Showing posts with label Marquis de Sade. Show all posts
Showing posts with label Marquis de Sade. Show all posts

Friday, August 31, 2012

TV Review - Jack of All Trades

Jack of All Trades
Release Date: January 17th, 2000 – December 2nd, 2000
Starring: Bruce Campbell, Angela Dotchin, Stuart Devenie, Stephen Papps and Verne Troyer
Rating: ★★★★★
To Buy

At the end of the Revolutionary War, secret agent Jack Stiles is sent by Jefferson to the island of Pulau-Pulau, a French Colonial outpost in the East Indies. There he meets his British counterpart, Emilia Rothschild. Together they must thwart Napoleon's plans for world domination, as well as the island's Govenor Croque and Captain Brogard. Assuming the identity of a local folk hero, the Daring Dragoon, in order to protect their covers, Jack is able to foil any plan the Frenchies send their way. From rescuing Benjamin Franklin to stolen American gold shipments, getting hold of the Louisiana purchase documents, having a run in with Lewis and Clark, avoiding Blackbeard and the Marquis de Sade, Pulau-Pulau seems to be the hub of the French Empire, despite being a several months sea voyage from Paris.

This short run series staring Bruce Campbell was in the same campy vein as Xena and Hercules, which makes sense because it's the same production team as well as several of the actors. Bruce portrayed Jack as part Errol Flynn, part Three Stooges. Witty, sometimes bawdy, sometimes cringeworthy ripostes and sword play where the flavor of the day. A favorite among Steampunk aficionados for the wacky gadgets that Amelia was always cobbling together in her laboratory, from submarines to love potions, as well as the alt history. Yet the show goes beyond this cult fan base, I'm not just talking Steampunk here, but also Bruce's fan base, to be a broad historical comedy where everything is fair game from Napoleon being portrayed by the diminutive Verne Troyer, to a parrot, Jean Claude, being a secret agent, to Indiana Jones parodies involving the secret tribe of the WallaWalla Bing Bangs.

While it doesn't really surprise me that the show was cancelled half way through the second season, because I'm sure the premise didn't sound that fun to people. But I dare you to put anyone down in front of the tv, even the most sceptical, ie, my Dad for example, and by the end of an episode they will be loving it, and also apologizing for doubting you if you're lucky, after a few, they'll probably be singing the theme song along with you.

What drew me to the series, aside from Bruce Campbell, really, how can anyone not love Bruce Campbell*, was the historical aspect. I have always loved the time of the French Revolution, which had strong ties with the American Revolution, seeing as the French monarchy was bankrolling it. Yet, the idea that this little island in the East Indies, which is easily a few months journey from anywhere, has people coming and going like a French Farce just tickles me. Also, the nudge nudge, wink wink mentality of Bruce and his anachronistic references along with the blatant distortion of history just makes me giggle with glee. The fact that American History was formed by Bruce Campbell... now that's a show worth watching!

*Side not, I love Bruce Campbell so much that despite having pneumonia, which actually wasn't diagnosed till two days later, I bundled myself up against a cold Wisconsin winter and trudged forth to my local art cinema. The reason? Because after months and months of harassing them, My Name is Bruce was coming to the theatre with at least three sold out performances. While a Bruce Campbell movie is all well and good, the fact that the man himself was there made it so worth it. He just has a way with his fans. You can see he respects them, but there's also a slight snark there, especially when criticizing someone for not whisking the fake blood recipe in his book enough, that makes you love him all the more. Also, the movie was quite funny, but that could be the cough medicine talking.

Wednesday, January 25, 2012

Book Review 2011 #2 - Michelle Moran's Madame Tussaud

Madame Tussaud by Michelle Moran
Published by: Crown
ARC Provided by the author
Publication Date: February 15th, 2011
Format: Hardcover, 464 Pages
Rating: ★★★★
To Buy
Marie Grosholtz has one goal in life, and that's to make the Salon de Cire, that she runs with her uncle Philippe Curtis, as successful as possible. If she or Philippe were allowed entrance into the Academie Francaise, well, that would be the pinnacle of success. Modeling the famous personages of the day in wax, Marie prides herself on capturing not only the person she is immortalizing, but the fashions and sensibilities of the day, no matter how fast they change. But Marie feels that in order to be a true success she needs the Royal stamp of approval. She wants the King and Queen to look upon their likenesses and smile. Plus it couldn't hurt ticket sales any. After appealing to the Queen's dressmaker, Rose Bertin, for over a year on behalf of the Salon, Marie finally realizes that perhaps she should be appealing to Rose's vanity. Once Marie agrees to immortalize Rose in wax, suddenly the Salon is in a flurry of activity as they prepare for the royal viewing. But what goes on in the public rooms is nothing to what goes on in the weekly salons held behind closed doors. Revolutionaries, inventors and thinkers, from the Charles brothers, Jacques and the lovestruck Henri, from Marat to Camille, Robespierre to the King's own cousin, the Duc d'Orleans, talk about the day when the monarchy will fall. It's not that Marie and her family really support the revolutionary cause, but their job demands that they are abreast of the voice of the people. Plus, if they didn't meet in their salon, they'd only meet somewhere else... so what can it hurt?

After the Royal visit Marie's life and the success of the Salon de Cire change forever. Marie is invited to sculpt luminaries and lunatics such as Thomas Jefferson and the Marquis de Sade. But more importantly, she is invited to Versailles to work with Louis the Sixteenth's sister, the Princess Elisabeth. She is to help Elisabeth learn to sculpt the human form so that she may create religious effigies. Despite working with a devoutly religious woman who rarely goes out, Marie forms a friendship with the Princess and does occasionally get a glimpse of court life, the life her brothers guard as part of the King's own men. But in Paris people are starving and the public opinion against the King and Marie Antoinette is shifting. The time may come when Marie Grosholtz will have to remove their likenesses from the Salon. Much hope is given to the meeting of The Estates-General, wherein the people will make their voices heard, no matter if the King and the Church object. But whatever concessions the monarchy is willing to make, there seems to be nothing that will quench the thirst for revenge. Soon the people are out of hand and the Bastille falls. Paris changes by the minute and hour, not by the day. Rallies in cafes and scathing articles in newspapers fuel the terror that has begun. Straddling the world of the court she has come to know and the Salon which captures the pulse of a nation, Marie is the ultimate politician just hoping for her own survival. Only soon a rosette in the tricolours will not be enough. Soon she must prepare the death masks of those recently beheaded. Soon she must decide if she can continue in this life she has had thrust upon her, or if there is some point that will make her say no. Some point which will put her head in the guillotine.

Madame Tussaud, Marie Grosholtz that was, is an institution to this day. With wax museums the world over, she has become a lucrative tourist attraction. But what became a venue for people to goggle over celebrities was once a venue for political change. To the people in revolutionary France, the wax works that Marie sculpted were the closest they'd ever get to the King or Queen. While Marie would insist that she was just giving the people what they wanted, her brother was more accurate in stating that what she did, what she showed, mattered. Art is a medium for change. She captured these luminaries and distilled them down into a caught moment. She moved with the times, she transformed and updated. She was able to show the world as it was, ever changing and not staying still in the days of unrest. Whether or not she fueled the revolution, she documented it. She was able to ride the wave of public opinion and stay in touch with both worlds, the rarefied nobility and the common man. Her art and connections let her be more, see more.

The only real problem I had with this novel is that it's too short. The ending sneaks up on you and it's over. I would willingly have read a Margaret George length opus of this quality from Moran. After experiencing the first year of the revolution in detail, to then only be given glimpses of the succeeding years is almost painful. I fell for Marie, this fiercely talented pragmatic artist without the posturing. She thought of art as a business and how things could be changed and improved, versus long diatribes about the proper use of Azure Blue. The one thing I have detested about novels, historic or otherwise, is that they never capture what an artist really is. They become caricatures. People who have their heads in the clouds, have no money concerns and are always somewhat tortured. As an artist myself, I want to find these writers and harm them. Not Michelle! She perfectly captured the analytical mind of an artist that I myself hope I am. She thought about the good of her art, her salon. She had set goals and she had an astounding memory for faces and fashion. And what a world of people she lived in. Michelle brings to life everyone from Marat to Marie Antoinette in a human and compassionate light. What were once figures in history become living breathing people you care about. If the goal of a historical novel is to make history alive again, then Michelle has succeeded immensely.

Wednesday, February 16, 2011

Book Review - Michelle Moran's Madame Tussaud

Madame Tussaud by Michelle Moran
Published by: Crown
ARC Provided by the author
Publication Date: February 15th, 2011
Format: Hardcover, 464 Pages
Rating: ★★★★
To Buy
Marie Grosholtz has one goal in life, and that's to make the Salon de Cire, that she runs with her uncle Philippe Curtis, as successful as possible. If she or Philippe were allowed entrance into the Academie Francaise, well, that would be the pinnacle of success. Modeling the famous personages of the day in wax, Marie prides herself on capturing not only the person she is immortalizing, but the fashions and sensibilities of the day, no matter how fast they change. But Marie feels that in order to be a true success she needs the Royal stamp of approval. She wants the King and Queen to look upon their likenesses and smile. Plus it couldn't hurt ticket sales any. After appealing to the Queen's dressmaker, Rose Bertin, for over a year on behalf of the Salon, Marie finally realizes that perhaps she should be appealing to Rose's vanity. Once Marie agrees to immortalize Rose in wax, suddenly the Salon is in a flurry of activity as they prepare for the royal viewing. But what goes on in the public rooms is nothing to what goes on in the weekly salons held behind closed doors. Revolutionaries, inventors and thinkers, from the Charles brothers, Jacques and the lovestruck Henri, from Marat to Camille, Robespierre to the King's own cousin, the Duc d'Orleans, talk about the day when the monarchy will fall. It's not that Marie and her family really support the revolutionary cause, but their job demands that they are abreast of the voice of the people. Plus, if they didn't meet in their salon, they'd only meet somewhere else... so what can it hurt?

After the Royal visit Marie's life and the success of the Salon de Cire change forever. Marie is invited to sculpt luminaries and lunatics such as Thomas Jefferson and the Marquis de Sade. But more importantly, she is invited to Versailles to work with Louis the Sixteenth's sister, the Princess Elisabeth. She is to help Elisabeth learn to sculpt the human form so that she may create religious effigies. Despite working with a devoutly religious woman who rarely goes out, Marie forms a friendship with the Princess and does occasionally get a glimpse of court life, the life her brothers guard as part of the King's own men. But in Paris people are starving and the public opinion against the King and Marie Antoinette is shifting. The time may come when Marie Grosholtz will have to remove their likenesses from the Salon. Much hope is given to the meeting of The Estates-General, wherein the people will make their voices heard, no matter if the King and the Church object. But whatever concessions the monarchy is willing to make, there seems to be nothing that will quench the thirst for revenge. Soon the people are out of hand and the Bastille falls. Paris changes by the minute and hour, not by the day. Rallies in cafes and scathing articles in newspapers fuel the terror that has begun. Straddling the world of the court she has come to know and the Salon which captures the pulse of a nation, Marie is the ultimate politician just hoping for her own survival. Only soon a rosette in the tricolours will not be enough. Soon she must prepare the death masks of those recently beheaded. Soon she must decide if she can continue in this life she has had thrust upon her, or if there is some point that will make her say no. Some point which will put her head in the guillotine.

Madame Tussaud, Marie Grosholtz that was, is an institution to this day. With wax museums the world over, she has become a lucrative tourist attraction. But what became a venue for people to goggle over celebrities was once a venue for political change. To the people in revolutionary France, the wax works that Marie sculpted were the closest they'd ever get to the King or Queen. While Marie would insist that she was just giving the people what they wanted, her brother was more accurate in stating that what she did, what she showed, mattered. Art is a medium for change. She captured these luminaries and distilled them down into a caught moment. She moved with the times, she transformed and updated. She was able to show the world as it was, ever changing and not staying still in the days of unrest. Whether or not she fueled the revolution, she documented it. She was able to ride the wave of public opinion and stay in touch with both worlds, the rarefied nobility and the common man. Her art and connections let her be more, see more.

The only real problem I had with this novel is that it's too short. The ending sneaks up on you and it's over. I would willingly have read a Margaret George length opus of this quality from Moran. After experiencing the first year of the revolution in detail, to then only be given glimpses of the succeeding years is almost painful. I fell for Marie, this fiercely talented pragmatic artist without the posturing. She thought of art as a business and how things could be changed and improved, versus long diatribes about the proper use of Azure Blue. The one thing I have detested about novels, historic or otherwise, is that they never capture what an artist really is. They become caricatures. People who have their heads in the clouds, have no money concerns and are always somewhat tortured. As an artist myself, I want to find these writers and harm them. Not Michelle! She perfectly captured the analytical mind of an artist that I myself hope I am. She thought about the good of her art, her salon. She had set goals and she had an astounding memory for faces and fashion. And what a world of people she lived in. Michelle brings to life everyone from Marat to Marie Antoinette in a human and compassionate light. What were once figures in history become living breathing people you care about. If the goal of a historical novel is to make history alive again, then Michelle has succeeded immensely.

*You could win this book on my blog if you enter before the giveaway ends on February 22nd!

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