strange and random happenstance

Bookstore: Barnes and Noble West

Location: West Side of Madison, Wisconsin

Why I Love Them: While Borders had opened in Madison four years earlier, RIP Borders, the opening of Barnes and Noble seemed like a far bigger deal. Or maybe because 1996 was when I officially came out of my cocoon emerging as the a book worm I was destined to be and therefore I greeted this store's opening with outstretched arms waiting to be filled with all they had to offer. There were literally weeks of events leading up to the official opening and because my mother was a school librarian I was lucky enough to tag along with her before the store actually opened to the public. The size of the store was mind-boggling to me. I'd never been in a bookstore before with TWO levels. There was so much my mind couldn't take it all in, I didn't know where to even start. But over the years since then I have spent so many delightful hours in the company of friends in this store, both real and those found between the pages of a book. As for all the Harry Potter midnight releases? Cherished memories! I still have my original and battered Barnes and Noble membership from the very first month they started the program in 2001. While you might think that supporting a chain is not as noble as supporting an independent store, keep in mind, these stores are in just as much jeopardy and in my mind, there's plenty of book buying I need to do in my life so I'm happy to spread it around.  

Best Buy: And as for my best buy... now this is a VERY unique one. For as long as I can remember EVERYONE in my family has been a fan of Edward Gorey. Whether it was because of his intricately detailed sets from Mystery! to his darkly humorous books we have always loved his work. Even to the point that I was personally willing to wear white t-shirts because they had his work on it, and it takes a lot for a girl to be willing to wear white, let me tell you! When Barnes and Noble had their big opening they had some unique limited edition items for sale. While I was initially drawn to everything Michael Crichton, from hardcovers to a very fetching omnibus, my gaze finally landed on this rather large box that claimed to be Dracula: The Definitive Edition Signed by Edward Gorey. As it turns out Barnes and Noble had partnered with Gorey to take his designs from the 1977 stage adaptation of Dracula starring Frank Langella as the Count and made a very nice edition of the book. Though of these editions 750 were signed by Gorey. This was one of them! This was signed by EDWARD GOREY! Yes, at $100 it was rather pricey, but to me it was and is priceless. All I knew was that I would have something he had touched and that filled me with glee. I didn't notice until I got it home that the gorgeous black tray that could be tied shut with an equally black ribbon didn't include just the book. There was also a signed lithograph! Mina looking like she'd just stepped out of the opening credits of Mystery! One day I will have to get that lithograph framed, until then I will covet it with the tenacity of a dragon with her treasure.  

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: Barnes and Noble, Borders, Bram Stoker, Dracula, Edward Gorey, Frank Langella, Harry Potter, Limited Edition, Lithograph, Madison, Michael Crichton, Mystery, Signed, Support Your Brick and Mortar

Baltimore, or, The Steadfast Tin Soldier and the Vampire by Mike Mignola and Christopher Golden
Published by: Spectra
Publication Date: August 28th, 2007
Format: Hardcover, 304 Pages
Rating: ★★★★★
To Buy

Captain Henry Baltimore leds a night attack in the Ardennes that will forever change the world. As his entire battalion is cut down he survives the initial onslaught but is left to die with a leg wound. Out of the night sky comes large bat-like creatures, carrion eaters to feast on the dead. But there's something not right about them. One sees Baltimore and decides that he will be his feast. Lashing out Baltimore injures the creature but in return the creature destroys his leg. Later in hospital, a man appears beside his bed, and Baltimore knows he's one and the same with the creature on that battlefield. This "man" tells Baltimore that he knows not what he has done and the world will pay for the injury Baltimore inflicted on him. After this incident there are three people that Baltimore confides this story to, his three friends; Captain Demetrius Aischros, Thomas Childress, and Dr. Lemuel Rose. They know not of each other until one night when Baltimore asks them to meet him in a pub whose air of decrepitude and despair matches that of the rest of the world since the plague took hold and the Great War became of no consequence in the face of this new threat.

There they sit, waiting for Baltimore. In the interim they tell their stories because it is obvious that in order to have believed Baltimore's story, without hesitation, they too must have had some experience of this supernatural evil that walks the earth. Dr. Rose, besides treating Baltimore, also treated a man who believed he was responsible for the death of all the men he was stationed with. Dr. Rose couldn't believe this to be the case, but after a night in the woods keeping watch, believing Baltimore later was a given. Captain Aischros helped escort Baltimore home after he was invalided out of the war, if he wasn't convinced by what he saw on Baltimore's island home he was by an experience years earlier. Aischros recounts a tale from his youth when he was walking the coast of Italy and came upon the town of Cicagne, famed for their puppet shows, and barely escaped with his life. Childress is the last to tell his tale, having grown up with Baltimore on Trevelyan Island, he knew Baltimore all his life, but it was an incident while working for his own father's company in Chile that opened his eyes. They talk and wait hours, the pub becoming oppressive. They aren't sure if Baltimore is going to show, but they feel the final battle with the monster from that day in the Ardennes is at hand.

If you are a fan of good art and good storytelling then the only explanation for not knowing who Mike Mignola and Christopher Golden are would be that you've spent the last few decades under a rock. While I knew of them individually, in fact meeting Christopher Golden at a Buffy the Vampire Slayer Convention in upstate New York and fangirling over his videogame script, it was in a roundabout way that I learned about Baltimore, or, The Steadfast Tin Soldier and the Vampire. Before I started this blog I was very cunning in getting press passes for events. In February of 2007 I was supposed to go to the New York Comic Con with a friend of mine but the train from Chicago to New York was snowbound and the trip was cancelled because I wouldn't be able to make it in time. I insisted that my friend go and meet Christopher Golden knowing she would love him as much as me and it so happened that he was signing posters for a new collaboration with Mike Mignola. I still have the signed poster on my office wall next to my computer. Beautifully enlarged drawings from Baltimore, or, The Steadfast Tin Soldier and the Vampire of the church in Reveka and the church interior at Cicagne, and a weeping angel that would forever slightly freak me out after the Doctor Who episode "Blink" aired later that year. THIS I knew was a book written and illustrated just for me.

What is interesting about these two authors collaborating is that both are very familiar with vampires. Mike Mignola worked on the inadvertently hilariously awesome Bram Stoker's Dracula as well as Blade II, and the Angel comics. Whereas Christopher Golden, besides writing the scripts for both Buffy the Vampire Slayer Video Games also wrote comics and books for Buffy the Vampire Slayer and Angel. So their individual and combined vampire street cred could hardly be surpassed. But what struck me so much about this book was that it wasn't just a way to shoehorn vampires into the first world war, a time when these opportunistic creatures could flourish, instead it was almost a reinvention of the vampire for a new generation. They were carrion eaters awoken by the violence of men further spurred onto creating a destructive plague by violence against one of their own, The Red King. They lived in a symbiotic relationship with man, feeding off their dead and dying. Rarely are vampires shown as creatures there to keep the balance, keep the scales from tipping. The Red King in fact lays all the vengeful ills that have befallen mankind on Baltimore lashing out to save himself on that battlefield. It's almost as if the plague is a result of hurt pride, making the vampires pitiable more than anything else.

This spin of the morals of the vampires isn't the only way that this book stands head and shoulders above the rest. The main attraction for me was that this book reeked of Victorian Christmas ghost stories. The three men thrown together around a fire while the bleakness of the day bares down on them and they tell their terrifying stories couldn't have been more Dickensian if Dickens had written it himself. I literally couldn't contain my joy as I read this book into the late hours with chills going down my spin thinking that finally someone had written my own personal The Turn of the Screw, but with vampires and the Great War and totally not a lame premise! Seeing as I read so many stories with vampires predictability of plot and worldbuilding becomes problematic. You either have it modern, which can work, though I often like it without the tweaks to our world, or you can go all Bram Stoker. It's like there's an either or switch and you're not allowed in that middle ground. But that middle ground is where the best stories can be found. Think of one of the best episodes of Angel ever, "Are You Now or Have You Ever Been." It was set during the height of McCarthyism and was approached in a whole new way. It wasn't Victorian stodginess and it wasn't new and hip. Much like here, we have a new spin that is quite fascinating and is able to harken back to the origin story while still keeping the feeling of another era.

This ability of the authors to not only capture but understand the era they are writing about and tweaking just made me giddy. Let's look at the basics. The Great War resulted in the 1918 Influenza Pandemic which actually killed more people than the war itself. So World War I is forever linked to a horrible plague, The Spanish Flu. But what Golden and Mignola do here is to cleverly expand on this. What if the flu had been worse? What if this plague was supernatural in origin? What if it wasn't just supernatural but was a vampire with a severe grudge for getting his face a little scarred? The truth is, they have taken real events and taken a believable extrapolation of events to their worst possible outcome. I know I shouldn't be so happy about a vampire plague descending on the world, but they just wrote it so well. They made a compelling alternate history. If you want to extrapolate further you could even take this into World War II. Now you're probably thinking I'm talking crazy, but think about it. World War II was inevitable as soon as we placed such hard sanctions on the Germans. We created our own worst enemy and we made Germany want another war. Here Baltimore by lashing out at The Red King to save himself creates the plague. Sometimes in trying to protect we make matters far worse and the ramifications impossible to foresee. Plague, World War II, you see?

With all that this book has going for it, the feeling of Poe, the more relevant yet completely original vampire, the Dickensian Christmas, I wonder if perhaps the drawings weren't a step to far. Yes, I don't think it would be a true collaboration without the drawings, but I don't really think there needed to be so many. More judiciously used illustrations better positioned would have worked better in my opinion perhaps with some red as a spot color. Yes, this seems counter intuitive with me picking up the book in the first place because of the illustrations, but they just don't really work for me. I felt they were unnecessary. My main problem was that these images were forcing us to view the story in a certain way and that's not right. Words evoke images in the reader's imagination and it's the work of these readers to create the scene in their heads. To people the world of the book as we see fit. But here we are meant to view the language in a proscribed manner. Thus making the book closer to the graphic novel end of the spectrum. Don't get me wrong, I love graphic novels, they just use a different part of the brain, one where image is primary and text is secondary, and if we're lucky they merge into a cohesive whole. Instead here Mignola's illustration would draw me out of the text and make me think aloud that that isn't how I saw it and also realize that if you've seen one skull or one peaked rooftop you've probably seen them all. I am interested to see how they transitioned this book into a series of comics... perhaps that will be the proper outlet for the drawings. Whereas the story? The story is something you shouldn't miss. Just never mind that skull or that one or that other one.

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: Angel, Baltimore, Blink, Bram Stoker, Buffy the Vampire Slayer, Charles Dickens, Christopher Golden, Dracula, Going Gothic, Illustration, Mike Mignola, Spanish Flu, The Turn of the Screw, Vampires, WWI, WWII

Baltimore, or, The Steadfast Tin Soldier and the Vampire by Mike Mignola and Christopher Golden
Published by: Spectra
Publication Date: August 28th, 2007
Format: Hardcover, 304 Pages
Rating: ★★★★★
To Buy

Captain Henry Baltimore led a night attack in the Ardennes that would forever change the world. As his entire battalion is cut down he survives the initial onslaught but is left to die with a leg wound. Out of the night sky comes large bat-like creatures, carrion eaters to feast on the dead. But there's something not right about them. One sees Baltimore and decides that he will be his feast. Lashing out Baltimore injures the creature but in return the creature destroys his leg. Later in hospital, a man appears beside his bed, and Baltimore knows he's one and the same to the creature on that battlefield. This "man" tells Baltimore that he knows not what he has done and the world will pay for the injury Baltimore inflicted on him. After this incident there are three people that Baltimore confides this story to, his three friends; Captain Demetrius Aischros, Thomas Childress, and Dr. Lemuel Rose. They know not of each other until one night when Baltimore asks them to meet him in a pub whose air of decrepitude and despair matches that of the rest of the world since the plague took hold and the Great War became of no consequence in the face of this new threat.

There they sit, waiting for Baltimore. In the interim they tell their stories because it is obvious that in order to have believed Baltimore's story, without hesitation, they too must have had some experience of this supernatural evil that walks the earth. Dr. Rose, besides treating Baltimore, also treated a man who believed he was responsible for the death of all the men he was stationed with. Dr. Rose couldn't believe this to be the case, but after a night in the woods keeping watch, believing Baltimore later was a given. Captain Aischros helped escort Baltimore home after he was invalided out of the war, if he wasn't convinced by what he saw on Baltimore's island home he was by an experience years earlier. Aischros recounts a tale from his youth when he was walking the coast of Italy and came upon the town of Cicagne, famed for their puppet shows, and barely escaped with his life. Childress is the last to tell his tale, having grown up with Baltimore on Trevelyan Island, he knew Baltimore all his life, but it was an incident while working for his own father's company in Chile that opened his eyes. They talk and wait hours, the pub becoming oppressive. They aren't sure if Baltimore is going to show, but they feel the final battle with the monster from that day in the Ardennes is at hand.

If you are a fan of good art and good storytelling then the only explanation for not knowing who Mike Mignola and Christopher Golden are would be that you've spent the last few decades under a rock. While I knew of them individually, in fact meeting Christopher Golden at a Buffy the Vampire Slayer Convention in upstate New York and fangirling over his videogame script, it was in a roundabout way that I learned about Baltimore, or, The Steadfast Tin Soldier and the Vampire. Before I started this blog I was very cunning in getting press passes for events. In February of 2007 I was supposed to go to the New York Comic Con with a friend of mine but the train from Chicago to New York was snowbound and the trip was cancelled because I wouldn't be able to make it in time. I insisted that my friend go and meet Christopher Golden knowing she would love him as much as me and it so happened that he was signing posters for a new collaboration with Mike Mignola. I still have the signed poster on my office wall next to my computer. Beautifully enlarged drawings from Baltimore, or, The Steadfast Tin Soldier and the Vampire of the church in Reveka and the church interior at Cicagne, and a weeping angel that would forever slightly freak me out after the Doctor Who episode "Blink" aired later that year. THIS I knew was a book written and illustrated just for me.

What is interesting about these two authors collaborating is that both are very familiar with vampires. Mike Mignola worked on the inadvertently hilariously awesome Bram Stoker's Dracula as well as Blade II, and the Angel comics. Whereas Christopher Golden, besides writing the scripts for both Buffy the Vampire Slayer Video Games also wrote comics and books for Buffy the Vampire Slayer and Angel. So their individual and combined vampire street cred could hardly be surpassed. But what struck me so much about this book was that it wasn't just a way to shoehorn vampires into the first world war, a time when these opportunistic creatures could flourish, instead it was almost a reinvention of the vampire for a new generation. They were carrion eaters awoken by the violence of men further spurred onto creating a destructive plague by violence against one of their own, The Red King. They lived in a symbiotic relationship with man, feeding off their dead and dying. Rarely are vampires shown as creatures there to keep the balance, keep the scales from tipping. The Red King in fact lays all the vengeful ills that have befallen mankind on Baltimore lashing out to save himself on that battlefield. It's almost as if the plague is a result of hurt pride, making the vampires pitiable more than anything else.

This spin of the morals of the vampires isn't the only way that this book stands head and shoulders above the rest. The main attraction for me was that this book reeked of Victorian Christmas ghost stories. The three men thrown together around a fire while the bleakness of the day bares down on them and they tell their terrifying stories couldn't have been more Dickensian if Dickens had written it himself. I literally couldn't contain my joy as a read this book into the late hours with chills going down my spin thinking that finally someone had written my own personal The Turn of the Screw, but with vampires and the Great War and totally not a lame premise! Seeing as I read so many stories with vampires predictability of plot and worldbuilding becomes problematic. You either have it modern, which can work, though I often like it without the tweaks to our world, or you can go all Bram Stoker. It's like there's an either or switch and you're not allowed in that middle ground. But that middle ground is where the best stories can be found. Think of one of the best episodes of Angel ever, "Are You Now or Have You Ever Been." It was set during the height of McCarthyism and was approached in a whole new way. It wasn't Victorian stodginess and it wasn't new and hip. Much like here, we have a new spin that is quite fascinating and is able to harken back to the origin story yet while still keeping the feeling of another era.

This ability of the authors to not only capture but understand the era they are writing about and tweaking just made me giddy. Let's look at the basics. The Great War resulted in the 1918 Influenza Pandemic which actually killed more people than the war itself. So World War I is forever linked to a horrible plague, The Spanish Flu. But what Golden and Mignola do here is to cleverly expand on this. What if the flu had been worse? What if this plague was supernatural in origin? What if it wasn't just supernatural but was a vampire with a severe grudge for getting his face a little scarred? The truth is, they have taken real events and made a believable extrapolation of events to their worst possible outcome. I know I shouldn't be so happy about a vampire plague descending on the world, but they just wrote it so well. They made a compelling alternate history. If you want to extrapolate further you could even take this into World War II. Now you're probably thinking I'm talking crazy, but think about it. World War II was inevitable as soon as we placed such hard sanctions on the Germans. We created our own worst enemy and we made Germany want another war. Here Baltimore by lashing out at The Red King to save himself creates the plague. Sometimes in trying to protect we make matters far worse and the ramifications impossible to foresee. Plague, World War II, you see?

With all that this book has going for it, the feeling of Poe, the more relevant yet completely original vampire, the Dickensian Christmas, I wonder if perhaps the drawings weren't a step to far. Yes, I don't think it would be a true collaboration without the drawings, but I don't really think there needed to be so many. More judiciously used illustrations better positioned would have worked better in my opinion perhaps with some red as a spot color. Yes, this seems counter intuitive with me picking up the book in the first place because of the illustrations, but they just don't really work for me. I felt they were unnecessary. My main problem was that these images were forcing us to view the story in a certain way and that's not right. Words evoke images in the reader's imagination and it's the work of these readers to create the scene in their heads. To people the world of the book as we see fit. But here we are meant to view the language in a proscribed manner. Thus making the book closer to the graphic novel end of the spectrum. Don't get me wrong, I love graphic novels, they just use a different part of the brain, one where image is primary and text is secondary, and if we're lucky they merge into a cohesive whole. Instead here Mignola's illustration would draw me out of the text make me think allowed that that isn't how I saw it and also realize that if you've seen one skull or one peaked rooftop you've probably seen them all. I am interested to see how they transitioned this book into a series of comics... perhaps that will be the proper outlet for the drawings. Whereas the story? The story is something you shouldn't miss. Just never mind that skull or that one or that other one.

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: A Fall of Poppies, Angel, Baltimore, Blink, Bram Stoker, Buffy the Vampire Slayer, Charles Dickens, Christopher Golden, Dracula, Illustration, Mike Mignola, Spanish Flu, The Turn of the Screw, Vampires, WWI, WWII

Baltimore, or, The Steadfast Tin Soldier and the Vampire by Mike Mignola and Christopher Golden
Published by: Spectra
Publication Date: August 28th, 2007
Format: Hardcover, 304 Pages
Rating: ★★★★★
To Buy

Captain Henry Baltimore led a night attack in the Ardennes that would forever change the world. As his entire battalion is cut down he survives the initial onslaught but is left to die with a leg wound. Out of the night sky comes large bat-like creatures, carrion eaters to feast on the dead. But there's something not right about them. One sees Baltimore and decides that he will be his feast. Lashing out Baltimore injures the creature but in return the creature destroys his leg. Later in hospital, a man appears beside his bed, and Baltimore knows he's one and the same to the creature on that battlefield. This "man" tells Baltimore that he knows not what he has done and the world will pay for the injury Baltimore inflicted on him. After this incident there are three people that Baltimore confides this story to, his three friends; Captain Demetrius Aischros, Thomas Childress, and Dr. Lemuel Rose. They know not of each other until one night when Baltimore asks them to meet him in a pub whose air of decrepitude and despair matches that of the rest of the world since the plague took hold and the Great War became of no consequence in the face of this new threat.

There they sit, waiting for Baltimore. In the interim they tell their stories because it is obvious that in order to have believed Baltimore's story, without hesitation, they too must have had some experience of this supernatural evil that walks the earth. Dr. Rose, besides treating Baltimore, also treated a man who believed he was responsible for the death of all the men he was stationed with. Dr. Rose couldn't believe this to be the case, but after a night in the woods keeping watch, believing Baltimore later was a given. Captain Aischros helped escort Baltimore home after he was invalided out of the war, if he wasn't convinced by what he saw on Baltimore's island home he was by an experience years earlier. Aischros recounts a tale from his youth when he was walking the coast of Italy and came upon the town of Cicagne, famed for their puppet shows, and barely escaped with his life. Childress is the last to tell his tale, having grown up with Baltimore on Trevelyan Island, he knew Baltimore all his life, but it was an incident while working for his own father's company in Chile that opened his eyes. They talk and wait hours, the pub becoming oppressive. They aren't sure if Baltimore is going to show, but they feel the final battle with the monster from that day in the Ardennes is at hand.

If you are a fan of good art and good storytelling then the only explanation for not knowing who Mike Mignola and Christopher Golden are would be that you've spent the last few decades under a rock. While I knew of them individually, in fact meeting Christopher Golden at a Buffy the Vampire Slayer Convention in upstate New York and fangirling over his videogame script, it was in a roundabout way that I learned about Baltimore, or, The Steadfast Tin Soldier and the Vampire. Before I started this blog I was very cunning in getting press passes for events. In February of 2007 I was supposed to go to the New York Comic Con with a friend of mine but the train from Chicago to New York was snowbound and the trip was cancelled because I wouldn't be able to make it in time. I insisted that my friend go and meet Christopher Golden knowing she would love him as much as me and it so happened that he was signing posters for a new collaboration with Mike Mignola. I still have the signed poster on my office wall next to my computer. Beautifully enlarged drawings from Baltimore, or, The Steadfast Tin Soldier and the Vampire of the church in Reveka and the church interior at Cicagne, and a weeping angel that would forever slightly freak me out after the Doctor Who episode "Blink" aired later that year. THIS I knew was a book written and illustrated just for me.

What is interesting about these two authors collaborating is that both are very familiar with vampires. Mike Mignola worked on the inadvertently hilariously awesome Bram Stoker's Dracula as well as Blade II, and the Angel comics. Whereas Christopher Golden, besides writing the scripts for both Buffy the Vampire Slayer Video Games also wrote comics and books for Buffy the Vampire Slayer and Angel. So their individual and combined vampire street cred could hardly be surpassed. But what struck me so much about this book was that it wasn't just a way to shoehorn vampires into the first world war, a time when these opportunistic creatures could flourish, instead it was almost a reinvention of the vampire for a new generation. They were carrion eaters awoken by the violence of men further spurred onto creating a destructive plague by violence against one of their own, The Red King. They lived in a symbiotic relationship with man, feeding off their dead and dying. Rarely are vampires shown as creatures there to keep the balance, keep the scales from tipping. The Red King in fact lays all the vengeful ills that have befallen mankind on Baltimore lashing out to save himself on that battlefield. It's almost as if the plague is a result of hurt pride, making the vampires pitiable more than anything else.

This spin of the morals of the vampires isn't the only way that this book stands head and shoulders above the rest. The main attraction for me was that this book reeked of Victorian Christmas ghost stories. The three men thrown together around a fire while the bleakness of the day bares down on them and they tell their terrifying stories couldn't have been more Dickensian if Dickens had written it himself. I literally couldn't contain my joy as a read this book into the late hours with chills going down my spin thinking that finally someone had written my own personal The Turn of the Screw, but with vampires and the Great War and totally not a lame premise! Seeing as I read so many stories with vampires predictability of plot and worldbuilding becomes problematic. You either have it modern, which can work, though I often like it without the tweaks to our world, or you can go all Bram Stoker. It's like there's an either or switch and you're not allowed in that middle ground. But that middle ground is where the best stories can be found. Think of one of the best episodes of Angel ever, "Are You Now or Have You Ever Been." It was set during the height of McCarthyism and was approached in a whole new way. It wasn't Victorian stodginess and it wasn't new and hip. Much like here, we have a new spin that is quite fascinating and is able to harken back to the origin story yet while still keeping the feeling of another era.

This ability of the authors to not only capture but understand the era they are writing about and tweaking just made me giddy. Let's look at the basics. The Great War resulted in the 1918 Influenza Pandemic which actually killed more people than the war itself. So World War I is forever linked to a horrible plague, The Spanish Flu. But what Golden and Mignola do here is to cleverly expand on this. What if the flu had been worse? What if this plague was supernatural in origin? What if it wasn't just supernatural but was a vampire with a severe grudge for getting his face a little scarred? The truth is, they have taken real events and made a believable extrapolation of events to their worst possible outcome. I know I shouldn't be so happy about a vampire plague descending on the world, but they just wrote it so well. They made a compelling alternate history. If you want to extrapolate further you could even take this into World War II. Now you're probably thinking I'm talking crazy, but think about it. World War II was inevitable as soon as we placed such hard sanctions on the Germans. We created our own worst enemy and we made Germany want another war. Here Baltimore by lashing out at The Red King to save himself creates the plague. Sometimes in trying to protect we make matters far worse and the ramifications impossible to foresee. Plague, World War II, you see?

With all that this book has going for it, the feeling of Poe, the more relevant yet completely original vampire, the Dickensian Christmas, I wonder if perhaps the drawings weren't a step to far. Yes, I don't think it would be a true collaboration without the drawings, but I don't really think there needed to be so many. More judiciously used illustrations better positioned would have worked better in my opinion perhaps with some red as a spot color. Yes, this seems counter intuitive with me picking up the book in the first place because of the illustrations, but they just don't really work for me. I felt they were unnecessary. My main problem was that these images were forcing us to view the story in a certain way and that's not right. Words evoke images in the reader's imagination and it's the work of these readers to create the scene in their heads. To people the world of the book as we see fit. But here we are meant to view the language in a proscribed manner. Thus making the book closer to the graphic novel end of the spectrum. Don't get me wrong, I love graphic novels, they just use a different part of the brain, one where image is primary and text is secondary, and if we're lucky they merge into a cohesive whole. Instead here Mignola's illustration would draw me out of the text make me think allowed that that isn't how I saw it and also realize that if you've seen one skull or one peaked rooftop you've probably seen them all. I am interested to see how they transitioned this book into a series of comics... perhaps that will be the proper outlet for the drawings. Whereas the story? The story is something you shouldn't miss. Just never mind that skull or that one or that other one.

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: A Fall of Poppies, Angel, Baltimore, Blink, Bram Stoker, Buffy the Vampire Slayer, Charles Dickens, Christopher Golden, Dracula, Illustration, Mike Mignola, Spanish Flu, The Turn of the Screw, Vampires, WWI, WWII

The Clockwork Scarab by Colleen Gleason
Published by: Chronicle Books
Publication Date: September 17th, 2013
Format: Hardcover, 356 Pages
To Buy

The official patter:
"Evaline Stoker and Mina Holmes never meant to get into the family business. But when you're the sister of Bram and the niece of Sherlock, vampire hunting and mystery solving are in your blood. And when two society girls go missing, there's no one more qualified to investigate. Now fierce Evaline and logical Mina must resolve their rivalry, navigate the advances of not just one but three mysterious gentlemen, and solve murder with only one clue: a strange Egyptian scarab. The stakes are high. If Stoker and Holmes don't unravel why the belles of London society are in such danger, they'll become the next victims."

I quite literally cannot say how stoked (haha) I am for this book. Ever since Colleen first started talking about it however long ago it was (it felt really long ago because I'm impatient) I've had this on the top of my "To Be Read" list. Finally!

The Dream Thieves by Maggie Stiefvater
Published by: Scholastic Press
Publication Date: September 17th, 2013
Format: Hardcover, 416 Pages
To Buy

The official patter:
"The second installment in the all-new series from the masterful, #1 NEW YORK TIMES bestselling author Maggie Stiefvater!

Now that the ley lines around Cabeswater have been woken, nothing for Ronan, Gansey, Blue, and Adam will be the same. Ronan, for one, is falling more and more deeply into his dreams, and his dreams are intruding more and more into waking life. Meanwhile, some very sinister people are looking for some of the same pieces of the Cabeswater puzzle that Gansey is after..."

Everyone I know, even the author Robin LaFevers, has been talking about how good the first book in this new series by Stiefvater is... guess I should get around to it then. 

United We Spy by Ally Carter
Published by: Disney-Hyperion
Publication Date: September 17th, 2013
Format: Hardcover, 304 Pages
To Buy

The official patter:
"Cammie Morgan has lost her father and her memory, but in the heart-pounding conclusion to the best-selling Gallagher Girls series, she finds her greatest mission yet. Cammie and her friends finally know why the terrorist organization called the Circle of Cavan has been hunting her. Now the spy girls and Zach must track down the Circle's elite members to stop them before they implement a master plan that will change Cammie-and her country-forever.

Get ready for the Gallagher Girls' most astounding adventure yet as Ally Carter's New York Times best-selling series comes to breathtaking conclusion that will have readers racing to the last page."

Here's hoping for a satisfying conclusion!

The Taming of the Tights by Louise Rennison
Published by: HarperTeen
Publication Date: September 17th, 2013
Format: Hardcover, 256 Pages
To Buy

The official patter:
"Gadzooks! It's another term at Dother Hall for Tallulah and her mates. But can they keep their minds on the arts with all those boys about...After the thing-that-will-never-be-mentioned last term, Tallulah is keen to put all thoughts of Cain behind her. But that seems like that the last thing he wants. Their performing arts college may have been saved by Honey's mystery benefactor, but for how long is anyone's guess. So will Tallulah finally get to wear those golden slippers of applause or will Dr Lightowler swoop down on her glory days? And with Seth and Flossie forever snogging, Vaisey and Jack loved-up and Phil and Jo fondly biffing each other can Tallulah resist the call of her wild boy? Don your craziest tights and Irish dance your way to some surprising and hilariously unexpected answers..."

So, yeah, I didn't really like the second book and so I'm not super hyped about this one... will I read it? Yeah, probably. Also, why have the last two books been parodies of Shakespearean titles and the first a Bronte parody... switch it up on this one maybe, at least that's my feeling. But then again, who listens to me... because if they did, Louise Rennison would be doing an adult series a la Adrian Mole...

Fortunately the Milk by Neil Gaiman
Published by: HarperCollins
Publication Date: September 17th, 2013
Format: Hardcover, 128 Pages
To Buy

The official patter:
"I bought the milk," said my father. "I walked out of the corner shop, and heard a noise like this: T h u m m t h u m m. I looked up and saw a huge silver disc hovering in the air above Marshall Road."

"Hullo," I said to myself. "That's not something you see every day. And then something odd happened."

Find out just how odd things get in this hilarious story of time travel and breakfast cereal, expertly told by Newbery Medalist and bestselling author Neil Gaiman and illustrated by Skottie Young."

So, originally, I was kind of "meh" about this book, but then I saw Neil Gaiman in July and he read some of it aloud, and now it's like the book I'm most excited about, well, most excited to share with my Dad for all his heroics of making sure we never ran out of milk over the years.

Deadly Heat by Richard Castle
Published by: Hyperion
Publication Date: September 17th, 2013
Format: Hardcover, 304 Pages
To Buy

The official patter:
"Nikki Heat and Jameson Rook race to stop a deadly threat from Heat's past as well as an all-too-present serial killer, in Richard Castle's follow-up to the New York Times bestseller Frozen Heat.

Determined to find justice for her mother, top NYPD Homicide Detective Nikki Heat continues to pursue the elusive former CIA station chief who ordered her execution more than a decade ago. For the hunt, Nikki teams once again with her romantic partner, Pulitzer Prize-winning investigative journalist Jameson Rook, and their quest for the old spy and the motive behind the past murder unearths an alarming terror plot, which is anything but ancient history. It is lethal. It is now. And it has already entered its countdown phase.

Complicating Heat's mission to bring the rogue spy to justice and thwart the looming terror event, a serial killer begins menacing the Twentieth Precinct, and her homicide squad is under pressure to stop him, and soon. Known for his chilling stealth, the diabolical murderer not only singles out Nikki as the exclusive recipient of his taunting messages, he names her as his next victim."

SO glad the magenta cover won out over the lizard like one.

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: Ally Carter, Bram Stoker, Colleen Gleason, Fortunately the Milk, Louise Rennison, Maggie Stiefvater, Neil Gaiman, Richard Castle, Robin LaFevers, Sherlock Holmes, Tallulah Casey, The Clockwork Scarab

I love how Wikipedia states: "For a comparatively small island, Ireland has made a disproportionately large contribution to world literature in all its branches." My way of saying it? Ireland is awesome and that's why it has it's own special place on the calender when everyone who isn't Irish gets to pretend they are because we're so freaking awesome and cool with our disproportionally amazing writing ability. It's the storyteller gene. It's in us, it's a part of us. Time to sing, dance, talk, cry, and please, avoid the green beer.... So who are some of the people I think have given helped give Ireland it's place in the echelon of great literature? Well, for me there's everyone from Jonathan Swift, Oliver Goldsmith, James Joyce, Samuel Beckett, Bram Stoker to Roddy Doyle, Frank McCourt, Malachy McCourt, Graham Linehan, Pauline McLynn, Ardal O'Hanlon, Dylan Moran, Maeve Binchy, yeah I know some of those are comedians... but that doesn't discount them as writers, seeing as many have actually written books! But, there is one Irish Man who will always be the top, the best, the exemplar... I think you can guess, not that I'll make you. But no one comes close to Oscar Wilde. I'm sorry, don't try, you'll fail and be sad.

A favorite quote: "The public is wonderfully tolerant. It forgives everything except genius."

But then best quote about Ireland ever was in The Onion, where they were listing what Northern Ireland wants from the English as reparations, one of them was "Eddie Izzard Back." I was on the floor laughing at that one, because Eddie did live there for some time before moving to England but after he was born in Yemen. So sit back and enjoy some of the best literature on this most holy of days. If you feel more in a passive mood, pop in an episode of Father Ted, watch The Matchmaker, sing along with The Commitments, heck, Eddie's even Irish! Enjoy!

Posted by Miss Eliza at 12:00 AM 3 comments  

Labels: Ardal O'Hanlon, Bram Stoker, Dylan Moran, Graham Linehan, Ireland, Maeve Binchy, McCourt, Oliver Goldsmith, Oscar Wilde, Roddy Doyle, Samuel Beckett, St. Patrick's Day, The Commitments, Wikipedia

Dracula, The Un-Dead by Dacre Stoker
Published by: Dutton
Publication Date: October 13th, 2009
Format: Hardcover, 432Pages
To Buy

The official patter:
"At last--the sequel to Bram Stoker's classic novel Dracula, written by his direct descendant and a Dracula historian

Bram Stoker's Dracula is the prototypical horror novel, an inspiration for the world's seemingly limitless fascination with vampires. Though many have tried to replicate Stoker's horror classic- in books, television shows, and movies-only the 1931 Bela Lugosi film bore the Stoker family's support. Until now.

Dracula The Un-Dead is a bone-chilling sequel based on Bram Stoker's own handwritten notes for characters and plot threads excised from the original edition. Dracula The Un-Dead begins in 1912, twenty-five years after Dracula "crumbled into dust." Van Helsing's protégé, Dr. Jack Seward, is now a disgraced morphine addict obsessed with stamping out evil across Europe. Meanwhile, an unknowing Quincey Harker, the grown son of Jonathan and Mina, leaves law school for the London stage, only to stumble upon the troubled production of "Dracula," directed and produced by Bram Stoker himself.

The play plunges Quincey into the world of his parents' terrible secrets, but before he can confront them he experiences evil in a way he had never imagined. One by one, the band of heroes that defeated Dracula a quarter-century ago is being hunted down. Could it be that Dracula somehow survived their attack and is seeking revenge? Or is their another force at work whose relentless purpose is to destroy anything and anyone associated with Dracula?

Dracula The Un-Dead is deeply researched, rich in character, thrills and scares, and lovingly crafted as both an extension and celebration of one of the most classic popular novels in literature. "

This week I present all new releases based upon previous material. Odd that, them all coming out at the same time...anyways...lets get to it. Dracula, The Un-Dead, is not the first time a descendant has tried to cash in on their families name. Though I find it extremely funny that they point out this is the first piece of "Dracula" lore since the Lugosi film to get the families approval...hmmm I wonder how that is, duh! I mean, it looks interesting and all, but I have to wonder if it will actually be any good. I mean there is no genetic proof that makes you able to emulate a dead relative's writing style you've never met is there? I get that he might in fact be a good writer, that gene does run in families, look at the Durrell's, but still, I'm hesitant.

Lady Macbeth's Daughter by Lisa Klein
Published by: Bloomsbury
Publication Date: October 13th, 2009
Format: Hardcover, 304 Pages
To Buy

The official patter:
"Albia has grown up with no knowledge of her mother of her father, the powerful Macbeth. Instead she knows the dark lure of the Wychelm Wood and the moors, where she’s been raised by three strange sisters. It’s only when the ambitious Macbeth seeks out the sisters to foretell his fate that Albia’s life becomes tangled with the man who leaves nothing but bloodshed in his wake. She even falls in love with Fleance, Macbeth’s rival for the throne. Yet when Albia learns that she has the second sight, she must decide whether to ignore the terrible future she foresees—or to change it. Will she be able to save the man she loves from her murderous father? And can she forgive her parents their wrongs, or must she destroy them to save Scotland from tyranny?

In her highly anticipated follow-up to Ophelia, Lisa Klein delivers a powerful reimagining of Shakespeare’s Macbeth, featuring a young woman so seamlessly drawn it seems impossible she was not part of the Bard’s original play."

I love fun re-imaginings and re-purposing of things if done right. Fairy Tales and Shakespeare are great fodder for this because they are widely open to interpretation and can have a lot of updating. Lisa Klein successfully did this with Macbeth and her book Ophelia, so I'm excited to see how she handles Macbeth or if you want to be all theatrical..."that Scottish play."

Peter and the Sword of Mercy by Dave Barry and Ridley Pearson
Published by: Hyperion
Publication Date: October 13th, 2009
Format: Hardcover, 528 Pages
To Buy

The official patter:
"The year is 1901--it's been twenty-three years since Peter and the Lost Boys returned from Rundoon. Since then, nobody on the island has grown a day older, and the Lost Boys continue their friendship with the Mollusk tribe, and their rivalry with Captain Hook. Meanwhile in London, Molly has married George Darling and is raising three children: Wendy, Michael, and John. One night a visitor appears at her door; it's James, one of Peter's original Lost Boys. He is now working for Scotland Yard and suspects that the heir to England's throne, Prince Albert Edward, is under the influence of shadow creatures. These shadow creatures are determined to find a secret cache of startstuff which fell to London many centuries ago. The starstuff is hidden in an underground vault which has only one key: the Sword of Mercy, a legendary weapon kept with the Crown Jewels. Molly is determined to help, but when she suddenly goes missing, it is up to her eleven-year-old daughter, Wendy, to keep the starstuff out of the Others' clutches. She has heard her mother's stories of a flying boy named Peter Pan, and he may be her only hope in saving the world from a shadowy doom..."

In their forth Peter Pan book together (not counting those little skiny chapter book things, which I don't) Dave Barry and Ridley Pearson are back with a new book in their successful and fun continuation of the Peter Pan mythos. Since 2004 they have been expanding on the boy who never grew up, with the blessing of Disney. Personally I just think it's fun that though it's a different spelling, it's still a "Barrie," therefore extra easy to find at the bookstore. Speaking of bookstores, I noticed mine actually had this out a few days early...naughty, naughty (but at the same time yeah!)

These two will be extensively touring (see having Disney as your backers is a good thing). I have a feeling that this is not to be missed. However if you can't make it to an event, who knows, sometimes Target gets signed editions of their books. Why you ask? I still have no clue on that one!

October 12th New York
Barnes and Noble Upper East Side 5:00PM

October 16th Coral Gables, Florida
Book & Books

October 25th New York
Symphony Space, Books of Wonder

October 27th Haverford, Pennsylvania
Chester County Books

October 28th Washington, DC
Politics and Prose

October 29th Naperville
Anderson's Bookshop

October 30th Seattle
University Bookstore with Eoin Colfer

October 30th Seattle
Barnes & Noble

November 1st San Jose
Hicklebees

November 4th Phoenix
Poisoned Pen

November 5th Minnesota

November 12th St. Louis
St. Louis County Library 7:00PM

Posted by Miss Eliza at 12:23 AM 0 comments  

Labels: Bram Stoker, Dacre Stoker, Dave Barry, Dracula, Lady Macbeth's Daughts, Lisa Klein, Peter and the Sword of Mercy, Peter Pan, Ridley Pearson, Tuesday Tomorrow