Showing posts with label G.P. Taylor. Show all posts
Showing posts with label G.P. Taylor. Show all posts

Friday, October 29, 2021

Book Review - G.P. Taylor's The Great Mogul Diamond

The Great Mogul Diamond by G.P. Taylor
Published by: Tyndale Momentum
Publication Date: May 1st, 2011
Format: Hardcover, 293 Pages
Rating: ★★
To Buy

Muzz Elliott is being blackmailed. She has been told she must be in Cannes at a specific time and at a specific place. Sadie, Saskia, and Erik know all of this because, well, they can't let someone's privacy stand in their way. Conversations can be overheard and letters can be read and secrets can be revealed. So when Muzz Elliott tells the twins that they are all immediately leaving on a vacation to the south of France, the girls know that the vacation is just a cover. They are going to confront the blackmailer. The girls think that they might need the help of Erik and Dorcas Potts, so they contact Erik from the train station and tell them to follow in the Bugatti. Aboard the train odd things start to happen. Saskia is reading one of Muzz Elliott's books, Murder Train, and she notices that events that happened in the book are happening to them. Right now! Someone is using Muzz Elliott's own writing against her! Therefore they should be able to head the villains off at the pass, but the evil doers are too quick off the mark and Muzz Elliott is blaming herself for putting the girls in danger. Meanwhile Erik and Dorcas are encountering problems of their own. They are being followed through the Alps. Dorcas is convinced it's the mafia, who would use such tactics, and she's not unknown to them. But it is clear that whomever they are their goal is to keep Erik and Dorcas from reaching Muzz and her compatriots in Cannes. Things get even more out of control when Sadie is kidnapped and the blackmailer reveals their intentions. Muzz Elliott must recreate the plot of her book Another Day, Another Diamond, and steal the Great Mogul Diamond that is about to be auctioned off in Cannes. If she doesn't Sadie dies. Given the extent of their planning and the elaborate scheme to lure Muzz Elliott to Cannes, she has no doubt that they mean what they say. Only she isn't one to go down without a fight. Perhaps she and her gang can turn the tables on their enemies. Even if it should turn out their enemies were once their friends.

So despite all the supposed praise this "illustra-novella" series had larded on it The Great Mogul Diamond was the end of the line. Whether through lack of a cohesive style in the illustrations or lack of interest in readers to be converted to God this series ended on what I feel is the most disjointed of the chronicles. Because I loved half the story and hated the other half. Let me break it down. So we're finally done with the orphanage and all the ancillary characters. We're focusing on Sadie and Saskia living with Muzz Elliott and Erik living with Lord Gervaz and working with Gervaz's niece Dorcas Potts. We are stripping off the excess and moving on, even if due to lack of artistic ability I totally thought two of the bad guys were Potemkin and his henchman, this turned out to be an erroneous conclusion. So a smaller cast of characters involved in a story that is literally Agatha Christie meets Alfred Hitchcock. I loved this. I loved them being on a train that Muzz Elliott happened to set one of her novels on and then the events from the book started to come true as they headed towards the French Riviera, were the events of another one of her plots was being set in motion. I adored this gaslighting of an author with her own canon. It was perfection. So right now you're like, but wouldn't that make you love this book? Yes, I loved that part of the book, the problem is that wasn't all the book was. We have gone off the deep end with religiosity in this volume. I'm all for religious freedom as long as you're not trying to convert me. G.P. Taylor seemed to be doing a really hard sell with Erik and The Man of Good-Bye Friday. I'm sorry, but Jesus showing up in a pinstripe suit and going by that LUDICROUS name as some reference to his death on Good Friday, hell no. Then signalling that one of the villains wasn't bad because he was on a first name basis with Jesus and the angels!?! Ugh. And I'm not even going to touch the whole Erik's father is dead and The Man of Good-Bye Friday brought Erik peace. This just didn't work with the story being told. It was intrusive and manipulative. In other words, I'm very glad the series ended because The Man of Good-Bye Friday and Madame Raphael had overstayed their welcome.

Wednesday, October 27, 2021

Book Review - G.P. Taylor's The Secret of Indigo Moon

The Secret of Indigo Moon by G.P. Taylor
Published by: Tyndale Momentum
Publication Date: September 1st, 2009
Format: Hardcover, 287 Pages
Rating: ★★
To Buy

It's a dark a stormy night when Erik Morissey Ganger leaves the safety of his bed at the Isambard Dunstan School for Wayward Children and goes to investigate a noise. While initially thinking it could be Sadie and Saskia Dopple playing a prank on him it's actually villains! And there's a secret tunnel! In the tunnel he finds a letter from the former headmistress, the one who had disappeared a year previously. But his "subtle" questioning of the cook the next day gets him nowhere, except reprimanded by the headmistress. Though despite investigating things he shouldn't the headmistress has a treat for him. There's a journalist from the newspaper who wants to interview him and the Dopple twins about their adventures at Muzz Elliott's house! Though Dorcas Potts might be there not just to interview the trio. She might be there to pick their brains about their next door neighbor, Lord Gervez, a man seldom seen who collects antiquities. Seeing as Dorcas is a crime writer, she warns the kids that villains will resort to anything, even murder. But could she be trying to solve a big case herself without interference from meddling children? And why have the kids spotted that villain Potemkin the potty magician about? Isn't he supposed to be in prison and not lurking about secret tunnels? Tunnels that might just lead to Lord Gervaz's house!?! Their meddling might just put them into more danger than ever before! Potemkin has plans to not just make off with antiquities but to avenge himself on the trio and he has created a macabre contraption at the Blue Moon Theatrical Supply building to do just that. Can they escape unharmed once more, uncover the secret of Indigo Moon, and figure out what it has to do with their former headmistress or are they doomed?

This is going to be a rant, so to clear the air first, I didn't hate this book, I thought the Indigo Moon/Inigo Jones architecture rife was cute. Though I really thought Inigo Jones was Indigo Jones, so apparently I should have paid more attention in art history because think of all the Inigo Montoya jokes I missed out on making! As for the religious bent this series is taking, well, it was kind of expected with Taylor being an Anglican vicar. But the sidelining of the girls wasn't cool. OK, release the rant! At the front of my copy there's all this praise for the series organized under different headings; "What Readers Are Saying," "What Teachers Are Saying," and "What Parents Are Saying." Now, I usually don't read the hype for books, which is a bit weird because it's my dream to have a pull quote from one of my reviews in a favorite author's book... but for some reason I did. I really shouldn't have because it soured my opinion of the whole series. This series was basically being booked as God's gift to reluctant readers. OK, I DO agree that as a bridge between comics and chapter books I think it will encourage hesitant readers to risk moving on from just comics, divine intervention or no. But they go on to say that G.P. Taylor has single-handedly created this new medium. WHAT!?! Um. So much no here. I was literally left speechless when I read this. I was also left speechless by the handle "illustra-novella." Whomever is trying to make that handle happen please kindly go die in a ditch. To put in mildly, no, G.P. Taylor did NOT create a new kind of book. Just no. I mean, what about picture books? What about illustrated classics? What about Brian Freakin' Selznick!?! Yes, I know what hype is, I'm not naive, but this was just too much. It strained credulity and negatively impacted the book.

Friday, October 22, 2021

Book Review - G.P. Taylor's The First Escape

The First Escape by G.P. Taylor
Published by: Tyndale
Publication Date: 2008
Format: Paperback, 282 Pages
Rating: ★★
To Buy

Sadie and Saskia Dopple are the queens of the Isambard Dunstan School for Wayward Children. They rule all the girls in the orphanage with cunning ruthlessness. Until one day the headmistress is a little more crafty then they are. Saskia gets adopted by one Muzz Elliott, who will have one or none. Being a prestigious donor to the school she gets her wish and the twins are separated, much to the headmistress's delight. So Sadie stays behind while Saskia goes to live in the mysterious home of Muzz Elliott out on Hampstead Heath. She is given her own room in the tower where she mustn't ever answer the phone. Meanwhile, back at the orphanage, one of Sadie's pranks badly backfires and she's locked up for the night without food or water. But the school's only boy, and odd job man, overhears the mistress saying that Sadie will be off to prison for her stunt so Erik Ganger risks his neck and releases Sadie so that they can flee across the Heath to Saskia. Of course a rescue can never be as easy as that when you flee across Hampstead Heath at night with bloodhounds baying at your heels and a psychotic magician named The Great Potemkin offering concealment, if you'll only help with one little experimental magic trick that may or may not kill you. But things aren't going well for Saskia either. There's a mysterious painting she may not look at, a seance to recover a lost fortune, and a Muzz Elliott doppelganger out to kill them all. How will these three kids reunite and save the day?

It's interesting what remains after time. I read G.P. Taylor's Shadowmancer so many years ago now I don't even remember when it was I read it. I do remember how much I hated it. In fact I'm more often to remember why I hate a book than why I love a book but Shadowmancer is that rare book that I hated everything about it so much that I have blocked as much of it from my memory as possible as a precautionary measure. So it's kind of the definition of insanity to pick up another book by G.P. Taylor, but what am I if not slightly mad? When I first read this book five years ago I was impressed by how much I didn't hate it. Re-reading it five years later I see that perhaps I shouldn't base my opinions on a book by how much it didn't suck in comparison to another book by the same author. Because the truth is, this book is flawed. Very flawed. Yes, it's a fast read and has the nice comic versus prose structure of a Brian Selznick book. But seeing as I just read a Brian Selznick book recently, the yawning divide in quality is readily apparent. It makes me queasy even trying to place the two in the same category, but it has to be done no matter how disparate they are. Yet what nags me most about this book and in fact this whole series, or at least how much of it I've read while typing this, is that I have no idea when it takes place. It's almost Dickensian with lost inheritances, mistaken identities, evil twins, and ever so polite ghosts. Yet there is more modern technologies, like cars. So while I want to say Edwardian, it's actually more interwar, making me scratch my head. In the end I just have to throw up my hands and say that it lacks identity but at least it's not Shadowmancer.

Wednesday, July 21, 2010

Book Review - G.P. Taylor's The First Escape

The First Escape, Dopple Ganger Chronicles Book 1 by G.P. Taylor
Published by: Tyndale
Publication Date: 2008
Format: Paperback, 282 Pages
Challenge: Typically British, 1st in Series
Rating: ★★★
To Buy
Sadie and Saskia Dopple are the queens of the Isambard Dunstan School for Wayward Children. They rule all the girls in the orphanage with cunning and ruthlessness. Until one day the headmistress is a little more crafty then they. Saskia gets adopted by one Muzz Elliott, who will have one or none. Being a prestigious donor to the home, she gets her wish and the twins are separated, much to the headmistresses delight. So Sadie stays behind while Saskia goes to live in the mysterious home of Muzz Elliott out on Hampstead Heath, were she is given her own room in the tower where she mustn't ever answer the phone. Meanwhile, back at the orphanage, one of Sadie's pranks badly backfires and she's locked up for the night without food or water. But the school's only boy, and odd job man, overhears the mistress saying that Sadie will be off to prison for her stunt, so Erik Ganger risks his neck and releases Sadie so that they can flee across the Heath to Saskia. Of course a rescue can never be as easy as that when you flee across Hampstead Heath at night with bloodhounds baying at your heels and a psychotic magician named The Great Potemkin offering concealment, if you'll only help with one little experimental magic trick, that may or may not kill you. But things aren't going well for Saskia either. There's a mysterious painting she may not look at, a seance to recover a lost fortune and a Muzz Elliott Doppelganger out to kill them all. How will these three kids reunite and save the day?

I was hesitant to pick up this book due to my hatred of G.P. Taylor's Shadowmancer. But I was finally worn down by the pretty cover and the graphic, comic book style combined with chapter writing, in the vein of Hugo Cabret. I am very glad that I did. It was a fun, visual feast with a witty, almost Dickensian story of lost inheritances, mistaken identities, evil twins and ever so polite ghosts. It was an amazingly fast read and I find it amazing that with three separate artists, there is a very nice cohesiveness to the whole book, as if only one person had drawn it. Like Hugo Cabret, I was a bit thrown my the "real" image thrown in in the middle of the book. Why throw in this reality in a world of ink and linework? I don't know, it was off in that book and this one, so please, if someone who is planning on doing this in a book, just don't. I also applaud this new medium that is coming to the forefront. As a bridge between comics and chapter books I think it will encourage hesitant readers to risk moving on from just comics. But more importantly, it's just so beautiful and gorgeous, it's wonderful to see what can be done in this medium if you're willing to push the boundaries. More please! I guess that means I should go out and grab the sequel right?

Monday, June 21, 2010

Readathon Ends

Ok, so, I think I've done pretty well for myself. How have you done? This past week I've been participating in Kristen's Huge TBR Readathon over at Bookworming in the 21st Century, and I'm quite pleased with my results. Plus it was a lot of fun, I totally hope Kristen does it again in July, it's a wonderful excuse to just live in the land of the written word.

So what have I read you ask?
The Haunting of Andrew Sharpaiby Jerome Peterson (review to come, but thanks Jerome for the awesome book!)
First Escape, The Dopple Ganger Chroniclesby G.P. Taylor (so much better than Shadowmancer, man I hated that book!)
Death at Wentwater Courtby Carola Dunn (fun times between the wars at an English estate, so picking up the next one.)
Angel After the Fall Volume OneAngel After the Fall Volume Two: First NightAngel After the Fall Volume ThreeAngel After the Fall Volume FourSpike After the FallAngel Volume Five: AftermathAngel Volume Six: Last Angel in HellAngel: Smile Time
11 Books! Woot! Woot! Yes, some were comics, but I've been dreaming of emersing myself back into Joss' universe for awhile and season six of Angel doesn't disappoint nearly as much as season eight of Buffy does. I miss my Angel.

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