excusable because it was for the greater good? It's kind of like trying to pardon a Nazis... medical advancement versus what is morally right. I'm sorry, but if I'm getting joy out of watching your characters die and comparing your book to a bad movie, there is no way that I'm really going to bother with these weighty issues. I'm just going to take your books to the used bookstore and get it off my shelves. I need the space for better books, not to dwell on philosophical conundrums.

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: Chemical Garden Trilogy, Dystopian, Fever, iphone, Lauren DeStefano, M. Night Shyamalan, Margaret Peterson Haddis, Running Out of Time, Sever, Summer Series, The Village, Virus, Wither

Fever (The Chemical Garden Book 2) by Lauren DeStefano
Published by: Simon and Schuster
Publication Date: February 21st, 2012
Format: Hardcover, 352 Pages
Rating: ★
To Buy

Rhine is free of her husband, but there is more then one kind of prison as she is quick to learn as she and Gabriel are captured by a madame who runs a carnival inside a wickedly electrified fence. Rhine and Gabriel are trying to get to New York from Florida and have only made it as far as South Carolina before their luck starts to run out. Kept in a drugged state, the two of them perform for madame's customers, hoping that they can break free and find Rhine's brother Rowan. But once free of the carnival they face more horrors then they can imagine, all with Rhine's father-in-law quick on their heels. Stowing away on trucks, Angel Blood withdrawal, unexpected comrades, creepy men, snatchers, danger at every corner with no money and no food. Rhine is starting to realize just how naive she was in thinking that she just had to get away from her husband's house, because his reach is far. Can she ever escape the marriage she was forced into and go back to her old life?

Never in all my years of reading books has a series gone to the bad so fast and so irrevocably. I might point a figure at Mary Norton and her Borrowers, but that was more her tendency to drop plot points and start each book from scratch then writing a hot mess that is just shit. If this series had been just content to leave well enough alone ending with just the right amount of hope and ambiguity with Wither then I'd be all for DeStefano. As it stands, I'm having a hard time coming to terms with a series that started out so uniquely and so strongly and having it turn so unoriginal, disjointed, dark, and dare I say, predictable?

Was this really how the series was outlined? Because Wither clearly states it's book one in a trilogy... so, seriously, this was the plan? THIS? I am just baffled. Fever has no identity, no core of originality, it quite literally doesn't know what it wants to be so it tries to be everything and fails at it all... it just has so many random dystopian tropes thrown into it that my head wants to explode. The impossible love story, evil carnies, the dying hooker with the heart of gold, the sad little crippled girl who everyone underestimates... blurg. When the book eventually got to the "good" orphanage, I expected a medley from Annie to be sung. Just no.

Yet Rhine is the biggest shock of all. She came across as a unique and intelligent, if confused, girl in Wither. What the hell happened? Now she's all naivete and seriously stupid. It seems as if once Gabriel and Rhine left the house they lost their identities in the process and became bumbling idiots. Rhine grew up on the streets of New York. She had to have been street savvy and smart to avoid capture all these years. The only reason she got caught was because it was a fake job set-up, not because she was dumb enough to be pulled off the street our dragged out of her home. Heck, her and her brother killed the last man who invaded their house! Yet outside Linden's estate, oh gosh, let's steal this boat, oh dear, we don't have money, shucks, we've been captured by an evil madame who runs a carnival and is going to turn us into sex salves... say what!?!

Rhine had how many freakin' months planning this escape and she didn't think to, oh, I don't know, steal a whole heck of a lot of the jewelry Linden gave her and hide it under her clothes to fund their flight? And how about not stealing a boat that can only run on fuel, I thought Gabriel knew about boats, so get something with a sail as well as a motor idiots. Oh, and yes Rhine, Gabriel is in love with you and wants something more, so stop acting like it's a shock, you do know what goes on behind closed doors, or in tents... and of course Vaughn put a tracker in your leg, before the wedding he obviously examined you to see if you could bare children, it only makes sense that he would tag you as the cattle he views you are.

Fever seems to take, not just one step back from the progress it made on women's rights and personal liberties, but it seems to jump off a cliff. Wither smartly showed us a world of exploitation and horrors that was relatable and fascinating, but never stooped to sensationalism. Everything had it's reason, everything was there for a purpose, to show us how the three wives coped, to show us what captivity did to Rhine's state of mind, everything in it's perfect place giving us a compelling narrative. Yet here it seems that the book has shifted away from the exploration of these salient arguments and instead has embraced exploitation.

The sex carnival seems to be not there for a discussion on the personal liberties of brides versus whores, but to my mind, there just for sensation, to make us shocked. Therefore all the good the first book has done is ripped down with shock for shocks sake with no insight, no deeper meaning. The sex and drugs that Rhine was previously exposed to were a creepy background threat lurking in the shadows, here the sex and drugs come forefront and are exploitative, and not in any way that is good or open for discussion. Seriously, a prostitution carnival? Just, no.

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: Angel Blood, Annie, Carnival, Chemical Garden Trilogy, Fever, Lauren DeStefano, Linden, Mary Norton, Rhine, Summer Series, The Borrowers, Whorehouse, Wither

Wither (The Chemical Garden Book 1) by Lauren DeStefano
Published by: Simon and Schuster
Publication Date: March 22nd, 2011
Format: Hardcover, 368 Pages
Rating: ★★★★
To Buy

Rhine is one of three. There were more girls, lots more. All snatched off the streets and locked in a van and driven for inspection by their future husband. The ones that weren't chosen had a fate that still haunts Rhine as she remembers the gunshots in her nightmares. The world is dying. Aside from the first generation who are gracefully aging, all females die at twenty and all males at twenty-five. Rhine has four years left to live and she doesn't intend to be trapped in a cage for the pleasure of her husband while her old life and her twin brother are out there, waiting for her return.

But Rhine and her sister wives, Jenna and Cecily, are kept under lock and key in their palatial rooms taken out just for special occasions, and never, ever, allowed to leave the property. They wait on their husband's whims while their fear of their father-in-law, Housemaster Vaughn, grows daily with rumors of his medical experiments in the basement. While Jenna and Cecily have accepted their new lives, Rhine can't, Rhine won't. She will gain her husband's trust and then make her move. With the help of a servant, Gabriel, she hopes to escape, no matter what her conflicted feelings about her husband, Linden, are whispering to her heart.

If Shirley Jackson was writing YA today, this is what her book would be like. There's just such a compellingly creepy vibe within this dystopian world that's part Logan's Run part Mormon nightmare that harks back to classics such as The Turn of the Screw and The Haunting of Hill House but written for the sensibility of today's teens who were raised on a steady diet of reality shows. There is a scary believability to the story that makes it that much more terrifying. The isolation of this small group of women as sister wives might seem to some preposterous, but I say, look to the past and you can see terrifying echoes of what was and what could be again.

As recently as the Victorian era women were literally property. Their husbands owned them and could do what they liked with these all too human possessions, from turning them into baby factories, using them as accessories, to locking them up in an asylum if they got out of hand. DeStefano has just taken what was and amplified it ever so much to pile on the creep factor. By taking away all choice in marriage (again, something that was rare anyway), by cranking down the ages of the brides, by allowing marriages to have more then one wife, and by adding medical experimentation, she has created a heightened reality that scares me yet I could totally see it happening, even today in some hidden compound in the woods.

Wither varies from other dystopian books in that while this virus that has somehow become a ticking time bomb in the genetic code making women die at twenty and men die at twenty-five is front and center, it isn't, in my mind, what the book is about. World plagues are common fare for post apocalyptic books and this does give Wither the every moment is precious and each moment left in captivity is one less moment of freedom vibe. Yet looking deeper, this isn't about the plague, or a downtrodden society, or a lack of creature comforts, which the characters actually have far more of in captivity then in freedom, it's about the encroachment of human rights and what all these things that have happened to society mean to woman, and a select few women in a large house in Florida, and four wives in particular.

While I mentioned earlier the Victorian mentality that is revived here, it also pays to just look at the world around us as it is. Women's reproductive rights seem to be a fine topic of discussion in the government where men who know nothing feel they have every right to say what happens to my body. Vaughn is just a totem of these people's views with his experiments and his liberties with his daughters-in-law's bodies. A plague killing us young, yeah, could happen eventually, but our rights to our own bodies, that could happen sooner rather then later and that really scares me.

Yet the acceptance of this world and this life would be the scariest of all. By having three wives we are able to see how three different people react to a similar situation. Jenna views it as a comfy prison to live out her remaining years, Cecily views it as her dream come true, while Rhine... Rhine is where it gets interesting. While Rhine never gives up on her plans to escape captivity, by having her as the book's narrator we get more insight into how she feels. While it is obvious that the wives come together with their traumatic bonding, a situation like this can not help but bring up Stockholm Syndrome.

Rhine has lived in a society where it was highly likely that at some point she was going to be snatched off the street and forced into some kind of bondage, either prostitution or marriage. So she already has an expectation of capture. Therefore, once captured, her expectations and reality will clash, and the question becomes, will she submit to her fate or fight? She does maintain a fight deep down, but also she is able to sympathize more and more with, not only her fellow wives, but with her husband. She grows to care for Linden. It is not known if Linden knows the full horror of what has happened to Rhine and how her life was destroyed by becoming his wife, so Linden could either be a co-conspirator or a victim like Rhine, but either way, Rhine does come to "love" Linden... her small acceptance of this life is the scariest, yet also sadly understandable, aspect of Wither.

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: Chemical Garden Trilogy, Lauren DeStefano, Logan's Run, Mormons, Rhine, Shirley Jackson, Stockholm Syndrome, Summer Series, The Haunting of Hill House, The Turn of the Screw, Victorian, Virus, Wither

Siege and Storm (The Grisha Book 2) by Leigh Bardugo
Published by: Henry Holt and Co.
Publication Date: June 4th, 2013
Format: Hardcover, 448 Pages
Rating: ★★★★★
To Buy

Alina and Mal barely escaped the Darkling in the fold of nothingness that divides Ravka. Alina wrested back control of her power from the Darkling, but not before a deadly price was paid. Hiding out half way around the world Alina is haunted by what happened and the choices she has made. Sickening, she longs to use her powers and the ill gotten amplifier, but it is too risky. She has turned her back on Ravka, hoping for a new life with Mal and that the rumors of the Darkling's continued existence are a lie. But they can not hide forever. The Darkling finds them across the true sea. He has plans for Alina and disturbing new powers of his own.

Instead of taking his captives back to Ravka, the Darkling takes them far north on the hunt for another creature out of fairy tale and myth. A second forbidden amplifier for Alina's powers. Though little does the Darkling know that there are other people who also have plans for Alina. Plans that she can't ignore. Alina can no longer turn her back on her country's suffering as the Grisha are ostracized and the country is divided. She agrees to return and lead the second army in the place of the Darkling with the sole purpose of his downfall. Yet are her new powers and believed divinity a match for the Darkling? Or does she need more power in order to succeed? Does she in fact desire more power?

In the battle of good versus evil there always comes a time when the wiser action is to run. To regroup and come back hopefully stronger then before. While necessary, this can sometimes lead to boring storytelling. The suffering, the privations, the hardships, the hope of news that perhaps the luck of the enemy is running out. These stories are never my favorite. The driving force is fear and it can therefore lead to too many tropes. After the epic showdown in the fold between Alina and the Darkling, I was sure that this book would follow this tried and tested path and be the bridge book till the final showdown. I was happily surprised.

By having the Darkling force them out of hiding almost immediately, the story opened up new vistas. Alina and Mal could go on the offensive while preparing a strong defense. Yet what I most loved was that the forces of light regrouped in Os Alta. I really wasn't ready to part with this courtly life. It was a Russian Fairy Tale Palace that housed Hogwarts. I was despondent that I wouldn't get to walk the corridors of the Little Palace once more, thankfully I was saved from mopery. I not only got an a-typical middle book, but one that delivered all I could hope for and a little more (*cough* pirates *cough*).

For all her avoidance of tropes, Bardugo isn't immune to them. Seriously, I want to know why when girls are the protagonists of books that they always have two boys vying for their attention? I mean seriously. It's not like this is a new trope, it's been around as long as storytelling has been, and you know what, it kind of gets on my nerves. Yes, there's an element of wish fulfilment here. Who doesn't want an escape, to sink into a book and become one with the heroine and be loved and lusted after from one and all? But there's this other, darker side to me that's saying, but is that realistic? Maybe we've been fed these fairy tales too long and need to break free.

Can't a girl just have one guy? One person to be true to? Or none at all? Especially since this is YA, aren't we just giving young girls unrealistic expectations of not just finding mister right, but having a mister wrong there too wanting you? Or maybe the bitter little cat lady is showing through my carefully constructed veneer and I should just embrace that Alina gets Nathan Fillion and Blake Ritson fighting over her. Oh, I've cast Nathan Fillion as Mal and Blake Ritson as the Darkling in my version of Siege and Storm, just FYI. I know you all want Blake Ritson as a bizarre apparition showing up in your bed chamber no matter how you fall on this trope...

Far from the tropes of men and women, Bardugo has tapped into the vein of Russian folktales and brought out what modernization and progress mean to our shared past. In Siege and Storm the words of the Darkling that the time of the Grisha is coming to a close is not only explored by expanded on. There is this interesting dynamic of past versus future, with the old ways dying off. The future doesn't belong to Tsar's and magic and fairy tales, but to iron and steel and guns. Yes, we see glimpses that perhaps, just maybe, there could be a world where they could coexist, feeding each other, but that seems like the true fairy tale.

Yet what strikes me most is that while Ravka might possibly be saved by these modern military advancements, their only true hope lies with Alina. Alina isn't a creature of the modern world, she is of the old world. She is of the time when maps still bared legends that said beyond here there be monsters. She thinks in fairy stories of the too too clever fox. The third amplifier she seeks is that of the fire bird, a creature of myth that isn't just in one or two stories, but in every story of Ravka. A fairy tale holds the key to the future, and that is a world that I want to live in. A world where stories are real.

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: Blake Ritson, Darkling, Fairy Tales, Grisha Trilogy, Leigh Bardugo, Nathan Fillion, Os Alta, Pirates, Ravka, Russia, Saint, Siege and Storm, Summer Series

Scarlet (The Lunar Chronicles Book 2) by Marissa Meyer
Published by: Feiwel and Friends
Publication Date: February 5th, 2013
Format: Hardcover, 464 Pages
Rating: ★★
To Buy

Scarlet Benoit’s Grandmother has been missing for awhile. Yet no one seems to be willing to help. So Scarlet is not only filled with worry and no leads, but she also has to keep the family farm running in her Grandmother's absence. Yet her Grandmother's past and her connection to the Lunar Cyborg girl Cinder, who is on all the news feeds, not just for the commotion at Emperor Kai's gala, but then for her subsequent escape from prison, might just be the reason behind everything. While Scarlet sympathizes with poor Cinder, if Scarlet could find any link, no matter how tenuous, any information to find her Grandmother, she would use it. Enter Wolf. He is a street fighter, and he has a lead. Scarlet's Grandmother is being held in Paris and he will help Scarlet get there. While trusting Wolf might be a horrible mistake, it's a risk Scarlet is willing to take.

Scarlet picks up mere days after the events of Cinder, though refocusing on Scarlet Benoit, the granddaughter of a lady who has some connection to Cinder's shrouded past and now relocating the focus of the story to France. I have spent a year pining for this book to come out. Leaving me hanging on a cliff was not the nicest thing for Marissa to do, but seeing as I was still expectantly waiting a year later shows the power of her world building. Therefore I think this book became too built up in my head. After that long of a wait and then having to search for quite a long period of time at Barnes and Noble to actually find a copy of the book (what stupid bookstore only gets two copies and then hides them on the bottom shelf near the door I ask you) I was, I don't know, expecting something just as unique and wonderful as Cinder was and in the end I was thoroughly disappointed. I really should start a list of books that were better than the first, because really, I think I almost set myself up for these falls with unrealistic expectations... but then authors like Mary Robinette Kowal and Laini Taylor have raised the bar so high for second outings that this book really had to be something wonderful to measure up, instead I felt like I was slogging through just to get to the end.

My main problem was all the unnecessary shit that was thrown in. New settings, new characters and new creatures. I admire Marissa for expanding her world, but there was some magic in the Eastern Commonwealth that was not only lacking in France, but made France boring. How can you make France boring you ask? By having it not be futuristic. By having me feel like if I where to get on a plane and go there RIGHT NOW I could be in Scarlet's world. Cinder's world was a flight of fancy, an easy to imagine possible future, yet France was just France. Yet France being just France wasn't nearly as boring as Scarlet and Wolf. I'm sorry, but they where boring. Scarlet was flat and two dimensional. I didn't care if she found her grandmother or not. As for Wolf, whatever. He reminded me of Tom from Being Human with his old fashioned manners and, well, the wolf bit, but unlike Tom, Wolf was just a dull dull character whose attraction to Scarlet seemed to be a plot contrivance than actually real attraction. They needed to be relegated to the background. The book came alive when Cinder was around, so by making Scarlet and Wolf just people who forward Cinder's story would have sat far better with me than having to excruciatingly journey with them across France while we where to be rooting for them with their false chemistry. Though the "wolves" is what really put the nail in the coffin for me. Really, "werewolves?" After much thinking, ok, having wolves in thrall to the Lunars does make a bit of sense because in mythology werewolves are governed by the moon... but there's just too much shit populating this world. Lunars, cyborgs, viruses, world wars, plagues... enough already. NO MORE. This world is full enough. Stop it.

The big thing though that was totally unsatisfactory to me was the handling of the "Little Red Riding Hood" story. With Cinder it was a totally new and fresh spin. Cinderella as a cyborg... she doesn't leave a shoe behind but her old foot!?! How cool is that? Very is my answer.  Here... well... um, it was like almost every retelling I've read of "Little Red Riding Hood" in years. The Big Bad Wolf that is just misunderstood and reforms and falls for the girl... isn't that the Fables comics? Or Sisters Red? This was just predictable and done before. Also, stop switching up how Scarlet refers to her Grandmother, Grand-mere... I'm assuming she is actually talking in French the whole time, so then Grand-mere is what, doubly French? And that stupid red hoodie! Ug, it was just a crutch so that if you weren't already being beaten over the head with Red Riding Hood imagery, let's just mention it over and over. There was one thing that Marissa nailed with regards to the original story. The "reveal" when Red Riding Hood realizes her grandmother isn't her grandmother (what big eyes, you get the idea) is so awesomely cool that I realize this book could have been as good as Cinder. So extra demerits... I now know how awesome you could be so this sub-par effort pisses me off more.

One good thing, everything Cinder. The book was mildly redeemed by the fact that Cinder was around and her story remained interesting... even if it veered ever closer to Firefly land, at least she was there to buoy up the book... if not, do I dare suggest that I don't think I would have finished it and might have even violently thrown it across the room? Yes I do suggest that. The cover is ugly anyway, wouldn't have been a loss.

Posted by Miss Eliza at 12:00 AM 2 comments  

Labels: Being Human, Big Bad Wolf, Cinder, Cinderella, Cyborg, Fables, Firefly, Little Red Riding Hood, Marissa Meyer, Scarlet, Sisters Red, Summer Series, The Lunar Chronicles

Cinder (The Lunar Chronicles Book 1) by Marissa Meyer
Published by: Feiwel and Friends
Publication Date: January 3rd, 2012
Format: Hardcover, 400 Pages
Rating: ★★★★
To Buy

Cinder is the only source of income for her family. Her adoptive father died and she is left with a step-mother who hates her and two step-sisters. Worst of all is that being a cyborg, she is not just a second class citizen in her home, but is viewed as a second class citizen by all the residents of New Beijing. Yet she is lucky in that her deformities are easy to conceal with clothes and her job of a mechanic means that she can wear gloves to hide her hands, the most obvious sign of what she is. Yet one day everything changes. Prince Kai comes to her stall in the market to ask her to repair his robot. All the world is in love with Kai, yet Cinder feels an instant connection. She can't wait to go home and tell her sister Peony and her best friend Iko, who is a robot. That night though, Peony contracts the plague. The scourge of the world that could wipe out humanity. Cinder's step-mother blames Cinder and volunteers her for medical research. Not to save Peony, but to destroy Cinder.

Yet Cinder is surprisingly resilient to the plague. She might be a hope for a cure. Also, there's the added benefit that she must be constantly at the palace for the research, and if she gets to see more of Kai, that is all right by her. Yet the political machinery she is being drawn into is dangerous. The Lunars, people from the moon whom the earth greatly distrusts, want to form a marriage alliance with Kai. In return the Lunars will give the world a cure for the plague. It is what the world needs more than anything, an end to the suffering. But can two people falling in love put aside their dreams and do what must be done for the world?

I am a sucker for retellings of fairy tales. After all, fairy tales are the building blocks of what stories are. The adversity, the handsome prince, the happily ever after... though sometimes not in the darkest of tales. Cinderella was never one of my favorites. My mother would probably site the fact that when the mice appeared the first time I saw the movie I started crying uncontrollably and had to be removed from the theatre. In all fairness, I don't remember this and remember more the Jungle Book tantrum of my brother that made me never know the ending for over ten years. That all said, there are really two kinds of retellings, those that just flesh out the story more but keep it similar in feel to the original, or those who throw everything out the window and go for something fresh and new. Cinder threw everything out the window. We have strange beings from the moon, we have cyborgs, we have a post apocalyptic world that has the feeling of Bladerunner and Firefly. We have a princess that is very un-princess like. We have the start of a series that looks very promising and then pissed me off greatly by ending on a cliffhanger. The fact that it pissed me off shows that I was invested enough in the characters that I didn't want to book to end.

The world building is fabulous. There's political intrigue, new space age mechanics, new terminology, yet never are you overwhelmed by this. Everything flows naturally from the strong and vibrant characters of Kai and Cinder. You feel their pain and joy. The fact that I almost lost it and started crying when something happened to Iko, who is a robot mind you, that just goes to show that every character, human and otherwise is suffused with this wonderful life. Never once was I pulled out of the world that was made and now I wait, rather petulantly, for the next installment. The ball that is the end of Cinderella really is a launching platform for the rest of the epic story to come for Cinder. Sometimes when the fairy tale says "happily ever after" it is really just the beginning.

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: Bladerunner, Cinder, Cinderella, Cyborg, Fairy Tales, Firefly, Marissa Meyer, Summer Series, The Lunar Chronicles

Dreams of Gods and Monsters (Daughter of Smoke and Bone Book 3) by Laini Taylor
Published by: Little, Brown Books for Young Readers
Publication Date: April 8th, 2014
Format: Hardcover, 624 Pages
Rating: ★★
To Buy

The war between the Seraphim and the Chimera has come to Earth. Cunningly arriving in a guise to lull humanity into submission Karou and Akiva know that their only chance to succeed against these "angels" led by Jael is to return to Eretz and convince the Misbegotten Seraphim to ally themselves with the few remaining Chimera in an attempt to destroy Jael and bring peace to the two worlds. The fact that Jael brings a warning to the Vatican of the "beasts" and "monsters" that have been warring with them makes it even more imperative that the outcasts lead by Karou abandon the hideout in Morroco, which is soon found and studiously dissected by scientists, and escape through the tear in the dimensions. But aligning the previously combative forces looks like it might be harder then Karou and Akiva thought. If they can't pull off a compromise how will they destroy Jael and get a chance at making a future together? Going against their natures a plan is hatched that will at least save Earth and lure the fight back to the one dimension. Hopefully they can defeat the enemy on the land that has been soaked with their blood for many a year, if not, at least they have saved Earth. Yet their destinies might already be written in the stars.

What the godstars was that? In all seriousness, there is always a problem with final books in a series that have been predominately about the battle of good versus evil. Because the final installment will always be the final showdown. I don't really want to read about battles, which is the fatal flaw in The Hunger Games series when Mockingjay basically became a post apocalyptic version of The Hurt Locker. Dreams of Gods and Monsters nicely sidesteps this by focusing on the main characters who are peripheral to the battles because they are involved in other schemes, but quickly falls of a cliff. You really need to watch your footing in perilous denouements, a cliff or quicksand could be there waiting to smother all your hopes for a satisfying conclusion. The fact that, while sometimes rambling, I liked where the book was going until about the last thirty pages makes the ending even more of a betrayal. Yes, you can't make everyone happy, I get that, but still, I was hoping for something more.

Because my issues with this final book occur in the final pages I don't think that my talking about spoilers will be that surprising, because my need for discourse with my issues is greater then my need for silence, but I will therefore just warn you that spoilers are ahead. So you have been warned. Spoilers. So you're not reading anymore unless you want to know why I was so disappointed? Good. I shall continue my rant. The last few chapters don't give us a denouement they give us a beginning. Instead of being successful, reaching the end of their battles, and getting a happily ever after, we get this amorphous ending that is both unsatisfying and puzzling. Yes life is complicated, yes endings aren't necessarily tied up with a bow, but that doesn't mean you introduce tons of new stuff that no one gets, not even the characters, with twenty pages left and call it a day. I cry FOWL! As an author the worst thing you can do is give us a beginning instead of an ending. There's different kinds of endings, you can have some lack of closure, you can make it not happy for everyone, but you can't give us something that doesn't even make sense to the characters in the book. I was left wondering if there is going to be a spin off series, like many YA series are doing now, because this isn't an ending. I don't know how many times I can say this in regard to this book. Starting something new and different without giving closure first makes me want to burn this book a little.

Ok, let me break it down more. Akiva's people, the Stelians, they've always been mysterious and doing whatever they do, so it does make sense that they finally arrive and explain to Akiva that he needs some training, whatever, I'm cool with this. But then to have this mystic vision wherein this outside force, a force we've just learned of fairly recently in this book, will be defeated by everyone in the room becoming gods, aka the godstars? Gorram it, what the hell is this about? And trust me, Karou and Akiva and just as mystified as you and me! It's like the book became an entirely different book. The humor goes away and we are left with this idea that somehow they will all become stars? What, like at the end of Stardust where when they die they become stars? But that doesn't seem to be what this book is saying. They have a big battle ahead, a battle we don't understand or know about, but it's coming, here's a tacky epilogue with the characters still not knowing what's going on but at least Karou and Akiva get some action in some semblance of a happily ever after. How could this satiate anyone?

This also negates the wonderful worldbuilding that this series was known for up until this point which still has many previous questions unanswered. By adding in this unnecessary and convoluted worldbuilding with the Stelians and their weird dimension punching more questions are asked rather then answered. It is almost like Laini Taylor was going, "Oh shit, I forgot everything about Akiva and his people, what do I do?" Followed by a glut of information that will lead to a WTF reveal with an ending that no one, not even the characters get. I seriously cannot state it enough. The characters don't know what's going on so how can I!?! But the most annoying fact is, until the Stelians take Akiva down into that little cave, Laini had set up the perfect ending. Everyone was where I thought they should be. Even Liraz and Ziri were perfect, and of course Zuzana and Mik were more then perfect, and then vomit. I was hoping for them rebuilding their world, bringing their people together, learning more about how exactly the magic works, not getting ready for some big battle that I couldn't care less about because I just learned about it. This series connected with me, even if I never really liked Akiva and had some issues, but the fact that Laini made me even care about characters that I don't really like I felt they deserved more then this. And it's not that I deserved more, it was ok if unsatisfying, I just felt that these characters I have loved so much were just worthy of so much more, and not becoming some nebulous gods in some epic battle for the worlds.

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: Akiva, Chimera, Daughter of Smoke and Bone, Dreams of Gods and Monsters, Gods, Godstars, Karou, Laini Taylor, Mockingjay, Seraphim, Stardust, Summer Series, The Hunger Games, The Hurt Locker, Worldbuilding, Zuzana

Days of Blood and Starlight (Daughter of Smoke and Bone Book 2) by Laini Taylor
Published by: William Morrow
Publication Date: November 6th, 2012
Format: Hardcover, 528 Pages
Rating: ★★★★★
To Buy

"Once upon a time, an angel and a devil fell in love and dared to imagine a world free of bloodshed and war. This is not that world."

Karou's homeland has been destroyed. The man she loved in another life, in another body, destroyed it because of her death. Akiva never thought, never even dared to hope that he would one day be with her again. His destruction of her people has sealed his fate and his chance at happiness. A happiness he never expected is lost yet again to him by his own hands. The monsters have all been destroyed by the Seraphim. There are only a few holdouts of Chimera hidden here and there in Eretz, and the Seraphim are flushing them out.

Yet there is hope... Karou. Her name literally means hope. Little did she realize that in spending two lives in the company of Brimstone she has been able to learn the art of resurrection, the secret to the Chimera's ability to thwart the enemy. Of course helping the Chimera means she must ally herself with the man who was her intended, Thiago. Oh, and he is the one who happened to have her executed the first time around. Going by the theory the enemy of my enemy is my friend, she agrees to be Thiago's resurrectionist, in the hope that this will save her people by creating a rebel band of Chimera.

But will a band of rebels be able to thwart the might of the empire? Or is it in Akiva and Karou's old dream of creating a new world that a future for Eretz might be found? Either way, the Seraphim and the Chimera must come together, must be willing to see past the war that has consumed their lives, or in the case of the Chimera, multiple lives, and look to what comes next.

For some time now I have had several friends who where verging on the insistence level of drug pushers to read Daughter of Smoke and Bone. I mean, every single time I talked to or emailed them, it would end with, "by the way... have you read it yet?" The day the second book came out the amount of texts I got might have been able to crash my data plan. Needless to say, as soon as I had the time I agreed I would finally read it. After the harsh semester of school I had I spent quite literally all of December sick and under a blanket somewhere. Now the "best" part about being sick is that you are literally incapable of doing anything other than lounging... which means reading! Ah December... I might not have been able to speak without hacking up a lung, but you passed in a haze of crisp fonts and snowy white pages. I devoured Daughter of Smoke and Bone quite quickly. I was intrigued by the world. There where things I loved, and there where things I raised my eyebrows at, angels, really? But I was sold enough to need to pick up the next volume immediately... or in this case, send someone forth to get me said volume because you aren't allowed to drive a car when on a codeine based cough syrup.

What the first book hadn't prepared me for was the awesomeness of the second book. By reading blurbs and snatches of reviews the second book seemed to veer very much into the war of otherworldy creatures category with Karou playing Frankenstein... which seemed, well, I'll say it, I thought it would be lame. I thought taking Karou out of this wonderful little world she lived in in Prague with her lovely diminutive if occasionally violent friend Zuzana was a mistake. No more sketchbooks and art school and evil exes. It was rewriting everything the first book was and giving us a map of another world. Side note, I usually love books with maps of other worlds, I just wasn't expecting this series to go that way. I think that's why I loved Days of Blood and Starlight, it went where I didn't think it would go and brought me along for an amazing ride, thankfully I didn't have to be in a beat up truck in Morocco for real.

Yet it is the believability of the world building that has made the narrative work. Laini has created a beautiful and brutal world, but it has humor in it. The surest way to get complicity is to make someone laugh. Zuzana was my entry into this world of monsters. She was so funny and her connection to Karou made a character who might not be completely relatable, I mean Karou is a monster resurrected into the body of a blue haired teenager with amazing drawing skills, real and likable. Their quippy emails and how Monty Python is used to bring levity yet also hint at the truths behind the words made me love this book all the more. Add in magic, a trio of mismatched angels, a mysterious island and some very wicked Guerilla tactics,  and I am not only beyond excited for the next installment, I want it now!

Posted by Miss Eliza at 12:00 AM 2 comments  

Labels: Akiva, Chimera, Daughter of Smoke and Bone, Days of Blood and Starlight, Eretz, Frankenstein, Karou, Laini Taylor, Monty Python, Prague, Seraphim, Summer Series, Zuzana

Daughter of Smoke and Bone (Daughter of Smoke and Bone Book 1) by Laini Taylor
Published by: Little Brown
Publication Date: September 27th, 2011
Format: Hardcover, 432 Pages
Rating: ★★★
To Buy

"Once upon a time, an angel and a devil fell in love. It did not end well."

Karou might be just as she seems, a gifted art student in Prague. Yet the fantastical beasts that she fills her sketchbooks with aren't a figment of her imagination. They are her family. And like most family, they sometimes have favors to ask of her that take her away from the normal life she is trying to live. A life that is about to end. All over the world black hand prints are appearing on doors, burned into the wood by winged strangers. One day it is the door Karou takes to visit her family. She is cut off from them, she doesn't know if they are alive or dead. What will she do if she is cut off from all that she knows?

Yet what of the winged strangers? One of them, Akiva, sees Karou and cannot believe his eyes. She looks just like his lost love. But she is dead and gone. Their love was forbidden. Two star crossed lovers on different sides of an otherworldly war. There can not be a connection between the two women. Yet Akiva's heart is telling him differently. Could Karou be his lost love? Could she love him again in this new life once she knows the whole truth?

If someone had said to me that I would become enamoured with a book series about "devils" and "angels" I would have laughed. Angels to me have never seemed the stuff of literature, more the stuff of Sunday School. Yet there are angels out there that have fascinated me... Loki and Bartleby in Dogma, Balthamos and Baruch in Philip Pullman's His Dark Materials series for example. So, add to this many of my friends clamouring that I must read this book now, which increased a hundred fold once the second book came out, I caved and fell in love with this world.

What I adored was the world building. The seamless twining of reality and fantasy. Prague was the perfect choice in it's character to couple it with an imaginary land. The history and the Gothic feel of the city make it totally believable that you might accidentally stumble upon a chimera walking down a twisty back alley. Or a winged creature might descend from the skies and accost you. There's a part of me that wishes I had been raised in that little office of Brimstone's where wishes were made, literally. Add to Taylor's creatures and continents this elaborate currency of wishes and their effectiveness, and it's so alive and real that I really thought I might be able to barter some teeth for a scuppy or a shing to give myself really cool colored hair like Karou...

Though, I did have a hard time after becoming so invested in Karou's life as it revolved around Prague, that when we are pulled out of that life and into her previous life as Madrigal I was so jarred that I didn't really take to her previous life. Having already read the second book, I know that there is a merging of the two halves of herself that takes place that then makes everything make sense, but at this point in Daughter of Smoke and Bone was when my love for it wavered. I needed to know the full history of Akiva and Karou's previous life when she was Madrigal, but at the same time, this fearless warrior that was Madrigal, was so different from Karou, that my heart hardened a little towards her. Madrigal is what Karou would have been/was in a different world. A "person" I just didn't take to. Thankfully this was rectified in the second book, which is one of the most amazing books I have read in a long time.

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: Akiva, Bartelby, Chimera, Daughter of Smoke and Bone, Days of Blood and Starlight, Dogma, His Dark Materials, Karou, Laini Taylor, Loki, Madrigal, Philip Pullman, Prague, Scuppy, Seraphim, Shing, Summer Series

Summer is that time of year when it becomes fashionable to read. Everyone has to have a nice big thick beach read for when they fall asleep to the lapping of the waves. While I personally believe that reading is fashionable all year long, I won't go so far as to say I am immune to this silly season and yearn for different types of books. Summer is the fun books, the series, the non-scholarly Olde English texts that are "improving" literature and have language you have to wade through (though I did spend one summer devouring Austen and another E.M. Forster). I want to curl up on my side porch and sway in the breeze on my porch swing while delving into Stephen King or re-reading all of Harry Potter. I have spent innumerable days and evenings just falling into another world while the cicadas sing and the lightning bugs slowly come out one after another. Angling my book just so so that I can catch the lights inside the house and read for a few more minutes before having to forsake my warm bower and go back into the chill house and reality.

While contemplating what I wanted to feature this summer on my blog I realized that the time had come to just revel in summer. To think back to devouring Harry Potter during these sultry months and try to recapture that joy. Today there are YA book series popping up like mushrooms after a rain and I have gotten woefully behind. With Cassandra Clare's Mortal Instruments Series coming to a close, as well as many other series having their final or penultimate book coming out I figured this summer I would revel in YA. Devote the whole of summer to YA Series that I have been meaning to pick up or to pick up again. To make the beach read of this summer the YA book series. I hope you will join me in curling up in a warm place, letting the sun shine down on you and catching up with a new or favorite series.

And now, a giveaway...

The Prize:
A lovely hardcover copy of the first book in Kami Garcia and Margaret Stohl's The Caster Chronicles, Beautiful Creatures.

The Rules:
1. Open to EVERYONE (for clarification, this means international too), just because you haven't been following me all along doesn't mean you don't matter, you just get more entries if you prove you love me by following.

2. Please make sure I have a way to contact you if your name is drawn, either your blogger profile or a link to your website/blog or you could even include your email address with your comment(s) or email me directly.

3. Contest ends Sunday, August 31st at 11:59PM CST (Yes, I know it's a holiday weekend, so be sure to get your entries in early!)

4. How to enter: Just comment in the space below!

5. And for those addicted to getting extra entries:

• +1 for answering the question: What is your favorite summer read?
• +2 for becoming a follower
• +10 if you are already a follower
• +10 for each time you advertise this contest - blog post, sidebar, twitter (please @eliza_lefebvre), etc. (but you only get credit for the first post on each social media plateform, so tweet all you like, and I thank you for it, but you'll only get the +10 once). Also please leave a link! There's also a handy code on the side for your blog/website sidebars!
• +25 if you comment on any of the posts during the YA Summer Series Celebration, with something other than "I hope I win" or a variation thereof.

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: Beautiful Creatures, Cassandra Clare, Caster Chronicles, E.M. Forster, Giveaway, Harry Potter, Jane Austen, Kami Garcia, Margaret Stohl, Stephen King, Summer, Summer Series, YA