Nancy Drew
If last fall, after I'd watched a few episodes of the "dark reboot" of Nancy Drew, you'd tell me it would end up being my favorite adaptation of the year I would have laughed at you. Yes, I admit I'm all about the "dark reboot" having devoured the first season of Riverdale over a harsh weekend in 2017, but a dark Nancy Drew? Sure I was interested, but not sure I'd be hooked. I viewed it as a nice Wednesday night paring with Riverdale. But as Riverdale's quality continued to tank I looked more and more at Nancy Drew to be my Wednesday fix to get me through the rest of the week. Though I do applaud Riverdale for the nice twist of fate in that they were doing their own Hardy Boys tribute with this season's Baxter Brothers. A coincidence? Hell no. Do I care? Not as long as it entertained me. So what changed? What made me push aside an old favorite and choose a mildly diverting show about the residents of Horseshoe Bay, Maine, and the recent high school grads working at The Bayside Claw, a perennially failing restaurant? Much like Perry Mason, this isn't your parent's Nancy Drew, but I think that's why it works. And aside from the fact that it grows on you, I loved that the mysteries they tackled each week made all the characters personally involved. Their history, their backstory, their past relationships, everything tied into the narrative to make this bay side community rife with crime and more importantly the supernatural. The fact that the supernatural is real here still makes me giddy. It's not just hinted at or intimated, ghosts are REAL! And I love me some ghosts and ghouls. What's more, Nancy is being haunted by the ghost of Dead Lucy, the local urban legend which is very much based in truth and very much important to Nancy's backstory. Yet, my favorite character, hand's down, is George's mother, Victoria Fan, played by Liza Lapira. George was Nancy's former nemesis and now boss and George's mother knows everything there is to know about the supernatural. She's usually drunk and hostile because she's trying to shut herself off from the supernatural goings-on, but when she strolls into the Claw, you know it's going to be a kick ass episode. I would watch a show just about her! Until that day I at least have Nancy Drew.
Earlier this year when I Am Not Okay With This debuted I admit I was suffering superhero fatigue. I mean, seriously, why do we need so many films and shows churning out the same story over and over again? So a story about a young girl, Sydney Novak, dealing with sudden powers did not feel like something I wanted to watch. Again. Enter my book club, and the fact that almost every single member started harassing me to watch this superhero origin story. I think they might have even threatened me, which I of course forgave as soon as I watched the show. I Am Not Okay With This reinvents the superhero origin story for those with superhero fatigue. It's a coming of age tale that just happens to have supernatural elements. I have since become a spokesperson for this show demanding everyone I know to watch it. The way I catch them is by saying it's as if John Hughes and David Lynch decided to make a show together. Because that is seriously the vibe. The teen angst, the music, the mysteries, the full out Carrie dance! What makes it even more special is that it's about not just Sydney struggling with her new powers, it's her struggling with who she is, and in particular her sexual orientation as she realizes she has feelings for her best friend Dina. This show is just unabashedly fun and inclusive and wonderful and Netflix I am still BEYOND pissed with you for cancelling this delightful series. Yes, I have the graphic novel to still read, but that isn't enough. I want more teen angst, I want to know who that stranger at the end offering to help Sydney was, and most importantly, I want more Stanley Barber. Stanley Barber has entered my pantheon of great geeky boys. He joins such luminaries as Duckie and Bill Haverchuck. Keep on being you Stanley. Keep on being you. 
A Stitch in Time by Kelley Armstrong
Magic Dark and Strange by Kelly Powell
The Magpie Society by Zoe Sugg and Amy McCulloch
The Witch Hunter by Max Seeck
Spellbreaker by Charlie N. Holmberg
The Lost Spells by Robert MacFarlane and Jackie Morris
The Key to Tarot by A.E. White
Outlander Knitting by Kate Atherley
The Tea Dragon Tapestry by Katie O'Neill
Sue and Tai-chan by Konami Kanata
Vagrant Queen by Magdalene Visaggio and Jason Smith
Little Bones by N.V. Peacock
Back in 2018 when I first heard about You I was instantly hooked by the idea that Dan Humphrey had finally reached the pinnacle of his evolution. He was nothing more than a stalker on Gossip Girl, so to actually end up killing the object of his affection, well, that was logical wasn't it? I applaud Penn Badgley for being willing to not just rewrite the history of what made him a teenage heartthrob, but to lean into the creepier aspects of Dan to become Joe. Season one of You was a powerhouse of stalking and bookish New York with Joe's bookstore and Beck's delusions of being an author, just throw in a rare L. Frank Baum book and a Salinger, and the book geek in me was as obsessed with this show as Joe was with Beck. Therefore I was a little hesitant as to how I'd like season two. Joe was being yanked out of his New York intelligentsia bubble and being transplanted in Los Angeles, the least Joe place I can think of. And yet... it worked. It REALLY worked. Joe meant to kept his head down and just survive and here he is being drawn into the world of Love Quinn and her co-dependent brother Forty. The stalking of Love is on a much more equal footing than with Beck. She herself has dark secrets and a past and somehow like calls to like and you find yourself rooting for these two crazy people to succeed. At the same time as this there's a part of Joe trying to be a social justice warrior. We saw this in season one with his care of the neighbor kid Paco and here he embraces his landlord's little sister Ellie. Because of these he gets pulled into the world of comedian and friend of Forty, Henderson, who is just as creepy on screen as off. So in barely no time at all Joe has forged new connections and a new life for himself, this time with people who are willing to back up his murderous inclinations. But we know that a happily ever after couldn't be on the cards for a killer... so the story continues and who knows who will be his next obsession. Could it be you? 
Ah Belgravia, Julian Fellowes's followup to Downton Abbey. So it's a neighborhood and not a house, that didn't make me any less interested. In fact, because of being exposed to Upstairs Downstairs at a young age I think setting the series in the newly built neighborhood of Belgravia made me even more excited to watch it, for years it was my dream address after all. What really struck me about this series is it was what Fellowes is known for but on a condensed scale. Six episodes for all the ups and downs, all the betrayals and misunderstandings. Only six episodes to make you fall for characters you were indifferent to in the first episode and make you pity those you despised at the start when the end credits rolled. And he did it all! All the beats, all the ups and downs, this is Regency and Early Victorian Downton Abbey! I think what really made it work was perfect casting. Philip Glenister, Tamsin Greig, Saskia Reeves, Bronagh Gallagher, Harriet Walter, Tom Wilkinson, James Fleet, Tara Fitzgerald, and Nicholas Rowe! What a cast! But there were two standouts, Tamsin Greig as Anne Trenchard and Alice Eve as Anne's daughter-in-law Susan. Alice Eve surprised me because I really have never thought she could act until now. Tamsin Greig surprised me because I know her as a comedic actress and here she brought the drama! As a mother who lost her daughter and gave up her daughter's child to be raised by someone else, her pain is palpable. Then when she decides to bare her soul to that child's other grandparent, Harriet Walter as Caroline Bellasis, Countess of Brockenhurst, because she knows the pain of losing a child, well, so many tears. But there was also so much humor arising out of gamesmanship and one-upping in social circles. Seriously, this series has it all, heart and humor. I think it got overshadowed by Fellowes's previous fame and the chaotic state of the world, but if you need a good period drama that will make you feel all warm and cozy inside, look no further than Belgravia. 
Shirley Jackson: Four Novels of the 1940s and 1950s by Shirley Jackson
Dying is Easy by Joe Hill and Martin Simmonds
Midwinter Murder by Agatha Christie
Harry Potter and the Sorcerer's Stone by J.K. Rowling
Greenlights by Matthew McConaughey
Back in 2017 when Philip Pullman released Volume One of The Book of Dust, 
There's nothing nicer than a pleasant surprise and that's exactly what Stargirl turned out to be. Ever since the end of Smallville I haven't been a fan of the direction all the DC series have taken on the CW. I swear I tried to like them, but after I think only three episodes of Arrow I was done. That was it with me and DC. I declared myself a Marvel girl and moved on. That is until this most recent "Crisis on Infinite Earths." Yes, they lured me back in with bringing back Tom Welling! Damn you CW! But add to that Brandon Routh returning as Superman, Wil Wheaton as a doomsday protestor, Russell Tovey, Kevin Conroy as the bleakest Batman you could imagine, Ezra Miller, and Lucifer Morningstar himself, Tom Ellis, and I couldn't NOT watch! While the cameos were fantastic, the episodes were lackluster, reinforcing my opinion of the DC universe on the CW. Yet the Crisis Aftermath show hosted by Kevin Smith dissecting the episodes and seriously geeking out were wonderful. It was during this that I first heard of Stargirl. Geoff Johns, the creator of Stargirl, was on discussing his work on everything DC from Smallville to Doom Patrol. I was interested because he talked about how he turned a personal tragedy, the death of his sister Courtney on TWA Flight 800, into creating a new brand of superhero with Courtney Whitmore, AKA Stargirl. Now this could be something I could get into I said to myself. He might have also mentioned Luke Wilson... I'm hazy on that part. Mmm, Luke Wilson. Anyway when the show came around my DVR was ready and yet it took me a few weeks to finally bite the bullet. What if the CW let me down, again? Then oddly my rewatching of Upstairs, Downstairs forced my hand, how could I resist the chauffeur becoming the villain? I was delightfully surprised. This show reminds me of Smallville at it's best. It's earnest without being cloying. It's dark without being bleak. It's a light in the darkness that we're all facing right now. Even if I'm a little shaken that I'm now the age of the parents on this type of show, Stargirl is a show I'm very glad will be coming back to the small screen with a second season and MORE Joel McHale! Joel's the original Starman, FYI. 
Midnight Bargain by C.L. Polk
Serpentine by Philip Pullman
The Dark Crystal Bestiary: The Definitive Guide to the Creatures of Thra by Adam Cesare
Cinder and Sparrows by Stefan Bachmann
The Once and Future Witches by Alix E. Harrow
The Sisters of Straygarden Place by Hayley Chewins
A Golden Fury by Samantha Cohoe
Winter White and Wicked by Shannon Dittemore
Invisible Girl by Lisa Jewell
A Song for the Dark Times by Ian Rankin
A Resolution at Midnight by Shelley Noble
The Light at Wyndcliff by Sarah E. Ladd
The Dollhouse Family by M.R. Carey and Peter Gross
The Slaughtered Lamb by Seana Kelly
White Trash Warlock by David R. Slayton
OK, I admit it, I was hesitant at first to watch Sanditon. Why you ask? Well, that answer is twofold. Firstly, I hadn't read Jane Austen's partial manuscript in years and wanted to brush up on that and other of her unfinished writing. Secondly, well, the reviews from other Janeites was bad. I usually don't listen to the Janeites, I've often disagreed with these fanatics, and in fact been treated rather harshly by them, so I don't know why I was listening to them being shocked by sex in Austen, but there it is. Yet here's the thing I say to them; "Oh NO, sex in Austen! It's not like Willoughby knocked up a fifteen year old, oh wait..." So there. Game, set, and match. Andrew Davies for the win! It's not that I'm all for sexing up Austen, I'm for the reasonable depiction of the time period, and people had sex! This adaptation was like Austen mixed with Gaskell and Dickens but with the filming sensibilities of Gentleman Jack. Sanditon was fun and diverting, and so what if it was about a town instead of just one family, this just gave it more of a Cranford vibe. There was more flow of narrative, characters weaving in and out of each other's lives at this seaside town trying to make it versus set pieces. I felt like there was real struggle and strife. In fact I thought to myself, it had a bit of the real world horrors mixed with the frenzied fun of Austen's juvenalia. Sanditon is what the roundly praised by very much disliked by me adaptation of Austen's Love and Friendship was supposed to be. Also, while some characters, in particular our male lead, are supposed to evoke parallels to other Austen characters, ahem Darcy, it was the other more complex characters I really appreciated. In fact Esther Denham is now my new favorite Austen heroine. She's dirt poor, manipulated and manipulating, yet somehow you root for her and her redemptive arc gave me the HEA you'd expect for the leads, except they were expecting a second season and didn't get one. So oddly we have yet another unfinished Sanditon that somehow still manages to be satisfying. 
There are some people out there who would say that as a show Lovecraft Country is too all over the place, never settling on one style or even one genre, to them I say, that's the point! It is so fun and invigorating to have so many pulp genres in one show. We have haunted houses, epic adventures, ghost stories, space odysseys, and curses, with homages to everything from The Goonies to Indiana Jones to The Evil Dead! The Evil Dead one being a fabulous deep dive because the franchise deals with the Necronomicon, a book create by the writer H.P. Lovecraft, and what with the name of the show, when Leti is running through the woods in the first episode and takes shelter in the exact cabin from the franchise, my geeky heart did sing! Lovecraft Country also does an epic job of giving you unforgettable scenes that are simple but you know will stick with you forever for how haunting they are. The malevolent spirits Topsy and Bopsy who haunt Diana will forever haunt you. How can simple choreography be that terrifying!?! Though the first episode chase scene will now forever after be for me the most gut-wrenching I've ever witnessed. It's not the speed, it's not the action, it's what's at stake. Tic, George, and Leti have to get out of a sundown county with the police on their tales. If they fail to escape, they are surely dead. But if they speed, they will be pulled over. They are fighting the setting sun while crawling along the highway in the most nail-biting scene ever. That something so simple could be so compelling just shows what this show was capable of. But what makes this show work on a higher level is that despite being a period piece set in the 1950s that even had an episode all in Korean about a kumiho, a nine-tailed fox creature, it felt so relevant. The inability to get a job not because you lack the qualifications but because of the color of your skin. The constant police brutality and intimidation. The death of poor Emmett Till. This show encapsulated the Black Lives Matter movement in the most unique way possible. We need more shows out there willing to tell the truth, willing to take the risks, and willing to break the rules.
The Devil and the Dark Water by Stuart Turton
The Lives of Saints by Leigh Bardugo
The Archive of the Forgotten by A.J. Hackwith
Magic Lessons by Alice Hoffman
A Wild Winter Swan by Gregory Maguire
Snow by John Banville
The Searcher by Tana French
Still Life by Val McDermid
On Borrowed Crume by Kate Young
The Sicilian Method by Andrea Camilleri
Murder is in the Air by Frances Brody
The Secrets of Winter by Nicola Upson
Premeditated Myrtle by Elizabeth C. Bunce
Over the Woodward Wall by A. Deborah Baker
The Princess in Black and the Giant Problem by Shannon Hale and Dean Hale
Spoiler Alert by Olivia Dade
Earthlings by Sayaka Murata
The Invisible Life of Addie LaRue by V.E. Schwab
Lon Chaney Speaks by Pat Dorian
