Tuesday Tomorrow
A Lively Midwinter Murder by Katy Watson
Published by: Mobius
Publication Date: November 19th, 2024
Format: Hardcover, 368 Pages
To Buy
The official patter:
"First comes love... and then comes murder.
A high society Christmas Eve wedding at a secluded Scottish castle sounds like the perfect winter getaway for the three Dahlias - until a dead body wearing a wedding dress and a stolen diamond necklace turns up in the snow outside the family chapel, and the bride and groom are suddenly the prime suspects in a murder case..."
Oh boy! A new Three Dahlias book AND a Christmas murder mystery. Is it my birthday or something?
We Three Queens by Rhys Bowen
Published by: Berkley Books
Publication Date: November 19th, 2024
Format: Hardcover, 336 Pages
To Buy
The official patter:
"New mother Lady Georgiana "Georgie" Rannoch finds herself trying to separate fact from fiction when a murder occurs while a film is being made on the grounds of her estate in a new Royal Spyness Mystery from beloved bestselling author Rhys Bowen.
It's late 1936, and King Edward is in turmoil, having fallen in love with the scandalously divorced and even more scandalously American Wallis Simpson. He wants to marry her but knows that doing so will jeopardize his crown. Edward confides in his dear friend Darcy, Georgie's husband, and the couple agree to hide Wallis in their home while Edward figures out what to do.
But unbeknownst to Georgie and Darcy, Sir Hubert, the owner of the estate, has given a film crew permission to shoot a motion picture about Henry the Eighth and Anne Boleyn on the grounds. Trying to keep Mrs. Simpson hidden while raising a newborn baby seems like it couldn't be any more stressful for the Rannochs, until one of the stars of the film is found murdered on set. Georgie must solve the murder for king and country before scandal threatens to envelop them all."
Oh, the delicious irony of Wallis Simpson AND Anne Boleyn! BTW if you need to know I'm pro Anne anti Wallis.
A Deadly Legacy by E.V. Hunter
Published by: Boldwood Books
Publication Date: November 19th, 2024
Format: Kindle, 282 Pages
To Buy
The official patter:
"A tragic accident or an untimely death?
When Drew Hopgood's brother, Frank dies whilst out climbing, it's initially thought his death was simply a tragic accident. But when Frank's much younger wife, Stella arrives at Hopgood Hall demanding half of Frank's inheritance the Hopgoods and Alexi Ellis begin to suspect foul play...
Stella has no claim to Frank's legacy, but she isn't giving up easily. And with the reputation of Hopgood Hall still fragile, Alexi can't afford to lose any more money because of Stella's greed.
So Alexi, her partner Jack, and Cosmo of course, decide to dig deeper into Stella's background. Just how did she meet Frank and were they really as in love as she claims?
As the trio investigate, they discover Stella has her own reasons for being back at Hopgood Hall. And rather than console the grieving widow, Alexi and Jack think they might need to look again at Frank’s tragic death - because rather than an accident this could have been a deadly fall - planned by his own wife!
A boutique hotel. A feral cat. A recipe for murder!
A gripping murder mystery, perfect for fans of Faith Martin, Frances Evesham and Emma Davies."
The feral cat totally knows everything and is keeping it from them.
Christmas with the Queen by Hazel Gaynor and Heather Webb
Published by: William Morrow and Company
Publication Date: November 19th, 2024
Format: Hardcover, 384 Pages
To Buy
The official patter:
"'Tis the season! The Crown meets When Harry Met Sally in the latest heartwarming historical novel from Hazel Gaynor and Heather Webb, bestselling authors of Last Christmas in Paris, Meet Me in Monaco, and Three Words for Goodbye.
December 1952. While the young Queen Elizabeth II finds her feet as the new monarch, she must also find the right words to continue the tradition of her late father's Christmas Day radio broadcast. But even traditions must evolve with the times, and the queen faces a postwar Britain hungry for change.
As preparations begin for the royal Christmas at Sandringham House in Norfolk, old friends - Jack Devereux and Olive Carter - are unexpectedly reunited by the occasion. Olive, a single mother and aspiring reporter at the BBC, leaps at the opportunity to cover the holiday celebration, but even a chance encounter with the queen doesn't go as planned and Olive wonders if she will ever be taken seriously.
Jack, a recently widowed chef, reluctantly takes up a new role in the royal kitchens at Sandringham. Lacking in purpose and direction, Jack has abandoned his dream to have his own restaurant, but his talents are soon noticed and while he might not believe in himself, others do, and a chance encounter with an old friend helps to reignite the spark of his passion and ambition.
As Jack and Olive's paths continue to cross over the following five Christmases, they grow ever closer. Yet Olive carries the burden of a heavy secret that threatens to destroy everything.
Christmas Day, December 1957. As the nation eagerly awaits the Queen's first televised Christmas speech, there is one final gift for the Christmas season to deliver..."
Chance encounters can often lead to change during the most magical time of the year.
Duchess Material by Emily Sullivan
Published by: Forever
Publication Date: November 19th, 2024
Format: Paperback, 336 Pages
To Buy
The official patter:
"When her student goes missing, an independent bluestocking must seek the help of the arrogant duke who spurned her in this sizzling tale of romance and intrigue, perfect for fans of Netflix's Bridgerton series.
Phoebe Atkinson is what society might call unconventional. Instead of marrying well like other women born to wealth, she chose to be a schoolteacher. Not to mention she lives in a leaky flat in an unfashionable part of town rather than stay in her parents' mansion. But when her most promising pupil goes missing she has only one option: beg her sister's best friend, the powerful Duke of Ellis, for help.
The last thing William Margrave ever expected was to inherit a dukedom. But now that he has it, he's determined to act the part perfectly - and that includes marrying the perfect duchess. A bluestocking Bohemian schoolteacher is decidedly not duchess material. But he can't resist her plea for help regarding her missing student.
As they fall further into the mystery, William discovers that he never got over his childhood crush on Phoebe..."
I think a bluestocking Bohemian schoolteacher would be the better duchess by far. She'd be so well organized!
The Muse of Maiden Lane by Mimi Matthews
Published by: Berkley Books
Publication Date: November 19th, 2024
Format: Paperback, 384 Pages
To Buy
The official patter:
"A silver-haired equestrienne and a charismatic artist turn a scandalous bargain into a vibrant portrait of love.
Stella Hobhouse is a brilliant rider, stalwart friend, skilled sketch artist - and completely overlooked. Her outmodish gray hair makes her invisible to London society. Combined with her brother's pious restrictions and her dwindling inheritance, Stella is on the verge of a lifetime marooned in Derbyshire as a spinster. Unless she does something drastic...like posing for a daring new style of portrait by the only man who's ever really seen her.
Aspiring painter Edward "Teddy" Hayes knows true beauty when he sees it. He would never ask Stella to risk her reputation as an artist's model but in the five years since a virulent bout of scarlet fever left him partially paralyzed, Teddy has learned to heed good fortune when he finds it. He'll do anything to persuade his muse to pose for him, even if he must offer her a marriage of convenience.
After all, though Teddy has yearned to trace Stella's luminous beauty on canvas since their chance meeting, her heart is what he truly aches to capture...."
Aw, I love this, it sounds like a plotline for a seventies British miniseries. Must read!
The Estate by Sarah Jost
Published by: Sourcebooks Landmark
Publication Date: November 19th, 2024
Format: Paperback, 416 Pages
To Buy
The official patter:
""The world of art is blown wide open" (Jonathan Santlofer, national bestselling author of The Lost Van Gogh) in this novel for fans of The Cartographers, a simmering speculative suspense following art historian Camille Leray, whose secret ability lands her in the middle of the dangerous schemes of the most powerful players in the industry...
Art historian Camille Leray has spent her career surrounding herself with fineries and selling pieces worth millions. But she harbors a secret: she has the ability to enter the world of any piece of artwork, and she can take others with her. But tapping into history comes with great risks. And someone has been watching, someone who knows about her magic, and her mistakes...
After Camille ruins her career and reputation by misusing her powers, she vows to get her old life back. So when Maxime Foucault, an enigmatic aristocrat who owns a sprawling French estate, enlists her help in authenticating the statues of a mysterious artist, whose disappearance she has been trying to solve for years, she knows this could be her chance to turn her career around and get the man she's always wanted.
But something isn't right about the Foucault family and the grand chateau they inhabit, and as Camille gets sucked into its walls, she finds a world of luxury and greed that causes her to risk losing herself, and everything she has ever known, forever.
Filled with magic, suspense, the allure of Arthurian legend, and dark academia, The Estate unravels a mystery that spans generations. This captivating tale will leave readers pondering the fine lines between reality and imagination, creation and destruction, and being haunted or free."
A book that is hard to quantify and yet I just want to move into its pages.
The Memory Place by Nate Dimeo
Published by: Random House
Publication Date: November 19th, 2024
Format: Hardcover, 336 Pages
To Buy
The official patter:
"Incredible true stories reveal strange new magic in American history in this wondrous first book from the creator of the award-winning podcast The Memory Palace.
The Memory Palace is a collection of crystalline historical tales that read like luminous short fiction and, like Nate DiMeo's acclaimed podcast of the same name, conjure lost moments and forgotten figures who are calling out across time to be remembered.
Space capsules filled with fruit flies and future senators. A socialite scientist who gives up her glamorous life to follow love and the elusive prairie chicken. A boy genius on a path to change the world who gets lost in the theoretical possibilities of streetcar transfers. An enslaved man who steals a boat and charts a course that leads him to freedom, war, and Congress. A farmer's wife who puts down her butter churn, picks up the butter, and becomes an international art star. An amusement park glowing at the water's edge when electric lights are a brand-new thing. This cabinet of curiosities teems with wonder.
For fifteen years, Nate DiMeo has turned to the past to make sense of the way we live today, finding beauty and meaning in history's dustier corners, holding things up to the light and weaving facts, keen insight, wit, and poignant observation into unforgettable tales. With new stories and treasured favorites from the beloved podcast assembled alongside dynamic illustrations and archival photographs for the first time, enchantment awaits you."
Because everything needs to be remembered. And it's often the stories we overlook that might be the most fascinating.
The Unfinished Harauld Hughes by Richard Ayoade
Published by: Faber and Faber
Publication Date: November 19th, 2024
Format: Hardcover, 224 Pages
To Buy
The official patter:
"Richard Ayoade's fictional quest to rescue Harauld
Hughes - the almost mythical mid-century playwright - from obscurity.
The gifted filmmaker, corduroy activist and amateur dentist, Richard Ayoade, first chanced upon a copy of The Two-Hander Trilogy by Harauld Hughes in a second-hand bookshop. At first startled by his uncanny resemblance to the author's photo, he opened the volume and was electrified. Terse, aggressive, and elliptical, what was true of Ayoade was also true of Hughes's writing, which encompassed stage, screen, and some of the shortest poems ever published.
Ayoade embarked on a documentary, The Unfinished Harauld Hughes, to understand the unfathomable collapse of Hughes's final film O Bedlam! O Bedlam!, taking us deep inside the most furious British writer since the Boer War.
This is the story of the story of that quest."
What they don't mention here is that Richard Ayoade got SO DEEP into the character of Harauld Hughes he wrote all of Harauld's books.
The World According to Cunk by Philomena Cunk
Published by: Grand Central Publishing
Publication Date: November 19th, 2024
Format: Hardcover, 256 Pages
To Buy
The official patter:
"Romans! Madrigals! The Dark Ages! Revolutions! Trumpets! The Oranges of The First World War! All of this (except trumpets) and more, is covered in this definitive, easy-clean history of all world history so far, written by the 21st Century's leading historian, philosopher and thinkerer Philomena Cunk.
Focussing on the inventions, art, and brainboxes that made the modern world the unbearable place it is today, The World According To Cunk is the history book to end all history books: more unputdownable than Andrew Marr's History Of The World, less unpickupable than Yuval Noah Harari's Sapiens, and noticeably less in ancient Greek than Herodotus' Histories.
Philomena Cunk says: "About the world, written on the world, and available at all the world's remaining bookshops, The World According To Cunk is the definitive history of the world. There will never need be another history book. Unless something major happens. Even then they'll probably just put something up on TikTok about it. A word of warning: please don't buy it if you're expecting anything about trumpets in it. You will only be disappointed.""
Dammit, I wanted trumpets. But only in the ancient Greek.





































































Back in the nineties everyone was obsessed with the new adaptation of Jane Austen's Pride and Prejudice with moist Colin Firth. I wasn't an exception to this rule, I was fully committed, six tape VHS boxset and all watched over and over again. But there were two other period pieces I gravitated towards more often, mainly because you could always stumble across one or the other in the middle of the night on upper cable channels. I'm talking about Louisa May Alcott's The Inheritance and Edith Wharton's
While no one was really paying too much attention Harlan Coben has made himself a little dynasty over at Netflix. While everyone was obsessing over Bridgerton or pouring over the details of Ryan Murphy's deal with Netflix for the last six years Coben has delivered eight shows that are solid and addictive mysteries. The recipe was simple; take one of his books, change the setting to England, add Richard Armitage, and voila, hit show. But a hit show without too much coverage. It's like how Suits emerged out of the mists of time to become popular again. Harlan Coben's adaptations succeed whether they're talked about or not. And Fool Me Once is the only one I've really seen talked about. Which is a shame. This adaptation just didn't work. Could it be too little Richard Armitage? Perhaps. Could it be that despite being the darling of British television I found Michelle Keegan flat and incapable of shouldering the duties of leading lady? Oh, most definitely. Joanna Lumley should have killed Michelle in the first episode and made it her own. The problem with this adaptation is at its heart it's about a British drug dynasty like the Sacklers, but told in the stupidest way possible. This is buried so deeply in the narrative it only becomes clear in the final episode when Michelle Keegan's Maya confronts her husband's family. I would have far rather watched eight episodes of Maya living this half life between the world she was born to and the world she was thrust into because of her marriage than her wandering about being wooden looking into the deaths of her husband and her sister, one of which really makes no sense when you learn the truth. Which just lends itself to the convoluted nature of the entire show. So much is not explained and left unresolved. If you like your mysteries with a big helping of vague, well then, this one's for you. The lead cop, played wonderfully by Adeel Akhtar, is taking drugs produced by the "Sacklers" and is having severe health issues. Are we ever told why he's on medicine that he pops like candy? No! And then when he's at the doctors trying to figure out why he's blacking out, when the doctor is talking the sound fades away. So... No idea what's going on there. So much is not knowing what's going on or just assuming the audience doesn't care about a single detail. Like Maya's sister gave up a baby for adoption. Why did she give the baby up? Did her husband know? Or did Maya's friend actually have kids? I never saw these kids or even pictures of said kids. These little things keep building over time until I was just so frustrated that I'm glad Maya died. This show explained nothing, underused great actors, and overused incompetent ones. I kept thinking that this could have been something but in the end I just no longer care. Yes, it was slightly redeemed by vigilantism with dire consequences, but it was too little too late.
Rarely do you come across an adaptation that is perfection, which is probably why Netflix abruptly cancelled it. They couldn't see genius right in front of them that they commissioned and instead just made more Bridgerton. Not that I have anything against Bridgerton as a cultural phenomena, I have very highly specific issues which if I was to livestream would be me yelling about the music and sticking closer to the books. I love those books. But this review isn't about Bridgerton. Seriously it isn't. OK it is a little because Ruby Stokes quit playing Francesca on Bridgerton to play Lucy on Lockwood and Co.. But I swear that's the end of it. This is about the genius of Joe Cornish's adaptation of Jonathan Stroud's books. He literally brought the books to life. I know that's a cliched, hackneyed phrase, but do you really realize how rare of an occurrence this is? There are millions of adaptations out there, and many that I like, and a few that I love, but rarely does it happen where the book and the adaptation feel so aligned that the changes made don't annoy me. You could go in the opposite direction and pull a William Goldman, but I honestly think that William Goldman and both of his versions of The Princess Bride are a once in a lifetime event. And to have someone who isn't Andrew Davies pull it off? Well, tip of the hat to you Mr. Cornish. Though I shouldn't have been surprised once I realized so much of the production team were friends and colleagues of Edgar Wright and they did nail his flare for the perfect song at the perfect moment. From the second the opening credits rolled I knew this show was for me. Not only did it give background on The Problem with amazing infographics that I would have killed to have been talented enough to design, but the music has this Unsolved Mysteries meets The X-Files vibe that made me not only not "skip intro" but occasionally I'd watch them more than once. But this isn't a case where a bad show has amazing credits, looking at you final few seasons of Mad Men, the quality of the credits carried through to the show. The casting was perfect, the set, while it wasn't how I had pictured 35 Portland Row it was still 35 Portland Row. And as for how they were able to maintain Lucy's voice through her tape recorder taking the place of her first person narration, genius. I mean, if you want to quibble, some of my friends think that the show could have done a better setup with describing the different levels of ghosts, but seeing as I've read the books I don't think I'm able to speak to that because I've read the accompanying glossary in every volume so these facts are ingrained in me now. I'll say that I wish George had been more body positive, but at least with casting Ali Hadji-Heshmati they were able to still show inclusivity. Also Lucy tends to drop her sword a bit too much. And the pacing was a little too breakneck... But as you can see these are literally nitpicking. Because while Louise Brealey skeeved me out, she was meant to! I just am bereft that there is going to be no more of this show. I mean, it's not as bad as say the fate of Willow, I still have the books so I know how the story ends, but this, THIS was something special. This was it for me.
You might be wondering, why is she including Wednesday on her list of adaptations, it's not like it was a book...or was it? I'm putting this in under a technicality, because while Charles Addams created the cartoons for The New Yorker for the most part, they were later published in several books from Addams and Evil to Dear Dead Days. In fact I have a whole bookshelf groaning under the weight of all my Charles Addams books. There's even a cookbook which isn't for the faint of heart. I am an Addams Family connoisseur, I don't just have books, I have licensed artwork, Funko Pops, I have the entire Department 56 Addams Family Village, minus Fester with his light bulb and Wednesday and Pugsley with the guillotine, I have all the action figures, minus Wednesday, to the cartoon series, the SNES Addams Family video game is my favorite video game of all time and I can't count the number of times I've beat it, I have an original movie poster from 1991, and I don't know how many copies of the film I've gone through on different media from VHS to the "More Mamushka" Blu-ray release. The Addams Family is the story of my life. I remember a writing assignment in seventh grade that was actually Addams Family fanfic. Therefore Wednesday, well, it had to be something special to actually become a part of my own special Addams Family canon. I mean, Tim Burton was definitely the right choice despite not making a movie I liked since 2005, as was Jenna Ortega who proved her acting chops to me with her turn as Ellie in season two of You and I swear if they don't bring her back for the final season I will revolt. And yet I was hesitant to watch. I did't want to be disappointed. All my friends were texting me how good it was and yet I delayed, I mean the show went viral, that couldn't be good could it? Me, the girl who in 1999 had a Tim Burton film fest and who ranks The Addams Family with Raul Julia as one of her favorite movies ever just couldn't get up the nerve to watch the series. Obviously I wouldn't be writing this if I hadn't watched the show. And I enjoyed it. It wasn't phenomenal, but it was interesting and created it's own lore while at the same time paying homage to all the previous adaptations. The fan service was top notch, especially everything to do with the pilgrims, and if Christine Baranski doesn't get a role in season two I will weep. But here's the thing, the fan service is fun asides, or clever plot points, it never takes away from the whole. And Bridgerton could learn a lesson or two from Wednesday's modern cello covers. But what does take away from the show is the petty backbiting and a love triangle that's just too high school coupled with, but aren't both guys creeps? This makes it feel painfully YA at times and it detracts from the show. Just look to the 1991 version, that was rated PG-13, very close to the TV-14 of the show, and yet you never felt that it was childish. Perhaps with a teenage lead character it was bound to come across as childish occasionally, I just know they can do better, and I think Jenna Ortega agrees with me because next season there is going to be no love interest and more horror. Now that's what I like to hear. That and the sound of a well snapped finger.
When Queen Charlotte was announced I honestly think that I was more excited to see it than I was another season of Bridgerton. I have many issues with
When it was announced that there was going to be a new adaptation of H.E. Bates's Pop Larkin books I was honestly baffled. I know reboots and reimaginings are all the rage, but the early nineties television series for ITV, The Darling Buds of May, is a legit television classic and made a star of Catherine Zeta-Jones while further cementing David Jason and Pam Ferris's status as British living legends. In fact it was one of the first big British television series that I was able to get through Netflix in the days of DVDs by mail. For some reason the discs I kept getting for episodes five and six which adapted A Breath of French Air always arrived damaged. But I persevered and eventually, as in at least a month after starting the episodes, I got to see Anna Massey in all her glory. Because so much in life comes down to, is Anna Massey in it? And if the answer is yes then I have to see it. This has backfired a few times, but for every production of The Robinsons there's a He Knew He Was Right. But when Bradley Walsh was announced as Pop Larkin after his successful run on Doctor Who I knew I wanted to watch the newest adaptation. And then they cast Sabrina Bartlett as his daughter Mariette. Everyone has actors they can't stand. They see them and they just can't watch them. Sabrina Bartlett is that for me. The only role I've ever liked her in was in Poldark, because she was murdered. When Arya was wearing her face on Game of Thrones I couldn't handle it. Then when she showed up on Bridgerton, hell no. Other shows she has been in over the years I have successfully blocked memory of her from. Like Victoria, she was on that!?! Guess I can't rewatch it. But then I got Acorn so I could see the final season of Doc Martin and I try to use my subscription services to the max so I thought, what could it hurt? It's only seven episodes. Even if I hate it it's only a week! But then I was surprised. I loved the new adaptation. Somehow Sabrina Bartlett was perfectly cast as the headstrong Mariette. In fact every single member of the cast was perfect. Sure, this a rural idyll, an England that never was, where everyone is happy and there's more than plenty on the table and tax men become family members, but I didn't care, I fell in love with the Larkins! And then tragedy struck! As in scandal, chaos, all was not right in Kent! Rumors abounded that all was strife behind the scenes. Sabrina Bartlett quit and was replaced with someone cast just because they had the hair and teeth. But Sabrina Bartlett wasn't the real problem, apparently that was the actor playing Charley, Tok Stephen. There might have even been inappropriate pictures texted to Sabrina so everyone was naturally shocked that he wasn't fired and was coming back for season two. But the truth is he was sidelined. The show lost something of it's spark. They didn't want another romance to be the focus of the second season so they asininely decided that Pop would go to prison. While this is actually what happens in the third book in the series it just felt depressing and contrived and too much of an overbearing story arc. Add to that everything seemed to be overly lite to look all sunny when it wasn't, overall the second series felt like a badly put on stage play, all surface, no depth. Continued rumors of tension behind the scenes meant that this is the last this iteration of The Larkins will grace out screens. Of course Bradley Walsh took the bullet and said it was due to his busy schedule. Very gentlemanly of you Bradley, Pop would be pleased.
Such Good Friends by Stephen Greco
A Starlet's Secret to a Sensational Afterlife by Kendall Kulper
An Unsuitable Heiress by Jane Dunn
The Duchess Takes a Husband by Harper St. George
The Poisoner's Ring by Kelley Armstrong
The Big Sugar by Mary Logue
The Chateau by Jaclyn Goldis
Hard Dough Homicide by Olivia Matthews
Rogue Justice by Stacey Abrams
The Blighted Stars by Megan E. O'Keefe
Perilous Times by Thomas D. Lee
The Tales Behind Tarot by Alison Davies
Queen Charlotte by Julia Quinn and Shonda Rhimes
The House on Prytania by Karen White
The Prodigal Women by Nancy Hale
The Nightingale Affair by Tim Mason
Sepulchre Street by Martin Edwards
Playing It Safe by Ashley Weaver
No One Needs to Know by Lindsay Cameron
This Is the Way the World Ends by Jen Wilde
I'm Not Supposed to Be in the Dark by Riss M. Neilson
To Shape a Dragon's Breath by Moniquill Blackgoose
Our Hideous Progeny by C.E. McGill
The Department of Truth by James Tynion IV and Martin Simmonds

















