Showing posts with label Mexican Gothic. Show all posts
Showing posts with label Mexican Gothic. Show all posts

Friday, March 29, 2024

Book Review - Isabel Cañas's The Hacienda

The Hacienda by Isabel Cañas
Published by: Berkley
Publication Date: May 3rd, 2022
Format: Hardcover, 352 Pages
Rating: ★★★★★
To Buy

Beatriz lost everything with the death of her father. Branded a traitor he was executed and she and her mother moved in with relatives who treated them worse than slaves. When Beatriz catches the eye of Don Rodolfo Solórzano she jumps at the chance of a new beginning and a home of her own. He's well off and has a position of power in the new Provisional Government and is wealthy enough to support two residences, a house in the city and his family pulque plantation in the county. Her mother's dislike of him can be overcome in time, and as for the rumors of what happened to his first wife? She thinks little of it, which might be just what her new husband wants, someone desperate enough to not ask questions. His job keeps him in town while Beatriz will primarily reside at the Hacienda San Isidro, an arrangement that suits him perfectly. Of course Beatriz had pictured San Isidro as her husband romanticized it in stories of his childhood. She did not expect the rundown house with the verdant growth gone to rot. She also didn't expect to be dumped there. Surely a newly wedded man would want to spend time with his wife? But she is soon left alone in a hostile environment. Her sister-in-law Juana wants nothing to do with her or the house and the staff keep themselves apart. Beatriz got what she thought she wanted and is more alone than she's ever been. If she can restore San Isidro, bring the house and the gardens back to life, she can lure her mother to live with her and perhaps then she will feel less alone. But the house doesn't want this. She hears voices and sees things that cannot possibly be real. She looks to Juana for confirmation but gets none. Yet why does Juana only enter the house when she has to and only during daylight? Beatriz has nowhere to turn but the church. Padre Andrés is a newly ordained priest and he is the only one who will listen to Beatriz. He grew up at San Isidro and as soon as he returns he can tell that something is horribly wrong. This isn't the home he knew and Beatriz is right, there's danger here. Thankfully Andrés is willing to help the young bride, but as they battle San Isidro they have to battle their growing attraction and victory is not assured. Not in the least.

This book was lauded as Rebecca meets Mexican Gothic. Now I, for one, will admit that PR for a book has to always go for the biggest names, the one haunted house book with true name recognition to compare to the haunted house book they're trying to get you to pick up. It's all designed to grab our attention, and I totally fall for it. Every. Single. Time. You liked this? Well you'll love this, it's the same but better! No, it never is. Except once in a great while. Whenever I see a book compared to my beloved Rebecca I read the book and wonder if the author or the PR department had actually ever read Du Maurier's classic. And as for the Mexican Gothic comparison, after that book became a surprise hit every Gothic book coming out had to somehow be "like" it. Here's the thing though, Mexican Gothic wasn't that good, whereas this book is. Oh my, they really delivered on the "same but better." I should find those PR people and apologize for how I've always trashed them for their cunning deceptions. It's their job after all... I've even been known to do it! The reason The Hacienda beats Mexican Gothic hands down is Isabel Cañas didn't complicate this story with mushrooms and what have you. She went for the standard tropes of the Gothic genre, dead first wife, hostile family, lonely outsider newlywed, recalcitrant servants, haunted house, conflicted priest, forbidden romance, and wrote these tropes to the highest standard. There isn't much original here, but it is so well crafted, so well drawn out, that you will love it completely. The story of Beatriz is propulsive. How will she survive? I kept turning the pages late into the night. I could see it all before me and yet somehow it maintained my interest. The Hacienda has all the goodness of a true Gothic haunted house story paired with what it means to belong and want a home. And that's where it set itself above the tropes, that's where it was unique, in Beatriz's desire for a place of her own. Her family had been cast out and degraded and she took the first opportunity she had to break free. Yes, it was a dangerous decision in the end, but who wouldn't risk it all to find their place in the world? To finally feel safe? I know I would, wouldn't you?

Friday, March 3, 2023

Book Review - Isabel Cañas's The Hacienda

The Hacienda by Isabel Cañas
Published by: Berkley
Publication Date: May 3rd, 2022
Format: Hardcover, 352 Pages
Rating: ★★★★★
To Buy

Beatriz lost everything with the death of her father. Branded a traitor he was executed and she and her mother moved in with relatives who treated them worse than slaves. When Beatriz catches the eye of Don Rodolfo Solórzano she jumps at the chance of a new beginning and a home of her own. He's well off and has a position of power in the new Provisional Government and is wealthy enough to support two residences, a house in the city and his family pulque plantation in the county. Her mother's dislike of him can be overcome in time, and as for the rumors of what happened to his first wife? She thinks little of it, which might be just what her new husband wants, someone desperate enough to not ask questions. His job keeps him in town while Beatriz will primarily reside at the Hacienda San Isidro, an arrangement that suits him perfectly. Of course Beatriz had pictured San Isidro as her husband romanticized it in stories of his childhood. She did not expect the rundown house with the verdant growth gone to rot. She also didn't expect to be dumped there. Surely a newly wedded man would want to spend time with his wife? But she is soon left alone in a hostile environment. Her sister-in-law Juana wants nothing to do with her or the house and the staff keep themselves apart. Beatriz got what she thought she wanted and is more alone than she's ever been. If she can restore San Isidro, bring the house and the gardens back to life, she can lure her mother to live with her and perhaps then she will feel less alone. But the house doesn't want this. She hears voices and sees things that cannot possibly be real. She looks to Juana for confirmation but gets none. Yet why does Juana only enter the house when she has to and only during daylight? Beatriz has nowhere to turn but the church. Padre Andrés is a newly ordained priest and he is the only one who will listen to Beatriz. He grew up at San Isidro and as soon as he returns he can tell that something is horribly wrong. This isn't the home he knew and Beatriz is right, there's danger here. Thankfully Andrés is willing to help the young bride, but as they battle San Isidro they have to battle their growing attraction and victory is not assured. Not in the least.

This book was lauded as Rebecca meets Mexican Gothic. Now I, for one, will admit that PR for a book has to always go for the biggest names, the one haunted house book with true name recognition to compare to the haunted house book they're trying to get you to pick up. It's all designed to grab our attention, and I totally fall for it. Every. Single. Time. You liked this? Well you'll love this, it's the same but better! No, it never is. Except once in a great while. Whenever I see a book compared to my beloved Rebecca I read the book and wonder if the author or the PR department had actually ever read Du Maurier's classic. And as for the Mexican Gothic comparison, after that book became a surprise hit every Gothic book coming out had to somehow be "like" it. Here's the thing though, Mexican Gothic wasn't that good, whereas this book is. Oh my, they really delivered on the "same but better." I should find those PR people and apologize for how I've always trashed them for their cunning deceptions. It's their job after all... I've even been known to do it! The reason The Hacienda beats Mexican Gothic hands down is Isabel Cañas didn't complicate this story with mushrooms and what have you. She went for the standard tropes of the Gothic genre, dead first wife, hostile family, lonely outsider newlywed, recalcitrant servants, haunted house, conflicted priest, forbidden romance, and wrote these tropes to the highest standard. There isn't much original here, but it is so well crafted, so well drawn out, that you will love it completely. The story of Beatriz is propulsive. How will she survive? I kept turning the pages late into the night. I could see it all before me and yet somehow it maintained my interest. The Hacienda has all the goodness of a true Gothic haunted house story paired with what it means to belong and want a home. And that's where it set itself above the tropes, that's where it was unique, in Beatriz's desire for a place of her own. Her family had been cast out and degraded and she took the first opportunity she had to break free. Yes, it was a dangerous decision in the end, but who wouldn't risk it all to find their place in the world? To finally feel safe? I know I would, wouldn't you?

Friday, November 5, 2021

Book Review - Silvia Moreno-Garcia's Mexican Gothic

Mexican Gothic by Silvia Moreno-Garcia
Published by: Del Rey
Publication Date: June 30th, 2020
Format: Hardcover, 320 Pages
Rating: ★★★
To Buy

Noemí Taboada's is the life of the party. A wealthy socialite, she loves her modern life and all the men she's stringing along. With her red lipstick firmly affixed she feels like she could tackle anything the world can throw at her. Everything changes when she gets a letter from her cousin Catalina. Catalina is recently married and is convinced that her husband is trying to kill her. Noemí and her father worry that the once wealthy Virgil Doyle only married Catalina for her money and is now going to get rid of an inconvenient wife. Therefore it is up to Noemí to suss out the situation. She packs her bags and heads to High Place. The home is high in the mountains and shrouded by mist. It feels as if she's stepped back in time to a forgotten world where they can't even rely on the electricity and instead live by candlelight. The household consists of four Doyles and Catalina. There is Catalina's husband Virgil, and his father Howard, and Howard's first cousin Florence, and her son Francis. Florence rules the house with an iron first, but Howard is the power behind the throne. But the one thing they all seem agreed on is that Noemí should be allowed to see her cousin as little as possible. They hope they can dissuade her and she'll leave them alone. They obviously don't know Noemí. When Noemí can finally speak to Catalina her cousin begs her to seek out a healer, Marta Duval, in the small village of El Triunfo. Catalina says that despite what the family physician says, this medicine is the only thing that can help her. It helps her right into a seizure and Noemí is banned from seeing her cousin. But not that that concerns her too much, as she's started to have ghostly dreams and is sleepwalking. She's befriended Francis and along with information she has dug up it all points to the Doyles being dangerous. She decides she must leave. She can return home, get her father, and return for Catalina. Only the Doyles say she is not allowed to leave. She is to stay. She is to marry Francis. She is going to be one of them now.

The first, and in my mind, most important aspect of a good Gothic novel is location. If you get the location right it's hard to mess up the rest. Mexican Gothic nailed the location. High Place has oodles of Gothic atmosphere. There is this wonderful Crimson Peak vibe that just engulfed me and made me want to stay. I could picture every nook and cranny of that forbidding and compelling house and felt like I was there. Much like Daphne Du Maurier, Silvia Moreno-Garcia has created a memorable place and therefore Mexican Gothic is one of those rare occasions when I don't throw up my arms in protest when comparisons are made to my favorite Cornwall obsessed author. And yet... For once the location just wasn't enough... For me I think Mexican Gothic suffered from too much hype. Summer of 2020 it was THE BOOK everyone was talking about and recommending. Every online book club was reading it and it was flying off the shelves. Perhaps this was just because we hit the book club phase of Covid? I've been in a book club for years so I didn't experience this phase of the pandemic. Because while I enjoyed the book I didn't love it. But who knows, this could change, much like my opinion of Crimson Peak. I did not like that movie at first and learned to appreciate it in time once I got over what I expected it to be and accepted it for what it was; a Gothic love story, not Gothic horror. This here also has the love story elements and the horror elements, but oddly, despite the Gothic trappings, I felt this adhered more to magical realism. I mean, yes, we could even argue that we have science fiction elements similar to The Expanse, but I'm sticking to my guns with magical realism just because of the feeling from beginning to end. And as for the "villain" of the piece, the fungus amongus? I saw where she was headed too early and I didn't find it compelling enough for me to care about how it played out. That last act needed another polish because it felt too cobbled together and disjointed making me even more disinterested. But a real solid first act! Too bad it didn't last.

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