George Mann Q&A
George Mann is a fantasy author whose diverse range of books are always must buys for me, seriously, just look at the picture of the bookshelf below, that's just some of my collection. I first discovered him through his Newbury and Hobbes series when I picked up a copy of The Affinity Bridge on vacation, an interesting experience I have previously recounted. So when I heard George was setting up a blog tour for his newest publishing endeavor, Motherbridge: Seeds of Change, I contacted him immediately. I had to be a part of this. We readers who have a platform need to make sure we vocally support authors we love so that they keep doing the work we hold so dear. So here's some fun and I hope thoughtful questions for George that he was kind enough to answer. AND if you need more George after this here's a Q and A from back in 2014 he did for my blog. Enough from me, over to George!
Question: If someone knows you only from some of your franchise work, be it Doctor Who, Star Wars, Warhammer 40,000, what would you tell them about yourself to get them to pick up something else you’ve written?
Answer: I guess I'd frame myself as a fantasy writer, really. In that my Newbury and Hobbes series take the form of mystery plots, but at their heart they’re Victorian fantasies, filled with weird and wonderful goings-on, the supernatural, and adventure. Likewise my other work, such as Wychwood, or Ghosts of Manhattan, or Engineward. I love to dabble in different genres, but what I always come back to is fantasy and myth. I love creating mythic stories that have their roots in folklore and superstition, or at least feel like they could have sprung from that same well.
Question: We met at TelsaCon in 2011 but we discovered we had actually attended the same David Bowie concert back in 2000. What was your favorite song that Bowie sang during that show?
It has to be 'All the Young Dudes.' Or maybe 'Absolute Beginners.' I loved that show, and the band he was touring with at the time, too. It's probably the most 'rock and roll' thing I've ever done, flying to NYC for one night, just to see David Bowie. I only had a rucksack with me and literally flew in, went to the gig, then slept at a cheap hotel. We only had time to grab breakfast and pop up to the top of the Empire State Building the next morning before flying home. What a great experience, though. I still think about that gig all the time.*
Question: You’ve done books, music, audio books, comics, now an animated series, what medium have you not done yet that you’re excited to do and could it be VR? Or do you secretly want to become a YouTube influencer with Cavan Scott and your channel Strange Matter?
Answer: Ha! I can't see myself as an influencer! I’ve not really considered VR, although never say never! I think it’d probably be live action TV. That's still very much on my bucket list. I love long form storytelling, with a tale that unfolds over several episodes, and I’d love to get my teeth into a meaty TV project.
That aside, though, there's still so much I want to do in the other mediums I'm already working in. More novels I want to write, more comics I want to co-create with great artists. And more stories I want to tell inside some of the worlds I've been lucky enough to be invited to write within, too.
Question: What can you tell us about your dark fantasy reimagining of King Arthur Blood of Camelot you’re working on with Cavan Scott?
Answer: Oh, Blood of Camelot is hugely exciting! As I mentioned earlier, I have a deep and abiding interest in folklore and mythology, as does Cav - it’s one of the reasons we’re such good friends. We wanted to do something new together, having written a number of Doctor Who comics and audios together, as well as two Sherlock Holmes audio plays for Audible.
The story is a dark reimagining of the original Arthurian myth, that sees Arthur lose his way in his effort to protect Camelot from the plague of fae creatures that are constantly attacking the borders of his realm. Believing he is the only one who can save Camelot, that in order for Camelot to survive, he himself must persist, he murders Merlin - the last of an ancient Elven race - and drinks his blood to consume his power. In the process, he becomes the thing he’s always tried to fight against - a monster. It's left to Guinevere, a knight of the Round Table, and Lancelot, to lead the resistance and try to fight back against the tide of darkness consuming the land.
Question: Animation has a very loyal fan base, despite what Netflix is doing gutting their department, is there an animated show that holds a special place in your heart?
Answer: Too many to name! As a child I used to love The Mysterious Cities of Gold, Battle of the Planets, Ulysses 31. These days I love watching anime with my kids, and we're loving things like Attack on Titan, Jujutsu Kaisen, Demon Slayer and Seraph of the End.
Question: You are a very prolific author, in the next few months alone you have Motherbridge, out now, and in July both The Albion Initiative and a Carnival Row tie-in. My question is, does this mean you know that season two of Carnival Row is coming this summer and you’ve been sworn to secrecy? OMG, have you seen it!?!
Answer: Ha ha ha! I couldn't tell you even if I knew, I'm afraid. But I will say this - I've read the scripts and you’re going to love it.
But yes, I've been busy! Some of that is to do with the spate of pandemic lockdowns that we all went through, and the fact that release dates got bumped back, and some is just because I find it hard to say no to such amazing projects. I mean - who’s going to turn down the chance to write official Carnival Row continuation comics???
Question: With the end of your long running Newbury and Hobbes series with The Albion Initiative does it feel like you’re shedding the mantel of Steampunk author or do you feel that over the years you’ve diversified enough that Steampunk is like your origin story and you’re now so much more?
Answer: That’s an interesting question. I mean, yes, The Albion Initiative is the final Newbury and Hobbes story...for now. But I don’t think I’ll ever walk away from them completely. For example, there’s an unannounced Newbury and Hobbes novella coming this year, too. And there'll be more stories in the future. Maybe not novels, though, we'll have to see.
As to shedding/taking on new mantles...I’m not sure the mantle of 'steampunk author' has ever sat that easy on my shoulders, to be honest. I’ve always seen myself as more of a fantasy writer, and the Newbury and Hobbes series very much borrowed the aesthetic of the steampunk genre, but also dipped into other loves and inspirations, such as Doctor Who, Hammer Horror, James Bond...I think the other work I’ve produced over the years has borne that out. If you look at it as a body of work, the one word I’d use to sum it all up is 'fantasy.' So I think that’s a better fit.
Not that I’ve ever had a problem being considered a steampunk author! I love playing in the genre and the people I’ve met amongst the fandom have all been so lovely and welcoming.
Question: Seeing as many of your stories are set within the same universe do you have any personal headcanon that there were Wookies long ago in the world of Newbury and Hobbes?
Answer: Heh. No. I think it’s important to keep these things separate, when you're writing in other people's worlds. I know I've dabbled before with little crossovers into one of my Doctor Who novels and some Sherlock Holmes stories, but I see those more as little Easter Eggs, harking back to some key influences, rather than trying to build a cohesive universe that embraces them all. I suppose the only thing that links them, really, is that the stories are written by me, so I suppose some of the same voice and preoccupations bleed through those different stories.
Question: While you’ve created many interesting worlds of your own, you’ve played in some very big franchise sandboxes, from Doctor Who to Star Wars. What franchise do you dream of working with?
Answer: Both Doctor Who and Star Wars are a huge amount of fun to write for, and I hope there’ll be many more opportunities to write more for them both in years to come. In terms of franchises I’d love to write for and haven't yet: Spider-Man, Batman, James Bond, Conan the Barbarian all spring to mind. All big influences from my youth too.
Question: And, this follow-up question is actually mandatory; you’ve written a lot for Doctor Who so who would you like to see as the next Doctor?
Answer: I’m SUPER excited to see Ncuti Gatwa take on the role! I think he’s going to be brilliant. Beyond that, I don’t know! I’d be a rubbish casting director! I just want great stories with an actor who’s enthusiastic to be there!**
Question: And on to an equally hard question, I know this is like picking your favorite child, but of all the characters you’ve written, do you have a favorite?
Answer: That is a super-tough question. I don't know. Maybe Ellie from the Wychwood books, because strangely she's the most autobiographical of the characters I've written. I feel a real affinity for her. But then...I do love writing stories for Newbury, too...
Question: Moving more specifically to the reason we’re here, the release of Motherbridge, what was the first comic that you remember making a lasting impact on you? And yes, it can be terrifying, like how I learned about shock treatment from a Return to Oz comic.
Answer: Since I'm in the UK, it's a slightly more difficult question to answer, because we have a tradition for funny kids' comics like The Beano, The Dandy, Buster, Whizzer and Chips and the like. Anthology comics filled with short, funny strips. They all played a big part in my early comic reading.
When I eventually discovered American comics, it was through the Marvel UK reprints of Spider-Man and Star Wars. I adored them, and the characters that were often introduced in back-up strips. Later still, I discovered imported comics and started reading Batman and Daredevil. I remember a particular issue of Daredevil that introduced Typhoid Mary and that sticks very much in my mind.
Question: What comics are automatically on your pull list?
Answer: Spider-Man and Batman. Usually Daredevil. Anything set in the Hellboy universe by Mike Mignola. Anything drawn by Humberto Ramos. Tom Taylor’s Nightwing. Cav's Star Wars: The High Republic and Shadow Service series. And then...whatever looks good, or is written by someone whose work I admire. My pull list is substantial, but it shifts around all over the place!
Question: Recently you had two covers of the Star Wars Adventures you wrote illustrated by the amazing Francesco Francavilla. Is there anyone else working in comics who you dream of working with? Get it out there in the universe and see if we can actualize it.
Answer: Yes! I’d love to have some covers created by Esad Ribic, and I’d love to work with both Phil Noto and Humberto Ramos. Oh, and JH Williams III!
Question: What was it like writing a direct to trade comic versus one released monthly?
Answer: Well that’s an interesting question in this case! Initially, we were planning to produce Motherbridge as a four-issue mini series, but when Covid hit we only had one issue written, and everything had to go on hold because the comic stores and comic distributors were all rightly closing to protect their staff. Later, when things started to stabilize and the market opened up again, we realized Motherbridge might better suit the OGN treatment rather than floppies, so I revisited the first script and then wrote the rest of it with that in mind.
For me, the main difference is that, as a writer, you can pace yourself a little differently. You don’t have to get all the reveals and hooks out as quickly in that first or second issue, because anyone who’s reading the graphic novel is in for the long haul - at least for those 80-odd pages! It’s a bit like writing a prose novel in that respect - while there are clear conventions of format and medium, you have a whole book in which to tell your story.
I need to say something about Aleta’s incredible artwork here, too. She worked so hard on this book, and it shows on every single page. I was so lucky to be able to work with her, and she’s realized Hayley and her world in a way that was exceeds anything I ever imagined.
Question: There are so many stories where nature takes over, usually post-apocalyptic, but in Motherbridge nature taking over is a positive thing, what made you want to flip the trope?
Answer: It’s very much a reaction to the world around us right now, and what's going on with the climate. Rewilding seems to be such an important part of what's needed to save the world from the intensive industries that we've developed to sustain us. I wanted to look at what a world might look like where nature had tried to balance the system for us, how a radical natural revolution could change the planet - and the sorts of reactions that different people would have. I guess it's a love letter to the Earth, in a way. We have a tendency in post-apocalyptic fiction to see nature as a wild, untamed, sinister thing as you say - I wanted to show the flipside of that, to remind us that we're part of the natural world, not aside from it.
Question: Motherbridge seems so of the moment, with climate change, immigration, walls, even separation from loved ones, which many of us suffered due to Covid, yet comics have a lengthy production time, how did you manage to capture this relevancy?
Answer: It's actually been in development for a long time, but the wind seems to have been blowing in this direction for a good while. It's obviously quite a political comic, a gut reaction to the anti-immigration policies instigated by various world governments, a reaction to the symbolism of border walls and isolationism. I guess, in some ways, Motherbridge is a bit of a scream in rage at the way our leaders seem intent on leading us down an increasingly grim path, seemingly ignoring all the important lessons of history. So it started long before Covid, and was written and drawn by the wonderful Aleta during the pandemic period. It can’t help but be informed by that.
Question: Even more startlingly relevant is this world you have created where the masculine military industrial complex and governments are forcing Mother Nature to die in order to achieve their goals. This seems like a confluence of events that you couldn’t dream up. Do you believe that with enough education, enough people reading articles, and stories like Motherbridge, that we can positively effect the world around us?
Answer: I really do, yes. I mean, Motherbridge is a comic. It's a story. It's entertainment. I have no misconception about that. It's not a political treatise and it's not going to change the world. In some ways, it's deeply personal, too - about my reaction to the world and where it's headed. But at the same time, isn't the point of a story to transmit ideas? To help create empathy for others - to allow people to see through someone else's eyes for a while? From the earliest myths, this is what we see - cautionary tales, human stories, tales that warn, tales that help us engage with the world in a different way. If just one person reading Motherbridge looks at the world outside their window and thinks a little bit more compassionately about the people out there - well, the story has done more than I could ever have dreamed of.
I think that's what I hope for. That through stories, and articles and news reports and television shows - that we can all learn to look beyond ourselves and try to understand what's going on in other people's lives, and to offer out our hands to help them, and maybe ask for help from them, too.
That all sounds very grand. This is, like I said at the start, just a comic book. But I do think that's the power of story. Not my story, in particular, but the collective stories that we tell each other and through which we share our experiences of the world.
Question: This book feels like it would be good for any age to read, especially as you present large topics in a non-condescending manner. Was your plan to educate as you entertain or was that just a welcome side effect?
Answer: I think it's a welcome side effect. I'm no expert in these things. Like I said above, this is a personal story, a personal reaction to the world. It's a fantasy. But if it makes someone think, even for a moment, then I'll be a very happy man indeed.
Question: Will there be further adventures for Hayley Wells?
Answer: Time will tell! Both me and Aleta would love to delve back into Hayley’s world and tell people what happens next. I have a plan. It'll depend on how well this first book sells, as to whether we get to do more. We'll be keeping our fingers crossed!
*Interesting fact, but of George's two choices I would chose 'Absolute Beginners' because it's the first time Bowie sang it in concert since 1987. Though my personal choice is 'Wild is the Wind' which opened the show because hearing Bowie's voice for the first time coming out of the darkness was transcendent. And yes, that is an actual picture I took of Bowie singing 'All The Young Dudes!'
**I literally sent this question to George on a Thursday and that Sunday Ncuti Gatwa was announced, and I am equally excited by the casting.
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