strange and random happenstance

The Ghosts of Nothing by Cecily Walters
Published by: Cecily Walters
Publication Date: July 18th, 2023
Format: Kindle, 380 Pages
Rating: ★★★★
To Buy (different edition than one reviewed)

If your last name is Morrighan you're going to have a tough time of it in Nothing, a town typically topping "most haunted" lists. Nelly Morrighan knows this all too well. She has been bullied and ostracized her entire life because the town believes all their woes can be laid at the feet of the Morrighans. All her sixteen years have been spent holding in the pain, keeping her head down, not thinking about her missing mother and her institutionalized father. Because the one time she lashed out at her bullies a kid ended up in the hospital. Her one reprieve is school, far away from Nothing, even if she's saddled with a roommate from home. Until her strict grandmother changes her mind and Nelly ends up boarding at the local school which is run by the mother of the boy she hospitalized. But these changes are nothing compared to the bigger changes ahead when she uncovers a secret. A secret that has been kept from her her entire life and revealed by two otherworldly figures she encounters on the Morrighan Farm late one night, Jack and Fig. Who just happen to be fairies. And Nelly's a half-fairy. And unlike almost all offspring of these forbidden interspecies liaisons she has power. And for someone who has spent their entire life cowering, you know when you are given power you must wield it responsibly. Which is why Nelly's off to the land of fairies. It was her powers that hospitalized her bully, and it was Fig's powers that has done the same to Nelly's grandmother. They can put things right by travelling to the other realm. Which is dangerous for a multitude of reasons, not the least of which is what Nelly is and the fact that Fig is a wanted criminal and that the government assumes that she is dead, which is what she will be if she is found back in fairy. But Nelly's eyes are opened there and she feels free for the first time ever, the food tastes different, she feels powerful, and no longer haunted by her name. Will she be able to hold onto this feeling when she returns to Nothing or will the past come back to haunt her?

As one of my friends said about The Ghosts of Nothing it's cinematic. He put into one word what I was struggling to say with way too many. This book reminds me of epic eighties fantasy movies, you know, cinematic. The Neverending Story, Labyrinth, Return to Oz, The Secret of Nimh, movies that are part of my DNA. These films showed us wonders as well as horrors. Sure, they might have traumatized an entire generation, but I wouldn't have had my childhood any other way. Because these films made me believe in magic. The Ghosts of Nothing connected me to memories I had long since forgotten. Growing up I had a huge sugar maple in my front yard and I would spend hours under it and near it, carefully prying open the propellers while watching a very specific section of sky which, thanks to the eighties Serendipity books series, I was convinced was the only place where a pegasus could come through to our world. I saw a unicorn at the circus, so surely a pegasus would visit me! I mean, I now know that that wasn't a unicorn I saw, but there was still the magic of nature under that maple. And reading about the maple keys, the distinct turn of phrase the inhabitants of Nothing use for maple propellers, brought all these memories flooding back. It also made me wonder how the inhabitants of this town use such a fairy turn of phrase. I'm wondering if there's a lot more cross-pollination between the worlds that we will learn about in the coming books. And that again feeds into the fairy tale origins of it all. The way stories are passed down through the generations and are used to teach us lessons and morals. And the thing is, these lessons can be terrifying, and those morals, they might just mean you life. This book doesn't shy away from the darker aspects of life. The politics in particular in the fairy realm will feel eerily prescient to anyone following today's news. Which is what fairy tales are all about, telling us a story but reflecting the world around us. Dark and light. I can't wait to see how Nelly embraces her powers, but I think the real lesson she needs to take to heart is to not be too hard on herself. The world is dark and full of monsters, be the light even if other people can't see it.

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: 80s, Cecily Walters, Fairies, Fairy Tales, For the Love of Book Clubs, Labyrinth, Maple Keys, Nelly Morrighan, Return to Oz, Serendipity, The Ghosts of Nothing, The Neverending Story, The Secret of Nimh

Bookstore: Books of Wonder

Location: New York, New York

Why I Love Them: Initially I only knew Books of Wonder as a publisher of books, mainly reprints of old titles in beautiful new editions. Therefore I was really excited when I was planning a trip in 2000 to visit New York for a David Bowie concert to learn that Books of Wonder wasn't just a publisher but a bookstore as well! In fact it was the bookstore that was the basis for Meg Ryan's "The Shop Around the Corner" in You've Got Mail. I remember taking a cab downtown and how busy the street was, just like in a movie. I couldn't wait for this small independent bookstore to take me far away from reality with it's cuteness. I think perhaps I needed to remember that movies and reality are two totally different things. Because the bookstore wasn't anything like I imagined. I don't know if it was undergoing renovations or what, but the inside was cordoned off and really small with very few books on white bookshelves that were movable. Seeing as there were few shelves I don't know what they would have done with more books. The whole store felt sparse and temporary. Where was the original artwork they were known to display? Where was the space for their epic signings? It felt too awkward to ask the clerk why their store was so disappointing so instead I looked over their shelves to find something to buy. As most of their self-published books I already owned I picked up a copy of The Princess and the Goblin for my mother and a new Redwall book for myself. But one day I will go back and solve this disappointing mystery!   

Best Buy: When I really started getting into collecting special editions of books the Books of Wonder reprints of L. Frank Baum's Oz books were something I really looked forward to finding. They'd release them on a schedule unknown to me but every time I'd go to Borders I'd check to see if the next Oz book had been republished and do a dance of joy if there was a new one on the shelf. So while I technically didn't buy them at the store I'm still making them my best buy. They did had a lovely window display that I took a really bad picture of if you want some proof! If you force me to choose, the favorite of the Oz books would be Ozma of Oz with The Emerald City of Oz as a close second. Ozma of Oz because it's the book that the movie Return to Oz is heavily based on, though there is no shock treatment in the book, and The Emerald City of Oz for the amazing glitter spot varnish, it's so pretty! What's interesting to me about the Oz books is that I've never finished reading the whole series. They start so strong and keep tapering off in quality until you kind of just tune out. The main problem I have is that L. Frank Baum is so bitter about these being his only popular books. His introductions are not even slightly veiled hostility but outright rage at everyone making him write Oz books. His hatred leaks into the narrative and he writes in a very condescending tone so that once you leave behind the books with the unique spines and move onto the standardized design, which I admit does look nice on a bookshelf, you just kind of stop reading. In fact I feel an attempt to finish coming on again... let's see how far I get this time!  

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: Books of Wonder, David Bowie, L. Frank Baum, New York, Oz, Ozma of Oz, Return to Oz, Support Your Brick and Mortar, The Emerald City of Oz, The Princess and the Goblin, You've Got Mail

The Amber Spyglass by Philip Pullman
Published by: Alfred A. Knopf
Publication Date: October 10th, 2000
Format: Hardcover, 518 Pages
Rating: ★★★
To Buy (different edition than one reviewed)

The final war with the Authority has come. The sides have been drawn. Ignorance and control or knowledge and freedom. That which was known as God was really just taking credit for creating that which was in existence long before him. Now his second in command is power hungry and wants absolute control over all worlds. A modern inquisition, which Lord Asriel will fight until his dying breath. Yet it's the breath of his daughter that is needed. She needs to live. She needs to fulfill the prophecy that she will put an end to death and become the new Eve. This might prove rather tricky as the Magisterium has sent a priest to kill her and her own mother is currently holding her captive in a drug-induced sleep in a Himalayan cave. It is up to Will, Lyra's staunch friend, to pull himself together after seeing the father he spent his life searching for killed in front of him by a witch and then have a pair of angels appear to direct the bearer of the subtle knife to Lord Asriel. But Will is up to the challenge and along the way to Lyra meets one of her old allies, the armoured bear, Iorek Byrnison, who has fled the arctic as the opening between worlds Lord Asriel has created has destroyed his icy fortress of Svalbard. They find Lyra in the nick of time, taking her out from under the hands of the Magisterium and Lord Asriel. While Lyra was drugged she dreamt of her friend Roger in the land of the dead and upon waking knows what she and Will must do. If his knife can open a window into any world, surly that includes the land of the dead. They will journey there with two new companions, the Gallivespian, the Chevalier Tialys and the Lady Salmakia who ride upon dragonfly steeds, and speak to Roger. Will might even get a chance to talk to his father. After that? Well, who knows how their journey will effect the war... but effect it it will, especially once they are reunited with their friend Mary.

Well, the "end" is here. I say "end" in quotes because as we know now it's not really the end but back in 2000 it was that. The big battle, the Authority toppled, the end and the beginning all in one. Pullman could have concentrated on the war, made an unsubstantial confection of explosions worthy of the big screen sometime in the summer months with angels fighting angels but instead he decided to focus on his characters. Lyra and Will take center stage, as well as new favorites, and instead of a grinding depiction of war we're given something bigger. A journey of self discovery and redemption and hope while the war just happens to be going on off to the side. Am I the only one to say "thank god" only to realize that Lord Asriel would totally disapprove that I, as a thinking person, am giving thanks to an organization that thrives on ignorance and he made a holy war to topple? While The Golden Compass is Lyra's story and The Subtle Knife is Will's story, The Amber Spyglass is about their journey towards not just growing up, but the knowledge of what it is to love. They are the Adam and Eve of this story and as such they must taste the fruit of knowledge offered up by Mary and basically reboot the world. The problem in this though is the vagueness that Pullman uses when describing their love. I can't tell if it's because he's trying to write around it because this was intended for a younger audience, but is their love more than love? Are they sneaking off into the savanna for some hanky panky? He's embracing the ellipses, more than once I might add, and after this long of a journey with these characters I NEED to know if just the knowledge of love was enough to bring about the second fall or if Lyra and Will actually had sex.

As for those we know had sex... let's look to Lyra's parents, Lord Asriel and Mrs. Coulter, I'm sorry, she's too scary to ever to refer to her casually by her first name. SO much of this series is dealing with parental issues. A lot of that is to do with the fact that as we grow up we have our parents to look to as to what we will become and this either is something we embrace or something we buck. But there's no getting around the fact that Lyra's parents are horrible parents and this is the crux of the series. Lyra is drawn into their world and their war. She is at times a pawn but usually THE major player in all of it. But her parents aren't static, they change over time until they make the ultimate sacrifice for Lyra and one is believable and the other isn't plausible in the least. Lord Asriel's journey and his faith in Lyra make sense. He saw her grow up, pretending to be her uncle, and he is willing to die to protect Lyra because he knows that his daughter will end the war he has wagged. His sacrifice at the end makes sense. He dies taking down the angel in power while also giving Lyra time to escape and fulfill her destiny. But Mrs. Coulter. I just don't get her. When she shows up in Oxford and swoops Lyra away to be a part of her world it's almost like Lyra is a doll she's picked up to dress and play with. Yes, she does save her from intercision at Bolvanger, and she saves her again from the church to hide her away in a dank cave in the Himalayas, but why? She claims it's because her grinchian heart has grown three sizes because of her daughter, but I don't buy it. They say every mother has this overriding instinct to protect their child and lavish it with love, but that's not true. Just look at the world around us, just look at this story. I don't buy that Mrs. Coulter would sacrifice herself for Lyra. For her own purposes, yes, but for her daughter? No way.

Yet I don't have as many issues with Mrs. Coulter as I have with the Mulefa. Those loving elephant faced, diamond skeletoned people whom Mary spends all her narrative with freak me out. But to be fair, it's not in their nature, it's in their wheels. Father Gomez the killer priest was so right when he said that their use of wheels was evil, and yes, I know I'm agreeing with an evil assassin, but seriously, wheels! Yes, I know, technically it's ingenious evolution, but the truth is me and wheeled creatures have a dark history, one which makes me hate them all. Are there things that you saw as a child that just ingrained themselves so deeply in you that they make up a substantial part of your nightmares and neuroses? Not the standard teeth falling out nightmare that so many of us suffer, but a hate of zombies from seeing a certain movie too young. Or a fear of elevators because of what the hell was in outer space when Charlie and Willy Wonka stepped out of the glass elevator (and yes, I cop to this one). Well, when I was very young I stumbled on the comic adaptation of Return to Oz. If you haven't seen Return to Oz, well, firstly you should, but secondly, it's a really dark re-imagining of Oz and the second and third books in the series by L. Frank Baum. There's shock treatment and a lady with removable heads. So while the shock treatment just gave me interesting knowledge, and the lady with removable heads made me slightly freaked, there was one part of the movie that terrified me: The Wheelers. Forget flying monkeys, these minions of the witch Mombi are "people" with wheels for hands and hatred in their hearts and they will hunt you down. Therefore I can not condone these Mulefa, they are in essence that world's Wheelers! BEWARE THE WHEELERS!

OK, no more Wheeler talk, it's near Halloween, this movie is bound to be airing and the nightmares will return. Let's discuss a pet peeve of mine; quotes at the start of chapters, or even at the start of a book. I know for a lot of authors that they have a special meaning, that perhaps this certain line that they have included inspired them or sheds meaning on their writing or captures the essence of whatever is to come like some cryptic clue, but can I just ask all you writers out there to stop. If it's a clue or whatever it's annoying because after reading the chapter you have to go back and re-read it and see if you got it and if you didn't you just end up feeling really stupid. But most of the time, it just comes off as pretentious: "Yes, I have a Shakespeare quote because I've read all Shakespeare and know more than you, ha ha." "What, this obscure poet, you've never heard of them? How can you even live with yourself?" "Don't you just feel that this line wouldn't get it's meaning fully across without the weird spelling of the words and all that is implied by it's antiquity." So IF you're one of these authors, just know, THIS is what's going through my head and makes me hate you just a little bit. Or, if I'm honest, quite a lot occasionally. Here though, besides making me hate Pullman a little, because yes, I can see these quotes at the beginning of each chapter do reflect the world he's created and inspired him so I can't completely hate them though I reserve the full right to hate the tiny ass font they were set in, I can hate them for a logical reason... These quotes are all from authors from our world. Yeah, I agree, quotes from another world would be weird, but then again it might work. Why might it work? Because it wouldn't be grounding The Amber Spyglass so completely in Will's world. Like 10 pages in the whole book take place in that world yet each and every quote comes from there? Bad move Pullman. Bad move. You are tearing down the worlds you built and I don't even know if you realize it.

Though for all my nitpicking what I think Pullman got SO right is the new definition of the Kingdom of Heaven. Lyra and Will are told that each world has to build their own Heaven, which means that it's about cherishing and caring for the world and it's people because you're building the Kingdom with each act, with each thing you put back into the world. Which makes Will and Lyra's final separation into their own worlds make sense. Yes, it may pain them, but they are each such extraordinary people that think of what they can accomplish and build in each of their worlds? Their journey and their sacrifice create a new start, a new chance to fix the problems they see all around that have been caused by three hundred years of damage from the subtle knife and millennia of damage from the Authority. It's not just the humanitarian nature of this that so resonates with me, it's that when I think of heaven I don't think of some weird ethereal place I think of the world around me. Hence, if there is a heaven it would be here on earth. The best thing we could be given is a chance to live again, which is why reincarnation makes sense to me. Though within this I still have to question where Mary stands. She's an ex-nun who doesn't believe in God anymore and hence has turned to physics. Yet while the events around her show that "God" was really just taking credit for something he didn't do and that now his second in command is going power crazy, I think some part of Mary should have gone, "Oh wow, there really was a God and angels and etc etc." Yet she's still firmly entrenched in her new beliefs and despite there being correlations she just doesn't see that both things can be true. But then again she was friends with people who had wheels!!!

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: A Different Kind of P and P, God, Heaven, His Dark Materials, L. Frank Baum, Lyra Belacqua, Parents, Philip Pullman, Quotes, Return to Oz, Sex, The Amber Spyglass, The Golden Compass, The Subtle Knife, War, Wheelers

Wildthyme Beyond! by Paul Magrs
Published by: Snowbooks
Publication Date: April 1st, 2012
Format: Paperback, 431 Pages
Rating: ★★★★
To Buy

The journey to Hyspero of Iris Wildthyme and her compatriots isn't going exactly to plan. Not only have they spent too much time driving across the desert, but now they are separated. Iris and Panda have ended up with a dragon in an underground city that eerily links to Iris's past, while everyone else, including their nemesis Anthony Marvelle, has ended up in the clutches of the Scarlet Empress. Yet all these setbacks are nothing compared to the fact that their journey has the unexpected consequence of knocking them a few degrees into fictionality. Back on Earth, Simon and Kelly are no longer real people just characters being written about by the writer Terry and devoured by fans such as Sammy. From Iris's long forgotten past to Panda's future, Kelly's musing as a little girl, and the fandom that has built itself around Iris, life is going to get far more complicated before it can get back to normal... whatever that is. Hopefully there will be a bar stocked with gin and tonic to get them through it all.

While a book about a transdimenisal adventuress is perhaps not the most straightforward of narratives, with time and space in flux, the interweaving of the stories, while at times confusing, was still able to cut to the quick of the matter and through everything form this nostalgic bond that had me thinking about books I read as a kid and all the different worlds I imagined. Iris's past as Lilith in the Clockworks and Kelly's childhood stories are this amazing mash-up of Oz and Narnia with a bit of Edward Eager and some Frances Hodgson Burnett. I was instantly transported back to daydreams of travelling to other worlds and places, many of which I believed to be behind my parents bedroom mirror. But Paul is able to take these memories and add an edge, a little something other that appeals to the slight bitterness that memories get over time. It isn't pure nostalgia, which is there, but nostalgia plus. Like when they made Return to Oz into a slightly darker fairy tale with inserting the fact that Oz is perhaps all in Dorothy's mind and she needed a little electroshock therapy.

In Iris's youth in the scary house in the wasteland where she is held by three aunts is the perfect example of this enhancement. Instantly the gardens and the remoteness bring to mind The Secret Garden, a book I have a bit of a love hate relationship with, yet Paul goes beyond this. The aunts and the deadly wasteland make it a dystopian world where the aunts, who I envision as the three bitter Bronte sisters, sit up in their room while their ward is only allowed outside if covered from head to toe in protective gear, like Marlon Brando in The Island of Dr. Moreau. Just this imagery makes me want this small section of the book filmed as a short by Tim Burton. I connected so deeply with this backstory that I was more then a little disappointed when it ended on a rooftop in New York city... but at least Andy Warhol was there to comfort me and Iris.

Though it was the Iris fandom that I think perhaps I relate to most in the here and now. With the theme of nostalgia so strong in Wildthyme Beyond! I started to ask myself what exactly is the reason we become part of a fandom. The answer is nostalgia in many cases. I became a Whovian because not only is the show an amazing show but I have history and a connection to it. I seriously get sentimental even thinking about Doctor Who! The same happens when I think of Buffy the Vampire Slayer or Firefly... I come over all wistful. Yet again, Paul doesn't sugarcoat it. While it's a parody in a sense of his own life and his own interactions with fans and the Whoverse, there is also a love there. This is the fandom, warts and all, and more then a little meta. The uber fan Sammy and his mint copies who geeks out at the smallest thing, the writer in it just for the money... the Iris Wildthyme convention! Paul gets us fans because he is one of them, one of us.

Posted by Miss Eliza at 12:00 AM 1 comments  

Labels: Andy Warhol, Buffy the Vampire Slayer, Doctor Who, Edward Eager, Firefly, Frances Hodgson Burnett, Iris Wildthyme, Oz, Paul Magrs, Return to Oz, The Island of Dr. Moreau, The Secret Garden, Wildthyme Beyond

Ozma of Oz (Oz Book 3) by L. Frank Baum
Published by: Everyman's Library
Publication Date: 1907
Format: Paperback, 624 Pages
Rating: ★★★
To Buy
 
Dorothy and her Uncle are headed to Australia for his health. The sea voyage turns into a harrowing experience when Dorothy is blown overboard. The plucky little girl from Kansas is resourceful and is able to cling to a chicken coop and ride through the storm, soaking wet, but without fear. This is just the beginning of another adventure. Come morning she is making for landfall in what she takes to be a fairy land. It isn't Oz, because Oz is surrounded by a deadly desert on all sides, but it is most definitely fairy, how else would the chicken Billina be able to talk to her. Animals only talk in fairy worlds. Soon after landing the fact that this world is magical is increased by a tree that grows lunch pails, men called wheelers who have wheels on there hands and feet and a windup man, Tik-Tok, who works through his wonderful engineering.
 
Once Dorothy gathers a posse, she heads inland to the capital city where the royal family have been enslaved by the evil Nome King and the country is run by a vain relative of the royals, Princess Langwidere, who has a room full of heads that she switches out whenever she wants to be prettier, or in a different frame of mind, that raven haired head sure has a temper. Soon all the denizens of Oz arrive in this land, which, as Dorothy surmised, was close but not Oz. Dorothy is reunited with all her friends and finally meets Ozma, whom she becomes fast friends with. The delegation from Oz has come to rescue the royal family after hearing of their plight. They all set out for the Nome King's domain to find that he is a tricky and conniving man who will twist any situation around to his advantage. Yet, never underestimate a plucky chicken from Kansas!
 
Back when the Oz books where being re-released and I was starting my journey into reading I totally held this as my favorite Oz book. But looking back I realize it's less because of the book and more because of the movie Return to Oz. When I was little I remember finding a comic book adaptation of the movie in my school library. I remember reading it up to where Dorothy leaves the asylum. Also being extremely traumatized by it. Dorothy going to get electroshock treatment was enough to do permanent psychological damage to me. After I read the comic the first time I was never able to find it in the library again. I cannot account for that, but it made me start to think I had made the whole thing up and that, like Dorothy, Oz, like this comic, wasn't real.
 
Of course I got a little older and realized that it was a movie, which also traumatized me. Take the wheelers, add in a psycho who keeps heads in glass cases and switches them like we would clothes, and it was the stuff of nightmares. When I finally got to read the books I realized that this movie was an amalgam of The Marvelous Land of Oz and Ozma of Oz, more heavily influenced by Ozma. But the movie took the best bits and omitted all the boring stuff. If there's one thing that annoys me about Oz it's that every time we have a reunion of the characters it's unendurably long with lots of crying and kissing and discussing how they are better than everyone else. Because, these characters really think they are awesome. I'm surprised all the egos fit in one room! But despite all the faults, every time I read about the tree with lunch pails growing from it and the wheelers and the castle of the Nome King with people being turned into knickknacks, it takes me back to my childhood. This is a book for nostalgia, the horror and the magic that lives when you are young, and to get that back, even for a few minutes, is magic indeed.

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: A Wonderful Welcome to Oz, Dorthy Gale, Kansas, L. Frank Baum, Nome King, Oz, Ozma of Oz, Return to Oz, The Marvelous Land of Oz, Wheelers

Buffy the Vampire Slayer Season 8 Volume 6: Retreat by Joss Whedon
Published by: Dark Horse Comics
Publication Date: March 10th, 2010
Format: Paperback, 144 Pages
To Buy

The official patter:
"Buffy Season Eight Volume 6 showcases the first failure of the Slayer legion. Vampires have solid footing at the top of the totem and Slayers have been crushed to the bottom - in short, no one likes Buffy anymore... least of all this season's mysterious Big Bad, Twilight, who is hot on her magical trail! Now that it's the world against Slayers, Buffy must find a way to return the status quo to... status quo - and keep her girls alive long enough to do it! Enter Oz, the only person/werewolf Buffy knows who is down with the suppression of magic, and can take the Slayer army off of Twilight's magic-specific radar. With Oz's assistance the Slayers and Wiccans try to become "normal" through meditation and hard labor - although, not everyone sees the advantage of being magicless, namely, Willow, Giles, and Andrew. And they could be right; after all, is a peaceful life for a Slayer even possible?"

So this would be the volume where they all go to Tibet! They try to be all magic free and end up fighting Gods. Really, while I love Buffy, and I have read this... it's just... not the Buffy I know and love. Sure we have Jane Espenson, she's got all the dialogue right and the character interactions down... but the overall arc is horrid. Also anyone feel while Andrew is funny, he's just repeating himself? As a side note, when they were published as individual issues my questions was finally "answered." I wrote in with: "
I am not one of the Buffy fans who is writing to praise season eight. I have issues with it, but that's really beside the point because while I do not love it as much as the show, having Buffy still in my life is a wonderful thing, and the knowledge that each month I'm getting something new from the Whedonverse brings a smile to my face. But the more I try to work out the intertwining plots and speculating as to where exactly Joss is leading us, one thing keeps coming back to me and that is Warren Meers. He can't be! This has nothing to do with the ick factor of the whole he has a magical skin that saved him from dying because of Amy, this has to do with show cannon. I'm sorry if I'm repeating what someone else might have brought up, I don't read the q&a section with as much interest or scrutiny as the comic itself, but the fact remains that according to the show The First could only appear as dead people, the first was Warren, so Warren has to be dead. Changing this, even if they think of some "magical loophole" like, I don't know, he's technically not human anymore would be stupid. They seem to have just thought this up because having Amy and Warren confront Willow would be great drama, but in my mind great drama still has to adhere to the fantastical world it is set in. So what's your take on this? Do you have any thoughts as to the Warren/The First situation? I guess I just expect more from writer's who know they have a loyal fan base that tends to be detail oriented and are fact checkers." To which I got the answer, "It's Magic." WTF! Because Buffy was dead and now lives that's the same as Warren being dead and now alive. NO NO NO! Mister know-it-all. The comic states Warren was saved seconds before he died, he was saved from death, it's not the same thing. Amy circumnavigated the death so the whole first thing couldn't have been. Apparently I'm not the only one who this is pissed off, due to the curtness of the response. But it was a thrill seeing my name in a Buffy comic, even if you didn't answer my question truly, because Joss is not infallible because he's Joss. I would write back, but I fear it would take over a year to get a response again, and you have bigger things to deal with, like how the identity of Twilight was leaked online. Doh! That's not very good for your 4 year build up now is it?

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: Buffy, Buffy the Vampire Slayer, Dark Horse Comics, Gods, Jane Espenson, Joss Whedon, Retreat, Return to Oz, Season 8, Tibet, Twilight

I was in Wonderland, probably like most book geeks out there. I tried to go in expectationless. When I saw the preview a few months back, I was not trilled, but somehow over the intervening months I had forgotten my initial bad reaction and got excited. But I have to say it was not worth the whopping $15 price tag, especially if you then tack on the $2 service charge, and they didn't have Skittles! What movie theater doesn't have Skittles? Sometimes things don't work, the stars don't align, and the apparently perfect person isn't quite what was actually needed. Despite a star studded cast, it was lackluster, it was blah, it was boring. I will say, I didn't hate it, but it just wasn't all that. Tim Burton was hoping that by adding a definable plot that you'd have more of an emotional connection to the characters. Personally, I'm all good with my connection to the characters, it's his tinkering with creating an unsuccessful Red Queen overload with dissatisfied masses that rally around Alice that doesn't quite work. By having Alice escape her world and a looming arraigned marriage to come to Underland (yes, not a typo) and be forced to become a hero by killing the Jabberwocky seemed kind of dumb. Instead of a magical world of delightful nonsense, we have a world of oppression, death, war and post apocalyptic wastelands, that are never fully explained to my satisfaction. If they had fleshed out the resistance movement, if they had made the plot even more of a plot, then perhaps... but that's just a maybe. Having everything magically hing on Alice killing the Jabberwocky seemed dumb. Why would the Red Queen loose her power if the Jabberwock died? Really, if someone knows, please tell me. I personally found the real world far weirder and more interesting, peopled with some of my favorite British actors, many of which were in The Jewel in the Crown... but then again, yet another failed adaptation of Alice in Wonderland isn't that big a shock. There is no way this will please die hard fans and I don't see it bringing in any new ones... I think Public Enemies proved Johnny Depp does not always equal box office gold. Personally I think I'm going to go pick up the book and read what no one has ever successfully imitated, translated or adapted. There's only one Alice, and she'll always be there waiting for me in the pages of my favorite book. But just to entertain those who like to feast on the carcass, here's a few of my biggest concerns with the movie:

• What's with all these new stupid made up words? Bizarre calenders and stupid times that are to come. Underland not Wonderland? And that's not explained till the end, and really, it's stupid?
• The Red Queen and The Queen of Hearts are NOT the same person! Don't care if you're combining them, you're pissing me off.
• Why is Helena Bonham Carter using her funny accent from the Merlin TV movie?
• Aren't they trying to be a bit too like Return to Oz, and didn't Return to Oz do it better and darker, cause I thought Tim Burton liked dark? Let's add some true horrors... what was the Victorian equivalent of electro shock therapy? Anyone?
• Trade routes to China were already established. Also, does this mean that Alice is going to be a drug czar?
• The foot soldiers... too Steam Punk/Looking Glass Wars, didn't feel original. When did Burton become a hack?
• Dan Scott (John Hopkins) from Midsomer Murders. Hate that prick. I know, offensive word, but it really fits his character in both appearances and totally covers my feelings for him.
• Why is Crisin Glover stretched out? Why? There doesn't seem to be a purpose.
• Guess who did the theme song? Avril Lavigne! Aren't I the happiest person in the world at this news? NOT! Apparently she's even going to do a line of clothes after Alice, oh joy unbounded!
• Ok, I get funny accents, but WTF Johnny? The random Scottish brogue? You trying to outdo Brad Pitt in Snatch?
• But, without parallel! The bizarre breakdancing interlude, oh, I mean fudderwhacking (see what I'm saying about made up words). It's not so much that it's a weird dance, it's that the music is early 90s electro pop randomly placed in a film firmly set in the 1800s!!! COuld you have tried insane bagpipes? Bagpipes are good, bagpipes are more... what's the word... not an anachronism!

Posted by Miss Eliza at 2:48 AM 4 comments  

Labels: Alice in Wonderland, Avril Lavigne, Bagpipes, Brad Pitt, Fudderwhacking, Johnny Depp, Midsomer Murders, Return to Oz, The Looking Glass Wars, The Queen of Hearts, The Red Queen, Tim Burton, Underland

Random Magic by Sasha Soren
Published by: Beach Books, LLC
Publication Date: November 16, 2008
Format: Kindle Edition, 420 Pages
To Buy

The family solicitor has been called because Henry has been missing for three weeks. The usual suspects have been gathered and then a strange little girl with blond hair and a pinafore appears out of nowhere. She is, without a doubt, Alice, from the beloved children's classic. Alice explains that Henry is where Henry should be, where he went years ago when Alice herself was misplaced by Professor Random, a teacher at Henry's school. She then recounts the tale of how Henry saved the world by finding her. One night Henry was out of bed late and ended up hiding from the head mistress in Professor Random's classroom. Random himself shows up quite distraught because he had just popped into Alice in Wonderland to have tea with Alice and somehow he inadvertently lost her, because he foolishly used a first edition for his literary escapade. He pleads with Henry to find Alice because if she disappears forever the world will be destroyed because there is no book that has had a greater influence on children then Alice's book has. Henry gets handed an hourglass and a compass to find his way back, gets doused in fairy dust and ends up in the wrong book, without the compass to bring him back. But as Random sees it, perhaps he was supposed to be in Myths and Legends, not Wonderland.

Henry falls straight into the middle of a mob scene. At the center is Winnie a doodle witch who Henry kind of saves and then flees with. Lucky for Winnie Henry showed up and lucky for Henry Winnie seems to know her way around this bizarre world Henry has fallen into. After fleeing villagers with pitchforks and navigating the white forest, crossing a chasm barred by riddles and entering the block forest they ride the back of a whatwolf and spend some time with vampires straight out of a Charles Addams cartoon. From the castle of the De Morgue's to the home of the Muses, from submarines to Pirates, from floating cities to vicious chess matches to evil witches, they must brave the vast unknowns in the hope that by tea time they will find a little girl in a blue pinafore somewhere in this wilderness.

Henry, in a very Arthur Dent move tries to save the world by tea time in his pajamas. Of course to save the world he must first find Alice, who is missing from Wonderland. Those two sentences embody for me what is at work in this book... other books all mashed together to make something new... something that doesn't quite work for me. There's obviously Lewis Carroll, but there are so many different authors at play and homages that it's hard to find Sasha Soren's voice. From characters disappearing, like in Fforde's Eyre Affair, to pirates reminiscent of Walter Moers' Captain Blue Bear, to just out and out re-imaginings of scenes from Labyrinth to Alice in Wonderland to Harry Potter... I could just not get past this literary mash-up of randomness. I think I might have accepted the vast array of references if not for two glaring problems. The lack of plot and the lack of definition of place. This book is what the title implies, random. The overall arc is the tenuous thread of finding Alice, but there's just too much time spent going through these weird vignettes of bizarre folk and there overly clever banter peppered with literary allusions. I will say that sometimes the banter is well written, but it is overall so nonsensical that you don't care what they are saying and just wish they would get on with it.

But what bothered me most of all was the creation of this world. Alice in Wonderland works because Wonderland is such a very distinct world. There are laws and logic that Carroll created that govern the world, no matter how illogical it seems. There are no laws, there is no logic, and the world is so vastly different from one sector to the next that you can't envision them as part and parcel of a whole world. Plus Wonderland had a distinct time and place. It was a mirror image of the Victorian society that Carroll lived in. Here? I have no idea. What time period is this to take place in? At first I thought Victorian because of the initial set up and the general descriptions. But then there was a reference to a Bentley, which puts this square in the 1920s, at the earliest. But then other anachronisms would pop up, references to The Blair Witch Project, Disney Land, ships with motors, Martha Graham, Cirque du Soleil, The Beatles and their Yellow Submarine, Greenpeace, Bingo grannies, Douglas Adams and neon (yes I kept track). These would break into the world she was trying to create, like little seeps of other time periods, and while an author like Terry Pratchett can make this work, because it fits in the (disc)world he has created, it doesn't work here. There needs to be something fixed in this world to make it believable to some extent. Wonderland is believable, this world is not.

In the final analysis, this book is not suited to my tastes. With no structure and no driving force there was no reason, other than this post, to keep reading. Other people might enjoy the witty dialogue and the vignettes of weirdness, but I was just rankled by the Carroll rip offs. There is homage and there is rewriting. Sasha Soren has just re-purposed parts of Alice in Wonderland. Using lines of dialogue and scenes to make it all self referential. This makes it less her story and more just a bad parody. If these were eliminated I think the book would be more it's own creation. You can never do it better than Carroll so why try? Create a loving homage, switch it up, don't use the same material from rote. Do what Lynn Truss did in her short story, Tennyson's Gift, about Charles Dodgson, mirror, reflect, don't copy. Or look to Return to Oz! In one breath a loving tribute, but in another, a horrific nightmare that could have easily happened to Dorothy. Sasha Soren could one day be a great writer, I truly feel that, which I think is why this book so disappointed me.

Posted by Miss Eliza at 1:48 AM 0 comments  

Labels: Alice in Wonderland, Book Review, Charles Addams, Doodle Witch, Douglas Adams, Jasper Fforde, Lynn Truss, Random Magic, Return to Oz, Sasha Soren, Terry Pratchett, Walter Moers, Whatwolf, Winnie

Looming on the horizon we have yet another Alice in Wonderland adaptation. But this one looks to be far more...interesting would be the word, I think. It is Tim Burton after all and the trailer was just released this week in time for Comic Con. There have been so many adaptations and disambiguations over the years that it's a risky venture. Feature films have been obsessed with bringing our Alice to the silver screen. Many actresses have portrayed her over the years, from sci-fi vampire Kate Beckinsale to indie darling Tina Majorino, she is a popular role. The Mad Hatter has also been played by such luminaries as Peter Cook to Martin Short and now Captain Jack Sparrow himself, Johnny Depp. This new version will be the second Disney release, the cartoon being the most famous, but Walt Disney was veritably obsessed with Alice and spent years in pre-production with a live action version which never saw the light of day. I have hopes, I'm not going to say high. The posters are a bit scary to say the least, and while I love what Tim Burton did with Willy Wonka, I don't like the original source material, classic though it is, Matilda and The Witches are the only Roald Dahl truly close to my heart. And the fact remains, this book is close to my heart. I have read and re-read Alice countless times, and each time she is dearer to me. The literary nonsense that is Alice in Wonderland is a true classic, the likes of Peter Pan and The Wizard of Oz.

But will this movie succeed or fall flat on it's face? As Tim Burton himself has said, the combination of live action and surrealistic animation defies categorization. Plus will he remain faithful to the source material or diverge drastically? I am most reminded of Return to Oz. This film succeeded, but it was also carefully crafted to logically diverge from the source. The plot was constructed from the second and third Oz books (you do know there are more Oz books than one right?) But layered on top of that was a dark plot line of Dorothy having to undergo electric shock therapy. Which, while not relating to the magical land of Oz, would make sense if she came back to depression era Kansas and started talking about Tin Men and Flying Monkeys. But it is still done logically, and can we count Tim Burton to do anything logically? And the story of Alice is a delicate balancing act. For the number of times it has been filmed, I have only really liked two of the adaptations. The Disney cartoon is classic and is most likely the reason I picked up the book in the first place, but the only live action version I enjoyed was Jonathan Miller's. And Jonathan Miller's was a completely surrealist drug induced trip with minimal dialogue, lots of sitar music, and the Peters, Sellers and Cook. So I am very intrigued as to what is to come of this newest version. Are you looking forward to it? What do you think of the trailer?

Posted by Miss Eliza at 2:47 AM 4 comments  

Labels: Alice in Wonderland, Anne Hathaway, Johnny Depp, Kate Beckinsale, Return to Oz, Tim Burton, Tina Majorino, Wizard of Oz