Book Review - James S.A. Corey's Leviathan Wakes
Leviathan Wakes by James S.A. Corey
Published by: Orbit
Publication Date: August 30th, 2016
Format: Paperback, 592 Pages
Rating: ★★★
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Little does Julie Mao realize that when The Scopuli was taken it would set in motion a chain of events that will forever change the solar system. Jim Holden and his crew make their living as ice miners. Their ship, The Canterbury, receives a distress call from The Scopuli and they go to investigate it. Holden, Naomi, Amos, Alex, and Shed board their ship to ship vessel, The Knight, to go get a closer look. The Scopuli is derelict. There are no signs of any life. No signs of Julie. But Holden knows something is wrong, so they head back to The Knight and that's when The Canterbury is blown out of the sky by what Holden assumes is a stealth ship belonging to Mars. In his rage at such senseless waste Holden broadcasts the destruction of The Canterbury to the whole solar system, not caring if this triggers a war between Earth and Mars. Not caring about any ramifications, just hoping for justice for the friends he lost. But Holden hasn't quite connected the dots. He and his four crew members should have died on The Canterbury because whatever they found on The Scopuli is worth killing for. He's determined to find out exactly what it all means, damn the consequences. Detective Miller has been taken off his usual beat on Ceres. His higher ups have given him the case of a missing girl to be investigated as a favor to her wealthy Lunar family. The girl is Julie Mao. She was a decorated pinnace pilot who gave it all up. She became active in politics and moved to Ceres and joined the OPA. The Outer Planets Alliance is a thorn in the side of Detective Miller, but a thorn he can deal with. He understands their desire to not be controlled by Earth. People on Earth can't comprehend what it's like out in the belt so why should they be allowed any say? He might not be the best at his job, and he might drink a little too much, but he's also like a dog with a bone, he will figure out what happened to Julie, even after his boss demands he drops the case, damn his job and his sanity. It's not long before he learns about The Scopuli and realizes that Holden might be the only one who can answer his questions. But when they finally meet at Eros Station things are much more complicated than either of them imagined and everything is about to change.
It's rare that I pick up a straight up science fiction book. And Leviathan Wakes is a weird one to pick up because it's an amalgam of all that came before. Yes, it stands on its own, but so much is borrowed or re-interpreted that it's sometimes hard to let it stand on its own. You can't help thinking what else it reminds you of. Here's a little Firefly, here's a little Battlestar Galactica, here's a little Doctor Who, here's a little Red Dwarf, here's a little Blade Runner. Each and every one of these instances pulls you out of the book. I can almost forgive Fred Johnson being Yaphet Kotto from Alien, but when Kaylee literally walks onto Holden's ship, well, that's a step too far. Yet of ALL the references crammed in the most obvious is Blade Runner. Because Detective Miller is just Rick Deckard under another name and without the whole is he, isn't he a replicant controversy. Now, I'm not saying this is a bad thing, I'm just saying it's a thing. It's actually the Noir aspect of this book that is a little divisive, not the Blade Runner homage. It's hard to get a Noir story right. You have to have just the right amount of hard drinking, bitterness, and delusions, which Miller does have. But the problem is balancing Miller's plot with Holden's plot. While they do eventually connect and Holden's plot has a mystery at its center, it is in no way Noir. And when the two storylines merge, the Noir aspect is sacrificed to the bigger storyline. So then why do it at all in the first place if you're going to eventually ditch it? I just feel that this dichotomy between the two narrators should have been thought out more in advance. Yes, it's good to have two very distinct narrators, but they shouldn't feel like they inhabit two different genres. A book needs to be some sort of cohesive whole to work and the styles of these two characters seem to be constantly fighting. In fact I wonder if perhaps this book was written more like the letter game, seeing as James S.A. Corey is actually two people. That might account for the two narrative styles being at such odds. They really needed an editor to fix this. And to fix the inner monologues, the overblown space politics, and the space battles that go on too long. But they got the future right. They made it believable, and that means I'll stick around for a few more volumes.
On one level Daniel Deronda is all about the love triangle where there girl I was rooting for gets the guy despite not having the killer wardrobe the other girl does. I mean it, the clothes are top notch! On another level it's about making fun of Jamie Bamber's facial hair. I mean seriously, I can NOT look at him as Hans and not burst out laughing. I just wonder what would have become of Battlestar Galactica had he taken this look with him to that show later the same year. OK, now I can't stop laughing again. I should also stop googling images of him as Hans because this isn't helping things. At all. OK, it's making me happy, so perhaps I should continue. If you want to have a good laugh google "Daniel Deronda Jamie Bamber" and have yourself a gander and a giggle. Curtailing my mirth, most importantly this miniseries is about the acting range of Hugh Bonneville. His turn as Henleigh Grandcourt is nothing short of pure villainy. The first time I watched it I was enraptured by Hugh Bonneville, and yes, I feel obliged to use his full name in this review to not confuse him with the other Hugh in this adaptation, Hugh Dancy, who is also perfectly cast if you were wondering. Hugh Bonneville in recent years has cemented his teddy bear persona with his portrayal of Robert Crawley on Downton Abbey. He's a bit befuddled, but he gets there in the end and is the best dad a girl could hope for. He doubled down on this by helming the Paddington Bear franchise. Prior to Daniel Deronda he was also the teddy bear, the devoted husband in The Cazalets, the oblivious Mr. Rushworth in the version of Mansfield Park I fail to acknowledge, and of course most notably, Bernie, the bumbling friend of Hugh Grant, dammit another HUGH has snuck into this review, in Notting Hill. So Hugh Bonneville is almost always playing to his strengths here, which makes Daniel Deronda so amazing. He is an out and out brute and you don't for one second deny that this is who he is! He became the character and he is the driving force of this miniseries. This isn't Hugh Bonneville anymore, this is Grandcourt! A villain to watch out for and an actor to admire.
