strange and random happenstance

Happy-Go-Lucky by David Sedaris
Published by: Little, Brown and Company
Publication Date: May 31st, 2022
Format: Kindle, 272 Pages
Rating: ★
To Buy (different edition than one reviewed)

Like most people during the pandemic David Sedaris lost a family member with whom he had a complicated relationship. Lou was not a good man, a liar who would belitle his son and seuxlaize his daughters, much as David would sexualize an encounter with a young boy in France. And by young I believe the child was naked and twelve and in his bed. Hopefully unlike most people their fathers hadn't been accused of sexual abuse by one of their siblings. But David, Amy, and the rest didn't believe Tiffany and now she's dead by her own hand. They claim the suicide indicates she was mentally ill, but what if it was the only solace someone who was abused by someone who was supposed to love and protect them was left with after the rest of her family denied her truth? What's more, David seems destined to fill the void left by his father, commenting on things best left unsaid. Like most people during the pandemic David Sedaris's day to day life changed. He would wander the empty streets of New York for hours begrudging the loss of his favorite pastime, window shopping, while determined to get his steps in. After all he is a man who spent $5,000 on a fur coat not because he liked it but because if he didn't buy it someone else might or might not and he couldn't stand that. And what's $5,000 anyway? Unlike most people during the pandemic he continued living his life as he pleased, damn what anyone else thought. He'd host lavish dinner parties and bemoan why anyone would need a stimulus check. He'd not see the needed social change that brought about the BLM protests, instead he'd see ways to make his way across town in the swiftest manner possible by "joining" the protests . David Sedaris is the one percent. He doesn't see why he shouldn't live as he chooses. Random strangers on the street who have crooked teeth should be thankful if he's willing to pay to have them straightened so that he doesn't have to look at them. After all he had his own teeth straightened and they make him feel better, even if Amy and Hugh don't agree. It's David's world and everyone else is merely players, fodder for his stories. Because his gaze no longer looks inward so much as a gimlet eye out to eviscerate others.

I first read David Sedaris back in 2002. I got Me Talk Pretty One Day for a Christmas present and I was left deeply underwhelmed. But I think the reason the book was so successful is that people could relate to it. I know I read it and thought, I could write this. I'm not sure everyone had that reaction, but, what it boils down to is that they could see themselves in David. But now? He is so cocooned in his entitlement that he is completely detached from reality. I was either appalled or revolted, there was no inbetween. There is such a cringe factor I can't even. And it's not just the revelations about his father or the young boy in France, there was multiple levels of cringe from the sexual to just the plain out of touch. I came away from this book picturing David as Marie Antoinette with me baying for his blood. Not just because of his flaunting of Covid safety protocols, but the actual incomprehension that a check for half the price of his fur coat could actually matter to someone. You know what David? Those stimulus checks saved me. Repeatedly. I don't know what I would have done without them. And you, you look down your nose at them? I just can't with you. I literally just can't. Universal basic income is the way forward to a society with parity. But I guess now that you're part of the one percent with one apartment on top of another just "because" you wouldn't like parity. Not with your homes in France and England and North Carolina... All told Google is telling me you have eight homes. EIGHT!?! Which is also how many million he is worth. To play devil's advocate against my prosecution, some people in my book club pointed out that perhaps this book didn't "work" because it was written in lockdown. David Sedaris is known to travel constantly giving talks where he hones his material. OK, fine, perhaps that made this less "refined" of a book, but editing couldn't have made this less offensive. The only explanation is he's reached J.K. Rowling levels of fame and they just publish whatever he spews forth, and yes, at points he could easily be compared to that other hateful author. For myself I like to think of some intern gleefully sending this to press knowing that David's head would role because that intern was someone who needed their stimulus check.

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: Covid, David Sedaris, Entitled, Father, For the Love of Book Clubs, France, Happy-Go-Lucky, J.K. Rowling, Marie Antoinette, Me Talk Pretty One Day, New York, One Percent, Pandemic, Stimulus Checks, Teeth

A Poisoned Season: Lady Emily Book 2 by Tasha Alexander
Published by: Harper
Publication Date: 2007
Format: Paperback, 352 Pages
Rating: ★★★★★
To Buy

Lady Emily has come to love her life, especially her life in Greece. Still, she must be a "proper" lady, so she has returned to England to take part in The Season. The endless parties and social gatherings. All the things a woman can and can not do. So what if she wants to read in public and drink port in private? She should be allowed to do as she wants! Being a widow has to have some advantages in eccentricity. Thankfully Cecile du Lac arrives from Paris to relieve the ennui. But Cecile soon becomes prey to the cat burglar who is sneaking in and out of the homes of the wealthy reclaiming jewels that where once Marie Antoinette's! The whole of the ton has gone French crazy. Especially with the arrival of Charles Berry. Berry claims to be the heir to the French throne and is more than happy to have Emily grace his bedchamber, even if he intends to marry one of Emily's acquaintances because Emily isn't queen material. Could this cad be sneaking into bedchambers for an entirely different reason? Could this creature of lust who tends to lash out be a cunning thief?

Though theft is much different from murder... A David Francis has been murdered and his wife's maid has been arrested. Mrs. Francis is convinced her maid is innocent and looks to Emily for help. Emily is excited for the challenge, but her erstwhile suitor Colin Hargreaves is worried that she might be in over her head and perhaps they should just get engaged. Yet an engagement to Colin might curtail Emily's independence. All Emily knows is that an engagement, to Colin or her old friend Jeremy who has entered the marriage market would make her mother ecstatic, so it's the last thing she wants to do. Plus there are the mysterious notes in Greek and flowers she's been receiving on her pillow to take into consideration as well. Is this Colin's more seductive side? Or does she have an overzealous suitor who is verging into stalker territory. Could the cat burglar have fallen for her? With her own reputation looking perilous will Emily be cut from society before she solves the murder and thefts? And will she ever say yes to Colin?

In all seriousness I want to know who doesn't love a good thief plot? Coupling this with a lost heir air just added to my enjoyment. Ah, a daring jewel thief, a cat burglar by another name, I always have a soft spot for them. In fact I've kind of always wanted to be one. I have always thought it would be fun to be an art or jewel thief (note, if I'm ever caught, you never read this!) I always remember this one scene in a movie, which I think stared Jane Seymour, but I remember it was a very French looking house with skylights and a yellow carpeted staircase and a party downstairs and a man in black sneaking around, and I thought, what a glamorous life... yeah, I might have some issues or I might just not be living up to my full potential. Extra points if you know the movie I'm talking about, also, Jane Seymour might not have been in it and it might have been Robert Wagner, but it's definitely not the first Pink Panther movie. But the idea of a gentleman thief is so alluring. Let's call it the Raffles effect. This also led to overtones of Wilkie Collins's The Moonstone, what with the jewels of great value. Which, I will say, is deliciously Victorian.

Though we must not forget the lost heir plot! While I had a little disconnect with Bourbon fever happening in the Victorian era when aristos weren't being whisked across the channel for their safety, I can easily forgive that for the book containing some lost dauphin action. The missing heir to the French throne always fascinated me as a child, mainly because Wisconsin has it's own connection to the missing child. Eleazer Williams was a missionary who came to Wisconsin with a delegation of Native Americans and settled in Green Bay. In 1839 he started to claim he was the lost dauphin, which escalated in the 1850s until he was viewed as the pretender to the throne. My Dad grew up in the Fox River Valley and would tell us stories about the lost prince, but mainly he'd tell us stories about the treasure he had on him when he escaped. Treasure that was about as real as Eleazer's claim. But my dad had me convinced that this little cove near our house was possibly where he had dropped the treasure. I had even picked a rock out in Lake Mendota that I thought could possibly have the treasure underneath. Re-reading Tasha's book brought this all back to me, and it makes me smile and also kind of wish fairy tales were true and that that little prince didn't die in prison.

While thefts and pretenders are all wonderful fodder and make for an adventurous read, it's Emily and her feelings that I really connect to. Her joy and her despair and her outrage, I'm just ready to fight for her and any little slight or danger that comes her way. But I don't think this connection would be so strong if Tasha hadn't plotted Emily's journey as she did. We as readers needed to fall in love with Emily away from the world as she was sequestered during her mourning. We see her evolve into the woman she was destined to become and therefore we see how she struggles when she is thrust back into society. She is no longer what is expected of women of this time period, even the Queen wants her settled. In fact Emily's dear friend Ivy shows us what is expected of Victorian women and brings home how Ivy isn't happy being the perfect wife. Society was at this time designed for men and it hurt the women they were supposed to love. Gaw, the horrid double standard of it all. Yet to me this all hinges on the book starting at that garden party and having Tasha throw tons of new characters at us. For a few minutes you feel at sea, the sheer number of characters creates claustrophobia and in that moment you feel the elation and dread that Emily must feel going back into society and you are there with her in the Victorian age!

For Emily though there is an oasis in Colin. The first time I read these first two books I wasn't completely sold on Colin as Emily's love interest. I think it was because somehow I loved Emily's dead husband Philip more... and Colin was too perfect. A paragon, the dream man of literature. There's a reason I keep picturing him as Colin Firth after all... I was worried that Emily alone was better than Emily coupled, because historical romances do tend to marry their leads off too quickly and Emily loses so much by marrying again and I didn't want that to happen to her. And I think this is why I really appreciated Colin this time around. He knows what Emily would lose by marrying him and wills her his library. Something all her own as it comes crashing down on her that her current home and books actually belong to her husband's heir and not herself. But it's deeper than that, Philip loved Emily as an ideal. She was a paragon of beauty, he didn't really know her. Whereas Colin knows Emily for who she really is, a women who will never fit society's definition of a good wife, who is smart, witty, and willing to march into danger. Their relationship thrives because they love each other for who they are, books and all.

And as for those books... Tasha gets it. She just GETS IT! She understands the importance of books in one's life for mental well-being. When Ivy is depressed and on the brink of despair she puts a book in her hand, the more sensational the better! This is what I don't get about people who say they don't read or don't like to read, reading is my jam. It's how I maintain balance in my life. Meditation I don't get, but I understand that for some people what meditation gives them is what I get from reading. If I'm really grouchy or angry and every little thing is getting on my last nerve it's most likely because I haven't picked up a book in a few days. It restores my sanity. When life gets too harsh it's bliss to escape between the pages of a book and just go somewhere else. Though there is a down side in that if I'm reading a book and it's bad, it tends to also reflect in my mood. Because I just can not not finish a book! No matter how bad, how horrid, how aggravating, I will finish whatever book I have started. There has literally been only one exception I can think of in recent years. But even if I don't like a book the experience of reading a book is always pleasurable. In fact I'm starting to wonder why I'm still writing and not reading... Emily would recommend it after all!

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: A Poisoned Season, Alexander Autumn, Books, Colin Firth, Jewel Thief, Lady Emily, Lost Dauphin, Marie Antoinette, Queen Victoria, Tasha Alexander, The Moonstone, Victorian, Wilkie Collins, Womens Rights

Days of Splendor, Days of Sorrow by Juliet Grey
Published by: Ballantine Books
Publication Date: May 15th, 2012
Format: Paperback, 448 Pages
To Buy

The official patter:
"A captivating novel of rich spectacle and royal scandal, Days of Splendor, Days of Sorrow spans fifteen years in the fateful reign of Marie Antoinette, France’s most legendary and notorious queen.

Paris, 1774. At the tender age of eighteen, Marie Antoinette ascends to the French throne alongside her husband, Louis XVI. But behind the extravagance of the young queen’s elaborate silk gowns and dizzyingly high coiffures, she harbors deeper fears for her future and that of the Bourbon dynasty.

From the early growing pains of marriage to the joy of conceiving a child, from her passion for Swedish military attaché Axel von Fersen to the devastating Affair of the Diamond Necklace, Marie Antoinette tries to rise above the gossip and rivalries that encircle her. But as revolution blossoms in America, a much larger threat looms beyond the gilded gates of Versailles—one that could sweep away the French monarchy forever."

Ok, so, right now I'm more than a little addicted to Marie Antoinette... so this is easily a must read for me.

Areogrammes by Tania James
Published by: Knopf
Publication Date: May 15th, 2012
Format: Hardcover, 190 Pages
To Buy

The official patter:
"From the highly acclaimed author of Atlas of Unknowns (“Dazzling . . . One of the most exciting debut novels since Zadie Smith’s White Teeth”—San Francisco Chronicle; “An astonishment of a debut”—Junot Díaz), a bravura collection of short stories set in locales as varied as London, Sierra Leone, and the American Midwest that captures the yearning and dislocation of young men and women around the world.
In “Lion and Panther in London,” a turn-of-the-century Indian wrestler arrives in London desperate to prove himself champion of the world, only to find the city mysteriously absent of challengers. In “Light & Luminous,” a gifted dance instructor falls victim to her own vanity when a student competition allows her a final encore. In “The Scriptological Review: A Last Letter from the Editor,” a young man obsessively studies his father’s handwriting in hopes of making sense of his death. And in the marvelous “What to Do with Henry,” a white woman from Ohio takes in the illegitimate child her husband left behind in Sierra Leone, as well as an orphaned chimpanzee who comes to anchor this strange new family.
With exuberance and compassion, Tania James once again draws us into the lives of damaged, driven, and beautifully complicated characters who quietly strive for human connection."

This book is complete cover lust, plain and simple. I hope the insides do it justice.

The Near Witch by Victoria Schwab
Published by: Hyperion Book CH
Publication Date: May 15th, 2012
Format: Hardcover, 304 Pages
To Buy

The official patter:
"The Near Witch is only an old story told to frighten children.

If the wind calls at night, you must not listen. The wind is lonely, and always looking for company.

There are no strangers in the town of Near.

These are the truths that Lexi has heard all her life.

But when an actual stranger—a boy who seems to fade like smoke—appears outside her home on the moor at night, she knows that at least one of these sayings is no longer true.

The next night, the children of Near start disappearing from their beds, and the mysterious boy falls under suspicion.

As the hunt for the children intensifies, so does Lexi’s need to know— about the witch that just might be more than a bedtime story, about the wind that seems to speak through the walls at night, and about the history of this nameless boy.

Part fairy tale, part love story, Victoria Schwab’s debut novel is entirely original yet achingly familiar: a song you heard long ago, a whisper carried by the wind, and a dream you won’t soon forget."

Chills up and down my spin, can't wait!

Markets of Paris by Dixon Long and Majorie Williams
Published by: Little Bookroom
Publication Date: May 15th, 2012
Format: Paperback, 200 Pages
To Buy

The official patter:
"The food scene in Paris has changed dramatically since 2006, when Markets of Paris was first published. Yes, the same markets are held in the same locales as always—literally, for centuries—but many have undergone a remarkable transformation led by a young generation of purveyors focused, even more than their predecessors, on local and organic (“bio”) produce. Markets of Paris, 2nd Edition revisits and updates the entire market scene in Paris, with 12 new entries and 10 new sidebars, including Virtual Markets and Market Streets, Markets Open on Sunday, Artisan Bakers, Getting Along in the Food Markets, Brocante Fairs, and more. One of them, Cooking in Paris, gives information about lessons and workshops offered in home kitchens, bakeries, restaurants, and even wine stores.

Updates focus on the most interesting vendors and most unique and enticing offerings to be found at each locale, including prepared food that can be eaten on the spot. In keeping with growing interest in knowing where food comes from, the authors include profiles and photos of farmers and other artisanal suppliers behind the best food stalls.

One of the biggest changes in the Paris market scene in recent years has been the spike of interest in organic, reflected in the popularity of the Raspail organic market. At one time a fringe offshoot of the regular Raspail market, this Sunday market has fully come into its own. It attracts a large and loyal clientele; of three organic markets in the city, it’s certainly the largest and most widely known. Often it’s referred to as “Le Marché Bio,” and many claim it’s the crème de la crème of all Paris’s markets.

Restaurant listings have been updated, too, with 15 new additions that have been chosen because of their new-generation chefs’ approach to fresh ingredients or their proximity to featured markets. A new section titled If You Have Limited Time directs the visitor to the most interesting markets near his or her accommodations. Another section, Practical Suggestions, addresses common questions such where to get local currency, which map of Paris is the best and most convenient, and business hours for different kinds of shops, stalls, and restaurants. Finally, the book has been reorganized by arrondissement to be more user friendly, and it has a brand-new look with all new photos and a refreshed, modernized design."

Full circle with Paris this week! I want to go to there!

Posted by Miss Eliza at 12:00 AM 1 comments  

Labels: Aerogrammes, Days of Splendor Days of Sorrow, Juliet Grey, Marie Antoinette, Markets of Paris, Tania James, The Near Witch, Victoria Schwab

Madame Tussaud by Michelle Moran
Published by: Crown
ARC Provided by the author
Publication Date: February 15th, 2011
Format: Hardcover, 464 Pages
Rating: ★★★★
To Buy
Marie Grosholtz has one goal in life, and that's to make the Salon de Cire, that she runs with her uncle Philippe Curtis, as successful as possible. If she or Philippe were allowed entrance into the Academie Francaise, well, that would be the pinnacle of success. Modeling the famous personages of the day in wax, Marie prides herself on capturing not only the person she is immortalizing, but the fashions and sensibilities of the day, no matter how fast they change. But Marie feels that in order to be a true success she needs the Royal stamp of approval. She wants the King and Queen to look upon their likenesses and smile. Plus it couldn't hurt ticket sales any. After appealing to the Queen's dressmaker, Rose Bertin, for over a year on behalf of the Salon, Marie finally realizes that perhaps she should be appealing to Rose's vanity. Once Marie agrees to immortalize Rose in wax, suddenly the Salon is in a flurry of activity as they prepare for the royal viewing. But what goes on in the public rooms is nothing to what goes on in the weekly salons held behind closed doors. Revolutionaries, inventors and thinkers, from the Charles brothers, Jacques and the lovestruck Henri, from Marat to Camille, Robespierre to the King's own cousin, the Duc d'Orleans, talk about the day when the monarchy will fall. It's not that Marie and her family really support the revolutionary cause, but their job demands that they are abreast of the voice of the people. Plus, if they didn't meet in their salon, they'd only meet somewhere else... so what can it hurt?

After the Royal visit Marie's life and the success of the Salon de Cire change forever. Marie is invited to sculpt luminaries and lunatics such as Thomas Jefferson and the Marquis de Sade. But more importantly, she is invited to Versailles to work with Louis the Sixteenth's sister, the Princess Elisabeth. She is to help Elisabeth learn to sculpt the human form so that she may create religious effigies. Despite working with a devoutly religious woman who rarely goes out, Marie forms a friendship with the Princess and does occasionally get a glimpse of court life, the life her brothers guard as part of the King's own men. But in Paris people are starving and the public opinion against the King and Marie Antoinette is shifting. The time may come when Marie Grosholtz will have to remove their likenesses from the Salon. Much hope is given to the meeting of The Estates-General, wherein the people will make their voices heard, no matter if the King and the Church object. But whatever concessions the monarchy is willing to make, there seems to be nothing that will quench the thirst for revenge. Soon the people are out of hand and the Bastille falls. Paris changes by the minute and hour, not by the day. Rallies in cafes and scathing articles in newspapers fuel the terror that has begun. Straddling the world of the court she has come to know and the Salon which captures the pulse of a nation, Marie is the ultimate politician just hoping for her own survival. Only soon a rosette in the tricolours will not be enough. Soon she must prepare the death masks of those recently beheaded. Soon she must decide if she can continue in this life she has had thrust upon her, or if there is some point that will make her say no. Some point which will put her head in the guillotine.

Madame Tussaud, Marie Grosholtz that was, is an institution to this day. With wax museums the world over, she has become a lucrative tourist attraction. But what became a venue for people to goggle over celebrities was once a venue for political change. To the people in revolutionary France, the wax works that Marie sculpted were the closest they'd ever get to the King or Queen. While Marie would insist that she was just giving the people what they wanted, her brother was more accurate in stating that what she did, what she showed, mattered. Art is a medium for change. She captured these luminaries and distilled them down into a caught moment. She moved with the times, she transformed and updated. She was able to show the world as it was, ever changing and not staying still in the days of unrest. Whether or not she fueled the revolution, she documented it. She was able to ride the wave of public opinion and stay in touch with both worlds, the rarefied nobility and the common man. Her art and connections let her be more, see more.

The only real problem I had with this novel is that it's too short. The ending sneaks up on you and it's over. I would willingly have read a Margaret George length opus of this quality from Moran. After experiencing the first year of the revolution in detail, to then only be given glimpses of the succeeding years is almost painful. I fell for Marie, this fiercely talented pragmatic artist without the posturing. She thought of art as a business and how things could be changed and improved, versus long diatribes about the proper use of Azure Blue. The one thing I have detested about novels, historic or otherwise, is that they never capture what an artist really is. They become caricatures. People who have their heads in the clouds, have no money concerns and are always somewhat tortured. As an artist myself, I want to find these writers and harm them. Not Michelle! She perfectly captured the analytical mind of an artist that I myself hope I am. She thought about the good of her art, her salon. She had set goals and she had an astounding memory for faces and fashion. And what a world of people she lived in. Michelle brings to life everyone from Marat to Marie Antoinette in a human and compassionate light. What were once figures in history become living breathing people you care about. If the goal of a historical novel is to make history alive again, then Michelle has succeeded immensely.

Posted by Miss Eliza at 12:00 AM 1 comments  

Labels: French Revolution, Giveaway, Guillotine, Madame Tussaud, Marat, Marie Antoinette, Marie Grosholtz, Marquis de Sade, Michelle Moran, Robespierre, Salon de Cire, Thomas Jefferson, Wax

Madame Tussaud by Michelle Moran
Published by: Crown
ARC Provided by the author
Publication Date: February 15th, 2011
Format: Hardcover, 464 Pages
Rating: ★★★★
To Buy
Marie Grosholtz has one goal in life, and that's to make the Salon de Cire, that she runs with her uncle Philippe Curtis, as successful as possible. If she or Philippe were allowed entrance into the Academie Francaise, well, that would be the pinnacle of success. Modeling the famous personages of the day in wax, Marie prides herself on capturing not only the person she is immortalizing, but the fashions and sensibilities of the day, no matter how fast they change. But Marie feels that in order to be a true success she needs the Royal stamp of approval. She wants the King and Queen to look upon their likenesses and smile. Plus it couldn't hurt ticket sales any. After appealing to the Queen's dressmaker, Rose Bertin, for over a year on behalf of the Salon, Marie finally realizes that perhaps she should be appealing to Rose's vanity. Once Marie agrees to immortalize Rose in wax, suddenly the Salon is in a flurry of activity as they prepare for the royal viewing. But what goes on in the public rooms is nothing to what goes on in the weekly salons held behind closed doors. Revolutionaries, inventors and thinkers, from the Charles brothers, Jacques and the lovestruck Henri, from Marat to Camille, Robespierre to the King's own cousin, the Duc d'Orleans, talk about the day when the monarchy will fall. It's not that Marie and her family really support the revolutionary cause, but their job demands that they are abreast of the voice of the people. Plus, if they didn't meet in their salon, they'd only meet somewhere else... so what can it hurt?

After the Royal visit Marie's life and the success of the Salon de Cire change forever. Marie is invited to sculpt luminaries and lunatics such as Thomas Jefferson and the Marquis de Sade. But more importantly, she is invited to Versailles to work with Louis the Sixteenth's sister, the Princess Elisabeth. She is to help Elisabeth learn to sculpt the human form so that she may create religious effigies. Despite working with a devoutly religious woman who rarely goes out, Marie forms a friendship with the Princess and does occasionally get a glimpse of court life, the life her brothers guard as part of the King's own men. But in Paris people are starving and the public opinion against the King and Marie Antoinette is shifting. The time may come when Marie Grosholtz will have to remove their likenesses from the Salon. Much hope is given to the meeting of The Estates-General, wherein the people will make their voices heard, no matter if the King and the Church object. But whatever concessions the monarchy is willing to make, there seems to be nothing that will quench the thirst for revenge. Soon the people are out of hand and the Bastille falls. Paris changes by the minute and hour, not by the day. Rallies in cafes and scathing articles in newspapers fuel the terror that has begun. Straddling the world of the court she has come to know and the Salon which captures the pulse of a nation, Marie is the ultimate politician just hoping for her own survival. Only soon a rosette in the tricolours will not be enough. Soon she must prepare the death masks of those recently beheaded. Soon she must decide if she can continue in this life she has had thrust upon her, or if there is some point that will make her say no. Some point which will put her head in the guillotine.

Madame Tussaud, Marie Grosholtz that was, is an institution to this day. With wax museums the world over, she has become a lucrative tourist attraction. But what became a venue for people to goggle over celebrities was once a venue for political change. To the people in revolutionary France, the wax works that Marie sculpted were the closest they'd ever get to the King or Queen. While Marie would insist that she was just giving the people what they wanted, her brother was more accurate in stating that what she did, what she showed, mattered. Art is a medium for change. She captured these luminaries and distilled them down into a caught moment. She moved with the times, she transformed and updated. She was able to show the world as it was, ever changing and not staying still in the days of unrest. Whether or not she fueled the revolution, she documented it. She was able to ride the wave of public opinion and stay in touch with both worlds, the rarefied nobility and the common man. Her art and connections let her be more, see more.

The only real problem I had with this novel is that it's too short. The ending sneaks up on you and it's over. I would willingly have read a Margaret George length opus of this quality from Moran. After experiencing the first year of the revolution in detail, to then only be given glimpses of the succeeding years is almost painful. I fell for Marie, this fiercely talented pragmatic artist without the posturing. She thought of art as a business and how things could be changed and improved, versus long diatribes about the proper use of Azure Blue. The one thing I have detested about novels, historic or otherwise, is that they never capture what an artist really is. They become caricatures. People who have their heads in the clouds, have no money concerns and are always somewhat tortured. As an artist myself, I want to find these writers and harm them. Not Michelle! She perfectly captured the analytical mind of an artist that I myself hope I am. She thought about the good of her art, her salon. She had set goals and she had an astounding memory for faces and fashion. And what a world of people she lived in. Michelle brings to life everyone from Marat to Marie Antoinette in a human and compassionate light. What were once figures in history become living breathing people you care about. If the goal of a historical novel is to make history alive again, then Michelle has succeeded immensely.

*You could win this book on my blog if you enter before the giveaway ends on February 22nd!

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: French Revolution, Giveaway, Guillotine, Madame Tussaud, Marat, Marie Antoinette, Marie Grosholtz, Marquis de Sade, Michelle Moran, Robespierre, Salon de Cire, Thomas Jefferson, Wax

To cap off my all things French week. Though I might not have mentioned it, that's how this week was in my head... first some Flowery Spies, then some pre-revolutionary giveaways. What's the giveaway you ask as I dawdle on and on about the contents of my head versus getting straight to the point. Well, back in December, the lovely Michelle Moran, whom you should remember has visited my humble blog before, offered me a chance at a giveaway for all my lovely readers. I jumped at the chance! Ever since she mentioned her new book about Madams Tussaud back in, oh... September 2009 when I was just starting out in the blogosphere... I have been very excited. I love France! My last name is French (ok, Belgian, but that just makes me more like Poirot). One of my ancestors was second in command the first time Napoleon was wagging war, he washed his hand of the diminutive emperor after the whole Elba thing. Anyway, back to the giveaway. You could win a signed copy of the new book as well as these adorable Marie Antionette earrings, which make me wish I had pierced ears!

So onto the "official rules"...

The Prize:
A signed edition of Michelle Moran's new book, Madame Tussaud and a pair of Marie Antoinette earrings.

Book description:
"Smart and ambitious, Marie Tussaud has learned the secrets of wax sculpting by working alongside her uncle in their celebrated wax museum, the Salon de Cire. From her popular model of the American ambassador, Thomas Jefferson, to her tableau of the royal family at dinner, Marie’s museum provides Parisians with the very latest news on fashion, gossip, and even politics. Her customers hail from every walk of life, yet her greatest dream is to attract the attention of Marie Antoinette and Louis XVI; their stamp of approval on her work could catapult her and her museum to the fame and riches she desires. After months of anticipation, Marie learns that the royal family is willing to come and see their likenesses. When they finally arrive, the king’s sister is so impressed that she requests Marie’s presence at Versailles as a royal tutor in wax sculpting. It is a request Marie knows she cannot refuse—even if it means time awayfrom her beloved Salon and her increasingly dear friend, Henri Charles.

As Marie gets to know her pupil, Princesse Élisabeth, she also becomes acquainted with the king and queen, who introduce her to the glamorous life at court. From lavish parties with more delicacies than she’s ever seen to rooms filled with candles lit only once before being discarded, Marie steps into a world entirely different from her home on the Boulevard du Temple, where people are selling their teeth in order to put food on the table.

Meanwhile, many resent the vast separation between rich and poor. In salons and cafés across Paris, people like Camille Desmoulins, Jean-Paul Marat, and Maximilien Robespierre are lashing out against the monarchy. Soon, there’s whispered talk of revolution. . . . Will Marie be able to hold on to both the love of her life and herfriendship with the royal family as France approaches civil war? And more important, will she be able to fulfill the demands of powerful revolutionaries who ask that she make the death masks of beheaded aristocrats, some of whom she knows?

Spanning five years, from the budding revolution to the Reign of Terror, Madame Tussaud brings us into the world of an incredible heroine whose talent for wax modeling saved her life and preserved the faces of a vanished kingdom."

The Rules:
1. Open to EVERYONE (for clarification, this means international, but no shipping to space stations or TARDI), just because you haven't been following me all along doesn't mean you don't matter, you just get more entries if you prove you love me by following.

2. Please make sure I have a way to contact you if your name is drawn, either your blogger profile or a link to your website/blog or you could even include your email address with your comment(s) or email me.

3. Contest ends Tuesday, February 22nd at 11:59PM CST (per Michelle's publisher's request, and also so you can lust after the book on the shelves and then run home and enter the giveaway.)

4. How to enter: Just comment in the space below!

5. And for those addicted to getting extra entries:

+1 for answering the question: If you could live in any time period, what period would you choose? Regency England, Pre-Revolutionary France? Remember you're living there, not visiting, so that makes a huge difference.

+2 for becoming a follower

+10 if you are already a follower

+10 for each time you advertise this contest - blog post, sidebar, twitter (please @MzLizard), etc. (but you only get credit for the first post, so tweet all you like, and I thank you for it, but you'll only get the +10 once). Also please leave a link!

Good luck!

Posted by Miss Eliza at 12:00 AM 31 comments  

Labels: Giveaway, Madame Tussaud, Marie Antoinette, Michelle Moran, Napoleon, Tussaud Giveaway