Showing posts with label Edwardian. Show all posts
Showing posts with label Edwardian. Show all posts

Wednesday, January 9, 2019

Book Review 2018 #7 - Tasha Alexander's Uneasy Lies the Crown

Uneasy Lies the Crown by Tasha Alexander
Published by: Minotaur Books
Publication Date: October 30th, 2018
Format: Hardcover, 304 Pages
Rating: ★★★★★
To Buy

The Queen is dead, long live Bertie? No matter how indomitable Emily thought the Queen or how hard the Queen fought against the inevitable by keeping her son out of politics, somehow Emily has to grasp the fact that Bertie is Bertie no more but Edward VII. But that is the least of Emily's worries at the moment and scandalizing her mother at the Queen's funeral is the one bright spot in her day. Colin was called away from the funeral luncheon to the Tower of London due to a murder and Emily, as is her wont, followed. A body had been found in the room where Henry VI was murdered. The dead man staged to look like the long dead king with a sword run through him and the costume to match. Colin thinks this is a threat to the new king and that the king's mother new it was coming. On her deathbed Queen Victoria gave Colin a letter with instructions, the last she would give him: Une sanz pluis. Sapere aude. "One and no more. Dare to know." He didn't even show Emily the note until after what they found in the Tower. Colin didn't want to betray the Queen's trust. But with the Queen dead and her son possibly in danger he knows he needs Emily's help.

There has also been another letter. And as much as Emily loves the idea of the Queen sending her husband mail from beyond the grave Colin assures Emily this isn't the case as neither note was written in the Queen's hand. The second note contained a map of the Tower of London and the drawing of a medieval lance. Was this note hinting at the murder? Is it a clue to another murder yet to come? When the body of a second victim turns up in Berkley Square murdered in the manner of Edward II, poker and all, it is clear that someone is sending a message, only Colin and Emily don't agree what that message is. Colin is convinced it is a clear and present danger to Bertie, while the more Emily digs into the lives of the victims themselves and not the way they were murdered she sees an entirely different picture. She thinks they are revenge killings. The first victim beat his wife, the second victim was a pimp who killed one of his girls who happened to have known the first victim's wife. All the couple know is that thanks to a local costume shop there are at least two more murders to come. Yet Colin's notes seem to have less and less to do with the murders and more to do with Henry V... could they be dealing with two disparate cases? And is Bertie even in danger?

There are as many different types of authors as there are book genres. There are the decent authors, you can enjoy their work but will probably never pick up another one of theirs. There are the bad authors, those whose books you want to fling across the room and are consumed by rage as you force yourself to finish. There are the really bad authors who make you so depressed you never want to read again and end up in the land of book melancholia. On the other end of the spectrum you have the good authors, the ones who you will always seek out their new book and make sure to read everything they have ever written. But then there is the rarest category of all, the great writers. Writers who you not only want to devour every word they have ever written but who inspire you. They make you want to read everything. They make you curious to know more. They make you have a voracious appetite that will never be satisfied to read and read. They open the world to you and you dive right in. I have always considered Tasha a good writer, but over her last few volumes, starting around The Adventuress and A Terrible Beauty I started to notice a shift. Tasha was bound for greatness and she has confirmed this with Uneasy Lies the Crown.

This volume just spoke to me on so many levels, but in particular I really connected to the glimpse of Colin's family history and how it connected to Henry V and Agincourt. I was so connected to Cecily Hargrave and her husband William that anyone that stood in their way I wanted to psychically harm. Especially the mean girl Cecily was staying with while her husband was off fighting in France. Right here, this shows Tasha's greatness. Not just in creating characters I love but in bringing history to life. My British history is pretty sketchy prior to the Wars of the Roses. It just happened that in undergrad the way they structured the British History classes meant that the first class was the Wars of the Roses up to the Glorious Revolution of 1688 and then the Glorious Revolution up to the present day, but my teacher was sick a lot so we only got to the Boer War. What I knew about medieval England was what I gleaned from Art History and my own personal studies. Therefore this little slice of medieval life had me wanting to read anything I could on Henry V. I wanted to pull down all my Philippa Gregory books and go on a binge. Then I wanted to watch all the miniseries I could, from adaptations of The White Queen to watching Edward the King with Timothy West. I wanted to take everything British and ingest it via osmosis. I haven't felt this invigorated as a reader in years.

But for how British I feel there is one thing I will NEVER get about England, and that is their obsession with controlling France. In fact when did they finally stop calling the British Monarch the King/Queen of England and France? I think I have some studying to do on that... Trying to see this ongoing conflict from the English point of view you can see, they're a tiny island, they want all the land they can get, how else do you think they became an empire? But from the logical point of view, France is a different country just leave them alone. Back to the British POV, yes, they did control many countries in their Empire... but I just don't get it. I guess my thinking is just too modern. A country should be it's own thing. They can have connections and allegiances, but they shouldn't be controlled or governed by any outside force. I believe in autonomy. This is oddly still very relevant as England and Spain have just started negotiations about Gibraltar. And here's my opinion on that, why they hell does England even still have Gibraltar? That's just crazy. Gibraltar should either be it's own entity or part of Spain. I don't get that there should be any confusion over this. But then England has been holding onto the Falkland Islands forever with an iron grip. And this folks is why I never play Risk. I don't want world domination.

Though we are here in the waning days of the British Empire and their world domination in that we are no longer in the Victorian Age, we are now in the Edwardian Era. An era that captured the heart of us Americans because of Upstairs, Downstairs, as well as other PBS shows from the aforementioned Edward the King to the spin off series featuring Francesca Annis as Lillie Langtry, Lillie, and even The Duchess of Duke Street. Americans, me included, became enamored with this era. But what I am most excited about currently is what this means for Emily. Queen Victoria, despite being a woman in power didn't believe in women having power. The most powerful hypocrite in the land, that's our Vicky! So while a man may be in charge of the country we are moving towards women's suffrage, we are moving towards more equality, we are moving towards Emily possibly being on more of an even footing with her husband as an agent of the crown in her own right. Possibly. What I love about Colin is while his work and society have never viewed his wife as his equal when it comes to his work, he has never taken that stance. He's always let Emily accompany him wherever his case might lead, from palaces to slums. But now with Bertie in charge? Those like this book's loathsome chauvinist Gale of Scotland Yard might have to eat their hat.

Yet for me, personally, such loyalty to a monarch is a little baffling. I think this has a lot to do with my disillusionment living in the United States at this moment in history. The whole "Cry 'God for Harry, England, and Saint George!'" Yeah, that's not me. Yet it is Colin. The journey Colin takes through this narrative is fascinating. He was very devoted to Queen Victoria and has never had much of a favorable option of Bertie. But Bertie lived the life he was allowed to have so he will obviously be undergoing a seismic shift with the changing of the guard. Seeing him wonder if he even wants to stick around and continue as an agent of the crown is an interesting crisis of faith. Especially if Gale of Scotland Yard is in the mix. Comparing this crisis to his ancestor William who was a literal knight in shining armor on the battlefields of France is interesting. There's a connection down through the generations that doesn't just show the family's loyalty to the crown, but the chivalric instincts that make Colin such a good man and make him want to make his country, his world a better place. Colin is literally a modern day night. And you know what the thing is? We might all dream of a better world, a happily ever after with the person of our dreams, but the world, at this moment, needs men and women like Colin. Where's the armor when you need it?

Friday, November 30, 2018

Book Review - Tasha Alexander's Uneasy Lies the Crown

Uneasy Lies the Crown by Tasha Alexander
Published by: Minotaur Books
Publication Date: October 30th, 2018
Format: Hardcover, 304 Pages
Rating: ★★★★★
To Buy

The Queen is dead, long live Bertie? No matter how indomitable Emily thought the Queen or how hard the Queen fought against the inevitable by keeping her son out of politics, somehow Emily has to grasp the fact that Bertie is Bertie no more but Edward VII. But that is the least of Emily's worries at the moment and scandalizing her mother at the Queen's funeral is the one bright spot in her day. Colin was called away from the funeral luncheon to the Tower of London due to a murder and Emily, as is her wont, followed. A body had been found in the room where Henry VI was murdered. The dead man staged to look like the long dead king with a sword run through him and the costume to match. Colin thinks this is a threat to the new king and that the king's mother new it was coming. On her deathbed Queen Victoria gave Colin a letter with instructions, the last she would give him: Une sanz pluis. Sapere aude. "One and no more. Dare to know." He didn't even show Emily the note until after what they found in the Tower. Colin didn't want to betray the Queen's trust. But with the Queen dead and her son possibly in danger he knows he needs Emily's help.

There has also been another letter. And as much as Emily loves the idea of the Queen sending her husband mail from beyond the grave Colin assures Emily this isn't the case as neither note was written in the Queen's hand. The second note contained a map of the Tower of London and the drawing of a medieval lance. Was this note hinting at the murder? Is it a clue to another murder yet to come? When the body of a second victim turns up in Berkley Square murdered in the manner of Edward II, poker and all, it is clear that someone is sending a message, only Colin and Emily don't agree what that message is. Colin is convinced it is a clear and present danger to Bertie, while the more Emily digs into the lives of the victims themselves and not the way they were murdered she sees an entirely different picture. She thinks they are revenge killings. The first victim beat his wife, the second victim was a pimp who killed one of his girls who happened to have known the first victim's wife. All the couple know is that thanks to a local costume shop there are at least two more murders to come. Yet Colin's notes seem to have less and less to do with the murders and more to do with Henry V... could they be dealing with two disparate cases? And is Bertie even in danger?

There are as many different types of authors as there are book genres. There are the decent authors, you can enjoy their work but will probably never pick up another one of theirs. There are the bad authors, those whose books you want to fling across the room and are consumed by rage as you force yourself to finish. There are the really bad authors who make you so depressed you never want to read again and end up in the land of book melancholia. On the other end of the spectrum you have the good authors, the ones who you will always seek out their new book and make sure to read everything they have ever written. But then there is the rarest category of all, the great writers. Writers who you not only want to devour every word they have ever written but who inspire you. They make you want to read everything. They make you curious to know more. They make you have a voracious appetite that will never be satisfied to read and read. They open the world to you and you dive right in. I have always considered Tasha a good writer, but over her last few volumes, starting around The Adventuress and A Terrible Beauty I started to notice a shift. Tasha was bound for greatness and she has confirmed this with Uneasy Lies the Crown.

This volume just spoke to me on so many levels, but in particular I really connected to the glimpse of Colin's family history and how it connected to Henry V and Agincourt. I was so connected to Cecily Hargrave and her husband William that anyone that stood in their way I wanted to psychically harm. Especially the mean girl Cecily was staying with while her husband was off fighting in France. Right here, this shows Tasha's greatness. Not just in creating characters I love but in bringing history to life. My British history is pretty sketchy prior to the Wars of the Roses. It just happened that in undergrad the way they structured the British History classes meant that the first class was the Wars of the Roses up to the Glorious Revolution of 1688 and then the Glorious Revolution up to the present day, but my teacher was sick a lot so we only got to the Boer War. What I knew about medieval England was what I gleaned from Art History and my own personal studies. Therefore this little slice of medieval life had me wanting to read anything I could on Henry V. I wanted to pull down all my Philippa Gregory books and go on a binge. Then I wanted to watch all the miniseries I could, from adaptations of The White Queen to watching Edward the King with Timothy West. I wanted to take everything British and ingest it via osmosis. I haven't felt this invigorated as a reader in years.

But for how British I feel there is one thing I will NEVER get about England, and that is their obsession with controlling France. In fact when did they finally stop calling the British Monarch the King/Queen of England and France? I think I have some studying to do on that... Trying to see this ongoing conflict from the English point of view you can see, they're a tiny island, they want all the land they can get, how else do you think they became an empire? But from the logical point of view, France is a different country just leave them alone. Back to the British POV, yes, they did control many countries in their Empire... but I just don't get it. I guess my thinking is just too modern. A country should be it's own thing. They can have connections and allegiances, but they shouldn't be controlled or governed by any outside force. I believe in autonomy. This is oddly still very relevant as England and Spain have just started negotiations about Gibraltar. And here's my opinion on that, why they hell does England even still have Gibraltar? That's just crazy. Gibraltar should either be it's own entity or part of Spain. I don't get that there should be any confusion over this. But then England has been holding onto the Falkland Islands forever with an iron grip. And this folks is why I never play Risk. I don't want world domination.

Though we are here in the waning days of the British Empire and their world domination in that we are no longer in the Victorian Age, we are now in the Edwardian Era. An era that captured the heart of us Americans because of Upstairs, Downstairs, as well as other PBS shows from the aforementioned Edward the King to the spin off series featuring Francesca Annis as Lillie Langtry, Lillie, and even The Duchess of Duke Street. Americans, me included, became enamored with this era. But what I am most excited about currently is what this means for Emily. Queen Victoria, despite being a woman in power didn't believe in women having power. The most powerful hypocrite in the land, that's our Vicky! So while a man may be in charge of the country we are moving towards women's suffrage, we are moving towards more equality, we are moving towards Emily possibly being on more of an even footing with her husband as an agent of the crown in her own right. Possibly. What I love about Colin is while his work and society have never viewed his wife as his equal when it comes to his work, he has never taken that stance. He's always let Emily accompany him wherever his case might lead, from palaces to slums. But now with Bertie in charge? Those like this book's loathsome chauvinist Gale of Scotland Yard might have to eat their hat.

Yet for me, personally, such loyalty to a monarch is a little baffling. I think this has a lot to do with my disillusionment living in the United States at this moment in history. The whole "Cry 'God for Harry, England, and Saint George!'" Yeah, that's not me. Yet it is Colin. The journey Colin takes through this narrative is fascinating. He was very devoted to Queen Victoria and has never had much of a favorable option of Bertie. But Bertie lived the life he was allowed to have so he will obviously be undergoing a seismic shift with the changing of the guard. Seeing him wonder if he even wants to stick around and continue as an agent of the crown is an interesting crisis of faith. Especially if Gale of Scotland Yard is in the mix. Comparing this crisis to his ancestor William who was a literal knight in shining armor on the battlefields of France is interesting. There's a connection down through the generations that doesn't just show the family's loyalty to the crown, but the chivalric instincts that make Colin such a good man and make him want to make his country, his world a better place. Colin is literally a modern day night. And you know what the thing is? We might all dream of a better world, a happily ever after with the person of our dreams, but the world, at this moment, needs men and women like Colin. Where's the armor when you need it?

Friday, February 5, 2016

Book Review - Adele Whitby's Secrets of the Manor: Kate's Story

Secrets of the Manor: Kate's Story, 1914 by Adele Whitby
Published by: Simon Spotlight
Publication Date: June 24th, 2014
Format: Paperback, 148 Pages
Rating: ★★
To Buy

Kate can not wait for her twelfth birthday. Not only will she finally be receiving the Katherine necklace, the beloved family heirloom passed on to every Katerine in the family when she turns twelve, but her beloved cousin Beth is also coming all the way from England to Vandermeer Manor in Rhode Island. The cousins have never met because of the ocean that divides them, but they are devoted to their correspondence and know they will be kindred spirits and the best of friends. What's more, Beth just received the Elizabeth necklace for her twelfth birthday and for the first time since their great-grandmother's day the two halves of the necklace will be reunited. Though all the party planning in the world can't take into account the assassination of Archdukes! The news of the assassination of Archduke Franz Ferdinand shortly after Beth's arrival in America leads to her parents ordering her home. War is on the horizon and Beth needs to be with her family. It is hard to choose between your heart and your duty, but Beth reluctantly agrees to return home, but not until after she and Kate have a few adventures of their own and reunite the two halves of the locket. 

To say I didn't like the first book in this series would be a gross understatement. Beth's Story so rubbed me the wrong way that besides the spewing of vitriol in my review I might have sold that book faster than any other in recent history. Yet I couldn't part with Kate's Story until I had read it. Yes, I know this might sound absurd, but I had bought this book and gosh darn it it wasn't leaving my shelves until it was read. Thankfully it was a mercifully short book that I knocked out in an hour or two. In fact I might have spent more time writing this review than I did reading the book if you needed a comparison. But in the end I obviously read it and, while I still didn't like Adele Whitby's writing style or story, I didn't hate it with the fury of ten thousand suns like I did the first volume. I think the primary reason for this is that having this book set in America and not in England it is in a society that had more fluid rules and protocol. Beth's Story being in England in 1914 meant that there were society's strictures that were to be obeyed and Adele Whitby flaunted them, if she ever knew them in the first place. While America did also have rules, being such a new country, one which took great joy in shaking off the strictures of England, there was room to play. There weren't any glaring incidents that made me hope that my eyeballs could light the book on fire with the power of my thoughts. In other words, I was able to make it to the end without any real rage forming.

Yet just because there weren't glaring errors, doesn't mean that this book didn't have aspects that annoyed me. They just annoyed me less and therefore I gave the book some leeway. My main gripe is with Kate and her "responsibilities." She is just about to turn twelve and she is already expected, or should I say honored, to attend meetings of The Bridgeport Beautification Society. So a twelve-year-old is to help an organization that is run by new wives and her mother's generation and older? A twelve-year-old! I can understand instituting civic-mindedness in a young girl, but to put her on an equal footing? Seriously!?! I just don't get this whole twelve-year-olds get all the responsibility that is going on in this series. They get expensive jewel encrusted necklaces and all the responsibility that comes with it all seemingly because this is how it happened to their great-grandmothers so obviously we must continue with this tradition. And hang on a minute, in 1848 would twelve-year-olds really be active in the life of their family in the aristocracy? They'd still be in the nursery... this whole thing is just a house of cards waiting for me to blow on it! I get that today in society twelve is kind of the age where things shift, you're on the brink of being a teenager and getting responsibilities, but in previous generations that wasn't the case. This book seems to be trying to shoehorn today's morays on yesterdays! In fact the word teenager didn't even exist until the time of Kate and Beth's daughters! Grumble.

Seems to me more and more that Adele Whitby needs some lessons in history before she's allowed to "teach" it in her books. What annoyed me in this book is that her inclusion of history has now turned into "teaching moments." In the first book the history was cheesy but was just part of the story, we weren't hit over the head with it. Here, here it's a different story. Learn about suffragettes! LEARN I SAY! I'm a person who likes to learn in two ways. The first is when I set out to learn. I take a class, I read the books, I study, I learn in that environment. The second way is passive learning. What you pick up here and there in books. Like Eddie Izzard says, you're flipping through the TV channels, stop for a moment on a show go, hey, I didn't know that, that's interesting, you move on. In other words I will never ever condone knowledge being forced on me. If there's one way to piss me off if I'm meeting you and you have something you want to tell me, if you call it a "teaching moment," know, that in that moment I am doing everything in my power not to punch you in the face. Looking ahead in the series it looks like these "teaching moments" are starting to take over with the potato famine, the great depression, ugh. Stop it now.

But what I think gets under my skin most is just how earnest this series is attempting to be. All about family loyalty and love. The only thing I can think of as being true is the secret that they harbor... because show me an insanely happy family and I'll show you their dirty dark secret. And again, the secret is that the original Katherine and Elizabeth switched places in case you forgot or were hit on the head, because you don't need all six books to figure it out, you need one, if that. No family in the world could be suffused with this much goodness. It's so saccharine and sweet that it makes my teeth ache. Oh, and Kate and Beth finally meeting? Like any cousins have this immediate sisterly bond? Ugh. I'm all for a happy read, but when they meet, oh, and when they join their lockets together? It was like some bizarre Edwardian power rangers. "With the power of our lockets combined we can transmute everyone into happy lovey-dovey zombies!" Because really, what other power could that locket give? Oh, maybe it gives off a brainwashing vibe? Yeah, that could be why everyone doesn't ring true. OK, I'm going with that, they are all under some sort of mind control. That's the only answer.

While these perfect bonds, cousinly and otherwise, are what this book is ostensibly about it really comes down to a lack of dimension. And seriously, I believe in true love, I want a happy ending, most of the time, but it's all in the way it's told that makes the difference. Yes I believe in love at first sight. Did I buy the chauffeur and Beth's maid's instant love? No. Because it was comic book level. It was caricature. Just because you are writing for younger readers doesn't mean that you don't put in the time to tell a good story. Like after two days they'd upset their whole lives to be together? They both knew where the other worked, they could have taken their time instead of doing something reckless. Plus really show the connection, not just hint at them blushing and leave it at that. And that's what it all comes down to. The shallowness of the book makes it predictable and dull. Yes I'm not the age it was written for, but a good story is for all readers, and this isn't a good story. There's a part of me that wants to read the rest of the series just to be vindicated that I saw all the twists and turns like the time I bothered to watch The Village, but really why submit myself to that? I'm not a masochist. Well, OK, sometimes I am with my reading, but I think I can finally walk away from this series and call it a day. If you'd take my advice, don't ever walk towards this series.

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