Showing posts with label Ravka. Show all posts
Showing posts with label Ravka. Show all posts

Monday, January 28, 2019

Tuesday Tomorrow

King of Scars by Leigh Bardugo
Published by: Imprint
Publication Date: January 29th, 2019
Format: Hardcover, 528 Pages
To Buy

The official patter:
"Face your demons...or feed them.

Nikolai Lantsov has always had a gift for the impossible. No one knows what he endured in his country’s bloody civil war - and he intends to keep it that way. Now, as enemies gather at his weakened borders, the young king must find a way to refill Ravka’s coffers, forge new alliances, and stop a rising threat to the once-great Grisha Army.

Yet with every day a dark magic within him grows stronger, threatening to destroy all he has built. With the help of a young monk and a legendary Grisha Squaller, Nikolai will journey to the places in Ravka where the deepest magic survives to vanquish the terrible legacy inside him. He will risk everything to save his country and himself. But some secrets aren’t meant to stay buried - and some wounds aren’t meant to heal.

Enter the Grishaverse with this new novel from #1 New York Times-bestselling author Leigh Bardugo."

Back to Ravka!!!

A Curse So Dark and Lonely by Brigid Kemmerer
Published by: Bloomsbury YA
Publication Date: January 29th, 2019
Format: Hardcover, 496 Pages
To Buy

The official patter:
"In a lush, contemporary fantasy retelling of Beauty and the Beast, Brigid Kemmerer gives readers another compulsively readable romance perfect for fans of Marissa Meyer.

Fall in love, break the curse.

It once seemed so easy to Prince Rhen, the heir to Emberfall. Cursed by a powerful enchantress to repeat the autumn of his eighteenth year over and over, he knew he could be saved if a girl fell for him. But that was before he learned that at the end of each autumn, he would turn into a vicious beast hell-bent on destruction. That was before he destroyed his castle, his family, and every last shred of hope.

Nothing has ever been easy for Harper. With her father long gone, her mother dying, and her brother barely holding their family together while constantly underestimating her because of her cerebral palsy, she learned to be tough enough to survive. But when she tries to save someone else on the streets of Washington, DC, she's instead somehow sucked into Rhen's cursed world.

Break the curse, save the kingdom.

A prince? A monster? A curse? Harper doesn't know where she is or what to believe. But as she spends time with Rhen in this enchanted land, she begins to understand what's at stake. And as Rhen realizes Harper is not just another girl to charm, his hope comes flooding back. But powerful forces are standing against Emberfall... and it will take more than a broken curse to save Harper, Rhen, and his people from utter ruin."

I'm a sucker for fair tale retellings.

The Wolf in the Whale by Jordanna Max Brodsky
Published by: Redhook
Publication Date: January 29th, 2019
Format: Paperback, 560 Pages
To Buy

The official patter:
"A sweeping tale of clashing cultures, warring gods, and forbidden love: In 1000 AD, a young Inuit shaman and a Viking warrior become unwilling allies as war breaks out between their peoples and their gods-one that will determine the fate of them all.

"There is a very old story, rarely told, of a wolf that runs into the ocean and becomes a whale."

Born with the soul of a hunter and the spirit of the Wolf, Omat is destined to follow in her grandfather's footsteps-invoking the spirits of the land, sea, and sky to protect her people.

But the gods have stopped listening and Omat's family is starving. Alone at the edge of the world, hope is all they have left.

Desperate to save them, Omat journeys across the icy wastes, fighting for survival with every step. When she meets a Viking warrior and his strange new gods, they set in motion a conflict that could shatter her world...or save it."

All the wonderful myths of the North!

The Frangipani Tree Mystery by Ovidia Ya
Published by: Constable
Publication Date: January 29th, 2019
Format: Paperback, 320 Pages
To Buy

The official patter:
"First in a delightfully charming crime series set in 1930s Singapore, introducing amateur sleuth SuLin, a local girl stepping in as governess for the Acting Governor of Singapore.

1936 in the Crown Colony of Singapore, and the British abdication crisis and rising Japanese threat seem very far away. When the Irish nanny looking after Acting Governor Palin's daughter dies suddenly - and in mysterious circumstances - mission school-educated local girl SuLin - an aspiring journalist trying to escape an arranged marriage - is invited to take her place.

But then another murder at the residence occurs and it seems very likely that a killer is stalking the corridors of Government House. It now takes all SuLin's traditional skills and intelligence to help British-born Chief Inspector Thomas LeFroy solve the murders - and escape with her own life."

Everything about this book screams to me that it will be a new favorite series!

The Plotters by Un-su Kim
Published by: Doubleday
Publication Date: January 29th, 2019
Format: Hardcover, 304 Pages
To Buy

The official patter:
"From the novelist dubbed "the Korean Henning Mankell" (The Guardian) comes a fantastical crime novel set in an alternate Seoul where assassination guilds compete for market dominance. Perfect for fans of Han Kang and Patrick deWitt.

Behind every assassination, there is an anonymous mastermind - a plotter - working in the shadows. Plotters quietly dictate the moves of the city's most dangerous criminals, but their existence is little more than legend. Just who are the plotters? And more important, what do they want? Reseng is an assassin. Raised by a cantankerous killer named Old Raccoon in the crime headquarters "The Library," Reseng never questioned anything: where to go, who to kill, or why his home was filled with books that no one ever read. But one day, Reseng steps out of line on a job, toppling a set of carefully calibrated plans. And when he uncovers an extraordinary scheme set into motion by an eccentric trio of young women - a convenience store clerk, her wheelchair-bound sister, and a cross-eyed librarian - Reseng will have to decide if he will remain a pawn or finally take control of the plot.

Crackling with action and filled with unforgettable characters, The Plotters is a deeply entertaining thriller that soars with the soul, wit, and lyricism of real literary craft."

Yes, the Henning Mankell comparison is what drew me to this book...

Death Prefers Blondes by Caleb Roehrig
Published by: Feiwel amd Friends
Publication Date: January 29th, 2019
Format: Hardcover, 448 Pages
To Buy

The official patter:
"Teenage socialite Margo Manning leads a dangerous double life. By day, she dodges the paparazzi while soaking up California sunshine. By night, however, she dodges security cameras and armed guards, pulling off high-stakes cat burglaries with a team of flamboyant young men. In and out of disguise, she’s in all the headlines.

But then Margo’s personal life takes a sudden, dark turn, and a job to end all jobs lands her crew in deadly peril. Overnight, everything she’s ever counted on is put at risk. Backs against the wall, the resourceful thieves must draw on their special skills to survive. But can one rebel heiress and four kickboxing drag queens withstand the slings and arrows of truly outrageous fortune? Or will a mounting sea of troubles end them - for good?"

Recommened to me by Johnnie Cakes from Murder By The Book, and he's never wrong in his recs! 

Friday, January 2, 2015

Book Review 2014 #10 - Leigh Bardugo's Siege and Storm

Siege and Storm (The Grisha Book 2) by Leigh Bardugo
Published by: Henry Holt and Co.
Publication Date: June 4th, 2013
Format: Hardcover, 448 Pages
Rating: ★★★★★
To Buy

Alina and Mal barely escaped the Darkling in the fold of nothingness that divides Ravka. Alina wrested back control of her power from the Darkling, but not before a deadly price was paid. Hiding out half way around the world Alina is haunted by what happened and the choices she has made. Sickening, she longs to use her powers and the ill gotten amplifier, but it is too risky. She has turned her back on Ravka, hoping for a new life with Mal and that the rumors of the Darkling's continued existence are a lie. But they can not hide forever. The Darkling finds them across the true sea. He has plans for Alina and disturbing new powers of his own.

Instead of taking his captives back to Ravka, the Darkling takes them far north on the hunt for another creature out of fairy tale and myth. A second forbidden amplifier for Alina's powers. Though little does the Darkling know that there are other people who also have plans for Alina. Plans that she can't ignore. Alina can no longer turn her back on her country's suffering as the Grisha are ostracized and the country is divided. She agrees to return and lead the second army in the place of the Darkling with the sole purpose of his downfall. Yet are her new powers and believed divinity a match for the Darkling? Or does she need more power in order to succeed? Does she in fact desire more power?

In the battle of good versus evil there always comes a time when the wiser action is to run. To regroup and come back hopefully stronger then before. While necessary, this can sometimes lead to boring storytelling. The suffering, the privations, the hardships, the hope of news that perhaps the luck of the enemy is running out. These stories are never my favorite. The driving force is fear and it can therefore lead to too many tropes. After the epic showdown in the fold between Alina and the Darkling, I was sure that this book would follow this tried and tested path and be the bridge book till the final showdown. I was happily surprised.

By having the Darkling force them out of hiding almost immediately, the story opened up new vistas. Alina and Mal could go on the offensive while preparing a strong defense. Yet what I most loved was that the forces of light regrouped in Os Alta. I really wasn't ready to part with this courtly life. It was a Russian Fairy Tale Palace that housed Hogwarts. I was despondent that I wouldn't get to walk the corridors of the Little Palace once more, thankfully I was saved from mopery. I not only got an a-typical middle book, but one that delivered all I could hope for and a little more (*cough* pirates *cough*).

For all her avoidance of tropes, Bardugo isn't immune to them. Seriously, I want to know why when girls are the protagonists of books that they always have two boys vying for their attention? I mean seriously. It's not like this is a new trope, it's been around as long as storytelling has been, and you know what, it kind of gets on my nerves. Yes, there's an element of wish fulfilment here. Who doesn't want an escape, to sink into a book and become one with the heroine and be loved and lusted after from one and all? But there's this other, darker side to me that's saying, but is that realistic? Maybe we've been fed these fairy tales too long and need to break free.

Can't a girl just have one guy? One person to be true to? Or none at all? Especially since this is YA, aren't we just giving young girls unrealistic expectations of not just finding mister right, but having a mister wrong there too wanting you? Or maybe the bitter little cat lady is showing through my carefully constructed veneer and I should just embrace that Alina gets Nathan Fillion and Blake Ritson fighting over her. Oh, I've cast Nathan Fillion as Mal and Blake Ritson as the Darkling in my version of Siege and Storm, just FYI. I know you all want Blake Ritson as a bizarre apparition showing up in your bed chamber no matter how you fall on this trope...

Far from the tropes of men and women, Bardugo has tapped into the vein of Russian folktales and brought out what modernization and progress mean to our shared past. In Siege and Storm the words of the Darkling that the time of the Grisha is coming to a close is not only explored by expanded on. There is this interesting dynamic of past versus future, with the old ways dying off. The future doesn't belong to Tsar's and magic and fairy tales, but to iron and steel and guns. Yes, we see glimpses that perhaps, just maybe, there could be a world where they could coexist, feeding each other, but that seems like the true fairy tale.

Yet what strikes me most is that while Ravka might possibly be saved by these modern military advancements, their only true hope lies with Alina. Alina isn't a creature of the modern world, she is of the old world. She is of the time when maps still bared legends that said beyond here there be monsters. She thinks in fairy stories of the too too clever fox. The third amplifier she seeks is that of the fire bird, a creature of myth that isn't just in one or two stories, but in every story of Ravka. A fairy tale holds the key to the future, and that is a world that I want to live in. A world where stories are real.

Wednesday, July 2, 2014

Book Review - Leigh Bardugo's Ruin and Rising

Ruin and Rising (The Grisha Book 3) by Leigh Bardugo
Published by: Henry Holt and Co.
Publication Date: June 17th, 2014
Format: Hardcover, 432 Pages
Rating: ★★★★
To Buy (Different edition then one reviewed)

The Apparat's plan to win the war is to bide his time underground in his white cathedral with his disciples and rise victorious when all Alina's enemies have killed each other. While this kind of strategy has led to his long and successful career in the halls of Os Alta, Alina is going crazy underground as his prisoner. Her illness after the battle with the Darkling has left her sick and frail, but being so far away from the light she summons means she is unable to fully heal, unable to escape the Apparat and her growing fear that he might realize a dead saint is less work then a living saint. Luckily for Alina her fellow Grisha are concocting a plan to release her from this underground tomb and resume their hunt for the final amplifier in the hopes that then Alina will have the strength to defeat the Darkling.

Escaping though is the first and easiest step, and in truth, it wasn't easy at all. But working their way out of a labyrinth of underground caverns is quite easier then locating a rebel prince who has become a sky pirate employing guerrilla tactics or hunting down a mystical creature that may not even exist. All this just in the hopes that they might succeed. Yet with the Darkling striking out faster, sooner, and unexpectedly at every turn, Alina wonders how her misfit bad of Grisha can survive and how they even became compatriots in the first place. With despair driving them more then hope, Alina wants to be the light in the darkness but fears that her lust for power might make her more similar to the Darkling then she dares admit to anyone, even Mal.

A satisfying conclusion is the hardest thing to achieve. A delicate balance of all the possible outcomes while remaining true to the characters and giving the readers closure. Some might say it's impossible, others improbable, but Leigh Bardugo came very close to a perfect ending with non stop action and wit. Mal becoming even more Malcolm Reynolds as he paraphrases Nathan Fillion's character from the Firefly episode "The Message" to my delight. Though I do have issues with the improbability of the happily ever after, I still felt a satisfaction wash over me, with maybe a little eye rolling at the convenience of things. Yes, after a bleak tale almost everyone wants love to prevail, cue the happy welcome home to the Shire music and end credits, but there's me going, but can't it still be a little dark? Perhaps I should stop falling for the baddies and the rogues so that when they are vanquished or cast aside I won't be left there brokenhearted.

Yet my inability to stop falling for the bad guys was a foregone conclusion with the Darkling. What made Ruin and Rising so amazing and so fully rounded a book was the insight Bardugo gave us about him. Here we don't have just a mindless baddie whose sole goal is power and destruction. We don't have a cookie cutter villain with a goofy gimmick, like a bullseye iris (don't ask me why I'm thinking of Charles Dance in Last Action Hero, I honestly don't know). Bardugo gets that bad guys can't be all that bad, there has to be more. Here we have a multifaceted villain. He's not black like Spinal Tap none more black, he's black like an oil slick or the night sky, there's rainbows and depth, there's hints of blue that make the black blacker, but a splash of light every now and then. His back story is gut wrenching, especially if you read this edition with the prequel story "The Demon in the Wood." To the rest of the world he's this improbable being of such destructive force that he is terrifying, but to Alina, he's just a boy, like calling to like. What wouldn't we do if we spent lifetimes alone and persecuted? Your only wish to be loved and safe and have someone tenderly say your name. Your true name. To learn at the end that you are in fact truly alone, that would destroy anyone.

Aside from the whole wanting to go off with the Darkling, I also kind of really want to just move into the world of this book. Because I don't want this to be the end. I can't accept it for some reason and this has spurred me and my overactive brain on to start asking fifty million questions about the world Bardugo has built. I have so many thoughts on the worldbuilding that I can't sit still. I don't think it's a lack on Bardugo's part either as to insufficient information, but more my insatiable curiosity. Unless of course you have the same questions, then perhaps we all need to sit down with Leigh and work things out. The exception to this is the distances. I really don't think that Bardugo worked out her distances on her map very well. In the first book it took far longer to get anywhere, and as each book progressed it took less and less time to get from one place to another, yes, I know they had improved transport... but still, it's off. Make a key, stick to it, alright?

As for my other questions, I'd have to be like the Darkling and have a really long lifespan because, well, some things I want to know are past, some are present, and some are future, unless I had the ability to time travel, that would make this faster. Firstly I want to know if Morozova just created the applifiers or did he plan on using them. It seems like a lot of work to go around and make them and not use them. But if he used them, well, did they respawn on his death? But then they thought, maybe he didn't die, so then, well, it makes no sense. Though I really want to know more about the physics of the fold. So it's this big blackness dividing the country and it's the blackest black inside. Well, the sun rises in the east and sets in the west, this is a north south divide. How is there dawn in West Ravka or a sunset in East Ravka? Just how? See, I just need more and more books in the world to work this all out once and for all. Leigh's got to get on this ASAP.

Friday, June 27, 2014

Book Review - Leigh Bardugo's Siege and Storm

Siege and Storm (The Grisha Book 2) by Leigh Bardugo
Published by: Henry Holt and Co.
Publication Date: June 4th, 2013
Format: Hardcover, 448 Pages
Rating: ★★★★★
To Buy

Alina and Mal barely escaped the Darkling in the fold of nothingness that divides Ravka. Alina wrested back control of her power from the Darkling, but not before a deadly price was paid. Hiding out half way around the world Alina is haunted by what happened and the choices she has made. Sickening, she longs to use her powers and the ill gotten amplifier, but it is too risky. She has turned her back on Ravka, hoping for a new life with Mal and that the rumors of the Darkling's continued existence are a lie. But they can not hide forever. The Darkling finds them across the true sea. He has plans for Alina and disturbing new powers of his own.

Instead of taking his captives back to Ravka, the Darkling takes them far north on the hunt for another creature out of fairy tale and myth. A second forbidden amplifier for Alina's powers. Though little does the Darkling know that there are other people who also have plans for Alina. Plans that she can't ignore. Alina can no longer turn her back on her country's suffering as the Grisha are ostracized and the country is divided. She agrees to return and lead the second army in the place of the Darkling with the sole purpose of his downfall. Yet are her new powers and believed divinity a match for the Darkling? Or does she need more power in order to succeed? Does she in fact desire more power?

In the battle of good versus evil there always comes a time when the wiser action is to run. To regroup and come back hopefully stronger then before. While necessary, this can sometimes lead to boring storytelling. The suffering, the privations, the hardships, the hope of news that perhaps the luck of the enemy is running out. These stories are never my favorite. The driving force is fear and it can therefore lead to too many tropes. After the epic showdown in the fold between Alina and the Darkling, I was sure that this book would follow this tried and tested path and be the bridge book till the final showdown. I was happily surprised.

By having the Darkling force them out of hiding almost immediately, the story opened up new vistas. Alina and Mal could go on the offensive while preparing a strong defense. Yet what I most loved was that the forces of light regrouped in Os Alta. I really wasn't ready to part with this courtly life. It was a Russian Fairy Tale Palace that housed Hogwarts. I was despondent that I wouldn't get to walk the corridors of the Little Palace once more, thankfully I was saved from mopery. I not only got an a-typical middle book, but one that delivered all I could hope for and a little more (*cough* pirates *cough*).

For all her avoidance of tropes, Bardugo isn't immune to them. Seriously, I want to know why when girls are the protagonists of books that they always have two boys vying for their attention? I mean seriously. It's not like this is a new trope, it's been around as long as storytelling has been, and you know what, it kind of gets on my nerves. Yes, there's an element of wish fulfilment here. Who doesn't want an escape, to sink into a book and become one with the heroine and be loved and lusted after from one and all? But there's this other, darker side to me that's saying, but is that realistic? Maybe we've been fed these fairy tales too long and need to break free.

Can't a girl just have one guy? One person to be true to? Or none at all? Especially since this is YA, aren't we just giving young girls unrealistic expectations of not just finding mister right, but having a mister wrong there too wanting you? Or maybe the bitter little cat lady is showing through my carefully constructed veneer and I should just embrace that Alina gets Nathan Fillion and Blake Ritson fighting over her. Oh, I've cast Nathan Fillion as Mal and Blake Ritson as the Darkling in my version of Siege and Storm, just FYI. I know you all want Blake Ritson as a bizarre apparition showing up in your bed chamber no matter how you fall on this trope...

Far from the tropes of men and women, Bardugo has tapped into the vein of Russian folktales and brought out what modernization and progress mean to our shared past. In Siege and Storm the words of the Darkling that the time of the Grisha is coming to a close is not only explored by expanded on. There is this interesting dynamic of past versus future, with the old ways dying off. The future doesn't belong to Tsar's and magic and fairy tales, but to iron and steel and guns. Yes, we see glimpses that perhaps, just maybe, there could be a world where they could coexist, feeding each other, but that seems like the true fairy tale.

Yet what strikes me most is that while Ravka might possibly be saved by these modern military advancements, their only true hope lies with Alina. Alina isn't a creature of the modern world, she is of the old world. She is of the time when maps still bared legends that said beyond here there be monsters. She thinks in fairy stories of the too too clever fox. The third amplifier she seeks is that of the fire bird, a creature of myth that isn't just in one or two stories, but in every story of Ravka. A fairy tale holds the key to the future, and that is a world that I want to live in. A world where stories are real.

Wednesday, June 25, 2014

Book Review - Leigh Bardugo's Shadow and Bone

Shadow and Bone (The Grisha Book 1) by Leigh Bardugo
Published by: Henry Holt and Co.
Publication Date: June 5th, 2012
Format: Hardcover, 368 Pages
Rating: ★★★★
To Buy

Alina and Mal only have each other. Orphaned in the wars they grew up looking to each other for everything. Now they are in the first army together, Mal's a tracker and Alina's a cartographer. But little does Mal know Alina's true feelings for him. The way her heart thumps when he's near or how she worries that they might be parted. Their parting is near at hand. The land of Ravka is divided by a darkness, a nothing. The capital is cut off from the ports and the country has been vulnerable for hundreds of years while creatures roam the blackness killing those who try to cross. Mal and Alina are about to attempt the crossing with their units; only everything goes wrong. The evil creatures with their blind eyes attack and it looks as if they are both going to die, but then a light as bright as the sun shines out and cuts the creatures down. Little does Alina realize that the light emanated from her.

Being called before the leader of the second army, the Darkling, Alina thinks that for some reason she is in trouble, but doesn't know why she is brought before the Grisha. The Grisha are masters of the small science, innate abilities in them that classify them as Corporalki, Etheralki, or Materialki, with powers ranging from stopping a human heart to metallurgy. Summoning the Sun means that Alina is a Etheralki who somehow avoided detection. Finding out that she isn't in trouble but is in fact what their country has been praying for since the arrival of this dark rift puts pressure beyond measure on Alina. Not only is she trying to forget being separated from Mal, but dealing with the cosseted little world of backbiting Grishas, all while she's trying come to gripes with a power she never knew she had and hoping that it's all a big mistake or joke. Yet what if the Darkling has a different purpose in mind for Alina's powers the banishing the darkness? Will she be able to withstand his magnetism and the allure of life at court?

I remember reading a review about Shadow and Bone wherein they said it was dark, Russian, and left a vivid impression on me of a girl wandering a desolate landscape of evil shadows. Now that I've read the book I wonder if the reviewer had actually bothered to pick it up because this isn't some Russian Dorthy Gale lost in the wilderness, but the reviewer I guess could be said to have done their job because it did make me pick it up. And you know what? I wasn't disappointed that the only thing the reviewer really got right was the Russian and the darkness because it was a fun fast read. There's nothing overly original or revolutionary in this book, it is too obviously like other books then like itself to be called first rate literature. The plot set up is typical YA in structure, outcast has an ability they never knew they had and can save everyone... sounds familiar right? It's Tamora Pierce meets Buffy meets Harry Potter meets The Hunger Games meets The Neverending Story meets on and on and on. But somehow Bardugo makes it work more for her then against her. Even if Mal is too obviously Nathan Fillion in Firefly, name and all, it just works. Plus, I've a habit of wanting Nathan Fillion in all my books, so here I didn't even have to make an effort!

The real reason this book works more then it fails is that it was fun having a different setting then usual. YA literature tends to break down into a few distinct categories; post apocalyptic society, fairy tale re-tellings, or fantasy world. You rarely get to see re-imagings of past time periods but with fantastical elements, their are of course exceptions to this rule like Robin LaFevers' His Fair Assassin Series, but Russia, Russia is rarely tackled. Yet, with all things there are the parts that work and the parts that don't. I was enthralled with the court life and how Bardugo took a simple coat and was able to hint at the culture, but also was able to break down that culture with the use of colors and the distinctions in the threading. It was the little things, the details that she got just right. But she also got some big things quite wrong. Sometimes the place names or wordings, well, it was kind of overly kitschy or bang your head dumb. Kind of a when in doubt add a "ki" or a "nik" to the end of the word worldbuilding. No, I'm sorry, that doesn't make it Russian. Also Tsibeya for Siberia... not really feeling that. Funny spellings, no. The worst is Fjerda, which I'm taking to be Norway, because of the Fjords that the country is noted for. The problem I have with this is every time I see the word Fjerda or Fjerdian, the way it sounds in my head is like the Swedish Chef trying to talk, so it's the land of Børk Børk Børk.

But it's the subtler undertones of Mother Russia that coheres the book versus the more absurd elements (Børk). The mirroring of the political situation of Russia at the beginning of the last century was spot on. Strip out all the Grishas and the magic, take out an evil nothing and what have we got? We have a country with a widening gap between the haves and the have nots. The King is just a figurehead that no one respects and has a mysterious religious leader as counsel. The power of the country resides in the army and out of this a megalomaniac leader will take the country's reigns for his own will. So the Darkling is Stalin or Lenin, with the Apparat as Rasputin. I would not be the least bit surprised to see the Tsar and his family hurried into a cellar in the next book so that they can never be a threat to the Darkling ever again. Yet by seeing this through a filter of fiction and fantasy it somehow makes it more real then less real. When we travel with Alina from her life of drudgery in the army to her life of splendor in the Little Palace, we get to see in stark relief the widening gap between the haves and the have nots. Sometimes it takes another medium to filter events for us to get at the truth of something, and that is what Leigh Bardugo has done in Shadow and Bone. It might not be perfect, but it is memorable and echoes down the ages to our shared history.

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