strange and random happenstance: Horse

During my childhood it seemed that Derek Jacobi was omnipresent. Or perhaps I just watched The Secret of NIMH more times than I can count. But whenever his name was mentioned everyone would always add the caveat about what I great actor he is. At the time I didn't understand why the caveat was needed. And then I watched I, Claudius and I understood. The thing is you can never really grasp what an amazing actor Derek Jacobi is until you've seen him as Claudius. In 2007 for Masterpiece's thirty-fifth anniversary they conducted a poll to codify The Best of Masterpiece. I might have really gone in hard on the voting for the 2002 adaptation of The Forsyte Saga, which means that I, Claudius placed third behind that adaptation. I now take full responsibility for this happening, because I, Claudius deserved the highest spot it could get. Because there was no way it could upset Upstairs, Downstairs from the top spot. And I agree, Upstairs, Downstairs is the definitive show connected to Masterpiece, but I don't think it's the best show, especially in those early seasons of Masterpiece. In those early seasons I honestly don't know of a show with a more perfect cast than I, Claudius. The cast is what raises this above the typical Roman fare. And let me tell you, I know my Roman fare. I watch a lot of miniseries about Rome. I'm not thinking about Rome all the time, but if there's a miniseries or series about Rome I will devour it. Obviously there's Rome, but I have a soft spot for Britannia and Domina. In fact I know it's been two years, but I'm still not over Domina's cancellation. But these shows are nothing to I, Claudius. NOTHING! These are perhaps the best twelve episodes of any series ever. The cast alone is stacked! Brian Blessed as Augustus, Siân Phillips in her award winning turn as Livia, John Hurt as Caligula! Once you see their performances of these characters no one else could ever do them in your eyes. Caligula is unhinged yet at the same time sympathetic. He's out of control, he has a freakin' horse as a senator, and yet, during this spiral of debauchery there is such pathos that John Hurt brings to the role. Malcolm McDowell didn't stand a chance of usurping John Hurt when he took on the role three years later in the eponymous film. Did HE do a modern dance drag show? Well!?! As for Siân Phillips? Oh, she's so deliciously devious but her trying to find a loophole to eternal suffering on her deathbed for all the harm she has done, and let me tell you, if there was a death and it looked like poison, it was, and Livia was behind it, was television at it's best. Also, apparently getting deified is the loophole she was looking for. Thankfully she had a devoted grandson to carry out her final wishes. It was Claudius if you were wondering. And Claudius, that poor ruler sandwiched between Caligula and Nero. But Derek Jacobi brings this man out of the shadows of history, shows that this man with a limp and a stammer had insight beyond his years. The way he shepherds the story, being the focal point, yet also an outsider, makes this a show you just can't turn away from. There's a reason Kenneth Branagh cast Jacobi in Dead Again. That stammer, that will, it's unforgettable and interestingly an important twist to that film. Plus, oddly enough this show is currently escapist, because Rome really makes current politics and ever the fantastical politics seen in shows like Game of Thrones look tame by comparison. Now if only they'd release this on Blu-ray for it's upcoming fiftieth anniversary life would be worth celebrating. But I'd avoid the figs at the celebration if I were you. If you know, you know.

Posted by Miss Eliza at 12:00 AM 0 comments

Labels: Augustus Caesar, Brian Blessed, Caligula, Dead Again, Derek Jacobi, Fifty-Five Years a Masterpiece, Horse, I Claudius, John Hurt, Kenneth Branagh, Livia, Malcolm McDowell, Politics, Rome, Siân Phillips, Stammer, The Secret of Nimh

A Bride's Story, Vol. 15 by Kaoru Mori
Published by: Yen Press
Publication Date: December 16th, 2025
Format: Hardcover, 224 Pages
Rating: ★★★★★
To Buy

Henry Smith's time in Asia has come to an end, or so his family has decreed. He has been captivated by his study of the Silk Road and the people he has met along the way. But his family are worried about him, his sporadic correspondence might be to blame, and they have "requested" that he return home. His family friend in Ankara, Mr. Hawkins, has been asked to intercede on their behalf as he himself is leaving the conflicted region. The fact that Henry is still alive is a bit of a shock to Mr. Hawkins, but nothing to the shock he will receive. Henry had wished to retrace his steps and say a fond farewell to all those he had met along the way, to try to capture them forever in his mind and on film with a camera he was able to acquire. This would have been a long, parlous, and probably impossible journey with the movement of Russian troops, but Henry has an additional hitch. Awhile back he met a young widow, Talas. They had fallen in love but her duty to her mother-in-law made her say goodbye to the scholarly Englishman. Yet her love for him endured and she has followed him to Ankara. Mr. Smith now intends to take her on this journey as his wife. Not just through their abbreviated sojourn among his past acquaintances, but all the way back to England. Mr. Hawkins begs him to reconsider but Henry's mind is made up. Eventually Henry, Talas, and her beloved horse Chubar, make their way to the Port of Bombay. There they book passage back to England. But Henry's homecoming is anything but welcoming. His mother won't even meet Talas and will do anything to stop them from actually marrying. The scandal would ruin them. Or so she claims. Thankfully Mr. Hawkins comes to the rescue. His family have a disused hunter lodge that Henry and Talas can live while things settle down at home. Henry will work on assembling his copious notes for publication while Talas will keep sheep. English sheep might look different, but a sheep is a sheep and she knows what she's doing. She's a practical woman. She's even considering putting Chubar out to stud. Yet Henry is her opposite, a true dreamer. Which is why he decides that if he presents Talas and his marriage as a fait accompli his family will accept her. They set out for Scotland with his brother and Mr. Hawkins as co-conspirators. But will their plan work? Only time will tell.

I first discovered Kaoru Mori back in 2010 through her manga series Emma. I was so desperate to read this story that was out of print stateside that I ordered the first volume from England. Thankfully the proceeding six volumes were available through my local library. Though, if you are a fan of this manga about a Victorian maid finding love, you will perhaps notice that my library didn't have the final three volumes and I had to wait until they were rereleased in an omnibus format to finally read the ending. And that didn't happen until seven years later. All this is to say that when a Kaoru Mori book comes out you buy it. You do whatever you can to buy that book because before you know it you won't be able to get your hands on it ever again. Yes, I'm looking at you Shirley. You're the holy grail. When A Bride's Story first started getting released in English in 2011 we were spoiled in that twice we got two volumes in a single year. Now it's a volume about every other year. Not that I'm complaining. Kaoru Mori's art is so intricate and amazing, down to the finest detail of fabric or bread, that I can't believe she can even keep to a biannual schedule. From the day I picked up this series I have been captivated but this "slice-of-life tale that is at once wholly exotic, yet familiar." The stories of each and every character have captivated me. They are my friends. We readers have journeyed with Mr. Smith along the silk road and met nomadic tribesmen, overstimulated twins, skilled hunters, sister wives, and blunt bread makers. When he started to head towards Ankara in Vol. 10 it was wistful. Because as readers it felt that once his journey came to an end the series would come to an end. And as he traveled with Talas to Port Bombay it felt like a farewell tour. We weren't just saying goodbye to these characters but this way of life that Russia would soon destroy. Yet this volume showed how this story could continue outside of Asia. We see Talas and Henry struggling and succeeding to make a life. It's a different, solitary kind of life, but I can't help feeling that as long as they have each other they will survive and thrive. Though what touched me most was the quiet moments. Kaoru Mori always has these vignettes that don't tie into the rest of the story but show a moment in time in these characters' lives. Here it was how Chubar was struggling on the sea voyage and how the ship's cat came to befriend and therefore calm him. It was this moment of two animals living symbiotically that brought a smile to my face on the darkest of nights. This series just keeps me in it's thrall. The black and white line work, the characters, their stories, I never want it to end. I can't wait for Vol. 16, but it will be at least two years. Perhaps I should reread it all again? Or maybe reread Emma... You can never have enough Kaoru Mori in your life.