Showing posts with label The Secret of Nimh. Show all posts
Showing posts with label The Secret of Nimh. Show all posts

Friday, February 27, 2026

Season 7 - I, Claudius (1977-1978)

During my childhood it seemed that Derek Jacobi was omnipresent. Or perhaps I just watched The Secret of NIMH more times than I can count. But whenever his name was mentioned everyone would always add the caveat about what I great actor he is. At the time I didn't understand why the caveat was needed. And then I watched I, Claudius and I understood. The thing is you can never really grasp what an amazing actor Derek Jacobi is until you've seen him as Claudius. In 2007 for Masterpiece's thirty-fifth anniversary they conducted a poll to codify The Best of Masterpiece. I might have really gone in hard on the voting for the 2002 adaptation of The Forsyte Saga, which means that I, Claudius placed third behind that adaptation. I now take full responsibility for this happening, because I, Claudius deserved the highest spot it could get. Because there was no way it could upset Upstairs, Downstairs from the top spot. And I agree, Upstairs, Downstairs is the definitive show connected to Masterpiece, but I don't think it's the best show, especially in those early seasons of Masterpiece. In those early seasons I honestly don't know of a show with a more perfect cast than I, Claudius. The cast is what raises this above the typical Roman fare. And let me tell you, I know my Roman fare. I watch a lot of miniseries about Rome. I'm not thinking about Rome all the time, but if there's a miniseries or series about Rome I will devour it. Obviously there's Rome, but I have a soft spot for Britannia and Domina. In fact I know it's been two years, but I'm still not over Domina's cancellation. But these shows are nothing to I, Claudius. NOTHING! These are perhaps the best twelve episodes of any series ever. The cast alone is stacked! Brian Blessed as Augustus, Siân Phillips in her award winning turn as Livia, John Hurt as Caligula! Once you see their performances of these characters no one else could ever do them in your eyes. Caligula is unhinged yet at the same time sympathetic. He's out of control, he has a freakin' horse as a senator, and yet, during this spiral of debauchery there is such pathos that John Hurt brings to the role. Malcolm McDowell didn't stand a chance of usurping John Hurt when he took on the role three years later in the eponymous film. Did HE do a modern dance drag show? Well!?! As for Siân Phillips? Oh, she's so deliciously devious but her trying to find a loophole to eternal suffering on her deathbed for all the harm she has done, and let me tell you, if there was a death and it looked like poison, it was, and Livia was behind it, was television at it's best. Also, apparently getting deified is the loophole she was looking for. Thankfully she had a devoted grandson to carry out her final wishes. It was Claudius if you were wondering. And Claudius, that poor ruler sandwiched between Caligula and Nero. But Derek Jacobi brings this man out of the shadows of history, shows that this man with a limp and a stammer had insight beyond his years. The way he shepherds the story, being the focal point, yet also an outsider, makes this a show you just can't turn away from. There's a reason Kenneth Branagh cast Jacobi in Dead Again. That stammer, that will, it's unforgettable and interestingly an important twist to that film. Plus, oddly enough this show is currently escapist, because Rome really makes current politics and ever the fantastical politics seen in shows like Game of Thrones look tame by comparison. Now if only they'd release this on Blu-ray for it's upcoming fiftieth anniversary life would be worth celebrating. But I'd avoid the figs at the celebration if I were you. If you know, you know.

Wednesday, January 14, 2026

Book Review 2025 #7 - Brian Jacques's Redwall

Redwall by Brian Jacques
Published by: Philomel Books
Publication Date: October 23rd, 1986
Format: Hardcover, 352 Pages
Rating: ★★★★★
To Buy (different edition than one reviewed)

The festivities at Redwall Abbey are underway for Abbot Mortimer's Golden Jubilee. It is the Summer of the Late Rose and the abbey has been blessed with peace and abundance. As the inhabitants scurry about with last minute preparations there's Matthias, tumbling cowl over tail, scattering the hazelnuts. Oh how he longs to be graceful and brave like Martin the Warrior, the founder of Redwall Abbey, whose tales of derring-do have always transported him. But as the Abbot tells Matthias, we are now an order of peace. The time of Martin and his famous sword and shield are over. The Abbey is a place of happiness and refuge as all the denizens of Mossflower Woods arrive to celebrate the Abbot. But that night a horrific scene unfolds on the road outside the Abbey walls that Matthias and Constance the Badger witness. A large Portuguese water rat and his army are on the road. They were astride a demented horse and cart. A council is called that night. The rumors of Cluny the Scourge seem to be true. He is the worst kind of warlord and the Abbey has to be prepared because it doesn't look as if Cluny is just passing through. He has set up camp at the Church of St. Ninian's and has his eye on the Abbey. It would be the perfect seat for his empire, Cluny's Castle. Plus the mice will surely just hand it over to him without a fight. They're just little mice, he has a rat army! Little does Cluny know that while they are a peaceful order now they were founded by a true warrior and they will protect those who need protecting. When Cluny arrives at Redwall Abbey with the articles of surrender that all his conquests must abide by he is shocked by their iron will and then terrified by a tapestry of Martin the Warrior. Cluny is transfixed by the image of Martin as he is the shadowy figure that has been haunting the rat's dreams. Shaken, the rats leave the Abbey to regroup. And then Cluny attacks by stealth and steals the tapestry, at once capturing the object of his nightmares while trying to demoralize the mice by removing the effigy of their protector. He underestimated the mice, Redwall prepares to protect itself at any cost, even war. As Matthias bemoans to Brother Methuselah, if only they had Martin the Warrior's sword and shield they might stand a chance against the Scourge. But Methuselah tells Matthias that the young mouse is so like Martin that perhaps, given the clues built into the very Abbey walls, that these totems can be recovered and used to spur them on to victory. Though a sword is, in the end, just a sword, and it's the true warriors that will win the day.

I learned about Brian Jacques's Redwall series at Christmas in 1993. Friends of our family who always gave me and my brother books for Christmas got him Martin the Warrior. This was the first time I saw a sword wielding rodent on the cover of a book under Brian Jacques's name, but it would certainly not be the last. As my mother started as a grade school librarian at my old school when I started high school her job was to keep up with the trends, and the biggest trend was Redwall. Our local bookstore had a wall dedicated to Brian Jacques just as you entered on the left hand wall and that was usually the first stop when stocking up on books for the school library. The thing about each and every one of these books is they are just beautifully done, the covers, the chapter art, even if you've never read them or plan to read them, you covet them for your bookshelves. All twenty-two of them in the end. I finally got around to reading Redwall for the first time in 2000, my guess is that the added exposure from the the television series made me finally bite the bullet. I enjoyed it enough to read the second book, Mossflower, which, as I found out, was not the sequel. But if you're a fan of this series you know there are multiple flowcharts and timelines to study if you really want to do a deep dive. Picking this book up again a quarter century later I was enchanted by it. Sure, there's a lot of death, but there's this comradery, just a whole bunch of people coming together and defeating the baddie without dissension while also having amazing vegetarian cuisine. This was just the right book at the right time to make me feel good and cozy while also wanting to topple tyranny. Though I think I'm the exact audience for this book, it was written in the eighties and released when I was eight, so it fully embraces the traumatize your child vibe that us eighties kids know so well. It's The Secret of NIMH meet Cadfael meets The Name of the Rose, whose star-studded adaptation came out the same year in wonderful synchronicity. A comfort despite all the death and destruction, which I think anyone who has watched The NeverEnding Story ad infintum knows aren't mutually exclusive feels. Though this one has more of a human element than later volumes, which Jacques says was intentional. But I still would love a deep dive on where the hell the idea for Basil Stag Hare came from. Is he a time traveler from WWII? I mean, I love animals thinking they're secret agents and spies, the foxes in the Rivers of London series being the prime example, but for a pseudo medieval world this was just weird. But I like weird, so we're all good.

Friday, February 16, 2024

Book Review - Cecily Walters's The Ghosts of Nothing

The Ghosts of Nothing by Cecily Walters
Published by: Cecily Walters
Publication Date: July 18th, 2023
Format: Kindle, 380 Pages
Rating: ★★★★
To Buy (different edition than one reviewed)

If your last name is Morrighan you're going to have a tough time of it in Nothing, a town typically topping "most haunted" lists. Nelly Morrighan knows this all too well. She has been bullied and ostracized her entire life because the town believes all their woes can be laid at the feet of the Morrighans. All her sixteen years have been spent holding in the pain, keeping her head down, not thinking about her missing mother and her institutionalized father. Because the one time she lashed out at her bullies a kid ended up in the hospital. Her one reprieve is school, far away from Nothing, even if she's saddled with a roommate from home. Until her strict grandmother changes her mind and Nelly ends up boarding at the local school which is run by the mother of the boy she hospitalized. But these changes are nothing compared to the bigger changes ahead when she uncovers a secret. A secret that has been kept from her her entire life and revealed by two otherworldly figures she encounters on the Morrighan Farm late one night, Jack and Fig. Who just happen to be fairies. And Nelly's a half-fairy. And unlike almost all offspring of these forbidden interspecies liaisons she has power. And for someone who has spent their entire life cowering, you know when you are given power you must wield it responsibly. Which is why Nelly's off to the land of fairies. It was her powers that hospitalized her bully, and it was Fig's powers that has done the same to Nelly's grandmother. They can put things right by travelling to the other realm. Which is dangerous for a multitude of reasons, not the least of which is what Nelly is and the fact that Fig is a wanted criminal and that the government assumes that she is dead, which is what she will be if she is found back in fairy. But Nelly's eyes are opened there and she feels free for the first time ever, the food tastes different, she feels powerful, and no longer haunted by her name. Will she be able to hold onto this feeling when she returns to Nothing or will the past come back to haunt her?

As one of my friends said about The Ghosts of Nothing it's cinematic. He put into one word what I was struggling to say with way too many. This book reminds me of epic eighties fantasy movies, you know, cinematic. The Neverending Story, Labyrinth, Return to Oz, The Secret of Nimh, movies that are part of my DNA. These films showed us wonders as well as horrors. Sure, they might have traumatized an entire generation, but I wouldn't have had my childhood any other way. Because these films made me believe in magic. The Ghosts of Nothing connected me to memories I had long since forgotten. Growing up I had a huge sugar maple in my front yard and I would spend hours under it and near it, carefully prying open the propellers while watching a very specific section of sky which, thanks to the eighties Serendipity books series, I was convinced was the only place where a pegasus could come through to our world. I saw a unicorn at the circus, so surely a pegasus would visit me! I mean, I now know that that wasn't a unicorn I saw, but there was still the magic of nature under that maple. And reading about the maple keys, the distinct turn of phrase the inhabitants of Nothing use for maple propellers, brought all these memories flooding back. It also made me wonder how the inhabitants of this town use such a fairy turn of phrase. I'm wondering if there's a lot more cross-pollination between the worlds that we will learn about in the coming books. And that again feeds into the fairy tale origins of it all. The way stories are passed down through the generations and are used to teach us lessons and morals. And the thing is, these lessons can be terrifying, and those morals, they might just mean you life. This book doesn't shy away from the darker aspects of life. The politics in particular in the fairy realm will feel eerily prescient to anyone following today's news. Which is what fairy tales are all about, telling us a story but reflecting the world around us. Dark and light. I can't wait to see how Nelly embraces her powers, but I think the real lesson she needs to take to heart is to not be too hard on herself. The world is dark and full of monsters, be the light even if other people can't see it.

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