strange and random happenstance

Ghosts of Karnak by George Mann
Published by: Titan Books
Publication Date: May 24th, 2016
Format: Paperback, 320 Pages
To Buy

The official patter:
"A woman is found dead on the streets of New York, ancient Egyptian symbols carved into her flesh. A ghostly figure is seen floating over the rooftops of the city. And an expedition returns from Cairo to exhibit their finds at the Metropolitan Museum of Art. Gabriel’s old friend and lover, Ginny Gray, was part of the expedition, but when Gabriel goes to meet the ship, Ginny is not on board.

Ancient forces are stirring and the Ghost, Ginny and Gabriel’s friend Donovan are caught right in the middle…"

How long have I been waiting for this book? It technically FEELS like forever, I know it's not, but it feels that way. Also Egypt Muppet arm flail! 

The City of Mirrors by Justin Cornin
Published by: Ballantine Books
Publication Date: May 24th, 2016
Format: Hardcover, 624 Pages
To Buy

The official patter:
"You followed The Passage. You faced The Twelve. Now enter The City of Mirrors for the final reckoning. As the bestselling epic races to its breathtaking finale, Justin Cronin’s band of hardened survivors await the second coming of unspeakable darkness.

The world we knew is gone. What world will rise in its place?

The Twelve have been destroyed and the terrifying hundred-year reign of darkness that descended upon the world has ended. The survivors are stepping outside their walls, determined to build society anew—and daring to dream of a hopeful future.

But far from them, in a dead metropolis, he waits: Zero. The First. Father of the Twelve. The anguish that shattered his human life haunts him, and the hatred spawned by his transformation burns bright. His fury will be quenched only when he destroys Amy—humanity’s only hope, the Girl from Nowhere who grew up to rise against him.

One last time light and dark will clash, and at last Amy and her friends will know their fate."

Just me, sitting here, waiting for the final book to start the series... yes, it's time to start it!

Aunt Dimity and the Buried Treasure by Nancy Atherton
Published by: Viking
Publication Date: May 24th, 2016
Format: Hardcover, 240 Pages
To Buy

The official patter:
"While exploring the attic in her cottage near the small English village of Finch, Lori Shepherd makes an extraordinary discovery: a gleaming gold and garnet bracelet that had once belonged to Aunt Dimity. When Lori shows the garnet bracelet to Aunt Dimity, it awakens poignant memories of a doomed romance in Aunt Dimity’s youth in London after the War. Regretfully, Aunt Dimity asks Lori to do what she could not: return the bracelet to her unsuccessful suitor—setting Lori off on an adventure through London—and through history—to put a piece of Aunt Dimity’s past to rest.

In the meantime, a new family has moved to Finch. The villagers are thrilled because their new neighbors are avid metal detectorists. Metal detectors soon become all the rage in Finch and the villagers unearth a lot of rubbish (some of it quite embarrassing) before one of them stumbles upon a trinket that could hold the key to the origin of Aunt Dimity’s bracelet.

Is the bracelet a priceless and protected national treasure? Was Aunt Dimity’s lovesick suitor a common thief? If so, how will Lori break the news to Aunt Dimity? And what will she do with the bracelet? As Lori searches for answers, she discovers an unexpected link between the buried treasure in the village and the treasure buried in Aunt Dimity’s heart."

I really need to read beyond the second book to find out how this series is still going strong and book twenty-one! 

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: Aunt Dimity, Aunt Dimity and the Buried Treasure, Egypt, George Mann, Ghosts of Karnak, Justin Cronin, Nancy Atherton, New York, The City of Mirrors, The Ghost, The MET, Tuesday Tomorrow

Ghosts of Manhattan by George Mann
Published by: PYR
Publication Date: February 2010
Format: Paperback, 237 Pages
Rating: ★★★★★
To Buy

Gabriel Cross is leading a dual life. By outward appearances he is the playboy, always partying, always throwing around his cash, unconcerned by the world around him. But inside he is haunted by the war he fought in and almost died in. He will not let New York sink into a city on the brink with the cops being controlled by the mob. With the mob being controlled by the worst mobster of them all, the elusive Roman. Splitting his time between his lounge chair and the rooftops of the city, "The Ghost" as the newspapers have named Gabriel, will help his fellow citizens by getting to the bottom of who the Roman is. Yet his carefully constructed personas are about to crash around him when the songstress he loves, Celeste, gets embroiled in the Roman's dealings, and Gabriel himself exposes his identity to perhaps the only trustworthy cop in the city. What the cost of these risks are, only time will tell. But hopefully, with time, the Roman's reign will also fall.

I never thought I'd say this, but there comes a time when there are too many superheroes. This overkill, especially by Marvel, makes me inwardly groan that there is yet another Green Arrow spin-off, yet another franchise being launched off the back of an already successful franchise, Black Panther anyone? Or worse yet, a reboot of a film series that is only a few years old, The Fantastic Four or Spiderman, take your pick! Obviously I'm in the minority here as the movies and television shows keep getting the viewers but I have personally reached my saturation point, so much so that I might not even keep watching Agents of S.H.I.E.L.D.. All this lead me to be a little leery of Ghosts of Manhattan. There was the part of me going, but it's not Victorian, but more important the part of me going, really, this book is "Introducing the World's First Steampunk Superhero," spare me.

So, despite my love of George's work I wasn't unbiased going into Ghosts of Manhattan, in fact George had a lot working against him with all my preconceived notions. And then I got a few chapters in and was hooked. The writing isn't as polished as George's other stories, but there's a rawness and immediacy that sinks it's claws in, much like a certain creature in this series second volume. The best way to describe this book is Batman meets The Great Gatsby with a little Bladerunner thrown in. Gabriel Cross has the vigilante stance as well as the violent past of Batman, but instead of emulating his "true" identity of Bruce Wayne, despite there being similarities; the 1920s lifestyle, the parties, the estate on Long Island, are all straight out of Jay Gatsby's biography. As for other comic book antecedents, there's a little Hell Boy thrown in as well. These twists and also just the demeanor of Gabriel give a story that could be full of tropes and cliches a spark of life that made a cold winter day just disappear.

The turning point for me was the introduction of the golems. I blame Terry Pratchett for my love of the golem myth, seriously, if you have not read Feet of Clay go do so now! There's just something so fascinating about golems. A figure made of clay and endowed with the spark of life but not intelligence, much like Frankenstein's monster it can be either good or evil depending on who gave it life and purpose. Not to mention the fact that they are indefatigable and nigh on undefeatable! Plus, if you think about it, they are basically automatons, which is a link back to George's other work and the scary creations in The Affinity Bridge. Which might be one reason I'm so fascinated by golems. There's something so modern about them, yet at the same time there is something so old, so historical, dating back to early Judisim. I just love that more authors are taking advantage of incorporating this myth into their narratives, golems were even used in an episode of Grimm recently.

The golems I think get at the crux of the matter as to why this book works. It's a fusing of the old and the new. Your run of the mill superhero is all about the present or the future, and of course the gadgets, with maybe the occasional need for and old relic, but that's a rare need. Here we have a superhero who is more Indiana Jones, more about the old and the new meeting and clashing and forging something no one thought possible. If the golems weren't enough to convince you of this then I bring into consideration the role The Metropolitan Museum of Art plays in the book. Not only is it the location of one of the most important scenes, as well as cringe worthy if you're in art lover, but the curator friend of Gabriel's, Arthur Wolfe, provides an entree into this older world. The relics and artwork The MET house create an important link between the here and now and the time when golems and Roman currency were more common occurrences.

This is the heart of the book, the way to make a superhero story that will actually engage me. Ghosts of Manhattan is something more. By not just being about a vigilante on a roof with his gadgets we get this other side, an old world past that hints at the supernatural and the dark arts. Before the modern era superstition and urban legends and fairy tales were so important. People didn't just listen to them as entertainment, there was truth in the tales. As time has progressed more and more people forget that perhaps, just maybe, even though we are ruled by technology and the microchip, that fairy tales can be true. The Ghost learns this the hard way and in doing so takes us on a ride that puts all other superheroes in the shade.

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: Agents of SHIELD, Batman, Feet of Clay, Gabriel Cross, George Mann, Ghosts of Manhattan, Grimm, Hell Boy, Mann Month, Marvel, New York, Superhero, Terry Pratchett, The Ghost, The Great Gatsby, The MET

So, instead of inflicting more of my dream casting on you I thought perhaps you might want to hear a little from the author himself to whom the month of November has been dedicated. So without further ado, I bring you George Mann!

Question: The first memorable book from you childhood often extends its influence throughout your life. What is your favorite book that you re-read a million times from when you were little?

Answer: I was a very lucky child, in that I was read to extensively from an early age. I had the Hobbit, the complete Chronicles of Narania and all sorts, all before the age of 6. So I think I absorbed a lot of that, and it’s all still in here, somewhere.

A formative book for me, though, was The War of the Worlds by HG Wells. That was a real revelation. I’ve always considered it one of the first great science fiction novels, and I adore how the aliens are defeated at the end by the common cold, rather than the Victorians themselves.

Question: You have created your own vigilante superhero with The Ghost. What was your favorite superhero growing up?

Answer:  It’s always been Spider-Man, and, to be honest, is still is. There’s something about the web-crawler that’s always appealed to me. I think it might be because, at heart, he’s just a normal, geeky guy, who saves the day because he has to, and because no one else is going to do it. In many ways he’s similar to the Doctor in that (see below) – he finds himself in these perilous, fantastical situations, and although he’s handy with his fists, it’s usually through intellectual endeavour that he saves the day. At least, in my favourite stories.

Of course, I’ve always been a huge fan of Batman, too. I prefer him in his ‘dark detective’ mode, stalking the streets of Gotham to solve crimes in a way the police aren’t able.

Question: Growing up what was the television show that you most anticipated every week and why?

Answer: I think you know the answer to this one…it was definitely Doctor Who. It was just so different from everything else at the time. Weird, wonderful fantasy that had a huge and lasting impact on my psyche. I loved how the Doctor would just stumble into these amazing, colourful adventures, and always win the day through cleverness, charm, or wit. It was real fuel for the imagination.

Question: Victoriana and sensational supernatural stories are really making a comeback with shows like Ripper Street and Penny Dreadful. Why do you think people are continually drawn to these subjects?

Answer: I think it’s because the Victorian period is now distant enough to seem unknowable and strange (and therefore fertile ground for sensationalising), but at the same time close enough that it still feels half-familiar. I also think there’s something about the fact that the Victorian era feels like the borderlands between the modern world and the past, science vs superstition. There was a clear preoccupation with ‘occult science’ and superstition in that age, and a view that anything was possible, if only we could find the means to achieve it. Science would prove the existence of the spirit world, that sort of thing. So again, it’s great material for a writer to get their teeth into.

Question: You've written 34 books this year, or at least it seems that what with a new book on the shelves every few weeks. Seriously, when do you not write?

Answer: Ha! I’m always writing. At the same time, though, some of that is to do with scheduling and just a coincidence of when the books are published.

I do have trouble stopping, though. Some would say it’s an affliction. I’m not happy unless I’m working on a story of some kind, in one medium or other.

Question: With the future of traditional publishing avenues in limbo many writers are turning to self-publishing. What do you make of this trend, the advantages and the pitfalls, and how will it affect traditional publishing?

Answer: Well, first and foremost I’m a big believer in the adage ‘everyone needs an editor’. I think that editor can take many different forms, but you need someone who can cast an impartial eye over your work, who knows story and structure, and who will be honest with you about the quality of what you’ve written. That’s very important, I think. So I’d never want to dispense with that.

I think digital self-publishing has a place, though. I love the idea of serializing a Newbury and Hobbes story at some point, for example, over a number of parts, like an old story paper. And clearly people are making a great success of it. Personally, though, I find the interactions I have with my publishers very, very helpful. And it helps to have a team of salespeople and publicists working on your books – if I had to do that stuff myself it would never happen, and I wouldn’t sell any books!

Really, for me, it comes down to the fact that I’d rather be writing new stories than worrying about formatting an ebook, promoting and selling it, etc etc. But I know it’s a great tool for other people, and I’d never rule it out.

Question: When you started writing the Newbury and Hobbes series did you intentionally write them as Steampunk or did you just write what you felt and it fit perfectly in the Steampunk Genre?

Answer: I’m not even sure they are steampunk! (Shock! Horror!). I definitely didn’t set out to write in any genre. In fact, The Affinity Bridge was quite the opposite. I’d spent years trying to write a big, sprawling space opera, because I thought that was the genre I should have been writing in, and it was so depressing. I just wasn’t getting anywhere with it. I wrote The Affinity Bridge for me, and just threw in everything I was interested in or loved. They’re Victorian fantasias, really, rather than steampunk. There’s not very much punk about them. They were the aesthetics of steampunk, sometimes, but they’re at least as concerned with the supernatural.

Question: With your books being interconnected we have had glimpses of the future of many of your beloved characters. As for the Newbury and Hobbes Series specifically, do you have an end in sight or is your plan to just keep writing? And when will we see The Revenant Express?

Answer: I tend to work in story arcs, rather than planning to the end of the series. So the first big N and H story arc will end in book 6, but I have no intention of retiring them. They may have a little break, but I have lots more stories to tell, if people want to keep reading them. I might also go back and write some more stories with Newbury and Templeton Black, as I enjoyed writing ‘The Dark Path’ very much.

There’s a whole bunch of N and H stuff happening next year. I’m really excited about it. New stories in three different mediums! The Revenant Express is one of them. The others, I can’t quite reveal yet. But soon!

Question: Many authors don’t think of their characters in terms of actors, but I’ve been having a little fun doing the dream casting for the hopefully one day forthcoming miniseries (fingers crossed) and I was wondering if you’ve ever thought of who could bring your characters to life?

Answer: Ha! Yes, I’ve been watching your casting with interest. I don’t feel I can say too much about casting at the moment, for reasons that will become clear later (and it’s not a TV series, alas – at least not yet), but I will say that I originally had Tom Ward in mind when I first wrote about Newbury.

Question: With the hugely successful Engines of War you are the first writer to tackle The War Doctor. How did it feel to be basically given a Doctor with a blank slate (well, minus that stuff in “The Day of the Doctor”)?

Answer: Oh, it was amazing! A dream come true, in fact. A little daunting, but so exciting, and so inspiring. I still can’t believe what they allowed me to get away with in that book. To this day, I still can’t quite actually believe it happened.

Question: In my opinion it’s unfair to ask people who their favorite Doctor is (how can I ask someone to choose when I can’t choose between Tom Baker and Matt Smith myself), so I’ll give you a twist, who is your favorite Doctor to write for? It can be one you haven’t written for yet.

Answer:  I enjoyed writing for the Eleventh Doctor a lot, but really, it has to be the War Doctor. I had SO MUCH fun with Engines of War. I’ve always wanted to write for the Eighth Doctor too. Hopefully I’ll have the opportunity at some point.

Question: You are now showrunner for Doctor Who, we won’t go into details as to how you secured the job, there may have been a cage match to the death with Moffat and Gatiss, that is unclear, but what are the top three changes you would make?

Answer: That’s a tough question. I really don’t know! Bring in more new writers, perhaps. Introduce a new male companion, maybe someone who isn’t a love interest of one of the leads. Try to persuade the BBC to do additional Easter and Halloween specials. More two-parters. I don’t think there are any silver bullets and I think it must be one of the hardest jobs in TV.

Question: What’s next for George Mann? 

Answer: The Revenant Express! Finally! And a bunch of other exciting N and H projects, as mentioned earlier. A new Ghost novel, Ghosts of Karnak, some more Doctor Who, and maybe some new things that I’m toying with at the moment…

Question: Favorite movie you’ve seen this year?

Answer: Guardians of the Galaxy. Without a doubt.

Question: Point Break or Bad Boys 2?

Answer: Point Break. I’m not sure I’m even aware of Bad Boys 2!

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: Batman, Doctor Who, George Mann, H.G. Wells, Hot Fuzz, Newbury and Hobbes, Penny Dreadful, Ripper Street, The Affinity Bridge, The Chronicles of Narnia, The Ghost, The Revenant Express, The War Doctor, Tom Ward

Ghosts of War by George Mann
Published by: PYR
Publication Date: January 2011
Format: Paperback, 232 Pages
Rating: ★★★
To Buy

Gabriel Cross, the erstwhile Ghost, is still in mourning from the loss of his love Celeste. She did what he would have done in her situation, but that doesn't mean his heart is so easily healed. But luckily for Gabriel New York is a city under siege. The newest devilment takes the form of winged creators, half brass, half dark magic. These raptors swoop out of the sky and kidnap people, for what evil purpose no one knows. They aren't just the bane of the police, with over fifty people missing, but Gabriel as well, they are too strong and too fierce for him to kill and too fast for him to follow back to their nest in order to rescue the captives, if they should still be alive. Gabriel's friend on the police force, Donovan, is surprised when his boss pulls him off the raptor case a puts him on the case of a missing British spy at the request of Senator Isambard Banks. Yet the more Donovan looks into things with the help of Gabriel, the more it looks like the two cases aren't so separate as the Senator would like them to appear.

The fact of life is that sometimes life itself gets in the way of a good book. This past week I've been bedeviled, luckily not by raptors, but by deadlines and holiday preparations. A few times perhaps I would have liked a raptor to swoop me away from my work, but only if it was to a cosy bed and not where the Ghost finds their victims... but alas, I don't think they'd play ball. Therefore a lot of the peril and immediacy of the book was lost due to the sad fact of setting it down. Sometimes when this happens I picture the characters in the book standing around and looking bored waiting for the story to begin again, like actors waiting for the director to shout action. Silly though this thought is it does show how attached I become to my stories. But enough about me, I'm sure that's not why you're reading this.

Ghosts of War was a solid second outing in George's Ghost series, though it might have veered a little towards a certain trope that every penny dreadful and every horror story has utilized, the big bad that everyone though vanquished returning. Yes, yes, I get that this is more a tradition of the genre then anything else, and I will admit that George gave enough of a spin on a certain evil creature's return that it didn't overly annoy me, it's just that at a certain point credulity sometimes gets strained. The villain, who definitely was totally dead, I mean 100% totally for sure dead magically goes, "but wait," can really become a really tiresome trend.

Yes, their are villains we grow to love, but lets look at Doctor Who as an example. Am I the only one who thinks that the Daleks and the Cybermen should be put on hiatus for AT LEAST five years? No! Because new is more unique then old told in a different way. Though George tells the old in a new and different way, so I will allow it this once because yes, it did work, but I don't want to see these Cephalopod-esque aliens for quite awhile now, thank you.

But what I felt was the flaw in the book was oddly it's creepy reflection of reality. A group of wealthy men and politicians war mongering. Where there is war or the possibility of war, no matter how disgusting it is to us, no matter how unpalatable, there are people looking to either make money or secure power. Even if their means are supernatural verging on the extraterrestrial, well, their motives are sadly all too common. Everyday in the news their is something like this. Or at least I feel that way. Politician's are more and more looking out for their own interests and their own pocketbooks than doing the altruistic job of helping their fellow man. I read, for the most part, to escape the real work, the news that could easily bring on a panic attack. To have the news seeping into my story... well, yes, it's realistic and shows that humans haven't changed, but it kind of puts a damper on my escapism.

That doesn't mean that I am any less enamoured of the Ghost. In fact I have kind of gotten maybe a little overly attached to him and one thing in particular is making me worried about him. What is that one thing? It's the breaking down of his identities. I don't mean breaking down as in having a break down, but as in Gabriel and the Ghost merging, coming together and accepting that they are both needed in order to become who Gabriel once was, before the war shattered him; and before he created careful facades in order to survive. I am liking that he's coming to terms with himself, growing and becoming more functional...

But at the same time I'm worried. With this acceptance of who he really is, this inclusion of both halves I'm worried that he might be in danger. By being seen with Donovan as Gabriel and not the Ghost, might people start to wonder? Is his safety at risk? His old flame Ginny shows up out of the blue and within minutes he's all, I'm the Ghost! There's a reason superheroes have secret identities. The secret is their for protection. Sure the secret might weigh on you and cause psychological issues, but wouldn't you rather be safe then sane? I guess I'll have to wait for more of his adventures to find out!

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: Big Bad, Cybermen, Daleks, Doctor Who, George Mann, Ghosts of War, Mann Month, New York, Penny Dreadful, Politicians, Raptors, Secret Identity, Spies, The Ghost

Ghosts of Manhattan by George Mann
Published by: PYR
Publication Date: February 2010
Format: Paperback, 237 Pages
Rating: ★★★★★
To Buy

Gabriel Cross is leading a dual life. By outward appearances he is the playboy, always partying, always throwing around his cash, unconcerned by the world around him. But inside he is haunted by the war he fought in and almost died in. He will not let New York sink into a city on the brink with the cops being controlled by the mob. With the mob being controlled by the worst mobster of them all, the elusive Roman. Splitting his time between his lounge chair and the rooftops of the city, "The Ghost" as the newspapers have named Gabriel, will help his fellow citizens by getting to the bottom of who the Roman is. Yet his carefully constructed personas are about to crash around him when the songstress he loves, Celeste, gets embroiled in the Roman's dealings, and Gabriel himself exposes his identity to perhaps the only trustworthy cop in the city. What the cost of these risks are, only time will tell. But hopefully, with time, the Roman's reign will also fall.

I never thought I'd say this, but there comes a time when there are too many superheroes. This overkill, especially by Marvel, makes me inwardly groan that there is yet another Green Arrow spin-off, yet another franchise being launched off the back of an already successful franchise, Black Panther anyone? Or worse yet, a reboot of a film series that is only a few years old, The Fantastic Four or Spiderman, take your pick! Obviously I'm in the minority here as the movies and television shows keep getting the viewers but I have personally reached my saturation point, so much so that I might not even keep watching Agents of S.H.I.E.L.D.. All this lead me to be a little leery of Ghosts of Manhattan. There was the part of me going, but it's not Victorian, but more important the part of me going, really, this book is "Introducing the World's First Steampunk Superhero," spare me.

So, despite my love of George's work I wasn't unbiased going into Ghosts of Manhattan, in fact George had a lot working against him with all my preconceived notions. And then I got a few chapters in and was hooked. The writing isn't as polished as George's other stories, but there's a rawness and immediacy that sinks it's claws in, much like a certain creature in this series second volume. The best way to describe this book is Batman meets The Great Gatsby with a little Bladerunner thrown in. Gabriel Cross has the vigilante stance as well as the violent past of Batman, but instead of emulating his "true" identity of Bruce Wayne, despite there being similarities; the 1920s lifestyle, the parties, the estate on Long Island, are all straight out of Jay Gatsby's biography. As for other comic book antecedents, there's a little Hell Boy thrown in as well. These twists and also just the demeanor of Gabriel give a story that could be full of tropes and cliches a spark of life that made a cold winter day just disappear.

The turning point for me was the introduction of the golems. I blame Terry Pratchett for my love of the golem myth, seriously, if you have not read Feet of Clay go do so now! There's just something so fascinating about golems. A figure made of clay and endowed with the spark of life but not intelligence, much like Frankenstein's monster it can be either good or evil depending on who gave it life and purpose. Not to mention the fact that they are indefatigable and nigh on undefeatable! Plus, if you think about it, they are basically automatons, which is a link back to George's other work and the scary creations in The Affinity Bridge. Which might be one reason I'm so fascinated by golems. There's something so modern about them, yet at the same time there is something so old, so historical, dating back to early Judisim. I just love that more authors are taking advantage of incorporating this myth into their narratives, golems were even used in an episode of Grimm recently.

The golems I think get at the crux of the matter as to why this book works. It's a fusing of the old and the new. Your run of the mill superhero is all about the present or the future, and of course the gadgets, with maybe the occasional need for and old relic, but that's a rare need. Here we have a superhero who is more Indiana Jones, more about the old and the new meeting and clashing and forging something no one thought possible. If the golems weren't enough to convince you of this then I bring into consideration the role The Metropolitan Museum of Art plays in the book. Not only is it the location of one of the most important scenes, as well as cringe worthy if you're in art lover, but the curator friend of Gabriel's, Arthur Wolfe, provides an entree into this older world. The relics and artwork The MET house create an important link between the here and now and the time when golems and Roman currency were more common occurrences.

This is the heart of the book, the way to make a superhero story that will actually engage me. Ghosts of Manhattan is something more. By not just being about a vigilante on a roof with his gadgets we get this other side, an old world past that hints at the supernatural and the dark arts. Before the modern era superstition and urban legends and fairy tales were so important. People didn't just listen to them as entertainment, there was truth in the tales. As time has progressed more and more people forget that perhaps, just maybe, even though we are ruled by technology and the microchip, that fairy tales can be true. The Ghost learns this the hard way and in doing so takes us on a ride that puts all other superheroes in the shade.

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: Agents of SHIELD, Batman, Feet of Clay, Gabriel Cross, George Mann, Ghosts of Manhattan, Grimm, Hell Boy, Mann Month, Marvel, New York, Superhero, Terry Pratchett, The Ghost, The Great Gatsby, The MET

As October turns to November my mind turns to Steampunk. Yes, this might seem odd, most people's thoughts turn to the holidays, Thanksgiving and sadly the ever looming Christmas, even though it's not till the end of December people. Why would this time of year bring such thoughts to my mind? Because November has an event, one might even say THE event of the year for me, TeslaCon. Next weekend will be my fourth voyage into a world of pure imagination. Yet for each year I go I always think back to my first year. That was when I met George Mann. George has become part of the ritual of the month and therefore I have been planning and plotting and alliterating to my hearts content that one November I would work my way through his oeuvre and dedicate the month to him. Well, that time has finally come! As I have been working feverishly to finish my costumes I have been spending all my spare time adventuring with Newbury and Hobbes as Bainbridge and Queen Victoria put new cases in front of them. I am living the Steampunk dream and to me that dream wouldn't be complete with George and his work. I love that he has an interconnected world where Doctor Who ties in with Newbury and Hobbes ties in with The Ghost. He has a pay off for his devoted fans but a ripping yarn for the newcomers. I hope you will join me in celebrating George this month, and if you haven't read any of his work yet, perhaps I can persuade you to pick up a volume or two.

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: Bainbridge, Doctor Who, George Mann, Mann Month, Newbury and Hobbes, November, Queen Victoria, Steampunk, Teslacon, The Ghost, Theme Month