Showing posts with label Hampstead Heath. Show all posts
Showing posts with label Hampstead Heath. Show all posts

Wednesday, January 17, 2024

Book Review 2023 #5 - Ben Aaronovitch's What Abigail Did That Summer

What Abigail Did That Summer by Ben Aaronovitch
Published by: Subterranean Press
Publication Date: March 16th, 2021
Format: Hardcover, 232 Pages
Rating: ★★★★★
To Buy

Abigail Kamara should not be left to her own devices. She's not like her brother Paul who is terminally ill and needs looking after. She's just very good at getting into trouble. Just ask her cousin, DC Peter Grant. The second Peter's mom started bragging about her son doing magic Abigail demanded that he teach her. In an attempt to fob her off he said she'd need to get a GCSE A level in Latin. More fool him if he thinks she's not going to hold him to that, she's already in Latin club. She used to imagine her life out there, away from home, on some lonely road, but now she knows about magic, now she imagines seeing in the dark and running with foxes. Now she imagines finding a cure for Paul. When not being the bane of her teachers existence she's always on the lookout for the uncanny as a way to pass the time and impress Peter. There have been a recent spate of disappearances around Hampstead Heath and Abigail thinks they're rather sus. The entire nation is gripped by two white girls missing in Herefordshire and yet in London they can't be bothered with children missing on their own manor. This needs to be looked into, especially something Abigail thinks is extra sus, an old classmate of hers she hadn't seen for years invites her to a "happening" on the Heath. She's stood up but she meets Simon, who was also invited by someone he barely knew who also didn't show. At loose ends Simon and Abigail start to hang out. As Abigail comes to the realization that she's stuck with Simon she lets him help with her investigation. One that gets even stranger when it's revealed the the missing kids have all returned home with no memory of where they were. The most important piece of information is where are the kids going, thankfully Abigail has a skulk of talking foxes who have labeled her as a "person of interest" and are willing to help her with her operation; they're very big on the spy speak. And she needs each and every one of them to monitor the perimeter of the Heath. Which is how she gets her big break. The kids are all going into a house. But when Abigail enters, unlike the other kids, the house doesn't want to let her go. This conundrum is up to her to solve, without the help of the Folly, but oddly with the help of Simon's mom. Simon's mom is well connected, the foxes would be impressed.

While this is a standalone novella it is also technically a companion book to Foxglove Summer. Here we see Abigail in a similar situation to what Peter was dealing with in Herefordshire, missing children. While there are probably millions of stories about missing children what's interesting is seeing how one author handles the same subject in two very different ways. One was successful, the other was not. This book is damn near perfection. The bones of the story are a solid haunting of a house. The inside of the house is different pockets of time and it forces those whom it's lured inside to replay moments from it's past. It's not the most original of concepts, even Angel did a similar story in the season three episode "Waiting in the Wings," which I think was predominately written so that Angel and Cordelia could make out thus acting on years of pent up sexual frustration without them actually becoming an item. Yet Ben Aaronovitch writes his story so cleverly, so perfectly, that you feel like it's the first time you've head a haunted house story like it. What's more, the way that Abigail is trying to dissect the pockets of time while being forced to be a participate is fascinating. She actually appreciates these memories she is being shown while at the same time trying to find the source of the haunting. Abigail is just an amazing character with so much depth. What I personally connected to was the melancholy that is at the heart of her life, the fact that one day her brother Paul is going to die. Since the age of five his world has been getting smaller and smaller and I think that's why she pushes herself beyond her comfort zone. She wants to experience everything, even if it's the ghostly memories that a house gives her. Ben Aaronovitch understands the kind of suffering that a family with chronic illness endures. The hope that is almost worse than the bone deep pain of lifelong trauma. He wrote this book at the beginning of the pandemic and I think it influenced the story in an elegiac way. If you doubt me just read the section wherein Abigail is reading Terry Pratchett's Reaper Man to her brother. As she makes passing reference to that book's conclusion, if you know and love that book like I do, your heart will break anew.

Wednesday, August 9, 2023

Book Review - Ben Aaronovitch's What Abigail Did That Summer

What Abigail Did That Summer by Ben Aaronovitch
Published by: Subterranean Press
Publication Date: March 16th, 2021
Format: Hardcover, 232 Pages
Rating: ★★★★★
To Buy

Abigail Kamara should not be left to her own devices. She's not like her brother Paul who is terminally ill and needs looking after. She's just very good at getting into trouble. Just ask her cousin, DC Peter Grant. The second Peter's mom started bragging about her son doing magic Abigail demanded that he teach her. In an attempt to fob her off he said she'd need to get a GCSE A level in Latin. More fool him if he thinks she's not going to hold him to that, she's already in Latin club. She used to imagine her life out there, away from home, on some lonely road, but now she knows about magic, now she imagines seeing in the dark and running with foxes. Now she imagines finding a cure for Paul. When not being the bane of her teachers existence she's always on the lookout for the uncanny as a way to pass the time and impress Peter. There have been a recent spate of disappearances around Hampstead Heath and Abigail thinks they're rather sus. The entire nation is gripped by two white girls missing in Herefordshire and yet in London they can't be bothered with children missing on their own manor. This needs to be looked into, especially something Abigail thinks is extra sus, an old classmate of hers she hadn't seen for years invites her to a "happening" on the Heath. She's stood up but she meets Simon, who was also invited by someone he barely knew who also didn't show. At loose ends Simon and Abigail start to hang out. As Abigail comes to the realization that she's stuck with Simon she lets him help with her investigation. One that gets even stranger when it's revealed the the missing kids have all returned home with no memory of where they were. The most important piece of information is where are the kids going, thankfully Abigail has a skulk of talking foxes who have labeled her as a "person of interest" and are willing to help her with her operation; they're very big on the spy speak. And she needs each and every one of them to monitor the perimeter of the Heath. Which is how she gets her big break. The kids are all going into a house. But when Abigail enters, unlike the other kids, the house doesn't want to let her go. This conundrum is up to her to solve, without the help of the Folly, but oddly with the help of Simon's mom. Simon's mom is well connected, the foxes would be impressed.

While this is a standalone novella it is also technically a companion book to Foxglove Summer. Here we see Abigail in a similar situation to what Peter was dealing with in Herefordshire, missing children. While there are probably millions of stories about missing children what's interesting is seeing how one author handles the same subject in two very different ways. One was successful, the other was not. This book is damn near perfection. The bones of the story are a solid haunting of a house. The inside of the house is different pockets of time and it forces those whom it's lured inside to replay moments from it's past. It's not the most original of concepts, even Angel did a similar story in the season three episode "Waiting in the Wings," which I think was predominately written so that Angel and Cordelia could make out thus acting on years of pent up sexual frustration without them actually becoming an item. Yet Ben Aaronovitch writes his story so cleverly, so perfectly, that you feel like it's the first time you've head a haunted house story like it. What's more, the way that Abigail is trying to dissect the pockets of time while being forced to be a participate is fascinating. She actually appreciates these memories she is being shown while at the same time trying to find the source of the haunting. Abigail is just an amazing character with so much depth. What I personally connected to was the melancholy that is at the heart of her life, the fact that one day her brother Paul is going to die. Since the age of five his world has been getting smaller and smaller and I think that's why she pushes herself beyond her comfort zone. She wants to experience everything, even if it's the ghostly memories that a house gives her. Ben Aaronovitch understands the kind of suffering that a family with chronic illness endures. The hope that is almost worse than the bone deep pain of lifelong trauma. He wrote this book at the beginning of the pandemic and I think it influenced the story in an elegiac way. If you doubt me just read the section wherein Abigail is reading Terry Pratchett's Reaper Man to her brother. As she makes passing reference to that book's conclusion, if you know and love that book like I do, your heart will break anew.

Friday, October 22, 2021

Book Review - G.P. Taylor's The First Escape

The First Escape by G.P. Taylor
Published by: Tyndale
Publication Date: 2008
Format: Paperback, 282 Pages
Rating: ★★
To Buy

Sadie and Saskia Dopple are the queens of the Isambard Dunstan School for Wayward Children. They rule all the girls in the orphanage with cunning ruthlessness. Until one day the headmistress is a little more crafty then they are. Saskia gets adopted by one Muzz Elliott, who will have one or none. Being a prestigious donor to the school she gets her wish and the twins are separated, much to the headmistress's delight. So Sadie stays behind while Saskia goes to live in the mysterious home of Muzz Elliott out on Hampstead Heath. She is given her own room in the tower where she mustn't ever answer the phone. Meanwhile, back at the orphanage, one of Sadie's pranks badly backfires and she's locked up for the night without food or water. But the school's only boy, and odd job man, overhears the mistress saying that Sadie will be off to prison for her stunt so Erik Ganger risks his neck and releases Sadie so that they can flee across the Heath to Saskia. Of course a rescue can never be as easy as that when you flee across Hampstead Heath at night with bloodhounds baying at your heels and a psychotic magician named The Great Potemkin offering concealment, if you'll only help with one little experimental magic trick that may or may not kill you. But things aren't going well for Saskia either. There's a mysterious painting she may not look at, a seance to recover a lost fortune, and a Muzz Elliott doppelganger out to kill them all. How will these three kids reunite and save the day?

It's interesting what remains after time. I read G.P. Taylor's Shadowmancer so many years ago now I don't even remember when it was I read it. I do remember how much I hated it. In fact I'm more often to remember why I hate a book than why I love a book but Shadowmancer is that rare book that I hated everything about it so much that I have blocked as much of it from my memory as possible as a precautionary measure. So it's kind of the definition of insanity to pick up another book by G.P. Taylor, but what am I if not slightly mad? When I first read this book five years ago I was impressed by how much I didn't hate it. Re-reading it five years later I see that perhaps I shouldn't base my opinions on a book by how much it didn't suck in comparison to another book by the same author. Because the truth is, this book is flawed. Very flawed. Yes, it's a fast read and has the nice comic versus prose structure of a Brian Selznick book. But seeing as I just read a Brian Selznick book recently, the yawning divide in quality is readily apparent. It makes me queasy even trying to place the two in the same category, but it has to be done no matter how disparate they are. Yet what nags me most about this book and in fact this whole series, or at least how much of it I've read while typing this, is that I have no idea when it takes place. It's almost Dickensian with lost inheritances, mistaken identities, evil twins, and ever so polite ghosts. Yet there is more modern technologies, like cars. So while I want to say Edwardian, it's actually more interwar, making me scratch my head. In the end I just have to throw up my hands and say that it lacks identity but at least it's not Shadowmancer.

Wednesday, July 21, 2010

Book Review - G.P. Taylor's The First Escape

The First Escape, Dopple Ganger Chronicles Book 1 by G.P. Taylor
Published by: Tyndale
Publication Date: 2008
Format: Paperback, 282 Pages
Challenge: Typically British, 1st in Series
Rating: ★★★
To Buy
Sadie and Saskia Dopple are the queens of the Isambard Dunstan School for Wayward Children. They rule all the girls in the orphanage with cunning and ruthlessness. Until one day the headmistress is a little more crafty then they. Saskia gets adopted by one Muzz Elliott, who will have one or none. Being a prestigious donor to the home, she gets her wish and the twins are separated, much to the headmistresses delight. So Sadie stays behind while Saskia goes to live in the mysterious home of Muzz Elliott out on Hampstead Heath, were she is given her own room in the tower where she mustn't ever answer the phone. Meanwhile, back at the orphanage, one of Sadie's pranks badly backfires and she's locked up for the night without food or water. But the school's only boy, and odd job man, overhears the mistress saying that Sadie will be off to prison for her stunt, so Erik Ganger risks his neck and releases Sadie so that they can flee across the Heath to Saskia. Of course a rescue can never be as easy as that when you flee across Hampstead Heath at night with bloodhounds baying at your heels and a psychotic magician named The Great Potemkin offering concealment, if you'll only help with one little experimental magic trick, that may or may not kill you. But things aren't going well for Saskia either. There's a mysterious painting she may not look at, a seance to recover a lost fortune and a Muzz Elliott Doppelganger out to kill them all. How will these three kids reunite and save the day?

I was hesitant to pick up this book due to my hatred of G.P. Taylor's Shadowmancer. But I was finally worn down by the pretty cover and the graphic, comic book style combined with chapter writing, in the vein of Hugo Cabret. I am very glad that I did. It was a fun, visual feast with a witty, almost Dickensian story of lost inheritances, mistaken identities, evil twins and ever so polite ghosts. It was an amazingly fast read and I find it amazing that with three separate artists, there is a very nice cohesiveness to the whole book, as if only one person had drawn it. Like Hugo Cabret, I was a bit thrown my the "real" image thrown in in the middle of the book. Why throw in this reality in a world of ink and linework? I don't know, it was off in that book and this one, so please, if someone who is planning on doing this in a book, just don't. I also applaud this new medium that is coming to the forefront. As a bridge between comics and chapter books I think it will encourage hesitant readers to risk moving on from just comics. But more importantly, it's just so beautiful and gorgeous, it's wonderful to see what can be done in this medium if you're willing to push the boundaries. More please! I guess that means I should go out and grab the sequel right?

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