strange and random happenstance: Francesca Bridgerton

Showing posts with label Francesca Bridgerton. Show all posts

Friday, December 29, 2023

Lockwood & Co.

Rarely do you come across an adaptation that is perfection, which is probably why Netflix abruptly cancelled it. They couldn't see genius right in front of them that they commissioned and instead just made more Bridgerton. Not that I have anything against Bridgerton as a cultural phenomena, I have very highly specific issues which if I was to livestream would be me yelling about the music and sticking closer to the books. I love those books. But this review isn't about Bridgerton. Seriously it isn't. OK it is a little because Ruby Stokes quit playing Francesca on Bridgerton to play Lucy on Lockwood and Co.. But I swear that's the end of it. This is about the genius of Joe Cornish's adaptation of Jonathan Stroud's books. He literally brought the books to life. I know that's a cliched, hackneyed phrase, but do you really realize how rare of an occurrence this is? There are millions of adaptations out there, and many that I like, and a few that I love, but rarely does it happen where the book and the adaptation feel so aligned that the changes made don't annoy me. You could go in the opposite direction and pull a William Goldman, but I honestly think that William Goldman and both of his versions of The Princess Bride are a once in a lifetime event. And to have someone who isn't Andrew Davies pull it off? Well, tip of the hat to you Mr. Cornish. Though I shouldn't have been surprised once I realized so much of the production team were friends and colleagues of Edgar Wright and they did nail his flare for the perfect song at the perfect moment. From the second the opening credits rolled I knew this show was for me. Not only did it give background on The Problem with amazing infographics that I would have killed to have been talented enough to design, but the music has this Unsolved Mysteries meets The X-Files vibe that made me not only not "skip intro" but occasionally I'd watch them more than once. But this isn't a case where a bad show has amazing credits, looking at you final few seasons of Mad Men, the quality of the credits carried through to the show. The casting was perfect, the set, while it wasn't how I had pictured 35 Portland Row it was still 35 Portland Row. And as for how they were able to maintain Lucy's voice through her tape recorder taking the place of her first person narration, genius. I mean, if you want to quibble, some of my friends think that the show could have done a better setup with describing the different levels of ghosts, but seeing as I've read the books I don't think I'm able to speak to that because I've read the accompanying glossary in every volume so these facts are ingrained in me now. I'll say that I wish George had been more body positive, but at least with casting Ali Hadji-Heshmati they were able to still show inclusivity. Also Lucy tends to drop her sword a bit too much. And the pacing was a little too breakneck... But as you can see these are literally nitpicking. Because while Louise Brealey skeeved me out, she was meant to! I just am bereft that there is going to be no more of this show. I mean, it's not as bad as say the fate of Willow, I still have the books so I know how the story ends, but this, THIS was something special. This was it for me.

Posted by Miss Eliza at 12:00 AM 0 comments

Labels: And the Emmy Goes To, Bridgerton, Edgar Wright, Francesca Bridgerton, Joe Cornish, Jonathan Stroud, Lockwood & Co., Lucy Carlyle, Ruby Stokes, The Princess Bride, The Problem, The X-Files, Unsolved Mysteries

Wednesday, January 4, 2023

Book Review 2022 #10 - Julia Quinn's When He Was Wicked

When He Was Wicked by Julia Quinn
Published by: Avon
Publication Date: June 29th, 2004
Format: Paperback, 404 Pages
Rating: ★★★★
To Buy

Francesca Bridgerton made a perfect match. She and John Sterling, the Earl of Kilmartin, were made for each other. And Francesca got her dream come true, her own home, her own family. John's cousin Michael even became her best friend. Michael is a notorious rake and she loves to ask him about his wicked ways. Little does she know that he would give it all up for her. The second he set eyes on her he was lost. She was his everything, but he knew he could never have her. And when John dies suddenly he can't help thinking that some greater power is playing the world's cruelest trick on him because yes, he wants Francesca but not like this, never like this. He never wanted John's life or his title so bad to live in a world without John. So he leaves for India and doesn't look back, and in one fell swoop Francesca lost her husband and her best friend. Therefore she did what she had to do, she took up not only the mantel of Countess but that of Earl and runs Kilmartin for the husband and friend she lost. Four years later Francesca comes to a realization. She wants a baby. Of course for that to happen she needs a husband. She's not even sure she can have a baby, John and her were together for two years and she miscarried after his passing. It seems a hassle to go to the work of getting a husband when she just wants a baby, but she has made up her mind and therefore sets off from Scotland earlier than usual to London to go husband hunting. As it happens Michael arrives in London at the same time as Francesca and despite the years that have passed he still loves her as he ever did. Why did she have to come to London early? Why does she have to be on the marriage market? Why can't she be his? He searches his soul and the bottom of a lot of bottles but oddly it's Colin Bridgerton who breaks through when he explains that Michael has the right to be happy. What's more, doesn't Francesca? He could give her the child she wants and she wouldn't even have to love him just be his wife. But what if they could have it all?

With a long running series it's hard to keep it fresh. Just look to Lisa Kleypas's wallflower series. She started with a set four books in mind and by Scandal in Spring had obviously run out of ideas. Here Julia Quinn has set up a series double Kleypas's in length in order to make sure all the Bridgertons get their happily ever afters and yet with the sixth book she has created perhaps one of the strongest and most unique entries in the series so far. In the previous two volumes we have gotten hints about what has been going on in Francesca's life, perhaps the least discussed Bridgerton, and it was quite shocking to find out secondhand that she had not only gotten married by that she was already widowed. Where do we go from here? We go into perhaps the most relatable and affecting of the Bridgerton series. When He Was Wicked is about love and loss and guilt and it was a melancholy tale about taking a second chance at life and love. It was about coming to terms with what has passed and finding a way to forgive yourself for wanting to move on and find happiness. At times I was moved to tears by the way Francesca and Michael handled their grief over John and their desire to love again. Romance is usually just escapism and wish fulfillment, but here I found something more, something relatable. But of course no book is perfect so there was one aspect I really didn't relate to and that's Francesca's desperate need for a child. Children are a complicated issue, as Daphne saw with her Duke. There are people who want them, people who have them and don't want them, people who can't have them, people who choose not to have them, so many different kinds of people, and yet romance tends to lean very heavily to people wanting babies. I'm sorry, but I don't feel that my entire purpose on this planet is to breed and sometimes, just sometimes, it pisses me off that romance books think that I am wrong because it's not what I want. And I get Francesca and I are in different situations, she grew up in a large family and there's the familial bond and it makes sense that she wants a baby. I just want it acknowledged that not everyone wants one. Or can be talked around to wanting one, like the Duke.