strange and random happenstance

The Princess Bride is my favorite film of all time. Yes, there are other contenders; Clue, Vertigo, L.A. Confidential, but when it comes down to it, there really is no choice, it's The Princess Bride. It has been since the moment I first watched it during the summer of 1988 heatwave while I hide from the sun in my bedroom with all the shades drawn and watched movies all day. Therefore when something is recommended to fans of The Princess Bride as being "like" it I am wary. I mean, first, how can you match perfection? Second, I do not think you mean what you think you mean. But I will forgive everyone who labeled My Lady Jane as like The Princess Bride for the simple fact that for the first time ever I agree. And not just because they totally recreate the scene when Fezzik catches Princess Buttercup when she jumps out the window. Because honestly that didn't quite work, but it was a clever idea. The two are obviously greatly different, one dealing with the real history of Lady Jane Grey warped and the other being more Ruritanian romance than anything else, but the same vein of humor and heart runs through both. I first heard of My Lady Jane because it was part of a YA subscription box I got. Here's the thing about me and subscription boxes... We're not the best match. I like to curate my reading for long periods of time in advance so just having a random book show up is cool, but I can guarantee you it will be years before I read it. So it wasn't on my radar. In fact, like many people bemoaned when it was unjustly cancelled, they had no idea that My Lady Jane had become a series. I thankfully was not in the dark because I follow Rob Brydon on social media. In fact before I looked into who else starred in this show I knew I was going to watch it because Rob Brydon is in it. It's Rob Brydon in Tudor England, how could I not? He has a codpiece. And there are many codpiece jokes. So if that alone doesn't sell you, I'm sorry I don't think we can be friends. Throw in Anna Chancellor, Jim Broadbent, Dominic Cooper, Kevin Eldon, Edward Bluemel, and the plummy tones of Oliver Chris and I was watching it the night it dropped and paying the extra to watch it ad free. And the first episode was a totally ride, but also eye-opening. While I knew this was an alternative history, I totally didn't know it was also a fantasy, so I was quite shocked when people turned into animals. Yeah, that guy totally turned into a bear in a bar. It's chaotic and classic! But you know what? It worked. Everything about this worked. I mean, it's hard for me to explain things I love. I can detail everything that a show gets wrong, but when a show it right it just sings. I can point to Noel Fielding's horrible show, The Completely Made-Up Adventures of Dick Turpin, and say that My Lady Jane is actually the show he wanted to make but failed miserably. The jokes were flat, the delivery bad, and it didn't ground itself. Back to My Lady Jane... I usually hate anachronistic music in shows to the point where I'm yelling at the television, and yet, I want the soundtrack for this show. The song choice and humor, damn. Several times I laughed out loud when I realized what was about to play because it fed into my memories and complemented what was happening in the story. "Nights in White Satin" was beyond genius! Then there's the chemistry. Emily Bader and Edward Bluemel should always star together. You were rooting for this princess and her steed, because of course her husband turns into a horse and he married her for her brain. I mean, there's just so many funny moments that turn everything on their head. And yet, somehow it all works, the warped history, everything, it works. But the cherry on the top of the cake is Oliver Chris as the narrator. His unctuouse voice smarmily and knowingly narrating the show gives it that extra connection to The Princess Bride. It's us viewers and how we're reacting as we're watching, commenting on cliffhangers and gasp-worthy moments. We all are Oliver Chris, and he is us, and why am I not getting a second season? I mean, come on. Do have have to get the ghost of Peter Falk to wander into the Amazon offices and subtly mumble, that he had one more thing he had to do, get a second season of My Lady Jane made? Oh, and stop anyone from ever rebooting The Princess Bride. So I guess that's two more things...

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: Anachronistic, And the Emmy Goes To, Arranged Marriage, Edward Bluemel, Emily Bader, England, Fantasy, Lady Jane Grey, Music, My Lady Jane, Oliver Chris, Rob Brydon, Subscription Boxes, The Princess Bride, Tudor

Phantastes: A Faerie Romance for Men and Women by George MacDonald
Published by: A Public Domain Book
Publication Date: 1858
Format: Kindle, 165 Pages
Rating: ★★★
To Buy

Anodos's father has died. When going through his late father's desk he finds a compartment containing an old female fairy. She describes to him the land of Fairy and he dreams of it as he falls to sleep that night. When he awakes his room is transformed. There are recognizable objects, but the forest is encroaching on them. As he alights from bed he realizes that he is in the land of Fairy and that his adventure has begun. He soon learns that the land of Fairy isn't all wonder, there is both good and evil in this magical realm. The evil of the Ash and Alder Tree are notorious, and he has a frightful enounter with the Ash, being saved and protected by the Beech Tree. The Beech turns him to thoughts of love and he falls for a beautiful marble statue, but is tricked by the Ash once more. But soon the Ash isn't the only evil pursuing Anodos, his own shadow becomes antagonistic, and this evil presence weighs on him night and day. When he finds a palace he finally finds respite from the shadow. The library of the palace contains many books. But the magic of the realm of Fairy is that reading one of these books isn't like reading other books, you actually live the story. The adventure is your own. With this magic he lives many lifetimes, but his heart still belongs to the marble lady. He believes he sees her in one of the lives he reads but finds out the truth, she loves another, someone whom he has met. Yet still Adnodos searchs for her. He becomes obsessed that in the long checkered hall of the palace that the statues dance when he is not looking. And he believes that she is there. He is not wrong, but by now he should have realized you need to be careful what you wish for because pursuing the woman means leaving the palace and his shadow returns. The weight and despair plunge him into the depths of his psyche. He has been travelling for he doesn't know how long, always in one direction, towards the rising sun. But what little adventures he has had meeting with people begin to weary and tire him. Is he headed towards a goal? Will he be able to find redemption for the shadow he carries with him? An old woman holds some answers behind four doors. But will reliving his past trauma heal him? He remembers the death of his brother and it's two brothers that will help him to find purpose. They seek to slay tyrannical giants and it's Anodos's songs of his journeys and adventures through Fairy that give them strength in their preparations. But who will give Anodos strength to find his way home?

George MacDonald is probably best known for At the Back of the North Wind and The Princess and the Goblin, children's classics of the highest order. But his book Phantastes is probably the most influential. Within the first few pages you can see why C.S. Lewis referred to him as his "master." And yes, that's because there is a rather prominent wardrobe in the wilderness. You can just picture the Inklings bending over a table at The Eagle and Child and dissecting this tome page by page. Therefore it's hard to discuss this book on it's own. Because Anodos's journey through Fairy is rather prosaic. Nothing much happens and yet the vignettes showcased lit a fire in the minds of other authors. It's not hyperbole to say that Phantastes created the fantasy genre. It's a solid adventure on it's own and competently written, but my true enjoyment from reading it was every time it blew my mind because it connected to another piece of literature or film that I saw in a new light. C.S. Lewis and the wardrobe that took root started here, Lewis Carroll and his humorous turn of phrase to describe the surreal can be read in these pages, but don't forget L. Frank Baum and Dorothy! Though the two examples that most struck me happen in the palace that Anodos discovers. There there is a long hall with a checkerboard floor and music and mirrors and statues and red curtains. Two filmmakers took this as inspiration in their work. The first was Ridley Scott in Legend. When Lili dances with her shadow self and eventually becomes the darker version we then see in the mirror at the end, that was inspired by this! But then again Legend is heavily influenced by fantasy literature, as Terry Gilliam has said Legend is the only film that successfully captured the way he viewed the kitchens in his unrealized production of Mervyn Peake's Gormenghast. But the other auteur might surprise you because it's David Lynch. The antechambers of the Fairy palace's hall are the Black Lodge. The checkerboard floor, the statues, the red curtains, and there's always music in the air? Check, check, check, and check. Mind utterly blown. I'm sure if there was ever an annotated copy of this slim volume it would bulk it out to encyclopedic levels. One day I'd like to read that encyclopedia, as well as rereading Phantastes for itself. Though I have a feeling I'd still find the ending too preachy about "what we call evil." But MacDonald was a minister after all when he wasn't creating entire literary genres.

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: C.S. Lewis, David Lynch, Fantasy, For the Love of Book Clubs, George MacDonald, Gormenghast, L. Frank Baum, Legend, Lewis Carroll, Mervyn Peake, Phantastes, Ridley Scott, The Black Lodge, The Inklings, Twin Peaks

Even Though I Knew the End by C.L. Polk
Published by: Tordotcom
Publication Date: November 8th, 2022
Format: Hardcover, 144 Pages
Rating: ★★★★
To Buy

Helen Brandt would do anything for those she loves. She literally gave her soul and lost the life she knew to save her brother. Now her time is up. Ten years for a life doesn't seem like too bad a deal until those ten years are up. She never knew she'd forge a new life in Chicago as a private detective and part-time diviner. She never knew Edith would walk into her life and make every second precious. And as Helen sets about doing a job for Marlowe at twice her usual fee she can't help but think she'd rather be home with Edith. Though Marlowe is the perfect client, always knows what she wants, always knows how to intrigue Helen, always pays on time though heaven knows where her money comes from, as she is always living in the lap of luxury at the Palmer House hotel. And she has one hell of a job for Helen. The photos and augury in the alleyway keeping her away from Edith was just to wet Helen's appetite. The girl murdered there, Kelly McIntyre, is just the latest victim of the murderer dubbed the White City Vampire and Marlowe wants that killer brought to her. But Helen's time left on Earth is short so she turns down the job. Which is when Marlowe throws a wrench in Helen's carefully orchestrated death; what if she could get Helen her soul back? All Helen has to do is uncover the killer and she can live out her long life with Edith. The deal seems too good to be true. Which it probably is. But it's not like Helen has anything left to lose except a lifetime with Edith. But Marlowe did warn her it would be dangerous, and soon the divine and the damned are after her as she becomes the target of the White City Vampire. How could they know she's on the case? What's more the Brotherhood who excommunicated her for bringing back her brother are on the case too. If only she had an ace up her sleeve... But sadly she doesn't, but Edith might...

If I had to choose between noir and fantasy, I'll be honest, I'd most likely choose fantasy. And yet noir and fantasy merge together beautifully. I often try to think about what makes certain genres mesh together well, certain time periods just beg to have that little something more. They're usually times of great change and upheaval when you can see the cracks in the world and out of those cracks comes something magical, something different. The forties are one such time. World War II changed everything and it makes sense that along with the evil that was stirred up, so were other forces both demonic and angelic. And with the heavenly hosts I couldn't help think about how much I love the television show Lucifer. While the main framing device is the devil does a procedural, the show did so much more, especially during the noir episode "It Never Ends Well for the Chicken." This episode showed these two genres perfectly blending together and I never thought I would see that again, and then I picked up Even Though I Knew the End. I adore this world that C.L. Polk has created. There's this wonderful merging of noir and a unique magical system that is somehow, at it's bones, just so Chicago. As someone who has spent a fair amount of my life visiting Chicago they perfectly captured that sense of place. I was in a place I loved but in an era that my grandparents would have known. And don't get me started on the crime scene photography with magic aspect, that was a bullseye. This is so unique and original but at the same time it was reminiscent of things I'd forgotten I'd loved, from Who Framed Roger Rabbit to The Exorcist to H.H. Holmes, immortalized in Erik Larson's The Devil in the White City. And while this book is wonderful and perfect and complete, I want more stories set in this world! A world that is made all the more perfect by Helen and Edith's love. Helen really would do anything for those she loves and that just about breaks my heart.

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: 1940s, C.L. Polk, Chicago, Divination, Even Though I Knew the End, Fantasy, H.H. Holmes, Helen Brandt, Lesbian, Lucifer, Noir, Pride, Private Eyes, The Devil in the White City, The Exorcist, Who Framed Roger Rabbit

I started my blog in May of 2009. In the early days it was a haphazard affair. I didn't really have any theme other than, this is what's going on in my head at the moment; here's a TV show I'm watching, what about this book everyone loves that I hate, here's an actor whose awesome and would be perfect in an adaptation, you get the idea, in fact you can go back and read it if you wanted, I don't think I can cause of the cringe factor. I wasn't alone though, there seemed to be a lot of people doing book blogs that were a mishmash of ideas. The content creators of quite a few of them are still my friends but many blogs have gone by the wayside. Rest in peace book blogging craze of the late 2000s. There were quite a few authors who were debuting around that time and reaching out to the blogging community and they were getting a lot of buzz and Stephanie was one of them. Her debut, Kat, Incorrigible, was coming out in 2010 and it was all anyone was talking about. I really don't know if she knew this was going on, but those of us who are Regency mad couldn't wait to get our hands on it, I even found this really old blog post I did. Plus the US cover is so delightfully Disney with a dash of Coraline how could anyone resist? She also was one of the first authors I knew of who really used the web to engage with her fans. I remember I'd get up every day and get ready to blog but I'd stop by her website to see what was going on with her first. Over the years I've become more and more of a fan of her work and was beyond honored that she participated in my inaugural year of Regency Magic. I feel as if Stephanie and I have gone through this crazy book journey of the past fourteen years together, her writing books and me promoting them and adoring them in my little way. And I really mean little way, what I do is content, what she does is magic with pen and ink. And the magic she has been creating in recent years is once again set during the Regency, so how could I not ask her to participate again? So I'll be here gushing about her Harwood Spellbook series and her Regency Dragons series and probably her cat Pebbles, because she's just so adorable. I hope you'll join me and Stephanie!

Question: When did you first discover Jane Austen?

Answer: My dad read me Pride and Prejudice when I was eight years old, and I fell head-over-heels in love! I ended up devouring all of her novels, and I've re-read almost all of them many times since then.

Question: What do you think Jane Austen would think of her impact with so many literary offshoots, from parody to pastiche?

Answer: I'm sure she'd be pleased by her success, although she might wish she had gotten paid better for the books at the time she originally published them...

Question: Where do you get your inspiration from?

Answer: All of my books feature families, not just solitary characters, and that definitely comes from my own experience growing up in a big, noisy, loving family. As for the rest of it - the setting of my first Kat book, Kat, Incorrigible, was based on Bolton Abbey in Yorkshire, where my husband and I used to go almost every weekend to soak in the atmosphere and walk our dog. Walking around Georgian House museums all across the UK was really, really helpful. And the second Kat book, Renegade Magic was directly inspired by my many trips to the city of Bath, and particularly by the wonderful Museum of the Roman Baths, which is amazing. I highly recommend a visit to anyone who ever gets the chance!

Question: What makes the early 19th century mesh so well with magic?

Answer: It's recent enough - and popular enough - to feel accessible even for people who don't generally read historical fiction, but it's also distant enough from our own time period to feel exotic and a bit like a fantasy setting in itself! I think the fact that we accept so many different social rules and expectations when we're reading Regency-era novels sets us up as readers to accept different rules of magic/reality as well.

Question: The world building and system of magic varies greatly in the regency fantasy genre, how did you go about creating yours?

Answer: I've loved playing with lots of different kinds in my different series, from the secret-magic-rumbling-behind-the-real-historical-world setup of my Kat, Incorrigible series to the slightly-tweaked alt-history of my Regency Dragons trilogy (in which no one believes in magic but oops, dragons just got rediscovered!)...all the way to the flat-out, totally-different-history of my alt-19th-century Harwood Spellbook series (in which Boudicca kicked out the Romans centuries ago and 19th-century Angland is ruled by a Boudiccate of powerful, hard-headed women politicians who leave the more irrational, emotional magic to the gentlemen). There are so many different possibilities to explore!

Question: If you had to choose between writing only period literature or only fantasy literature, which would win?

Answer: Fantasy would have to win, for me. I've published lots of contemporary fantasy short stories in various magazines, and the MG novel I'm working on right now is set in a secondary world that's only loosely based on early nineteenth century Germany. But I would never want to give up writing historical fiction, either! I have a historical fantasy novel for adults coming out next year, Masks and Shadows, which is set in a real eighteenth-century palace in Hungary, full of intrigue, magic and romance. It was delicious to get to play with another rich historical setting as I wrote that book. I can't imagine giving up writing historical fiction!

Question: Be honest, have you ever dressed up in Regency clothes just to pretend for a moment you are in the past?

Answer: Ha! No - but only for lack of opportunity. I would loooove to dress up in a real Regency outfit just to feel it for myself instead of having to guess exactly how those gowns really feel on my characters.

Biography:
Stephanie Burgis grew up in East Lansing, Michigan, but now lives in Wales with her husband and two sons, surrounded by mountains, castles and coffee shops. She writes fun MG fantasy adventures and has had seven published so far, most recently The Raven Heir. She also writes wildly romantic adult historical fantasies, most recently Good Neighbors. She has had over forty short stories for adults and teens published in various magazines and anthologies.

Stephanie's Social Media:
Website
Instagram
Twitter
Goodreads

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: Authors, Bath, Book Blogger, Boudiccate, Cats, Content Creation, Coraline, Fantasy, Harwood Spellbook, Kat Incorrigible, Pebbles, Pride and Prejudice, Regency Dragons, Regency Magic, Renegade Magic, Stephanie Burgis

George Mann is a fantasy author whose diverse range of books are always must buys for me, seriously, just look at the picture of the bookshelf below, that's just some of my collection. I first discovered him through his Newbury and Hobbes series when I picked up a copy of The Affinity Bridge on vacation, an interesting experience I have previously recounted. So when I heard George was setting up a blog tour for his newest publishing endeavor, Motherbridge: Seeds of Change, I contacted him immediately. I had to be a part of this. We readers who have a platform need to make sure we vocally support authors we love so that they keep doing the work we hold so dear. So here's some fun and I hope thoughtful questions for George that he was kind enough to answer. AND if you need more George after this here's a Q and A from back in 2014 he did for my blog. Enough from me, over to George!

Question: If someone knows you only from some of your franchise work, be it Doctor Who, Star Wars, Warhammer 40,000, what would you tell them about yourself to get them to pick up something else you’ve written?

Answer: I guess I'd frame myself as a fantasy writer, really. In that my Newbury and Hobbes series take the form of mystery plots, but at their heart they’re Victorian fantasies, filled with weird and wonderful goings-on, the supernatural, and adventure. Likewise my other work, such as Wychwood, or Ghosts of Manhattan, or Engineward. I love to dabble in different genres, but what I always come back to is fantasy and myth. I love creating mythic stories that have their roots in folklore and superstition, or at least feel like they could have sprung from that same well.

Question: We met at TelsaCon in 2011 but we discovered we had actually attended the same David Bowie concert back in 2000. What was your favorite song that Bowie sang during that show?

It has to be 'All the Young Dudes.' Or maybe 'Absolute Beginners.' I loved that show, and the band he was touring with at the time, too. It's probably the most 'rock and roll' thing I've ever done, flying to NYC for one night, just to see David Bowie. I only had a rucksack with me and literally flew in, went to the gig, then slept at a cheap hotel. We only had time to grab breakfast and pop up to the top of the Empire State Building the next morning before flying home. What a great experience, though. I still think about that gig all the time.*

Question: You’ve done books, music, audio books, comics, now an animated series, what medium have you not done yet that you’re excited to do and could it be VR? Or do you secretly want to become a YouTube influencer with Cavan Scott and your channel Strange Matter?

Answer: Ha! I can't see myself as an influencer! I’ve not really considered VR, although never say never! I think it’d probably be live action TV. That's still very much on my bucket list. I love long form storytelling, with a tale that unfolds over several episodes, and I’d love to get my teeth into a meaty TV project.

That aside, though, there's still so much I want to do in the other mediums I'm already working in. More novels I want to write, more comics I want to co-create with great artists. And more stories I want to tell inside some of the worlds I've been lucky enough to be invited to write within, too.

Question: What can you tell us about your dark fantasy reimagining of King Arthur Blood of Camelot you’re working on with Cavan Scott?

Answer: Oh, Blood of Camelot is hugely exciting! As I mentioned earlier, I have a deep and abiding interest in folklore and mythology, as does Cav - it’s one of the reasons we’re such good friends. We wanted to do something new together, having written a number of Doctor Who comics and audios together, as well as two Sherlock Holmes audio plays for Audible.

The story is a dark reimagining of the original Arthurian myth, that sees Arthur lose his way in his effort to protect Camelot from the plague of fae creatures that are constantly attacking the borders of his realm. Believing he is the only one who can save Camelot, that in order for Camelot to survive, he himself must persist, he murders Merlin - the last of an ancient Elven race - and drinks his blood to consume his power. In the process, he becomes the thing he’s always tried to fight against - a monster. It's left to Guinevere, a knight of the Round Table, and Lancelot, to lead the resistance and try to fight back against the tide of darkness consuming the land.

Question: Animation has a very loyal fan base, despite what Netflix is doing gutting their department, is there an animated show that holds a special place in your heart?

Answer: Too many to name! As a child I used to love The Mysterious Cities of Gold, Battle of the Planets, Ulysses 31. These days I love watching anime with my kids, and we're loving things like Attack on Titan, Jujutsu Kaisen, Demon Slayer and Seraph of the End.

Question: You are a very prolific author, in the next few months alone you have Motherbridge, out now, and in July both The Albion Initiative and a Carnival Row tie-in. My question is, does this mean you know that season two of Carnival Row is coming this summer and you’ve been sworn to secrecy? OMG, have you seen it!?!

Answer: Ha ha ha! I couldn't tell you even if I knew, I'm afraid. But I will say this - I've read the scripts and you’re going to love it.

But yes, I've been busy! Some of that is to do with the spate of pandemic lockdowns that we all went through, and the fact that release dates got bumped back, and some is just because I find it hard to say no to such amazing projects. I mean - who’s going to turn down the chance to write official Carnival Row continuation comics???

Question: With the end of your long running Newbury and Hobbes series with The Albion Initiative does it feel like you’re shedding the mantel of Steampunk author or do you feel that over the years you’ve diversified enough that Steampunk is like your origin story and you’re now so much more?

Answer: That’s an interesting question. I mean, yes, The Albion Initiative is the final Newbury and Hobbes story...for now. But I don’t think I’ll ever walk away from them completely. For example, there’s an unannounced Newbury and Hobbes novella coming this year, too. And there'll be more stories in the future. Maybe not novels, though, we'll have to see.

As to shedding/taking on new mantles...I’m not sure the mantle of 'steampunk author' has ever sat that easy on my shoulders, to be honest. I’ve always seen myself as more of a fantasy writer, and the Newbury and Hobbes series very much borrowed the aesthetic of the steampunk genre, but also dipped into other loves and inspirations, such as Doctor Who, Hammer Horror, James Bond...I think the other work I’ve produced over the years has borne that out. If you look at it as a body of work, the one word I’d use to sum it all up is 'fantasy.' So I think that’s a better fit.

Not that I’ve ever had a problem being considered a steampunk author! I love playing in the genre and the people I’ve met amongst the fandom have all been so lovely and welcoming.

Question: Seeing as many of your stories are set within the same universe do you have any personal headcanon that there were Wookies long ago in the world of Newbury and Hobbes?

Answer: Heh. No. I think it’s important to keep these things separate, when you're writing in other people's worlds. I know I've dabbled before with little crossovers into one of my Doctor Who novels and some Sherlock Holmes stories, but I see those more as little Easter Eggs, harking back to some key influences, rather than trying to build a cohesive universe that embraces them all. I suppose the only thing that links them, really, is that the stories are written by me, so I suppose some of the same voice and preoccupations bleed through those different stories.

Question: While you’ve created many interesting worlds of your own, you’ve played in some very big franchise sandboxes, from Doctor Who to Star Wars. What franchise do you dream of working with?

Answer: Both Doctor Who and Star Wars are a huge amount of fun to write for, and I hope there’ll be many more opportunities to write more for them both in years to come. In terms of franchises I’d love to write for and haven't yet: Spider-Man, Batman, James Bond, Conan the Barbarian all spring to mind. All big influences from my youth too.

Question: And, this follow-up question is actually mandatory; you’ve written a lot for Doctor Who so who would you like to see as the next Doctor?

Answer: I’m SUPER excited to see Ncuti Gatwa take on the role! I think he’s going to be brilliant. Beyond that, I don’t know! I’d be a rubbish casting director! I just want great stories with an actor who’s enthusiastic to be there!**

Question: And on to an equally hard question, I know this is like picking your favorite child, but of all the characters you’ve written, do you have a favorite?

Answer: That is a super-tough question. I don't know. Maybe Ellie from the Wychwood books, because strangely she's the most autobiographical of the characters I've written. I feel a real affinity for her. But then...I do love writing stories for Newbury, too...

Question: Moving more specifically to the reason we’re here, the release of Motherbridge, what was the first comic that you remember making a lasting impact on you? And yes, it can be terrifying, like how I learned about shock treatment from a Return to Oz comic.

Answer: Since I'm in the UK, it's a slightly more difficult question to answer, because we have a tradition for funny kids' comics like The Beano, The Dandy, Buster, Whizzer and Chips and the like. Anthology comics filled with short, funny strips. They all played a big part in my early comic reading.

When I eventually discovered American comics, it was through the Marvel UK reprints of Spider-Man and Star Wars. I adored them, and the characters that were often introduced in back-up strips. Later still, I discovered imported comics and started reading Batman and Daredevil. I remember a particular issue of Daredevil that introduced Typhoid Mary and that sticks very much in my mind.

Question: What comics are automatically on your pull list?

Answer: Spider-Man and Batman. Usually Daredevil. Anything set in the Hellboy universe by Mike Mignola. Anything drawn by Humberto Ramos. Tom Taylor’s Nightwing. Cav's Star Wars: The High Republic and Shadow Service series. And then...whatever looks good, or is written by someone whose work I admire. My pull list is substantial, but it shifts around all over the place!

Question: Recently you had two covers of the Star Wars Adventures you wrote illustrated by the amazing Francesco Francavilla. Is there anyone else working in comics who you dream of working with? Get it out there in the universe and see if we can actualize it.

Answer: Yes! I’d love to have some covers created by Esad Ribic, and I’d love to work with both Phil Noto and Humberto Ramos. Oh, and JH Williams III!

Question: What was it like writing a direct to trade comic versus one released monthly?

Answer: Well that’s an interesting question in this case! Initially, we were planning to produce Motherbridge as a four-issue mini series, but when Covid hit we only had one issue written, and everything had to go on hold because the comic stores and comic distributors were all rightly closing to protect their staff. Later, when things started to stabilize and the market opened up again, we realized Motherbridge might better suit the OGN treatment rather than floppies, so I revisited the first script and then wrote the rest of it with that in mind.

For me, the main difference is that, as a writer, you can pace yourself a little differently. You don’t have to get all the reveals and hooks out as quickly in that first or second issue, because anyone who’s reading the graphic novel is in for the long haul - at least for those 80-odd pages! It’s a bit like writing a prose novel in that respect - while there are clear conventions of format and medium, you have a whole book in which to tell your story.

I need to say something about Aleta’s incredible artwork here, too. She worked so hard on this book, and it shows on every single page. I was so lucky to be able to work with her, and she’s realized Hayley and her world in a way that was exceeds anything I ever imagined.

Question: There are so many stories where nature takes over, usually post-apocalyptic, but in Motherbridge nature taking over is a positive thing, what made you want to flip the trope?

Answer: It’s very much a reaction to the world around us right now, and what's going on with the climate. Rewilding seems to be such an important part of what's needed to save the world from the intensive industries that we've developed to sustain us. I wanted to look at what a world might look like where nature had tried to balance the system for us, how a radical natural revolution could change the planet - and the sorts of reactions that different people would have. I guess it's a love letter to the Earth, in a way. We have a tendency in post-apocalyptic fiction to see nature as a wild, untamed, sinister thing as you say - I wanted to show the flipside of that, to remind us that we're part of the natural world, not aside from it.

Question: Motherbridge seems so of the moment, with climate change, immigration, walls, even separation from loved ones, which many of us suffered due to Covid, yet comics have a lengthy production time, how did you manage to capture this relevancy?

Answer: It's actually been in development for a long time, but the wind seems to have been blowing in this direction for a good while. It's obviously quite a political comic, a gut reaction to the anti-immigration policies instigated by various world governments, a reaction to the symbolism of border walls and isolationism. I guess, in some ways, Motherbridge is a bit of a scream in rage at the way our leaders seem intent on leading us down an increasingly grim path, seemingly ignoring all the important lessons of history. So it started long before Covid, and was written and drawn by the wonderful Aleta during the pandemic period. It can’t help but be informed by that.

Question: Even more startlingly relevant is this world you have created where the masculine military industrial complex and governments are forcing Mother Nature to die in order to achieve their goals. This seems like a confluence of events that you couldn’t dream up. Do you believe that with enough education, enough people reading articles, and stories like Motherbridge, that we can positively effect the world around us?

Answer: I really do, yes. I mean, Motherbridge is a comic. It's a story. It's entertainment. I have no misconception about that. It's not a political treatise and it's not going to change the world. In some ways, it's deeply personal, too - about my reaction to the world and where it's headed. But at the same time, isn't the point of a story to transmit ideas? To help create empathy for others - to allow people to see through someone else's eyes for a while? From the earliest myths, this is what we see - cautionary tales, human stories, tales that warn, tales that help us engage with the world in a different way. If just one person reading Motherbridge looks at the world outside their window and thinks a little bit more compassionately about the people out there - well, the story has done more than I could ever have dreamed of.

I think that's what I hope for. That through stories, and articles and news reports and television shows - that we can all learn to look beyond ourselves and try to understand what's going on in other people's lives, and to offer out our hands to help them, and maybe ask for help from them, too.

That all sounds very grand. This is, like I said at the start, just a comic book. But I do think that's the power of story. Not my story, in particular, but the collective stories that we tell each other and through which we share our experiences of the world.

Question: This book feels like it would be good for any age to read, especially as you present large topics in a non-condescending manner. Was your plan to educate as you entertain or was that just a welcome side effect?

Answer: I think it's a welcome side effect. I'm no expert in these things. Like I said above, this is a personal story, a personal reaction to the world. It's a fantasy. But if it makes someone think, even for a moment, then I'll be a very happy man indeed.

Question: Will there be further adventures for Hayley Wells?

Answer: Time will tell! Both me and Aleta would love to delve back into Hayley’s world and tell people what happens next. I have a plan. It'll depend on how well this first book sells, as to whether we get to do more. We'll be keeping our fingers crossed!

*Interesting fact, but of George's two choices I would chose 'Absolute Beginners' because it's the first time Bowie sang it in concert since 1987. Though my personal choice is 'Wild is the Wind' which opened the show because hearing Bowie's voice for the first time coming out of the darkness was transcendent. And yes, that is an actual picture I took of Bowie singing 'All The Young Dudes!'

**I literally sent this question to George on a Thursday and that Sunday Ncuti Gatwa was announced, and I am equally excited by the casting.

Posted by Miss Eliza at 12:01 AM 0 comments  

Labels: Aleta Vidal, Carnival Row, Comics, Covid, David Bowie, Doctor Who, Fantasy, Francesco Francavilla, George Mann, Motherbridge, Newbury and Hobbes, Star Wars, Steampunk, The Affinity Bridge, The Albion Initiative

Zen Cho was born and raised in Malaysia where she read a lot of 19th century British and North American fiction. While not containing the dragons and spaceships she likes, the books did encapsulate an alien world "featuring strange people who spoke a different language, had mysterious, intricate social customs, and used outlandish technology like post-chaises and handkerchiefs." She now lives in London, lucky her, not that I'm jealous or anything. OK, I totally am. Zen has been nominated for a plethora of awards, the most notable being the Pushcart Prize. She was also honour-listed for the Carl Brandon Society Awards which is part of WisCon and seriously, if this means she was in Madison at some time and I missed her I'm going to be very sad. Dammit she was! And I totally had a ticket for that year but couldn't make it at the last minute. I am now very sad. Back to Zen... her debut novel Sorcerer to the Crown, the first in a historical fantasy trilogy, was published in 2015. It is awesome, as it it's followup published this year, The True Queen.

It is staggering the number of best lists and awards Sorcerer to the Crown received, but once you read it you won't be surprised. Sorcerer to the Crown was the first book I read in 2016 that literally blew me away and it lost nothing on it's re-read this spring. Currently Cho isn't a full time writer, she's a lawyer. I suspect that this might not be the case for long, which is totally my opinion not hers. But lawyers due tend to abandon ship for the literary world... just look at Lauren Willig. Aside from her first novel, she has also written a few novellas, The Perilous Life of Jade Yeo, which I bought immediately upon finishing Sorcerer to the Crown, and The Terracotta Bride, bought as soon as it was published in 2016. She also has a short story collection, Spirits Abroad, as well as being the editor of the anthology Cyberpunk: Malaysia. I can see a long career ahead for her; the only problem I see is that I found her at the beginning of her career so now I have an unendurable wait ahead for her next book! Which I really need now, no matter that she just published a new one!

Question: When did you first discover Jane Austen?

Answer: I was around 12 years old – an impressionable age!

Question: What do you think Jane Austen would think of her impact with so many literary offshoots, from parody to pastiche?

Answer: I suspect she'd be delighted, amazed – but also, secretly, not really surprised. I think most authors who are really good know it, even if that conviction is accompanied by the usual self-doubt and neurosis.

Question: Where do you get your inspiration from?

Answer: From everything, but mostly stories – the stories I read and watch, but also those I hear from friends and family and see in the news.

Question: What makes the early 19th century mesh so well with magic?

Answer: When you come to novels and letters from the 19th century as a modern reader, the world they contain may as well be a fantasy world, it's so different from ours. I think SFF readers and writers are drawn to that aspect of 19th century Britain as a setting: it's such a complete alternative society with its own history, social norms and technology, and it's one that is familiar to many people worldwide, since the literature of Britain's Georgian and Victorian eras have had enormous global reach due to imperialism. The focus on the early 19th century specifically, the Regency period, I think to some extent is bleedover from the Regency romance subgenre.

Question: The world building and system of magic varies greatly in the regency fantasy genre, how did you go about creating yours?

Answer: For Sorcerer to the Crown I was really much more interested in magic as a bone of contention than anything else – a resource to be quarrelled over. The worldbuilding went primarily into the power structures surrounding magic. So the chief antagonists are the Royal Society of Unnatural Philosophers, an ancient body of magicians who are very cross about anyone they don't approve of having access to magic, and Fairyland, which is mad at Britain for various reasons.

Question: If you had to choose between writing only period literature or only fantasy literature, which would win?

Answer: Fantasy. You can interpret any period of history you like through the lens of fantasy, so I wouldn't really be giving anything up!

Question: Be honest, have you ever dressed up in Regency clothes just to pretend for a moment you are in the past?

Answer: Nope! If I'd lived in Britain at the time I doubt I would have had anything particularly nice to wear.

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: Cyberpunk, Fairy, Fantasy, Jane Austen, Lauren Willig, Lawyer, Malaysia, Regency Magic, Regency Romance, Sorcerer to the Crown, Spirits Abroad, The Perilous Life of Jade Yeo, The True Queen, WisCon, Zen Cho

If you follow my goodreads feed you sometimes glean things that aren't readily apparent here on my blog. You might guess what I'm planning in the coming months, or you might, for example go "how the hell does she like The Magicians when she hated the book so much that she hasn't even bothered to write a scorching review because she probably views it as a waste of time." FYI I do view it as a waste of time. Well, this is one of those rare instances where an adaptation is so much better than the source material that it's best to forget that source exists. Although I will give a tip of the hat to how clever the showrunners are in circling around and sneaking in something from the books when you least expect it. Though they have a way of making it work where Lev Grossman didn't. Because, for those who've read the books, there's no denying that the protagonist Quentin Coldwater with his Fillory obsession is a bit of a wet blanket. He's mopey and just best avoided, hence here comes Elliot and Margo to the rescue. Secondary characters elevated to a bitchy king and queen of Fillory? Oh. My. God. Yes. Please. They not only add levity to the show, they seriously make the show what it is. Watch how much more screentime they get in season two compared to season one and you'll know what I'm talking about. And THAT is what I love most about The Magicians, they see areas where they need to improve and actually improve! This is the "dark/adult Harry Potter" I expected when I picked up the book series. This is what fantasy television is about!

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: Adaptation, And the Emmy Goes To, Book Review, Elliot, Fantasy, Fillory, Goodreads, Lev Grossman, Margo, Quentin Coldwater, SyFy, The Magicians

 
"I would like to toast the author that brought something magical and fantastic to the comic book industry! I remember the first time I picked up a Sandman comic. It was the early 90’s, I was a teen in high school, with a growing obsession with comic books and comic book artists. Sandman was like nothing I had ever read before. Instead of panels of beefed up heroes duking it out, it was filled with stories of fantasy, and magic. There were also these beautiful insights into the character’s relationships with each other, their own personal discoveries and trials. I was hooked! Neil Gaiman, thank you for bringing that to the world." - Janice

You'd think meeting two of my favorite authors at a reading at TeslaCon would have been the highlight of that weekend, but really it was meeting Janice. Since we met all those years ago Janice continually astounds me by being quite literally the sweetest, kindest, and most generous person I have ever met and I am lucky to call her my friend. A consummate host who welcomes you into her home with open arms. As if that weren't enough she is also one of the most talented and creative people I know. From creating costumes to doing faceups to making the most amazing monsters for her company Sew Sweet Monsters. A true artist working with felt and fur.

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: Artist, Comics, Fantasy, Gaiman Gala, Gaiman Toast, Magic, Neil Gaiman, Sandman, Sew Sweet Monsters, Superhero, Teslacon

For me, my turning into a bookworm all started with science fiction. The reason is two fold. When I was younger I rarely read at all. Instead I watched lots of movies. In particular I watched a LOT of Star Wars. When I mean I watched a lot of Star Wars, I mean really a lot. I mean an entire summer just watching the original trilogy over and over. When I found the Star Wars Expanded Universe in the form of Timothy Zahn's Heir to the Empire, I felt as if a whole new world was open to me. I give Timothy Zahn almost all of the credit for turning me into the bookworm I am now and I hope one day to tell him that in person. He took characters I already loved and gave them new adventures for me to devour. The second half of my conversion was due to Douglas Adams. After high school I spent that summer reading all of The Hitchhiker's Guide to the Galaxy as well as all of Jane Austen, but that's another story. Those books by Adams are still a touchstone for me. I remember how it felt to hold them with the circular embossing on the covers while I laughed at the absurdity of Arthur Dent's predicament. It almost makes me want to curl up on the side porch in blistering heat and re-read the full trilogy, as this would be the cheapest form of time travel. But the truth is over time I have moved away from science fiction and more to it's counterpart of fantasy. I remember years ago the heated discussions online of the divide between science fiction and fantasy despite them being shelved together in bookstores. It all came down to dragons. So perhaps I like my imaginary worlds to have a few dragons these days. This means that my science fiction reading has lapsed of late. So more than anything I'm trying to reconnect with my roots here. To go back to imaginative storytelling with a science base and the occasional spacecraft. Here's to worlds without dragons! And of course Star Wars!

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: Arthur Dent, Backlog Bonanza, Douglas Adams, Dragons, Fantasy, Heir to the Empire, High School, Jane Austen, Science, Science Fiction, Star Wars, The Hitchhiker's Guide to the Galaxy, Timothy Zhan

Fiction is like the umbrella or tent pole under which almost all other imaginative writing falls, sometimes even biography if we're being honest. So be it science fiction, fantasy, romance, those are just the species under the genus that is fiction. Therefore I could claim that fiction is my most read genre... which isn't actually true, but you get what I'm saying. In fact, in my mind bookstores often just throw a book in fiction if they are at a loss as to where it should go. In my mind Diana Gabaldon should be romance and Gregory Maguire should be fantasy... but do bookstores listen to me? No. Which is why sometimes, yes, I will move the books around while muttering under my breath. But usually only in used bookstores because they don't have computers that would thwart my plans. Oh, and I ALWAYS turn books I love face out. But enough about me and my weird bookstore quirks. I've chosen what I hope will be an interesting cross section of fiction, a little classic, a little modern, and all worlds to get lost in.

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: Backlog Bonanza, Bookstores, Diana Gabaldon, Fantasy, Fiction, Gregory Maguire, Romance, Science Fiction, Used Bookstores

Much as my Regency handle should Mr. Darcy drop by is Miss Eliza, Mark Anthony also has an alias, that of Galen Beckett, though I don't believe his was to ensnare an Austen hero, but more to give that right fantastical authorial feel to his Mrs. Quent trilogy. Mark spent his childhood summers in a Colorado ghost town falling in love with the mountains as well as the fantasy stories he read "pushed" on him by a pair of older sisters. Of course this shouldn't be a surprise to anyone who has read his Mrs. Quent trilogy which is a delicious combination of magic and nature. Instead of veering into the realm of fantasy right away he initially trained as a paleoanthropologist. Along the way it wasn't so much human evolution which called to him, though you will see that it does work it's way into his writing, but the evolution of man that is reflected in myth and the literature of the fantastic. This shift shouldn't have surprised anyone, what with Mark growing up on a steady diet of Tolkien, McCaffrey, and LeGuin.

Mark was interested with "how myths and archetypes provide mirrors to our mundane, everyday lives. I think there’s a lot in myth that we can learn from, and fantasy provides a wonderful means for exploring those ideas." Of course there is one outlet that has been a constant for many years for those wishing to go into fantastical realms, and that is Dungeons and Dragons. Mark got his literary start penning novels and short stories for various Dungeons and Dragons game settings. After ten years of writing for Dungeons and Dragons the first book in his Last Rune series, Beyond the Pale was published. Sadly Mark's pointed out there is not any magic to getting published, but lots of work, perseverance, and being willing to keep going after multiple rejections. You just can't give up, and he even has a day job. But his exploration of the idea that reason and wonder need not exist in conflict reached it's pinnacle, in my mind, with his next big project which began with a binge reading of 19th Century classics and asked the question, "What if there was a fantastical cause underlying the social constraints and limited choices confronting a heroine in a novel by Jane Austen or Charlotte Brontë?" You'll have to read his Mrs. Quent trilogy to get that answer, but let's go to Mark for answers to some other questions.

Question: When did you first discover Jane Austen?

Answer: I came very late to the dance! I remember my older sisters talking (excitedly) about Jane Austen when I was younger. And of course I read the prescribed amounts of English literature in high school and college. But somehow Austen’s novels were never on the syllabus.

So I was well along in my 30s before I decided that I really hadn’t read as many 19th century novels as I wished. I started in on Dickens, Shelley, Wilde, the Brontës, and of course Austen. And just as I had years before, upon first reading The Lord of the Rings, I felt that an entire new world was opening up before me as I devoured Pride and Prejudice. It was a world I loved so much, I couldn’t resist creating my own version of it!

Question: What do you think Jane Austen would think of her impact with so many literary offshoots, from parody to pastiche?

Answer: I would never be so bold as to try to guess what Jane herself would think of it all—she was a far better judge of people than I! But I do think that any work which made a genuine (and genuinely wry) attempt to seek the point of this achingly silly and marvelous game we call life is something she would have approved of. So while zombies shambling around Netherfield Park for no apparent reason might get a sideways look, I think a delightfully clueless stand-in for Miss Woodhouse in 1990s Beverly Hills might win an approving nod.

Question: Where do you get your inspiration from?

Answer: I don’t think it’s so much where inspiration comes from that’s important—it really can come from almost anywhere. Novels, movies, music, scientific works, histories, walks out doors, ancient ruins, even the pixelated art in a video game—all are things that have inspired me at some time or another. What’s important are the connections that can occur between any and all of these things. When you are suddenly struck by an unexpected link between two thoughts that didn’t seem related at all, that’s when the spark happens.

For The Magicians and Mrs. Quent, it was the connection I glimpsed between the circumstances of women in Regency and Victorian England and scientific work that had been done using mitochondrial DNA to trace the lineage of most European women back to seven “clan mothers” who lived many thousands of years ago. What if, my brain that is ever inclined to make things fantastical postulated, those seven women had been witches?

Question: What makes the early 19th century mesh so well with magic?

Answer: It really does, doesn’t it? I think maybe because on the one hand it was a time of reason and mastery—when people were trying to understand the world, and to force an order upon it. Yet on the other hand there was so much they didn’t really understand, and so much that they had marvelously wrong. It makes it fun to imagine a world in which all those things they thought were true, but weren’t, in fact really were.

Question: The world building and system of magic varies greatly in the regency fantasy genre, how did you go about creating yours?

Answer: I tried to keep the magic as limited and focused as possible. As I mentioned, I started with a premise that there were seven clan mothers back in the misty past who became witches, and from whom all witches were descended. Magicians, who are always men, traced their origins to the same time period, and were born of an opposing magic. So the tension between the sexes that existed in 19th Century England took on new meaning in my alternate realm of Altania—it went back to a magical conflict lost in the mists of time, but now coming to a head after all these millennia.

Question: If you had to choose between writing only period literature or only fantasy literature, which would win?

Answer: Well, clearly with The Magicians and Mrs. Quent, I didn't want to choose, and so did both at once! But since you are forcing an answer to such a dreadful question, I would have to say that fantasy would win. It’s my nature to look at everything through a lens of magic and myth and wonder. If you ask me to write a Western novel, or a mystery, or spy thriller, It’s pretty much a guarantee I’m going to find a way to sneak magic into it!

Question: Be honest, have you ever dressed up in Regency clothes just to pretend for a moment you are in the past?

Answer: Well, I did wear a puffy shirt to a Renaissance festival once. Does that count? :)

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: Altania, Clueless, Dungeons and Dragons, Fantasy, Galen Beckett, J.R.R. Tolkien, Mark Anthony, Regency Magic, The House on Durrow Street, The Magicians and Mrs. Quent, The Master of Heathercrest Hall

Zen Cho was born and raised in Malaysia where she read a lot of 19th century British and North American fiction. While not containing the dragons and spaceships she likes, the books did encapsulate an alien world "featuring strange people who spoke a different language, had mysterious, intricate social customs, and used outlandish technology like post-chaises and handkerchiefs." She now lives in London, lucky her, not that I'm jealous or anything. OK, I totally am. Zen has been nominated for a plethora of awards, the most notable being the Pushcart Prize. She was also honour-listed for the Carl Brandon Society Awards which is part of WisCon and seriously, if this means she was in Madison at some time and I missed her I'm going to be very sad. Dammit she was! And I totally had a ticket for that year but couldn't make it at the last minute. I am now very sad. Back to Zen... her debut novel Sorcerer to the Crown, the first in a historical fantasy trilogy, was published last year. It is awesome.

It is staggering the number of best lists and awards Sorcerer to the Crown is receiving, but once you read it you won't be surprised. Sorcerer to the Crown is the first book of 2016 that has literally blown me away. Currently Cho isn't a full time writer, she's a lawyer. I suspect that this might not be the case for long, which is totally my opinion not hers. But lawyers due tend to abandon ship for the literary world... just look at Lauren Willig. Aside from her first novel, she has also written a novella, The Perilous Life of Jade Yeo, which I bought immediately upon finishing Sorcerer to the Crown. She also has a short story collection, Spirits Abroad, as well as being the editor of the anthology Cyberpunk: Malaysia. I can see a long career ahead for her; the only problem I see is that I found her at the beginning of her career so now I have an unendurable wait ahead for her next book! Which I really needed a few weeks ago. Like the second I finished Sorcerer to the Crown.

Question: When did you first discover Jane Austen?

Answer: I was around 12 years old – an impressionable age!

Question: What do you think Jane Austen would think of her impact with so many literary offshoots, from parody to pastiche?

Answer: I suspect she'd be delighted, amazed – but also, secretly, not really surprised. I think most authors who are really good know it, even if that conviction is accompanied by the usual self-doubt and neurosis.

Question: Where do you get your inspiration from?

Answer: From everything, but mostly stories – the stories I read and watch, but also those I hear from friends and family and see in the news.

Question: What makes the early 19th century mesh so well with magic?

Answer: When you come to novels and letters from the 19th century as a modern reader, the world they contain may as well be a fantasy world, it's so different from ours. I think SFF readers and writers are drawn to that aspect of 19th century Britain as a setting: it's such a complete alternative society with its own history, social norms and technology, and it's one that is familiar to many people worldwide, since the literature of Britain's Georgian and Victorian eras have had enormous global reach due to imperialism. The focus on the early 19th century specifically, the Regency period, I think to some extent is bleedover from the Regency romance subgenre.

Question: The world building and system of magic varies greatly in the regency fantasy genre, how did you go about creating yours?

Answer: For Sorcerer to the Crown I was really much more interested in magic as a bone of contention than anything else – a resource to be quarrelled over. The worldbuilding went primarily into the power structures surrounding magic. So the chief antagonists are the Royal Society of Unnatural Philosophers, an ancient body of magicians who are very cross about anyone they don't approve of having access to magic, and Fairyland, which is mad at Britain for various reasons.

Question: If you had to choose between writing only period literature or only fantasy literature, which would win?

Answer: Fantasy. You can interpret any period of history you like through the lens of fantasy, so I wouldn't really be giving anything up!

Question: Be honest, have you ever dressed up in Regency clothes just to pretend for a moment you are in the past?

Nope! If I'd lived in Britain at the time I doubt I would have had anything particularly nice to wear.

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: Cyberpunk, Fairy, Fantasy, Jane Austen, Lauren Willig, Lawyer, Malaysia, Regency Magic, Regency Romance, Sorcerer to the Crown, Spirits Abroad, Storytelling, The Perilous Life of Jade Yeo, WisCon, Zen Cho

Garth Nix (yes it's his real name) was born in 1963 in Melbourne, but raised in Canberra, which is the capital of Australia. Originally intending to be a solider he soon turned away from that insular world and focused on his love of writing. Nix got a BA in professional writing from Canberra University, but had to supplement his income with, well, an income, till he was able to quit his day job and become a full-time writer in 2001. Yet during those years of struggling to be a writer he was always on the periphery of the literary world. Starting in a Canberra bookshop after graduating he has since been a literary agent, a marketing consultant, a book editor, a book publicist, a book sales representative, and finally a full-time author. Nix's wife is even in the literary world, being a publisher. Though as Nix has pointed out, all these jobs didn't help him get his leg up as an author, just kept him connected with that world.

The fact that he is a fantasy writer should come as no surprise when you learn he spent his formative years playing Dungeons and Dragons, only to go on to write scenarios and articles for the RPG. His books, which have sold more than five million copies around the world and appeared on numerous bestsellers lists, include the award-winning young adult fantasy novels Sabriel, Lirael, Abhorsen, and Clariel, which is a prequel to the Old Kingdom trilogy; the dystopian novel Shade’s Children; and the space opera A Confusion of Princes. His fantasy novels for children include The Ragwitch; the six books of The Seventh Tower sequence; The Keys to the Kingdom series; and the Troubletwisters series and Spirit Animals: Blood Ties (co-written with Sean Williams). And while he might live in a Sydney beach suburb with his family, in his newest book, Newt's Emerald, he inhabits England during the Regency era with a magical romance.

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: A Confusion of Princes, Abhorsen, Australia, Canberra, Clariel, Dungeons and Dragons, Fantasy, Garth Nix, Lirael, Newt's Emerald, Regency Magic, RPG, Sabriel, Sean Williams, Spirit Animals, The Ragwitch, YA