Showing posts with label Underland. Show all posts
Showing posts with label Underland. Show all posts

Friday, June 28, 2024

Book Review - Robert Macfarlane's Underland

Underland by Robert Macfarlane
Published by: W.W. Norton and Company
Publication Date: May 2nd, 2019
Format: Hardcover, 496 Pages
Rating: ★★★
To Buy

Humankind has had such an impact on the world it is now a designated epoch, the Anthropocene. Robert Macfarlane takes it on himself to look at the forgotten realms of the Earth and see how they have been impacted by humankind and in turn how they have impacted us. Macfarlane takes eleven journeys to come to grips with the underland. Because that is where our history is, in deep time. With all that history laid bare the question is posited, are we really the caretakers that the Earth deserves? Humans have been around for such a short amount of time and yet the damage we have done is incalculable. Starting near his home his first journey takes him to the cave systems in the Mendips in Somerset. There he wonders if the Earth might just swallow him whole. The mental strain of the dangers he's about to face become apparent. He's not just taxing himself physically on these journeys, but mentally. He is placing himself at the mercy of the Earth and the Earth isn't kind to those who journey where they shouldn't. In Boulby, Yorkshire, he visits a mine that's so deep that it goes under the North Sea where Dark Matter is studied. So far underland as to be undisturbed by the disturbances of man. But the underland can also be studied above ground. The trees of Epping Forest have an understory beneath the forest that lets them communicate using fungi, a wood wide web if you will. Having experienced in England some of the great natural and manmade conduits to the underland he visits France and perhaps one of the most famous underground spaces in the world, the Paris Catacombs. There are the sections that are for tourists, but that isn't what he's interested in. He's reached out to urban explorers, those who map the terrain of abandoned buildings and have therefore taken a great interest in the Catacombs. Those who illegally tour the mines of Paris which were built for the access of workers are called cataphiles. They take Macfarlane on a journey he will never forget. Rooms that haven't been seen in hundreds of years and modern graffiti that seems to exist solely to say, I was here. The underland is vast, there are starless rivers, nuclear dumps, caves that can only be accessed at certain times of the year. Robert Macfarlane tasks himself to record it all, to pass on what he's learned, and to teach us to be better stewards of this amazing planet.

For me I had a problem with a disconnect between what this book was sold as and what it actually is. Underland was said to deliver "an epic exploration of the Earth's underworlds as they exist in myth, literature, memory, and the land itself." What I really connected to in that teaser was the myth and literature part. Which Robert Macfarlane never really addresses. I mean, come on! Book girl here wants to hear all about the underworld in literature. He barely touches on Alice's Adventures in Wonderland, and that one is just a gimme! What about all the tales of the realms of fairies being underground? Underhill anyone anyone? Bueller? Bueller? Fairy Mounds? Fairy Forts? I mean seeing as this book is about the magic of the Earth and what it means to people I think an exploration of how we've peopled that land in our myths and fairy tales would be quite important. But again, the book was sold as something it was not. The problem being my expectations were repeatedly crushed. I kept thinking, oh, the next section, that will be the section I've been waiting for. And if never was. Therefore I think that this book would be better on a reread. I'd have no expectations because I know what it's about and they'd be reigned in. The problem is I'm rather claustrophobic, and well, I don't know if I could read this book again. If there's one thing I'd tell anyone who was about to read this book, besides ranting about literary tradition being omitted, is that if you are even slightly claustrophobic you can not read this book. My Dad has a friend who told him he had to read this book, knowing that my claustrophobia is nothing compared to my Dad's, I laughed and laughed and said he can never read this book. Ever. I even thought, maybe I could find a section he could read... But no. Claustrophobics, run away run away. And I just realized I reached the point in my review where I'm just doing odd movie quotes so will move this along, no more Monty Python. The other problem I faced was while this is a whole interconnected narrative it's basically broken down into stories. Short stories. I don't really like short stories. There's no consistency. So while I loved "Invisible Cities (Paris)," "Red Dancers (Lofoten, Norway)" left me cold. The journeys he went on were so diverse that his writing style was inconsistent and annoying. To me. I can see why others found it magical, I just found it highly competent. Which, trust me, is a compliment.

Saturday, March 6, 2010

So Where Were You Last Night?

I was in Wonderland, probably like most book geeks out there. I tried to go in expectationless. When I saw the preview a few months back, I was not trilled, but somehow over the intervening months I had forgotten my initial bad reaction and got excited. But I have to say it was not worth the whopping $15 price tag, especially if you then tack on the $2 service charge, and they didn't have Skittles! What movie theater doesn't have Skittles? Sometimes things don't work, the stars don't align, and the apparently perfect person isn't quite what was actually needed. Despite a star studded cast, it was lackluster, it was blah, it was boring. I will say, I didn't hate it, but it just wasn't all that. Tim Burton was hoping that by adding a definable plot that you'd have more of an emotional connection to the characters. Personally, I'm all good with my connection to the characters, it's his tinkering with creating an unsuccessful Red Queen overload with dissatisfied masses that rally around Alice that doesn't quite work. By having Alice escape her world and a looming arraigned marriage to come to Underland (yes, not a typo) and be forced to become a hero by killing the Jabberwocky seemed kind of dumb. Instead of a magical world of delightful nonsense, we have a world of oppression, death, war and post apocalyptic wastelands, that are never fully explained to my satisfaction. If they had fleshed out the resistance movement, if they had made the plot even more of a plot, then perhaps... but that's just a maybe. Having everything magically hing on Alice killing the Jabberwocky seemed dumb. Why would the Red Queen loose her power if the Jabberwock died? Really, if someone knows, please tell me. I personally found the real world far weirder and more interesting, peopled with some of my favorite British actors, many of which were in The Jewel in the Crown... but then again, yet another failed adaptation of Alice in Wonderland isn't that big a shock. There is no way this will please die hard fans and I don't see it bringing in any new ones... I think Public Enemies proved Johnny Depp does not always equal box office gold. Personally I think I'm going to go pick up the book and read what no one has ever successfully imitated, translated or adapted. There's only one Alice, and she'll always be there waiting for me in the pages of my favorite book. But just to entertain those who like to feast on the carcass, here's a few of my biggest concerns with the movie:

  • What's with all these new stupid made up words? Bizarre calenders and stupid times that are to come. Underland not Wonderland? And that's not explained till the end, and really, it's stupid?
  • The Red Queen and The Queen of Hearts are NOT the same person! Don't care if you're combining them, you're pissing me off.
  • Why is Helena Bonham Carter using her funny accent from the Merlin TV movie?
  • Aren't they trying to be a bit too like Return to Oz, and didn't Return to Oz do it better and darker, cause I thought Tim Burton liked dark? Let's add some true horrors... what was the Victorian equivalent of electro shock therapy? Anyone?
  • Trade routes to China were already established. Also, does this mean that Alice is going to be a drug czar?
  • The foot soldiers... too Steam Punk/Looking Glass Wars, didn't feel original. When did Burton become a hack?
  • Dan Scott (John Hopkins) from Midsomer Murders. Hate that prick. I know, offensive word, but it really fits his character in both appearances and totally covers my feelings for him.
  • Why is Crisin Glover stretched out? Why? There doesn't seem to be a purpose.
  • Guess who did the theme song? Avril Lavigne! Aren't I the happiest person in the world at this news? NOT! Apparently she's even going to do a line of clothes after Alice, oh joy unbounded!
  • Ok, I get funny accents, but WTF Johnny? The random Scottish brogue? You trying to outdo Brad Pitt in Snatch?
  • But, without parallel! The bizarre breakdancing interlude, oh, I mean fudderwhacking (see what I'm saying about made up words). It's not so much that it's a weird dance, it's that the music is early 90s electro pop randomly placed in a film firmly set in the 1800s!!! COuld you have tried insane bagpipes? Bagpipes are good, bagpipes are more... what's the word... not an anachronism!

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