Showing posts with label Science Fiction. Show all posts
Showing posts with label Science Fiction. Show all posts

Wednesday, November 6, 2024

3 Body Problem

I legit thought that the book, The Three-Body Problem, was a murder mystery. I mean why else would it have had "Body" in the title? They're corpses right? Wrong. I now know it refers to celestial bodies... But until I watched this show I would have put money on it being some sort of procedural. At least there was a cop played by Benedict Wong, so I had something right. Maybe? Well there are "unexplained deaths" so I'm sticking to a partial victory no matter how slim. My first exposure to Liu Cixin's novel is a little infamous as it went from my friend Aaron's favorite book to his most hated book in the span of a month. So when I heard it was going to be adapted by the creators of Game of Thrones for Netflix, and knowing how Aaron feels about that show, I thought that there was no way it could possibly be good and it would probably really piss off Aaron. So of course I suggested we watch it together on our Thursday Night Teleparty. And the problem with this was this is a show that needs to be binged. 3 Body Problem doesn't work spread out over weeks. You need to keep that threat of alien invasion at the forefront. I mean, sure, this is probably the longest game of an alien invasion in probable history. They won't arrive for a long long long time and made first contact decades previously. But the horror, the danger, there's an immediacy to it that suffers over the long haul. A countdown clock can not strike fear forever, eventually there will be fatigue. Though what I found oddest about the show is that while it is obviously science fiction it leans very strongly into the horror genre. You thought Game of Thrones was bloody? Wait until you see poor old Alfie from Lark Rise to Candleford disassembled. His body is sliced into a bloody morass by nanofibers. Jonathan Pryce meets the same fate. At least he had two seasons on Game of Thrones before he went boom with the Great Sept of Baelor. And this is my problem with the show. There's a rotating door with the cast. As soon as you like someone they're dead. I mean, I don't think I can even figure out how many characters died this season without multiple flow charts and perhaps a white board. But of the core college group that are these oh so great scientists that are our only hope? Of the five of them two are dead by the end of the first season. Because OF COURSE this is getting a second season. Why wouldn't it be? They're the Game of Thrones creators. Let's just totally ignore how that show tanked and there is no fanbase anymore and concentrate on the earlier seasons when it was all anyone was watching. But back to 3 Body Problem, how are they going to keep me invested if anyone I get attached to might go all 'splodey at a moments notice? Then there's the tonal shifts. The smaller collegiate setting with depression and video games and somehow now we're at the UN!?! The characters are the only way to keep this sliced ship from sinking, and if they're all dead... Well. Needless to say, I'm very interested to see if they can keep this show afloat.

Friday, August 23, 2024

Book Review - James S.A. Corey's Leviathan Wakes

Leviathan Wakes by James S.A. Corey
Published by: Orbit
Publication Date: August 30th, 2016
Format: Paperback, 592 Pages
Rating: ★★★
To Buy

Little does Julie Mao realize that when The Scopuli was taken it would set in motion a chain of events that will forever change the solar system. Jim Holden and his crew make their living as ice miners. Their ship, The Canterbury, receives a distress call from The Scopuli and they go to investigate it. Holden, Naomi, Amos, Alex, and Shed board their ship to ship vessel, The Knight, to go get a closer look. The Scopuli is derelict. There are no signs of any life. No signs of Julie. But Holden knows something is wrong, so they head back to The Knight and that's when The Canterbury is blown out of the sky by what Holden assumes is a stealth ship belonging to Mars. In his rage at such senseless waste Holden broadcasts the destruction of The Canterbury to the whole solar system, not caring if this triggers a war between Earth and Mars. Not caring about any ramifications, just hoping for justice for the friends he lost. But Holden hasn't quite connected the dots. He and his four crew members should have died on The Canterbury because whatever they found on The Scopuli is worth killing for. He's determined to find out exactly what it all means, damn the consequences. Detective Miller has been taken off his usual beat on Ceres. His higher ups have given him the case of a missing girl to be investigated as a favor to her wealthy Lunar family. The girl is Julie Mao. She was a decorated pinnace pilot who gave it all up. She became active in politics and moved to Ceres and joined the OPA. The Outer Planets Alliance is a thorn in the side of Detective Miller, but a thorn he can deal with. He understands their desire to not be controlled by Earth. People on Earth can't comprehend what it's like out in the belt so why should they be allowed any say? He might not be the best at his job, and he might drink a little too much, but he's also like a dog with a bone, he will figure out what happened to Julie, even after his boss demands he drops the case, damn his job and his sanity. It's not long before he learns about The Scopuli and realizes that Holden might be the only one who can answer his questions. But when they finally meet at Eros Station things are much more complicated than either of them imagined and everything is about to change.

It's rare that I pick up a straight up science fiction book. And Leviathan Wakes is a weird one to pick up because it's an amalgam of all that came before. Yes, it stands on its own, but so much is borrowed or re-interpreted that it's sometimes hard to let it stand on its own. You can't help thinking what else it reminds you of. Here's a little Firefly, here's a little Battlestar Galactica, here's a little Doctor Who, here's a little Red Dwarf, here's a little Blade Runner. Each and every one of these instances pulls you out of the book. I can almost forgive Fred Johnson being Yaphet Kotto from Alien, but when Kaylee literally walks onto Holden's ship, well, that's a step too far. Yet of ALL the references crammed in the most obvious is Blade Runner. Because Detective Miller is just Rick Deckard under another name and without the whole is he, isn't he a replicant controversy. Now, I'm not saying this is a bad thing, I'm just saying it's a thing. It's actually the Noir aspect of this book that is a little divisive, not the Blade Runner homage. It's hard to get a Noir story right. You have to have just the right amount of hard drinking, bitterness, and delusions, which Miller does have. But the problem is balancing Miller's plot with Holden's plot. While they do eventually connect and Holden's plot has a mystery at its center, it is in no way Noir. And when the two storylines merge, the Noir aspect is sacrificed to the bigger storyline. So then why do it at all in the first place if you're going to eventually ditch it? I just feel that this dichotomy between the two narrators should have been thought out more in advance. Yes, it's good to have two very distinct narrators, but they shouldn't feel like they inhabit two different genres. A book needs to be some sort of cohesive whole to work and the styles of these two characters seem to be constantly fighting. In fact I wonder if perhaps this book was written more like the letter game, seeing as James S.A. Corey is actually two people. That might account for the two narrative styles being at such odds. They really needed an editor to fix this. And to fix the inner monologues, the overblown space politics, and the space battles that go on too long. But they got the future right. They made it believable, and that means I'll stick around for a few more volumes.

Wednesday, June 21, 2023

Book Review - Malinda Lo's Last Night at the Telegraph Club

Last Night at the Telegraph Club by Malinda Lo
Published by: Dutton Books for Young Readers
Publication Date: January 19th, 2021
Format: Kindle, 415 Pages
Rating: ★★★★
To Buy (different edition than one reviewed)

Lily Hu knows she's different than other girls. It's not just that she's smarter and likes math it's that, unlike her best friend Shirley, she really doesn't have any interest in boys. Lily can use her parents' strictures as the reason why she doesn't date, but the real reason is she doesn't want to. Boys don't stir anything in her like they do Shirley. But then, one day helping out at Shirley's parents restaurant, Lily sees an ad in the paper that stirs something in her. It's for Tommy Andrews, a male impersonator at the Telegraph Club. She furtively rips the ad out and it becomes a talisman for her. A dangerous talisman. One day it slips out of it's hiding spot and her fellow classmate Kathleen Miller picks it up. Kathleen and Lily are the only two girls in the advanced math class, both with dreams in the heavens, and it turns out they have more in common than Lily thought as Kathleen says that she has been to see Tommy at the Telegraph Club. Her friend Jean took her and Kath will take Lily if she wishes. It is Lily's greatest wish to go, but the experience is more unnerving than she thought it would be. It's not lying to her parents and risking their safety, or even being in a bar with so many women free to be themselves, it's the fact that the Tommy of her imagination was a matinee idol yet the real Tommy is flesh and blood and female. How she's feeling inside is no longer hypothetical, it has shape and form, and that form is looking more and more like Kath. But there are consequences to Lily's actions, Shirley has warned her about Kathleen and in particular Kathleen's friend Jean who was thrown out of school when she was found with another girl in the band room. When she first heard the story Lily couldn't understand what could drive someone to do something so risky. Now she's endangering herself every minute with her thoughts and actions. But love, true love, is worth all the consequences.

When Last Night at the Telegraph Club was released to such acclaim, topping best of lists left and right, I thought it sounded like a rich historical fiction novel about the LGBTQ experience in 1950s San Francisco. And it is that, don't get me wrong, I just didn't think it would be so YA. And Last Night at the Telegraph Club is epicly YA in all the good and bad ways. YA, even YA done right, has a certain cringe factor, you're looking back at your teen years and you feel all the feels all over again. The sweats breaking out when you see your crush, the itch on your skin as they draw near, the horrible replay of how your tongue fumbled to form coherent words around them. It's all here. Even the horrible betrayal of a former best friend. Everyone's teenage years seem to distill down to the same level of hormonal tension and Malinda Lo has captured that universality for good and for ill. But she has also captured the deeper identity struggle that happens when you realize you're not like everyone else. I was also forcefully reminded of a situation I was in in college. One of my friends started dating a guy. She was Vietnamese and he was white. She knew her parents wouldn't approve so one day when they were on a date she told her mother she was with me. I was not informed that I was her alibi and called her house. Her cover was blown and thereafter she created a fake girl who she was hanging out with when she was really with her boyfriend. I commented that it was lucky she wasn't gay because otherwise her mom would be suspicious of this new girl friend. Her response was that "that wouldn't happen." Reading Lily's mom say there "are no homosexuals in this family" brought that moment back to me after twenty years. To have someone who you love so much deny who you are, I just don't get how anyone could be so cruel. Love is love. I'm just lucky enough to have been raised in a family that believes this.

Friday, November 5, 2021

Book Review - Silvia Moreno-Garcia's Mexican Gothic

Mexican Gothic by Silvia Moreno-Garcia
Published by: Del Rey
Publication Date: June 30th, 2020
Format: Hardcover, 320 Pages
Rating: ★★★
To Buy

Noemí Taboada's is the life of the party. A wealthy socialite, she loves her modern life and all the men she's stringing along. With her red lipstick firmly affixed she feels like she could tackle anything the world can throw at her. Everything changes when she gets a letter from her cousin Catalina. Catalina is recently married and is convinced that her husband is trying to kill her. Noemí and her father worry that the once wealthy Virgil Doyle only married Catalina for her money and is now going to get rid of an inconvenient wife. Therefore it is up to Noemí to suss out the situation. She packs her bags and heads to High Place. The home is high in the mountains and shrouded by mist. It feels as if she's stepped back in time to a forgotten world where they can't even rely on the electricity and instead live by candlelight. The household consists of four Doyles and Catalina. There is Catalina's husband Virgil, and his father Howard, and Howard's first cousin Florence, and her son Francis. Florence rules the house with an iron first, but Howard is the power behind the throne. But the one thing they all seem agreed on is that Noemí should be allowed to see her cousin as little as possible. They hope they can dissuade her and she'll leave them alone. They obviously don't know Noemí. When Noemí can finally speak to Catalina her cousin begs her to seek out a healer, Marta Duval, in the small village of El Triunfo. Catalina says that despite what the family physician says, this medicine is the only thing that can help her. It helps her right into a seizure and Noemí is banned from seeing her cousin. But not that that concerns her too much, as she's started to have ghostly dreams and is sleepwalking. She's befriended Francis and along with information she has dug up it all points to the Doyles being dangerous. She decides she must leave. She can return home, get her father, and return for Catalina. Only the Doyles say she is not allowed to leave. She is to stay. She is to marry Francis. She is going to be one of them now.

The first, and in my mind, most important aspect of a good Gothic novel is location. If you get the location right it's hard to mess up the rest. Mexican Gothic nailed the location. High Place has oodles of Gothic atmosphere. There is this wonderful Crimson Peak vibe that just engulfed me and made me want to stay. I could picture every nook and cranny of that forbidding and compelling house and felt like I was there. Much like Daphne Du Maurier, Silvia Moreno-Garcia has created a memorable place and therefore Mexican Gothic is one of those rare occasions when I don't throw up my arms in protest when comparisons are made to my favorite Cornwall obsessed author. And yet... For once the location just wasn't enough... For me I think Mexican Gothic suffered from too much hype. Summer of 2020 it was THE BOOK everyone was talking about and recommending. Every online book club was reading it and it was flying off the shelves. Perhaps this was just because we hit the book club phase of Covid? I've been in a book club for years so I didn't experience this phase of the pandemic. Because while I enjoyed the book I didn't love it. But who knows, this could change, much like my opinion of Crimson Peak. I did not like that movie at first and learned to appreciate it in time once I got over what I expected it to be and accepted it for what it was; a Gothic love story, not Gothic horror. This here also has the love story elements and the horror elements, but oddly, despite the Gothic trappings, I felt this adhered more to magical realism. I mean, yes, we could even argue that we have science fiction elements similar to The Expanse, but I'm sticking to my guns with magical realism just because of the feeling from beginning to end. And as for the "villain" of the piece, the fungus amongus? I saw where she was headed too early and I didn't find it compelling enough for me to care about how it played out. That last act needed another polish because it felt too cobbled together and disjointed making me even more disinterested. But a real solid first act! Too bad it didn't last.

Wednesday, October 20, 2021

Book Review - William Hope Hodgson's The House on the Borderland

The House on the Borderland by William Hope Hodgson
Published by: A Public Domain Book
Publication Date: 1901
Format: Kindle, 109 Pages
Rating: ★★
To Buy

There once was a house. It is now nothing more than ruins. There once were strange occurrences there. They are long forgotten. Only a journal tells of what happened there at the house near the abyss and that journal has been found by two travelers. They went looking for some good fishing in the west of Ireland and instead found a tale which will ensure they will never return to this benighted land. The author of the journal lived in the house with his sister who acted as his housekeeper and his dog Pepper. The house was long thought cursed by the locals, and after his experiences, perhaps they were right. One night he had an out-of-body experience and traveled through space to another planet that had a vast plain. There a valley housed a jade replica of his own home. The valley looked more like an arena because the mountains rise up in such away around the house that it feels as if they are watching it, along with the idols that dot the mountains. Before he returns home he sees a humanoid pig creature trying to force its way into the jade version of his house. The creature clearly sees him before he departs. Months later the humanoid horrors attack his home. This time it's not on some distant planet but right outside his door. He doesn't know how, but he fights them off. They appeared to have come out of an ever growing pit near his home and after the attack he plans to investigate. He and Pepper laboriously work their way further and further into the pit only to see that at the bottom there is no bottom, just an abyss. They have to fight their way out of the pit against rushing water and their own frailties. Pepper is injured in the exodus. The pit becomes a lake but the sound of rushing water is constant, which leads to the realization that a mysterious door in the cellar of the house leads directly into the abyss. The house is perched above nothing. Time expands and contracts. He sees his lost love, he sees Pepper age and die before his eyes, he sees the creatures return, he sees the door open...

At the very heart of this book there is a great Gothic horror story to be had, but you have to wade through a lot of slop to get to it. It's not that the slop isn't interesting from a historical point of view, you can obviously see how this work influenced authors from H.P. Lovecraft to Terry Pratchett. Pratchett even said that The House on the Borderland was "the Big Bang in my private universe as a science fiction and fantasy reader and, later, writer." Not knowing that Pratchett felt this way prior to reading it when the protagonist ends up on a foreign planet surrounded by idols I was instantly reminded of Pratchett's writing to a distracting degree. I'm just happy it turns out I wasn't hallucinating this, which is probably what most of this novel is. But going back to what worked in this novel, one night the house is attacked by the humanoid pigs previously seen in the vision of the other planet. They have somehow emerged from the pit near the house and decided to attack it. They are vicious and intelligent, but after a battle raging a full twenty-four hours the protagonist is victorious if still perplexed. Where did these creatures come from? Where are the bodies of those he successfully killed? He doesn't go out into the garden for days after the battle for fear of attack, but could the survivors really have taken away their fallen comrades? And did any of this even happen. That's what I find most interesting about this story is that here we have an entirely unreliable narrator, yet for these few pages as the battle rages, he seems lucid enough to be telling the truth. Yet his omissions make you question your own opinion on his sanity. The biggest problem is where is his sister? She seems to come and go throughout as an afterthought, but during a battle one would think that she would make an appearance. So then you start going further down the unreliable narrator rabbit hole and wondering if she even exists. What's more, are the humanoid swine really trying to break into the house on Earth or, because we saw the house on that far distant planet where the swine are supposedly from, is the attack happening to that house and somehow there is a rift in time and space? Whatever is really going on here, this small slice of the pie makes the rest of the hallucinatory rants almost worth it.

Friday, September 25, 2020

Vagrant Queen

Seeing how Vagrant Queen seemed to come and go at lightning speed I view it as my duty to say that this show deserved so much better than being quickly shuffled to a bad time slot and then unceremoniously dumped. The show is fun and colorful and zany and kitschy, like the best 80s science fiction series you could ever hope to encounter with heart and humor. What other show has their battle in the "mandatory science fiction fight club episode" be a karaoke sing-off to the theme from Mannequin!?! Seriously, if there's another show that has done this I need to know to fill the Vagrant Queen sized hole in my life. Perhaps I embraced this show because it reminded me a bit of Killjoys with a dash of Farscape, or perhaps it's because I actually subscribe to comiXology and had targeted ads for the comics so when I got my SyFy newsletter announcing the show I instantly set up a recording for the series on my DVR and was therefore lucky enough to catch the show being one of the few who saw the advertisements in advance. Because seriously, the SyFy Channel just didn't advertise this show enough, as I said before, it deserved better than being just sent out to die. Plus it has something for every science fiction fan! For those who like lots of mythology and a space opera with a crown, there's Elida, the deposed ruler. For those who like their shows full of vengeance, there's Lazaro and his big chip on his shoulder where it comes to Elida. For those who like a funny man with a tragic backstory, there's Isacc, flung into another galaxy, not yours, far from Earth and his wife and child. And for those who like a love story, there's Elida and the gadget wizard Amae. I ship these two so hard. But to top it all off in their episode "No Clue" they do the best send up of the movie Clue only superseded by the Psych episode "100 Clues" because they had most of the cast from the movie in it. And it's Psych.

Friday, August 12, 2016

Book Review - James S.A. Corey's Leviathan Wakes

Leviathan Wakes by James S.A. Corey
Published by: Orbit
Publication Date: August 30th, 2016
Format: Paperback, 592 Pages
Rating: ★★★
To Buy

Little does Julie Mao realize that when The Scopuli was taken it would sent in motion a chain of events that will forever change the solar system. Jim Holden and his crew make their living as ice miners. Their ship, The Canterbury, receives a distress call from The Scopuli and they go to investigate it. Holden, Naomi, Amos, Alex, and Shed board The Knight to go get a closer look. The Scopuli is derelict. No signs of any life. No signs of Julie. But Holden knows something is wrong, so they head back to The Knight and that's when The Canterbury is blown out of the sky. The Canterbury, the rest of their crew, gone in an instant, by what Holden assumes is a stealth ship belonging to Mars. In his rage at such senseless waste Holden broadcasts the destruction of The Canterbury to the whole solar system, not caring if this triggers a war between Earth and Mars. Not caring about any ramifications, just hoping for justice for the friends he lost. But Holden hasn't quite connected the dots. The five of them should have died on The Canterbury because whatever they found on The Scopuli is worth killing for. He's determined to find out exactly what it all means, damn the consequences.

Detective Miller has been taken off his usual beat on Ceres. His higher ups have given him the case of a missing girl to be investigated as a favor to her wealthy Lunar family. The girl is Julie Mao. She was a decorated pinnace pilot who gave it all up. She became active in politics and moved to Ceres and joined the OPA. The Outer Planets Alliance is a thorn in the side of Detective Miller, but a thorn he can deal with. He understands their desire to not be controlled by Earth. People on Earth can't comprehend what it's like out in the belt so why should they be allowed any say? Of course they're also the ones who call the OPA terrorists. But none of that matters to Miller, he is consumed with the disappearance of Julie. He might not be the best at his job, and he might drink a little too much, but he's also like a dog with a bone, he will figure out what happened to Julie, even after his boss demands he drop the case. But it's too late for Holden, he's a man possessed by Julie. He must find Julie even at the cost of his sanity. It's not long before he learns about The Scopuli and realizes that Holden might be the only one who can answer his questions. But when they finally meet at Eros Station things are much more complicated than either of them imagined and everything is about to change.

It's rare that I pick up a straight up science fiction book. Usually there's some kind of aspect that draws me to the book, a favorite author like Douglas Adams wrote it or it's Star Wars. So out and out science fiction usually gets pushed aside for books with more paranormal elements, thus pushing them into the fantasy end of the spectrum. Leviathan Wakes was actually a book that was thrown in the hat for book club and I can honestly say that when it arrived from Amazon it's heft made me a little hesitant to dive in. Yet I was quickly sucked in, even preaching to other members of my book club that it was a surprisingly fast read that overcomes it's flaws. Because Leviathan Wakes does suffer from a typical science fiction problem, it wants to be the pinnacle of science fiction and to that extent it incorporates so much of everything that has come before it's hard to really laud it on it's own merits. Yes, it stands on it's own, but so much is borrowed or re-interpreted that it's sometimes hard to let it stand alone. You can't help thinking what else it reminds you of. Here's a little Firefly, here's a little Battlestar Galactica, here's a little Doctor Who, here's a little Red Dwarf, here's a little Bladerunner. Each and every one of these instances pulls you out of the book. I can almost forgive Fred Johnson being Yaphet Kotto from Alien, but when Kaylee literally walks onto Holden's ship, well, that's a step too far.

Yet of ALL the references crammed in the most obvious is Bladerunner. Because Detective Miller is just Rick Deckard under another name and without the whole is he, isn't he a replicant controversy. Now, I'm not saying this is a bad thing, I'm just saying it's a thing. It's actually the Noir aspect of this book that is a little divisive, not the Bladerunner homage. And it's not among readers but among the story itself. It's hard to get a Noir story right. You have to have just the right amount of hard drinking, bitterness, and delusions, which Miller does have. But the problem is balancing Miller's plot with Holden's plot. While they do eventually connect and Holden's plot has a mystery at it's center, it is in no way Noir. And when the two storylines merge, the Noir aspect is sacrificed to the bigger storyline. So then why do it at all in the first place if you're going to eventually ditch it? I just feel that this dichotomy between the two narrators should have been thought out more in advance. Yes, it's good to have two very distinct narrators, but they shouldn't feel like they inhabit two different genres. A book needs to be some sort of cohesive whole to work and the styles of these two characters seem to be constantly fighting. In fact I wonder if perhaps this book was written more like the letter game, seeing as James S.A. Corey is actually two people. That might account for the two narrative styles being at such odds. They really needed an editor to fix this.

But then Leviathan Wakes needed an editor in general. There are long sections of the book that could have been excised and the story would have still have been successfully conveyed. This book clocks in at almost six hundred pages and probably two hundred pages could have been omitted. Two hundred pages of battles in spaceship corridors and hiding in spaceship corridors and just hanging in spaceship corridors. And the Amos/Alex thing should have been fixed, because their names are too similar. Oh, and internal monologues! Yes, I know Noir needs these, but as I've already said, the Noir was sacrificed so why not sacrifice a few of these monologues? Oh, and don't think the irony is lost on me that half of James S.A. Corey, the Ty Franck half, is the assistant to George R. R. Martin, an author known for mighty tomes that could use a little tightening up. The extra irony is that he claims he doesn't want to write like his boss... um, ok, so you've totally failed there. But where the editing could have really been used is in the space politics. Yes, I get that with the conflict between Mars and Earth politics have to be included, to an extent, but please, as I've said time and time again, don't bog down your book with politics I don't care about. Contain what needs to be contained and omit the rest. I get too much of regular politics, I don't need to add space politics to this as well. In fact this was a flaw that always grated on me with Battlestar Galactica, too much politics! There's only so much I can take and only so much needed. So bring on the editor!

Though the faults of the book don't take away from the fact that in the end it was still enjoyable and I look forward to reading Caliban's War. The reason for this is that James S.A. Corey has created a believable future. Sometimes when writers imagine the future and how our future will look like in outer space it's just ludicrously wrong. They think too big, too broad, too many aliens. Instead mankind has had about two hundred years in outer space and human genetics, language, and politics are shifting, but not radically, instead at a normal pace that we can see as possible. Outer planets resent the control exerted by Earth, we still can't go beyond our own galaxy to the far reaches of the universe. Mining the other planets for ice to have enough water is big business. These little things like survival and control are big concerns. As for humans themselves, it's interesting to read about what would hypothetically happen to people born outside the confines of gravity, known here as Belters. How it would effect not just their genetic makeup but how their bones would be effected. They are taller and thinner because of this lack of gravity. Reproduction is more difficult. They've developed sign language from the necessity of spacesuits, and therefore their own linguistic mutations with the Belter patois. They are also viewed as different and therefore racial tensions erupt. But this is all believable. This could happen. This might happen. This makes me really need to start the next book.

Friday, July 29, 2016

Science Fiction

For me, my turning into a bookworm all started with science fiction. The reason is two fold. When I was younger I rarely read at all. Instead I watched lots of movies. In particular I watched a LOT of Star Wars. When I mean I watched a lot of Star Wars, I mean really a lot. I mean an entire summer just watching the original trilogy over and over. When I found the Star Wars Expanded Universe in the form of Timothy Zahn's Heir to the Empire, I felt as if a whole new world was open to me. I give Timothy Zahn almost all of the credit for turning me into the bookworm I am now and I hope one day to tell him that in person. He took characters I already loved and gave them new adventures for me to devour. The second half of my conversion was due to Douglas Adams. After high school I spent that summer reading all of The Hitchhiker's Guide to the Galaxy as well as all of Jane Austen, but that's another story. Those books by Adams are still a touchstone for me. I remember how it felt to hold them with the circular embossing on the covers while I laughed at the absurdity of Arthur Dent's predicament. It almost makes me want to curl up on the side porch in blistering heat and re-read the full trilogy, as this would be the cheapest form of time travel. But the truth is over time I have moved away from science fiction and more to it's counterpart of fantasy. I remember years ago the heated discussions online of the divide between science fiction and fantasy despite them being shelved together in bookstores. It all came down to dragons. So perhaps I like my imaginary worlds to have a few dragons these days. This means that my science fiction reading has lapsed of late. So more than anything I'm trying to reconnect with my roots here. To go back to imaginative storytelling with a science base and the occasional spacecraft. Here's to worlds without dragons! And of course Star Wars!

Friday, May 20, 2016

Fiction

Fiction is like the umbrella or tent pole under which almost all other imaginative writing falls, sometimes even biography if we're being honest. So be it science fiction, fantasy, romance, those are just the species under the genus that is fiction. Therefore I could claim that fiction is my most read genre... which isn't actually true, but you get what I'm saying. In fact, in my mind bookstores often just throw a book in fiction if they are at a loss as to where it should go. In my mind Diana Gabaldon should be romance and Gregory Maguire should be fantasy... but do bookstores listen to me? No. Which is why sometimes, yes, I will move the books around while muttering under my breath. But usually only in used bookstores because they don't have computers that would thwart my plans. Oh, and I ALWAYS turn books I love face out. But enough about me and my weird bookstore quirks. I've chosen what I hope will be an interesting cross section of fiction, a little classic, a little modern, and all worlds to get lost in.

Sunday, May 1, 2016

Backlog Bonanza

While I do love creating theme months and reading lists to go with these months, sometimes there's only so many Downtonesque books or Regency time period books one can take. The long and short of what I'm saying is that I read a lot more books than reviews I post here. On average I have about 104 reviews on my blog per year while I write anywhere from 50 to 70 more reviews... So I kind of have a backlog of book reviews that are just sitting around, collecting dust, being pushed further and further back in my blog queue. Therefore I was pondering, why not utalize this backlog for a theme month, or months... in fact I could throw in some books I've been dying to read and haven't had the time to get around to.

I was warming to this idea very fast when I concocted it a few months ago. And then I started playing with my blog calendar, and once I start playing with my blog calendar it's kind of a foregone conclusion that it's going to happen. Only once have a scraped an idea after it reached the calendar phase. So yes, Backlog Bonanza is happening. NOW! I've thematically divided the books up into categories from biographies to modern classics to science fiction. I'll also talk a little about each genre that is spotlighted and why I'm drawn to it. I'm also bringing back a giveaway! Because nothing says summer party like a free book? So let's get this party started!

Giveaway Prize:
A copy of the book of your choice from one of the books reviewed during Backlog Bonanza.

The Rules:
1. Open to EVERYONE (for clarification, this means international too).

2. Please make sure I have a way to contact you if your name is drawn, either your blogger profile or a link to your website/blog or you could even include your email address with your comment(s) or email me.

3. Contest ends Wednesday, August 31st at 11:59PM CST

4. How to enter: Just comment on this post for a chance to win!

5. And for those addicted to getting extra entries:

  • +1 for answering the question: What is your favorite genre?
  • +2 for becoming a follower
  • +10 if you are already a follower
  • +10 for each time you advertise this contest - blog post, instagram (miss.eliza), twitter (@eliza_lefebvre), etc. (but you only get credit for the first post in each platform, so tweet all you like, and I thank you for it, but you'll only get the +10 once from twitter). Also please leave a link! 
  • +10 for each comment you leave on other Backlog Bonanza posts with something other than "I hope I win!" 
Good luck!

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