Showing posts with label Mike Mignola. Show all posts
Showing posts with label Mike Mignola. Show all posts

Monday, July 15, 2019

Tuesday Tomorrow

The Magicians: Alice's Story by Lev Grossman
Published by: Archaia
Publication Date: July 16th, 2019
Format: Hardcover, 208 Pages
To Buy

The official patter:
"The Magicians: Alice's Story is an all new chapter set in the world of The Magicians trilogy of novels by New York Times bestselling author Lev Grossman that retells the events of the first novel through fan-favorite character Alice Quinn.

Alice Quinn is manifestly brilliant, and she’s always known that magic is real. During her years at Brakebills College for Magical Pedagogy, she rises to the top of her class, falls in love with Quentin Coldwater, and witnesses a horrifically magical creature invade their dimension.

It’s not soon after graduation when Alice, Quentin, and their friends set their sights on the idyllic setting of Fillory - a place thought to only live in the pages of their favorite children’s books - where magic flows like rivers...But in this magical realm nothing is what it seems and something darker lies behind the spellbinding facade. It is in the darkness where Alice will discover her true calling and her life, and those friends, forever changed.

Acclaimed novelist Lev Grossman joins New York Times bestselling writer Lilah Sturges (Jack of Fables), and breakout artist Pius Bak for a new chapter in the smash hit trilogy The Magicians."

Thank Ember and Umber for this book because how else would I survive until the new season of The Magicians? 

Bram Stoker's Dracula by Mike Mignola
Published by: IDW Publishing
Publication Date: July 16th, 2019
Format: Paperback, 136 Pages
To Buy

The official patter:
"The comics adaptation based on the film from Columbia Pictures (Sony) and Zoetrope Studios returns with all-new colors.

Mike Mignola is one of the most popular comic book artists of the past thirty years, known for such important works as Batman: Gotham by Gaslight, Cosmic Odyssey, and, of course, Hellboy. Considered to be among Mignola's greatest works, Bram Stoker's Dracula was his last project before Hellboy launched and was originally released as a full-color four issue adaptation of Francis Ford Coppola's 1992 movie. It is now presented with all-new colors for this updated edition."

It's graphic novel week and I want to make clear that firstly, I love how tacky Francis Ford Coppola's movie is, and secondly I adore Mike Mignola. It's a perfect combination!

Hellboy: 25 Years of Covers by Mike Mignola
Published by: Archaia
Publication Date: July 16th, 2019
Format: Hardcover, 208 Pages
To Buy

The official patter:
"To commemorate the 25th anniversary of the first issue of Hellboy, this deluxe art collection includes more than 150 full-page cover pieces from Mike Mignola, Richard Corben, Duncan Fegredo, and more!

This oversized 8x12" hardcover is sure to appeal to Mignola fans and comics enthusiasts alike, featuring an introduction by colorist Dave Stewart and a foreword by Mignola himself."

And speaking of my love of Mike Mignola... this is a must buy... 

Song of Blood and Stone by L. Penelope
Published by: St. Martin's Griffin
Publication Date: July 16th, 2019
Format: Paperback, 528 Pages
To Buy

The official patter:
"L. Penelope's Song of Blood and Stone is a treacherous, thrilling, epic fantasy about an outcast drawn into a war between two powerful rulers.

The kingdoms of Elsira and Lagrimar have been separated for centuries by the Mantle, a magical veil that has enforced a tremulous peace between the two lands. But now, the Mantle is cracking and the True Father, ruler of Lagrimar and the most powerful Earthsinger in the world, finally sees a way into Elsira to seize power.

All Jasminda ever wanted was to live quietly on her farm, away from the prying eyes of those in the nearby town. Branded an outcast by the color of her skin and her gift of Earthsong, she’s been shunned all her life and has learned to steer clear from the townsfolk…until a group of Lagrimari soldiers wander into her valley with an Elsiran spy, believing they are still in Lagrimar.

Through Jack, the spy, Jasminda learns that the Mantle is weakening, allowing people to slip through without notice. And even more troubling: Lagrimar is mobilizing, and if no one finds a way to restore the Mantle, it might be too late for Elsira. Their only hope lies in uncovering the secrets of the Queen Who Sleeps and Jasminda’s Earthsong is the key to unravel them.

Thrust into a hostile society and a world she doesn’t know, Jasminda and Jack race to unveil an ancient mystery that might offer salvation."

How much difference a good cover makes! This book wasn't even on my radar last year, this year, damn skippy it is!

The Darkest Summer by Ella Drummond
Published by: Hera
Publication Date: July 16th, 2019
Format: Kindle
To Buy

The official patter:
"One hot summer, Dee disappeared. Now she’s back...but she’s not the girl you knew.

Sera and Dee were the best of friends.

Until the day that Dee and her brother Leo vanished from Sera’s life, during a long hot summer fifteen years ago.

Now Sera is an adult, with her own child, five-year-old Katie, and has returned to her childhood home after her husband’s death.

While she grieves, the past haunts Sera at every turn...and then Dee and Leo return to their small Hampshire village, along with Dee’s young daughter.

But Dee is silent and haunted by her demons; no longer the fun-loving girl that Sera loved. And when Sera uncovers the shocking secret that Dee is hiding, it’s clear that the girl she knew is long gone - and that the adult she has grown into might put all of them in danger..."

I'm in the middle of one hot summer... so this book is obviously meant to be read right now. 

A Murder on Jane Street by Cathy Cash Spellman
Published by: The Wild Harp and Company
Publication Date: July 16th, 2019
Format: Kindle, 410 Pages
To Buy

The official patter:
"A brutal murder.
A heinous secret.
A deadly conspiracy.

The brutal murder of the little old lady next door puts FitzHugh Donovan on the case. A retired New York City Police Chief, he knows a cover-up when he sees one and his Irish Cop conscience can't let that happen.

Now, Fitz, his family and his quirky band of Bleecker Street Irregulars are ensnared in the bizarre secret the woman died to protect.

Is this a cold case turned hot again, or an unspeakable conspiracy that could alter the course of history?

Fitz doesn't yet know how high the stakes are, that failure isn't an option, and that the little old lady was so much more than she appeared. But he's trying to keep everyone alive long enough to find out.

Characters you’ll care about, dark shocking secrets, and disturbing similarities to today’s political scene, will keep you turning pages to an ending you won’t see coming."

Anyone else get a chuckle out of Bleecker Street Irregulars? 

The Second-Worst Restaurant in France by Alexander McCall Smith
Published by: Archaia
Publication Date: July 16th, 2019
Format: Hardcover, 208 Pages
To Buy

The official patter:
"In this delightful sequel to the best-selling comedic novel My Italian Bulldozer, Paul Stuart's travels take him to a French village, where the local restaurant's haute cuisine leaves a lot to be desired.

Renowned Scottish cookbook writer Paul Stuart is hard at work on his new book, The Philosophy of Food, but complicated domestic circumstances, and two clingy cats, are making that difficult.

So when Paul's eccentric cousin Chloe suggests that he join her at the house she's rented in the French countryside, he jumps at the chance. The two quickly befriend the locals, including their twin-sister landladies, who also own the infamous local restaurant known to be the second-worst eatery in all of France. During their stay, the restaurant's sole waitress gives birth mid-dinner service and the maître d' storms off after fighting with the head chef. Paul is soon drafted to improve the gastronomy of the village, while Chloe, ever on the hunt for her next romance, busies herself with distracting the handsome but incompetent chef. Could he be husband number six?

With all this local drama to deal with, Paul finds it next to impossible to focus on his writing, and that's before he learns that Chloe's past is far more complicated than he'd ever imagined. Paul will have to call upon all his experience - with food and with people - to bring order back to the village. And he may just learn something about family - and about himself - along the way."

I wonder if there's a bit of truth in the title, like how the previous book was inspired by Alexander McCall Smith getting to use a bulldozer in Italy...

Friday, March 9, 2018

Book Review - Mike Mignola and Christopher Golden's Baltimore, or, The Steadfast Tin Soldier and the Vampire

Baltimore, or, The Steadfast Tin Soldier and the Vampire by Mike Mignola and Christopher Golden
Published by: Spectra
Publication Date: August 28th, 2007
Format: Hardcover, 304 Pages
Rating: ★★★★★
To Buy

Captain Henry Baltimore leds a night attack in the Ardennes that will forever change the world. As his entire battalion is cut down he survives the initial onslaught but is left to die with a leg wound. Out of the night sky comes large bat-like creatures, carrion eaters to feast on the dead. But there's something not right about them. One sees Baltimore and decides that he will be his feast. Lashing out Baltimore injures the creature but in return the creature destroys his leg. Later in hospital, a man appears beside his bed, and Baltimore knows he's one and the same with the creature on that battlefield. This "man" tells Baltimore that he knows not what he has done and the world will pay for the injury Baltimore inflicted on him. After this incident there are three people that Baltimore confides this story to, his three friends; Captain Demetrius Aischros, Thomas Childress, and Dr. Lemuel Rose. They know not of each other until one night when Baltimore asks them to meet him in a pub whose air of decrepitude and despair matches that of the rest of the world since the plague took hold and the Great War became of no consequence in the face of this new threat.

There they sit, waiting for Baltimore. In the interim they tell their stories because it is obvious that in order to have believed Baltimore's story, without hesitation, they too must have had some experience of this supernatural evil that walks the earth. Dr. Rose, besides treating Baltimore, also treated a man who believed he was responsible for the death of all the men he was stationed with. Dr. Rose couldn't believe this to be the case, but after a night in the woods keeping watch, believing Baltimore later was a given. Captain Aischros helped escort Baltimore home after he was invalided out of the war, if he wasn't convinced by what he saw on Baltimore's island home he was by an experience years earlier. Aischros recounts a tale from his youth when he was walking the coast of Italy and came upon the town of Cicagne, famed for their puppet shows, and barely escaped with his life. Childress is the last to tell his tale, having grown up with Baltimore on Trevelyan Island, he knew Baltimore all his life, but it was an incident while working for his own father's company in Chile that opened his eyes. They talk and wait hours, the pub becoming oppressive. They aren't sure if Baltimore is going to show, but they feel the final battle with the monster from that day in the Ardennes is at hand.

If you are a fan of good art and good storytelling then the only explanation for not knowing who Mike Mignola and Christopher Golden are would be that you've spent the last few decades under a rock. While I knew of them individually, in fact meeting Christopher Golden at a Buffy the Vampire Slayer Convention in upstate New York and fangirling over his videogame script, it was in a roundabout way that I learned about Baltimore, or, The Steadfast Tin Soldier and the Vampire. Before I started this blog I was very cunning in getting press passes for events. In February of 2007 I was supposed to go to the New York Comic Con with a friend of mine but the train from Chicago to New York was snowbound and the trip was cancelled because I wouldn't be able to make it in time. I insisted that my friend go and meet Christopher Golden knowing she would love him as much as me and it so happened that he was signing posters for a new collaboration with Mike Mignola. I still have the signed poster on my office wall next to my computer. Beautifully enlarged drawings from Baltimore, or, The Steadfast Tin Soldier and the Vampire of the church in Reveka and the church interior at Cicagne, and a weeping angel that would forever slightly freak me out after the Doctor Who episode "Blink" aired later that year. THIS I knew was a book written and illustrated just for me.

What is interesting about these two authors collaborating is that both are very familiar with vampires. Mike Mignola worked on the inadvertently hilariously awesome Bram Stoker's Dracula as well as Blade II, and the Angel comics. Whereas Christopher Golden, besides writing the scripts for both Buffy the Vampire Slayer Video Games also wrote comics and books for Buffy the Vampire Slayer and Angel. So their individual and combined vampire street cred could hardly be surpassed. But what struck me so much about this book was that it wasn't just a way to shoehorn vampires into the first world war, a time when these opportunistic creatures could flourish, instead it was almost a reinvention of the vampire for a new generation. They were carrion eaters awoken by the violence of men further spurred onto creating a destructive plague by violence against one of their own, The Red King. They lived in a symbiotic relationship with man, feeding off their dead and dying. Rarely are vampires shown as creatures there to keep the balance, keep the scales from tipping. The Red King in fact lays all the vengeful ills that have befallen mankind on Baltimore lashing out to save himself on that battlefield. It's almost as if the plague is a result of hurt pride, making the vampires pitiable more than anything else.

This spin of the morals of the vampires isn't the only way that this book stands head and shoulders above the rest. The main attraction for me was that this book reeked of Victorian Christmas ghost stories. The three men thrown together around a fire while the bleakness of the day bares down on them and they tell their terrifying stories couldn't have been more Dickensian if Dickens had written it himself. I literally couldn't contain my joy as I read this book into the late hours with chills going down my spin thinking that finally someone had written my own personal The Turn of the Screw, but with vampires and the Great War and totally not a lame premise! Seeing as I read so many stories with vampires predictability of plot and worldbuilding becomes problematic. You either have it modern, which can work, though I often like it without the tweaks to our world, or you can go all Bram Stoker. It's like there's an either or switch and you're not allowed in that middle ground. But that middle ground is where the best stories can be found. Think of one of the best episodes of Angel ever, "Are You Now or Have You Ever Been." It was set during the height of McCarthyism and was approached in a whole new way. It wasn't Victorian stodginess and it wasn't new and hip. Much like here, we have a new spin that is quite fascinating and is able to harken back to the origin story while still keeping the feeling of another era.

This ability of the authors to not only capture but understand the era they are writing about and tweaking just made me giddy. Let's look at the basics. The Great War resulted in the 1918 Influenza Pandemic which actually killed more people than the war itself. So World War I is forever linked to a horrible plague, The Spanish Flu. But what Golden and Mignola do here is to cleverly expand on this. What if the flu had been worse? What if this plague was supernatural in origin? What if it wasn't just supernatural but was a vampire with a severe grudge for getting his face a little scarred? The truth is, they have taken real events and taken a believable extrapolation of events to their worst possible outcome. I know I shouldn't be so happy about a vampire plague descending on the world, but they just wrote it so well. They made a compelling alternate history. If you want to extrapolate further you could even take this into World War II. Now you're probably thinking I'm talking crazy, but think about it. World War II was inevitable as soon as we placed such hard sanctions on the Germans. We created our own worst enemy and we made Germany want another war. Here Baltimore by lashing out at The Red King to save himself creates the plague. Sometimes in trying to protect we make matters far worse and the ramifications impossible to foresee. Plague, World War II, you see?

With all that this book has going for it, the feeling of Poe, the more relevant yet completely original vampire, the Dickensian Christmas, I wonder if perhaps the drawings weren't a step to far. Yes, I don't think it would be a true collaboration without the drawings, but I don't really think there needed to be so many. More judiciously used illustrations better positioned would have worked better in my opinion perhaps with some red as a spot color. Yes, this seems counter intuitive with me picking up the book in the first place because of the illustrations, but they just don't really work for me. I felt they were unnecessary. My main problem was that these images were forcing us to view the story in a certain way and that's not right. Words evoke images in the reader's imagination and it's the work of these readers to create the scene in their heads. To people the world of the book as we see fit. But here we are meant to view the language in a proscribed manner. Thus making the book closer to the graphic novel end of the spectrum. Don't get me wrong, I love graphic novels, they just use a different part of the brain, one where image is primary and text is secondary, and if we're lucky they merge into a cohesive whole. Instead here Mignola's illustration would draw me out of the text and make me think aloud that that isn't how I saw it and also realize that if you've seen one skull or one peaked rooftop you've probably seen them all. I am interested to see how they transitioned this book into a series of comics... perhaps that will be the proper outlet for the drawings. Whereas the story? The story is something you shouldn't miss. Just never mind that skull or that one or that other one.

Monday, October 30, 2017

Tuesday Tomorrow

Twin Peaks: The Final Dossier by Mark Frost
Published by: Flatiron Books
Publication Date: October 31st, 2017
Format: Hardcover, 160 Pages
To Buy

The official patter:
"The crucial sequel to the New York Times bestselling The Secret History of Twin Peaks, this novel bridges the two series, and takes you deeper into the mysteries raised by the new series.

The return of Twin Peaks is one of the most anticipated events in the history of television. The subject of endless speculation, shrouded in mystery, fans will come flocking to see Mark Frost and David Lynch’s inimitable vision once again grace the screen. Featuring all the characters we know and love from the first series, as well as a list of high-powered actors in new roles, the show will be endlessly debated, discussed, and dissected.

While The Secret History of Twin Peaks served to expand the mysteries of the town and place the unexplained phenomena that unfolded there into a vastly layered, wide-ranging history, Twin Peaks: The Final Dossier tells us what happened to key characters in the twenty-five years in between the events of the first series and the second, offering details and insights fans will be clamoring for. The novel also adds context and commentary to the strange and cosmic happenings of the new series. For fans around the world begging for more, Mark Frost’s final take laid out in this novel will be required reading."

Well, after that finale I'm sure most of us have A LOT of questions, and hopefully this book will provide a few of the answers. Or I'd even settle for just one or two!

Hiddensee by Gregory Maguire
Published by: William Morrow
Publication Date: October 31st, 2017
Format: Hardcover, 304 Pages
To Buy

The official patter:
"In this imaginative novel rooted in the rich soil of early-nineteenth-century German Romanticism, beloved New York Times bestselling author Gregory Maguire twins an origin legend of the famous Nutcracker with the life of Drosselmeier, the toymaker who carves him.

Gregory Maguire’s novels have been called "bewitching," "remarkable," "extraordinary," "engrossing," "amazing," and "delicious." Having brought his legions of devoted readers to Oz in Wicked, Wonderland in After Alice and Dickensian London in Lost, Maguire now takes us to the Black Forest of Bavaria and Munich of the Brothers Grimm and E. T. A. Hoffman. Hiddensee recreates the backstory of the Nutcracker, reimaging how this entrancing creature came to be carved and how it magically guided an ailing little girl named Klara through a dreamy paradise on a snowy Christmas Eve. It also brings to life the mysterious godfather Drosselmeier—the ominous, canny, one-eyed toymaker made immortal by Petipa and Tchaikovsky’s ballet—who presents the once and future Nutcracker to Klara, his goddaughter.

But Hiddensee is not just a retelling of a classic story. Maguire discovers in the flowering of German Romanticism a migrating strain of a Hellenic mystery-cult, and ponders a profound question: how a person who is abused by life, short-changed and challenged, can access secrets that benefit the disadvantaged and powerless. Ultimately, Hiddensee, offers a message of hope. If the compromised Godfather Drosselmeier can bring an enchanted Nutcracker to a young girl in distress, perhaps everyone, however lonely or marginalized on the eve of a winter holiday, has something precious to share."

So this is a weird book in that I feel it is definitely more in line with a lot of the Christmas books coming out this week, while still being Halloween enough with Maguire... and seriously, this week should be ALL about Halloween. My FAVORITE holiday on a day when books are released? Heck yea!

Mr. Higgins Comes Homes by Mike Mignola and Warwick Johnson-Cadwell
Published by: Dark Horse Books
Publication Date: October 31st, 2017
Format: Hardcover, 49 Pages
To Buy

The official patter:
"Preparations begin at Castle Golga for the annual festival of the undead, as a pair of fearless vampire killers question a man hidden away in a monastery on the Baltic Sea. The mysterious Mr. Higgins wants nothing more than to avoid the scene of his wife's death, and the truth about what happened to him in that castle. However, these heroic men sworn to rid the world of the vampire scourge, inspire Higgins to venture out and to end the only suffering he really cares about--his own.

This send-up of classic vampire stories sees Mignola teaming with British artist Warwick Johnson-Cadwell (Solid State Tank Girl, No. 1 Car Spotter) for an original graphic novel as outlandish as The Amazing Screw-On Head."

Now THIS is what I call a Halloween release! 

Total Cat Mojo by Jackson Galaxy
Published by: TarcherPerigee
Publication Date: October 31st, 2017
Format: Paperback, 384 Pages
To Buy

The official patter:
"This comprehensive cat care guide from the star of the hit Animal Planet show "My Cat from Hell," Jackson Galaxy, shows us how to eliminate feline behavioral problems by understanding cats' instinctive behavior.

Cat Mojo is the confidence that cats exhibit when they are at ease in their environment and in touch with their natural instincts—to hunt, catch, kill, eat, groom, and sleep. Problems such as litter box avoidance and aggression arise when cats lack this confidence. Jackson Galaxy's number one piece of advice to his clients is to help their cats harness their mojo.

This book is his most comprehensive guide yet to cat behavior and basic cat care, rooted in understanding cats better. From getting kittens off to the right start socially, to taking care of cats in their senior years, and everything in between, this book addresses the head-to-toe physical and emotional needs of cats—whether related to grooming, nutrition, play, or stress-free trips to the vet."

And cats! Nothing says Halloween like cats!

Thursday, January 5, 2017

Book Review 2016 #9 - Mike Mignola and Christopher Golden's Baltimore, or, The Steadfast Tin Soldier and the Vampire

Baltimore, or, The Steadfast Tin Soldier and the Vampire by Mike Mignola and Christopher Golden
Published by: Spectra
Publication Date: August 28th, 2007
Format: Hardcover, 304 Pages
Rating: ★★★★★
To Buy

Captain Henry Baltimore led a night attack in the Ardennes that would forever change the world. As his entire battalion is cut down he survives the initial onslaught but is left to die with a leg wound. Out of the night sky comes large bat-like creatures, carrion eaters to feast on the dead. But there's something not right about them. One sees Baltimore and decides that he will be his feast. Lashing out Baltimore injures the creature but in return the creature destroys his leg. Later in hospital, a man appears beside his bed, and Baltimore knows he's one and the same to the creature on that battlefield. This "man" tells Baltimore that he knows not what he has done and the world will pay for the injury Baltimore inflicted on him. After this incident there are three people that Baltimore confides this story to, his three friends; Captain Demetrius Aischros, Thomas Childress, and Dr. Lemuel Rose. They know not of each other until one night when Baltimore asks them to meet him in a pub whose air of decrepitude and despair matches that of the rest of the world since the plague took hold and the Great War became of no consequence in the face of this new threat.

There they sit, waiting for Baltimore. In the interim they tell their stories because it is obvious that in order to have believed Baltimore's story, without hesitation, they too must have had some experience of this supernatural evil that walks the earth. Dr. Rose, besides treating Baltimore, also treated a man who believed he was responsible for the death of all the men he was stationed with. Dr. Rose couldn't believe this to be the case, but after a night in the woods keeping watch, believing Baltimore later was a given. Captain Aischros helped escort Baltimore home after he was invalided out of the war, if he wasn't convinced by what he saw on Baltimore's island home he was by an experience years earlier. Aischros recounts a tale from his youth when he was walking the coast of Italy and came upon the town of Cicagne, famed for their puppet shows, and barely escaped with his life. Childress is the last to tell his tale, having grown up with Baltimore on Trevelyan Island, he knew Baltimore all his life, but it was an incident while working for his own father's company in Chile that opened his eyes. They talk and wait hours, the pub becoming oppressive. They aren't sure if Baltimore is going to show, but they feel the final battle with the monster from that day in the Ardennes is at hand.

If you are a fan of good art and good storytelling then the only explanation for not knowing who Mike Mignola and Christopher Golden are would be that you've spent the last few decades under a rock. While I knew of them individually, in fact meeting Christopher Golden at a Buffy the Vampire Slayer Convention in upstate New York and fangirling over his videogame script, it was in a roundabout way that I learned about Baltimore, or, The Steadfast Tin Soldier and the Vampire. Before I started this blog I was very cunning in getting press passes for events. In February of 2007 I was supposed to go to the New York Comic Con with a friend of mine but the train from Chicago to New York was snowbound and the trip was cancelled because I wouldn't be able to make it in time. I insisted that my friend go and meet Christopher Golden knowing she would love him as much as me and it so happened that he was signing posters for a new collaboration with Mike Mignola. I still have the signed poster on my office wall next to my computer. Beautifully enlarged drawings from Baltimore, or, The Steadfast Tin Soldier and the Vampire of the church in Reveka and the church interior at Cicagne, and a weeping angel that would forever slightly freak me out after the Doctor Who episode "Blink" aired later that year. THIS I knew was a book written and illustrated just for me.

What is interesting about these two authors collaborating is that both are very familiar with vampires. Mike Mignola worked on the inadvertently hilariously awesome Bram Stoker's Dracula as well as Blade II, and the Angel comics. Whereas Christopher Golden, besides writing the scripts for both Buffy the Vampire Slayer Video Games also wrote comics and books for Buffy the Vampire Slayer and Angel. So their individual and combined vampire street cred could hardly be surpassed. But what struck me so much about this book was that it wasn't just a way to shoehorn vampires into the first world war, a time when these opportunistic creatures could flourish, instead it was almost a reinvention of the vampire for a new generation. They were carrion eaters awoken by the violence of men further spurred onto creating a destructive plague by violence against one of their own, The Red King. They lived in a symbiotic relationship with man, feeding off their dead and dying. Rarely are vampires shown as creatures there to keep the balance, keep the scales from tipping. The Red King in fact lays all the vengeful ills that have befallen mankind on Baltimore lashing out to save himself on that battlefield. It's almost as if the plague is a result of hurt pride, making the vampires pitiable more than anything else.

This spin of the morals of the vampires isn't the only way that this book stands head and shoulders above the rest. The main attraction for me was that this book reeked of Victorian Christmas ghost stories. The three men thrown together around a fire while the bleakness of the day bares down on them and they tell their terrifying stories couldn't have been more Dickensian if Dickens had written it himself. I literally couldn't contain my joy as a read this book into the late hours with chills going down my spin thinking that finally someone had written my own personal The Turn of the Screw, but with vampires and the Great War and totally not a lame premise! Seeing as I read so many stories with vampires predictability of plot and worldbuilding becomes problematic. You either have it modern, which can work, though I often like it without the tweaks to our world, or you can go all Bram Stoker. It's like there's an either or switch and you're not allowed in that middle ground. But that middle ground is where the best stories can be found. Think of one of the best episodes of Angel ever, "Are You Now or Have You Ever Been." It was set during the height of McCarthyism and was approached in a whole new way. It wasn't Victorian stodginess and it wasn't new and hip. Much like here, we have a new spin that is quite fascinating and is able to harken back to the origin story yet while still keeping the feeling of another era.

This ability of the authors to not only capture but understand the era they are writing about and tweaking just made me giddy. Let's look at the basics. The Great War resulted in the 1918 Influenza Pandemic which actually killed more people than the war itself. So World War I is forever linked to a horrible plague, The Spanish Flu. But what Golden and Mignola do here is to cleverly expand on this. What if the flu had been worse? What if this plague was supernatural in origin? What if it wasn't just supernatural but was a vampire with a severe grudge for getting his face a little scarred? The truth is, they have taken real events and made a believable extrapolation of events to their worst possible outcome. I know I shouldn't be so happy about a vampire plague descending on the world, but they just wrote it so well. They made a compelling alternate history. If you want to extrapolate further you could even take this into World War II. Now you're probably thinking I'm talking crazy, but think about it. World War II was inevitable as soon as we placed such hard sanctions on the Germans. We created our own worst enemy and we made Germany want another war. Here Baltimore by lashing out at The Red King to save himself creates the plague. Sometimes in trying to protect we make matters far worse and the ramifications impossible to foresee. Plague, World War II, you see?

With all that this book has going for it, the feeling of Poe, the more relevant yet completely original vampire, the Dickensian Christmas, I wonder if perhaps the drawings weren't a step to far. Yes, I don't think it would be a true collaboration without the drawings, but I don't really think there needed to be so many. More judiciously used illustrations better positioned would have worked better in my opinion perhaps with some red as a spot color. Yes, this seems counter intuitive with me picking up the book in the first place because of the illustrations, but they just don't really work for me. I felt they were unnecessary. My main problem was that these images were forcing us to view the story in a certain way and that's not right. Words evoke images in the reader's imagination and it's the work of these readers to create the scene in their heads. To people the world of the book as we see fit. But here we are meant to view the language in a proscribed manner. Thus making the book closer to the graphic novel end of the spectrum. Don't get me wrong, I love graphic novels, they just use a different part of the brain, one where image is primary and text is secondary, and if we're lucky they merge into a cohesive whole. Instead here Mignola's illustration would draw me out of the text make me think allowed that that isn't how I saw it and also realize that if you've seen one skull or one peaked rooftop you've probably seen them all. I am interested to see how they transitioned this book into a series of comics... perhaps that will be the proper outlet for the drawings. Whereas the story? The story is something you shouldn't miss. Just never mind that skull or that one or that other one.

Monday, December 19, 2016

Tuesday Tomorrow

The Dreamblood Duology by N.K. Jemisin
Published by: Orbit
Publication Date: December 20th, 2016
Format: Paperback, 960 Pages
To Buy

The official patter:
"The city burned beneath the Dreaming Moon.

In the ancient city-state of Gujaareh, peace is the only law. Upon its rooftops and amongst the shadows of its cobbled streets wait the Gatherers -- the keepers of this peace. Priests of the dream-goddess, their duty is to harvest the magic of the sleeping mind and use it to heal, soothe . . . and kill those judged corrupt.

But when a conspiracy blooms within Gujaareh's great temple, Ehiru -- the most famous of the city's Gatherers -- must question everything he knows. Someone, or something, is murdering dreamers in the goddess' name, stalking its prey both in Gujaareh's alleys and the realm of dreams. Ehiru must now protect the woman he was sent to kill -- or watch the city be devoured by war and forbidden magic."

There's always slim pickings the week of Christmas, but I've found a good one!

Baltimore Volume 7: Empty Graves by Mike Mignola and Christopher Golden
Published by: Dark Horse Books
Publication Date: December 20th, 2016
Format: Hardcover, 144 Pages
To Buy

The official patter:
"Baltimore's allies relive their own troubled pasts while they bury their fallen friends. Can they uncover the origins of the Blood-Red Witch before she awakens the Red King--the devil behind all the world's evil?"

After reading the novel I am very excited to get on the comic bandwagon for Baltimore! 

The Complete Chi's Sweet Home Part 4 by Konami Kanata
Published by: Vertical Comics
Publication Date: December 20th, 2016
Format: Paperback, 480 Pages
To Buy

If you need something heartwarming this holiday season, I would recommend Chi! She's the sweet most wonderful most happy cat there is. Seriously. Read. This. Series.

Friday, September 23, 2016

Book Review - Mike Mignola and Christopher Golden's Baltimore, or, The Steadfast Tin Soldier and the Vampire

Baltimore, or, The Steadfast Tin Soldier and the Vampire by Mike Mignola and Christopher Golden
Published by: Spectra
Publication Date: August 28th, 2007
Format: Hardcover, 304 Pages
Rating: ★★★★★
To Buy

Captain Henry Baltimore led a night attack in the Ardennes that would forever change the world. As his entire battalion is cut down he survives the initial onslaught but is left to die with a leg wound. Out of the night sky comes large bat-like creatures, carrion eaters to feast on the dead. But there's something not right about them. One sees Baltimore and decides that he will be his feast. Lashing out Baltimore injures the creature but in return the creature destroys his leg. Later in hospital, a man appears beside his bed, and Baltimore knows he's one and the same to the creature on that battlefield. This "man" tells Baltimore that he knows not what he has done and the world will pay for the injury Baltimore inflicted on him. After this incident there are three people that Baltimore confides this story to, his three friends; Captain Demetrius Aischros, Thomas Childress, and Dr. Lemuel Rose. They know not of each other until one night when Baltimore asks them to meet him in a pub whose air of decrepitude and despair matches that of the rest of the world since the plague took hold and the Great War became of no consequence in the face of this new threat.

There they sit, waiting for Baltimore. In the interim they tell their stories because it is obvious that in order to have believed Baltimore's story, without hesitation, they too must have had some experience of this supernatural evil that walks the earth. Dr. Rose, besides treating Baltimore, also treated a man who believed he was responsible for the death of all the men he was stationed with. Dr. Rose couldn't believe this to be the case, but after a night in the woods keeping watch, believing Baltimore later was a given. Captain Aischros helped escort Baltimore home after he was invalided out of the war, if he wasn't convinced by what he saw on Baltimore's island home he was by an experience years earlier. Aischros recounts a tale from his youth when he was walking the coast of Italy and came upon the town of Cicagne, famed for their puppet shows, and barely escaped with his life. Childress is the last to tell his tale, having grown up with Baltimore on Trevelyan Island, he knew Baltimore all his life, but it was an incident while working for his own father's company in Chile that opened his eyes. They talk and wait hours, the pub becoming oppressive. They aren't sure if Baltimore is going to show, but they feel the final battle with the monster from that day in the Ardennes is at hand.

If you are a fan of good art and good storytelling then the only explanation for not knowing who Mike Mignola and Christopher Golden are would be that you've spent the last few decades under a rock. While I knew of them individually, in fact meeting Christopher Golden at a Buffy the Vampire Slayer Convention in upstate New York and fangirling over his videogame script, it was in a roundabout way that I learned about Baltimore, or, The Steadfast Tin Soldier and the Vampire. Before I started this blog I was very cunning in getting press passes for events. In February of 2007 I was supposed to go to the New York Comic Con with a friend of mine but the train from Chicago to New York was snowbound and the trip was cancelled because I wouldn't be able to make it in time. I insisted that my friend go and meet Christopher Golden knowing she would love him as much as me and it so happened that he was signing posters for a new collaboration with Mike Mignola. I still have the signed poster on my office wall next to my computer. Beautifully enlarged drawings from Baltimore, or, The Steadfast Tin Soldier and the Vampire of the church in Reveka and the church interior at Cicagne, and a weeping angel that would forever slightly freak me out after the Doctor Who episode "Blink" aired later that year. THIS I knew was a book written and illustrated just for me.

What is interesting about these two authors collaborating is that both are very familiar with vampires. Mike Mignola worked on the inadvertently hilariously awesome Bram Stoker's Dracula as well as Blade II, and the Angel comics. Whereas Christopher Golden, besides writing the scripts for both Buffy the Vampire Slayer Video Games also wrote comics and books for Buffy the Vampire Slayer and Angel. So their individual and combined vampire street cred could hardly be surpassed. But what struck me so much about this book was that it wasn't just a way to shoehorn vampires into the first world war, a time when these opportunistic creatures could flourish, instead it was almost a reinvention of the vampire for a new generation. They were carrion eaters awoken by the violence of men further spurred onto creating a destructive plague by violence against one of their own, The Red King. They lived in a symbiotic relationship with man, feeding off their dead and dying. Rarely are vampires shown as creatures there to keep the balance, keep the scales from tipping. The Red King in fact lays all the vengeful ills that have befallen mankind on Baltimore lashing out to save himself on that battlefield. It's almost as if the plague is a result of hurt pride, making the vampires pitiable more than anything else.

This spin of the morals of the vampires isn't the only way that this book stands head and shoulders above the rest. The main attraction for me was that this book reeked of Victorian Christmas ghost stories. The three men thrown together around a fire while the bleakness of the day bares down on them and they tell their terrifying stories couldn't have been more Dickensian if Dickens had written it himself. I literally couldn't contain my joy as a read this book into the late hours with chills going down my spin thinking that finally someone had written my own personal The Turn of the Screw, but with vampires and the Great War and totally not a lame premise! Seeing as I read so many stories with vampires predictability of plot and worldbuilding becomes problematic. You either have it modern, which can work, though I often like it without the tweaks to our world, or you can go all Bram Stoker. It's like there's an either or switch and you're not allowed in that middle ground. But that middle ground is where the best stories can be found. Think of one of the best episodes of Angel ever, "Are You Now or Have You Ever Been." It was set during the height of McCarthyism and was approached in a whole new way. It wasn't Victorian stodginess and it wasn't new and hip. Much like here, we have a new spin that is quite fascinating and is able to harken back to the origin story yet while still keeping the feeling of another era.

This ability of the authors to not only capture but understand the era they are writing about and tweaking just made me giddy. Let's look at the basics. The Great War resulted in the 1918 Influenza Pandemic which actually killed more people than the war itself. So World War I is forever linked to a horrible plague, The Spanish Flu. But what Golden and Mignola do here is to cleverly expand on this. What if the flu had been worse? What if this plague was supernatural in origin? What if it wasn't just supernatural but was a vampire with a severe grudge for getting his face a little scarred? The truth is, they have taken real events and made a believable extrapolation of events to their worst possible outcome. I know I shouldn't be so happy about a vampire plague descending on the world, but they just wrote it so well. They made a compelling alternate history. If you want to extrapolate further you could even take this into World War II. Now you're probably thinking I'm talking crazy, but think about it. World War II was inevitable as soon as we placed such hard sanctions on the Germans. We created our own worst enemy and we made Germany want another war. Here Baltimore by lashing out at The Red King to save himself creates the plague. Sometimes in trying to protect we make matters far worse and the ramifications impossible to foresee. Plague, World War II, you see?

With all that this book has going for it, the feeling of Poe, the more relevant yet completely original vampire, the Dickensian Christmas, I wonder if perhaps the drawings weren't a step to far. Yes, I don't think it would be a true collaboration without the drawings, but I don't really think there needed to be so many. More judiciously used illustrations better positioned would have worked better in my opinion perhaps with some red as a spot color. Yes, this seems counter intuitive with me picking up the book in the first place because of the illustrations, but they just don't really work for me. I felt they were unnecessary. My main problem was that these images were forcing us to view the story in a certain way and that's not right. Words evoke images in the reader's imagination and it's the work of these readers to create the scene in their heads. To people the world of the book as we see fit. But here we are meant to view the language in a proscribed manner. Thus making the book closer to the graphic novel end of the spectrum. Don't get me wrong, I love graphic novels, they just use a different part of the brain, one where image is primary and text is secondary, and if we're lucky they merge into a cohesive whole. Instead here Mignola's illustration would draw me out of the text make me think allowed that that isn't how I saw it and also realize that if you've seen one skull or one peaked rooftop you've probably seen them all. I am interested to see how they transitioned this book into a series of comics... perhaps that will be the proper outlet for the drawings. Whereas the story? The story is something you shouldn't miss. Just never mind that skull or that one or that other one.

Monday, October 15, 2012

Tuesday Tomorrow

Death in the Floating City by Tasha Alexander
Published by: Minotaur
Publication Date: October 16th, 2012
Format: Hardcover, 320 Pages
To Buy

The official patter:
"Years ago, Emily's childhood nemesis, Emma Callum, scandalized polite society when she eloped to Venice with an Italian count. But now her father-in-law lies murdered, and her husband has vanished. There's no one Emma can turn to for help but Emily, who leaves at once with her husband, the dashing Colin Hargreaves, for Venice. There, her investigations take her from opulent palazzi to slums, libraries, and bordellos. Emily soon realizes that to solve the present day crime, she must first unravel a centuries old puzzle. But the past does not give up its secrets easily, especially when these revelations might threaten the interests of some very powerful people."

Oh, new Lady Emily! Also, answers to some questions and how jealous am I that Tasha wrote this book in Venice? Very!

The Secret Keeper by Kate Morton
Published by: Atria
Publication Date: October 16th, 2012
Format: Hardcover, 480 Pages
To Buy

The official patter:
"The new novel from the New York Times and internationally bestselling author of The Distant Hours is a spellbinding mix of mystery, thievery, murder, and enduring love.

During a party at the family farm in the English countryside, sixteen-year-old Laurel Nicolson has escaped to her childhood tree house and is dreaming of the future. She spies a stranger coming up the road and sees her mother speak to him. Before the afternoon is over, Laurel will witness a shocking crime that challenges everything she knows about her family and especially her mother, Dorothy.

Now, fifty years later, Laurel is a successful and well-regarded actress, living in London. She returns to the family farm for Dorothy’s ninetieth birthday and finds herself overwhelmed by questions she has not thought about for decades. From pre-WWII England through the Blitz, to the fifties and beyond, discover the secret history of three strangers from vastly different worlds—Dorothy, Vivien, and Jimmy—who meet by chance in wartime London and whose lives are forever entwined.

The Secret Keeper explores longings and dreams, the lengths people go to fulfill them, and the consequences they can have. It is a story of lovers, friends, dreamers, and schemers told—in Morton’s signature style—against a backdrop of events that changed the world."

I am insanely excited for this book, not just because I enjoyed The Forgotten Garden, but because I'm going to a "tea with the author" event in Milwaukee for this book. Woo and a hoo!

Father Gaetano's Puppet Catechism: A Novella by Christopher Golden and Mike Mignola
Published by: St. Martin's Press
Publication Date: October 16th, 2012
Format: Hardcover, 136 Pages
To Buy

The official patter:
"From the creator of Hellboy, an illustrated novella that brings Twilight Zone originality to the written page

In the aftermath of a critical World War II battle, Father Gaetano is assigned as the sole priest at the Church of San Domenico in the small, seaside Sicilian village of Tringale. The previous pastor has died and there is a shortage of clergy at the moment, so until another can be spared, the young priest must say all of the masses himself.

Mass is not Father Gaetano’s only responsibility, however. The war has created many orphans, and thus the San Domenico rectory has been converted into an orphanage which is also his domain. The children are a joy to him, but they have lost so much, and many have begun to question their faith and their God, and his attempts to teach them catechism are in vain . . . until he finds an old puppet theatre and an ornate box of puppets in the basement. Handcrafted by the building's former caretaker, now absent, the puppets seem the perfect tool to get the children to pay attention to their lessons. But after dark the puppets emerge from that ornate box, without their strings. While the children have been questioning their faith, the puppets believe Father Gaetano's Bible stories completely. But there is such a thing as too much faith. And the children's lives will never be the same again."

I've been a fan of these two great men collaborating for some time now! Check this one out.

Older Posts Home