Book Review - Leigh Bardugo's Ruin and Rising
Ruin and Rising by Leigh Bardugo
Published by: Henry Holt and Co.
Publication Date: June 17th, 2014
Format: Hardcover, 432 Pages
Rating: ★★★★★
To Buy (Different edition then one reviewed)
The Apparat's plan to win the war is to bide his time underground in his white cathedral with his disciples and rise victorious when all Alina's enemies have killed each other. While this kind of strategy has led to his long and successful career in the halls of Os Alta, Alina is going crazy underground as his saintly prisoner. Her illness after the battle with the Darkling has left her sick and frail, but being so far away from the light she summons means she is unable to fully heal, unable to escape the Apparat and her growing fear that he might realize a dead saint is less work than a living one. Luckily for Alina her fellow Grisha are concocting a plan to release her from this underground tomb and resume their hunt for the final amplifier in the hopes that then Alina will have the strength to defeat the Darkling. Escaping though is the first and easiest step, and in truth, it wasn't easy at all. But working their way out of a labyrinth of underground caverns is quite easier than locating a rebel prince who has become a sky pirate employing guerrilla tactics or hunting down a mystical creature that may not even exist. All this just in the hopes that they might succeed. Yet with the Darkling striking out faster, sooner, and unexpectedly at every turn, Alina wonders how her small misfit band of Grisha can survive and how they even became compatriots in the first place. With despair driving them more than hope, Alina wants to be the light in the darkness but fears that her lust for power might make her more similar to the Darkling than she dares admit to anyone, even Mal. And what if victory is only possible by letting go of the only thing that matters to her?
A satisfying conclusion is the hardest thing to achieve. A delicate balance of all the possible outcomes while remaining true to the characters and giving the readers closure. Some might say it's impossible, others improbable, but Leigh Bardugo comes very close to a perfect ending with a relentless pace maintained until the final pages of Ruin and Rising. I will just miss the Darkling horribly though. Perhaps I should stop falling for the baddies and the rogues so that when they are vanquished or cast aside I won't be left here pining and brokenhearted. Yet my inability to stop falling for the bad guys was a foregone conclusion with the Darkling. What made Ruin and Rising so amazing and so fully rounded a book was the insight Bardugo gave us about him. Here we don't have just a mindless baddie whose sole goal is power and destruction. We don't have a cookie cutter villain with a goofy gimmick, like a bullseye iris (don't ask me why I'm thinking of Charles Dance in Last Action Hero, I honestly don't know.) Bardugo gets that bad guys can't be all that bad, there has to be more. Here we have a multifaceted villain. He's not black like Spinal Tap none more black, he's black like an oil slick or the night sky, there's rainbows and depth, there's hints of blue that make the black blacker, but a splash of light every now and then. His back story is gut wrenching, especially if you read this edition with the prequel story "The Demon in the Wood." To the rest of the world he's this improbable being of such destructive force that he is terrifying, but to Alina, he's just a boy, like calling to like. What wouldn't we do if we spent lifetimes alone and persecuted? Your only wish to be loved and safe and have someone tenderly say your name. Your true name. To learn at the end that you are in fact truly alone, that would destroy anyone.





































































THIS is THE SHOW I've been waiting all year for. Heck, YEARS for, so yes, I might be a tad more critical because I just re-read all the books in the Grishaverse and therefore little things were getting to me amongst the greatness of this epic, like I do not believe there is any way Zoya would have bangs. Yes, she's a Squaller so she could probably maintain them, perfectly balancing humidity and placement, I just don't think they're Zoya... And yes, I admit I've probably thought about this more than was necessary, but that's just me. The grandeur and the beauty and the bangs are all here on display. This is the epic fantasy we've been needing to purge Game of Thrones out of our system, so STOP comparing it to Game of Thrones! Unless you've read all the books then I'll let you call Zoya Daenerys Targaryen 2.0. But that is all. There is so much they go right in this adaptation. I was so wary of Kaz, Jesper, Inej, Nina, and Matthias being brought forward in time I was shocked how well they fit in, merging the original trilogy and the first duology. This led to some wonderful "what if" scenarios like the Darkling and Kaz meeting in an alley. Kaz's exit was priceless. In fact while I feel the casting was so perfect throughout, hats off to Kit Young, he IS Jesper. I don't know if I've ever seen a book to screen adaptation get something so right. He just doesn't play the character well, he is Jesper! And as for the addition of Milo? Dear saints, I didn't know how much this series needed a goat until it happened! The only real issues I took had to do with budgetary concerns. They used beautiful Eastern European locations in Budapest, but Leigh so lovingly describes the Little Palace in detail I wish they had had the funds to actually build it, or at least the dining hall. Also sometimes the CGI was a little off, especially when Mal and Alina were hunting the stage, Mal himself looked like he was CGI right out of a video game and I was fighting some true uncanny valley issues. So in the end my analysis is, they got in pretty damn right, I just feel like I'm more in the world when I'm reading the books. Which now need a goat.

















