Resident Alien
Over five years ago it was announced that Syfy was adapting the Resident Alien comic by Peter Hogan. Me being me, I read the first volume and liked the nostalgic vibe of classic television it exuded. It was part Quincy, part Andy Griffith, part X-Files, I was definitely going to be a viewer. Fast forward to now and this adaptation got it just right for my generation, making it a new Northern Exposure wherein Dr. Joel Fleischman is an alien with a Law and Order/Jerry Orbach obsession played brilliantly by the comic genius that is Alan Tudyk. I also love how self-aware they are even including the most wonderful Easter Egg for lovers of Cicely in the season finale; Iris DeMent's "Our Town." But most important to me is that Alan Tudyk FINALLY has a staring vehicle! I have been literally waiting twenty years for this to happen. Of course he's created so many memorable characters over the years from Steve the Pirate to Wash to Noah Werner to Wray Nerely, the list goes on and on and this doesn't even touch the vastness of his voice work! And yet never a starring role. I mean I love Alan so much that I went to see Spamalot a second time on Broadway when he replaced Hank Azaria. He was better than Hank because he threw himself fully into the role. And that's what he does here with Dr. Harry Vanderspeigle. He's an alien who has assumed Dr. Vanderspeigle's life when he crash-landed on Earth. The childlike behavior and potty mouth of an alien trying to blend in among the townsfolk is something only Tudyk could have pulled off. He is Peter Sellers-esque and deserves just as many awards as that great man. Though it's only due to the genius of the ensemble that makes this the best show of the year. Hands down. They bring the human element that is so foreign to Tudyk's amazing performance. The revelation is Judah Prehn as Max, a young kid who can see Harry for who he is. Their interactions are some of the best comedy on television right now. Thankfully this show was renewed for another season because I don't know what I would have done if it was cancelled. I NEED to know what happens next. For like six seasons and a movie.
Horseman by Christina Henry 
The Last House On Needless Street by Catriona Ward
The House of Dust by Noah Broyles
Murder at the Royal Botanic Gardens by Andrea Penrose
Mistletoe Christmas by Eloisa James, Christi Caldwell, Janna MacGregor, and Erica Ridley 
Chapter and Curse by Elizabeth Penney
Murder Outside the Lines by Krista Davis 
The Ice Coven by Max Seeck 
The Last Graduate by Naomi Novik
Before We Disappear by Shaun David Hutchinson
Celebrate with Kim-Joy by Kim-Joy
The original All Creatures Great and Small has always held a special place in my family's heart. My grandfather, who has to be held partially responsible for turning me into an Anglophile by having the rule that every Sunday when we visited the TV had to remain on AND remain on PBS, had the complete series of books by James Herriot that I ran off with. As for my father, let's put it this way, when one of my friends announced she was marrying a rural Canadian vet his first question was had they watched All Creatures Great and Small together yet. I have a sneaking suspicion that my parents didn't get an invite to the wedding because my friend knew the gift would be the complete DVD set of All Creatures Great and Small followed by incessant pestering if they had watched it yet. Therefore when the new series was announced it was greeted with incredulity in my house. How could they remake such a classic!?! My Dad was actually a little flabbergasted that I wanted to watch it when it started on Masterpiece. I told him my reasoning. First, it had aired in Britain earlier and all my friends there who had the same fanatical devotion to the original show that my father has fell in love with it. Secondly, it would be a return to something comforting and secure on a Sunday night, which I think we can all agree we need right now. On January tenth the first episode, "You've Got to Dream," aired and I KNEW my father was hooked by the fact he was copiously sobbing at the complicated labor of a cow. I was more shocked than anything though when after a few episodes he said he thinks that Samuel West is a better Siegfried Farnon than Robert Hardy. This is as close as it gets to blasphemy in my house. But the show is magnificent. It's a breath of fresh air, and those gorgeous Yorkshire landscapes! THIS is what Masterpiece Theatre has always been about. Tapping into the perfect dream of England, with a little trouble and strife along the way, but a happy ending to cap it off. Nicholas Ralph who plays James Herriot says he hopes next season that his character and Helen go on their first date after her engagement with Hugh was broken in the Christmas special. Personally a true happy ending to me will be their marriage! Or I will be willing to substitute Samuel West wearing those gorgeous knee-high leather boots in every episode.
I was on the bandwagon for the All Souls Trilogy since the beginning. I am not fanatically devoted to the series as some of my friends are, I do not spend my spare time rereading the books over and over again, but I can honestly say I'm a fan. Though when Matthew Goode was cast as Matthew I was like nope. I don't know why, my mind just revolted, and I am a fan of his! But I was so darn curious about the series... so I waited until they all aired and got a one week free trial to Shudder and binged the whole first season. It only took me five minutes to see I was completely wrong about Matthew Goode's casting. He is Matthew, and not just because they have the same first name. I can never picture anyone else now. So good on you Goode for convincing me! Therefore a show that was originally a "show I'd one day see" became eagerly awaited viewing... and oh, the wait for season two seemed so long, but it was worth it. Season two is based on the second book in the series, Shadow of Night, which is hands down my favorite in the series because Elizabethan England! Also, wonderful cameos from historical figures like Kit Marlowe, but did I mention Elizabethan England? But what brought this season into a whole other stratosphere was the genius casting of James Purefoy as Philippe, Matthew's "father." Here's to Goode again who lobbied and cajoled to get Purefoy cast. Now Purefoy is a favorite of mine and I will literally watch anything he is in, but his acting in this was sheer perfection. His final episode where Matthew and Diana are married and mated elevated the whole show to a new level. There are just some actors that bring out the best performances in everyone and this is what happened. They all knew the importance of this episode and though it is a bottle episode with only really three characters, it's just perfect. Even my brother and father were talking about how this episode and James Purefoy's acting raised the show from cheesy fun to Emmy worthy genre television. I'm sad that this is likely the last we'll see of Purefoy as Philippe, but he's left his mark on this series that won't be forgotten as I settle in for the long wait for the final season to drop.
Hex by Thomas Olde Heuvelt
All These Bodies by Kendare Blake
Malpertuis by Jean Ray
When Things Get Dark edited by Ellen Datlow
MR Cadmus by Peter Ackroyd
Cats Galore Encore! by Susan Herbert
After seeing the amazing interpretation of Shirley Jackson's The Haunting of Hill House that Mike Flanagan pulled off I was beyond excited for The Haunting of Bly Manor. And this was only approximately 79% to do with Rahul Kohli being cast. OK, it was probably closer to 100% because I am not a fan of The Turn of the Screw like I am with The Haunting of Hill House, but that's why this adaptation is so perfect, it made me like The Turn of the Screw and the other stories by Henry James that were incorporated. This miniseries turned a bleak tale of possible madness into a love story. And not just a single love story either! There are many couples to ship here. In fact this show might have healed and broken my heart simultaneously. If someone were to say to me "it's you, it's me, it's us" I would probably break down sobbing right this second. Yet this phrase which comes to mean so much about the power of love started out menacing. That's what's amazing here. The way the story unfolds. What was one thing becomes another and another and everything you think you knew keeps changing. This is a miniseries that could easily be rewatched the second you finish it just to fill in the gaps you might have missed. The one thing I found odd when reading reviews of what people have dubbed the second season of Mike Flanagan's "Haunting" series is that so many people took exception to the penultimate episode shot in black and white, "The Romance of Certain Old Clothes." This episode set centuries earlier explains how Bly Manor came to be the haunted place it is with Mike Flanagan's wife, Kate Siegel, Theo from The Haunting of Hill House, taking center stage. This episode is lyrical and perfectly paced. There are phrases that come back to me again and again while thinking about this show. "She would sleep, she would wake, she would walk." And while yes, this could be a way to explain all our lives during quarantine and it's repetitive nature, it also taps into the broken record aspect of a haunting. How ghosts are just reliving the same moments over and over again which is why the penultimate episode is crucial! This show is time loops and the supernatural and true love all mashed up together and all I have to say is more!
I admit it, I was extremely worried about this adaptation of Terry Pratchett's work. For years and years he'd been trying to get this adaptation going and then he died and I figured well, The Watch was never going to happen. I didn't view it as much of a loss as of all the Discworld properties that had been adapted I felt only Going Postal really worked and the only one I had ever really been excited about was when Sam Raimi was attached to Tiffany Aching because I SO want to see Bruce Campbell as a feegle! But then Good Omens was a hit and The Watch was back. I reluctantly admit to the fact that I saw the preview for The Watch a handful of times before I even realized it was a Terry Pratchett adaptation. I remember seeing the first picture and the Brutalist cyberpunk vibe they were going for and just dismissed it outright, hence why I probably didn't put two and two together when the trailer dropped. But I was willing to give it a try. I couldn't be like all those other Pratchett fans dismissing it outright! I have to have informed dislike. And it turned out I didn't dislike it... in fact I kind of loved it. I didn't think Richard Dormer would work as the beloved Sam Vimes, having only seen him in Fortitude, but he brought an interesting and very pugnacious vibe to Sam. I can actually see him on the covers of the books as illustrated by Paul Kidby. As for Carrot and Angua, they are literally almost exactly as I pictured them. But the stars of this show are Sybil and Cheery. Sybil was taken from the periphery of Sam's life and given a place front and center and she just kicks ass, there's no other way to say it. I also love how awkward she and Sam are around each other, there's true chemistry there. But far and away this season is about Cheery. I so loved Jo Eaton-Kent as Cheery I can no longer see the character any other way. There's also so much depth brought to the character about finding yourself and how much bravery that takes and yes, the beard does make an appearance people! I just literally can't with how much I loved Cheery as brought to life by Jo. You are doing yourself a disfavor if you don't tune in. So it's not perfect, neither are Practhett's books the way they jump around in their narrative style, which this show fully embraces! So come on, embrace The Watch! 
When Sorrows Come by Seanan McGuire
Slewfoot by Brom
White Smoke by Tiffany D. Jackson
My Sweet Girl by Amanda Jayatissa
Farewell Blues by Maggie Robinson
Alma Presses Play by Tina Cane
Kevin Smith's Secret Stash by Kevin Smith
THIS is THE SHOW I've been waiting all year for. Heck, YEARS for, so yes, I might be a tad more critical because I just re-read all the books in the Grishaverse and therefore little things were getting to me amongst the greatness of this epic, like I do not believe there is any way Zoya would have bangs. Yes, she's a Squaller so she could probably maintain them, perfectly balancing humidity and placement, I just don't think they're Zoya... And yes, I admit I've probably thought about this more than was necessary, but that's just me. The grandeur and the beauty and the bangs are all here on display. This is the epic fantasy we've been needing to purge Game of Thrones out of our system, so STOP comparing it to Game of Thrones! Unless you've read all the books then I'll let you call Zoya Daenerys Targaryen 2.0. But that is all. There is so much they go right in this adaptation. I was so wary of Kaz, Jesper, Inej, Nina, and Matthias being brought forward in time I was shocked how well they fit in, merging the original trilogy and the first duology. This led to some wonderful "what if" scenarios like the Darkling and Kaz meeting in an alley. Kaz's exit was priceless. In fact while I feel the casting was so perfect throughout, hats off to Kit Young, he IS Jesper. I don't know if I've ever seen a book to screen adaptation get something so right. He just doesn't play the character well, he is Jesper! And as for the addition of Milo? Dear saints, I didn't know how much this series needed a goat until it happened! The only real issues I took had to do with budgetary concerns. They used beautiful Eastern European locations in Budapest, but Leigh so lovingly describes the Little Palace in detail I wish they had had the funds to actually build it, or at least the dining hall. Also sometimes the CGI was a little off, especially when Mal and Alina were hunting the stage, Mal himself looked like he was CGI right out of a video game and I was fighting some true uncanny valley issues. So in the end my analysis is, they got in pretty damn right, I just feel like I'm more in the world when I'm reading the books. Which now need a goat.
OK, I know with what I'm about to admit everyone is going to be shocked, but until this miniseries I had not heard of or watched the original movie adaptation of Rumer Godden's book that is a classic starring Deborah Kerr. Black Narcissus won Oscars and accolades when it was released in 1947, eerily on the day that would be my birthday come the seventies. So, putting aside my lack of a complete film education, what it meant was I was going into this series fresh. In fact I saw an ad only a day before it aired and it was being touted as Diana Rigg's last appearance, that is until Edgar Wright admits defeat and releases Last Night in Soho to streaming, so I said, let's see what this Black Narcissus is all about! Also I have probably rightly pissed off Edgar Wright now by not knowing this movie and saying that movie theaters are dead and streaming is the only safe option in this day and age. Oh well, I'm still looking forward to Last Night in Soho... So this version of Black Narcissus, compared to no other, was a wonderful little idyll of nuns trying to do good against all odds in a very haunted place. I mean this miniseries just oozed Gothic vibes, it was delicious! I constantly love how the building blocks of what is considered Gothic can be changed time and time again to create a whole new slant that you'd never think of. Nuns tend to align themselves more with the horror genre, and to tackle their desires and damnation in a human and real way within the Gothic sphere felt fresh to me, and again note I haven't seen the original film. Though the driving force of the three episode miniseries is Sister Ruth and her going more and more off the rails in this remote location. I don't know if you're supposed to hate Sister Ruth and long for her corruption and death, but I totally did. Her obsession with the male caretaker, Mr. Dean, and her delusions about Mr. Dean and Sister Clodagh make her more and more unstable and I loved every minute of it. I think this was all enhanced by the performace of Aisling Franciosi as Sister Ruth. I knew I knew her from somewhere and wherever that was I hated her in that. Turns out it was The Fall, the Gillian Anderson/Jamie Dornan show, which is, in my mind, the most overrated piece of shit I have ever watched. It is easily one of the worst shows I've ever seen and wish I could forget I ever saw it. Anyway, Aisling was the shitty teenager in love with the father of the kids she babysat and who knew he was a killer and was all OK with that. So yeah, I liked seeing her suffer in this. But does that say more about me or Black Narcissus?
Deadly Summer Nights by Vicki Delany 
Nice Girls by Catherine Dang
Miss Kopp Investigates by Amy Stewart
The Matchmaker's Lonely Heart by Nancy Campbell Allen
The Heron's Cry by Ann Cleeves
Murder at Standing Stone Manor by Eric Brown
The Summoning by J.P. Smith
The Haunting of Leigh Harker by Darcy Coates
The Collector's Daughter by Gill Paul
Certain Dark Things by Silvia Moreno-Garcia
Forever Young by Hayley Mills
Philippa Gregory miniseries are like crack to me. I need them so much it hurts. The White Queen, The White Princess, The Spanish Princess, yes, yes, and yes, I need them so much I can barely handle it. In fact when are we getting a new one? No, I'm serious, I NEED TO KNOW! I also love how we've been following these characters through different iterations and different actors now for seven years! I can't comprehend that it's been that long but it has. While The White Queen might still be my favorite, The Spanish Princess was the only one lucky enough to secure a second season. And while I knew when this series ended we'd no longer get to see Catherine onscreen anymore, but we all know what happened to Catherine so I'm OK with that, because unlike any of the other series this one wouldn't be able to survive recasting. Charlotte Hope is and forever will be Catherine of Aragon. The fact that she's British and not Spanish will probably come as much of a shock to other fans of the show as it was for me. Her accent is perfect, her mighty will in that small, frail, female body, it's like a mouse with the roar of a lion and it is unforgettable. Give this woman an Emmy NOW! It takes a lot to be so central a figure to a miniseries, even if your character is technically the star, when you're surrounded by the cream of the crop of British actors; Laura Carmichael, Andrew Buchan, Ray Stevenson, Harriet Walter, Elliot Cowan, and freakin' Peter Egan to name a few! Yet she holds the focus even while sharing scenes with these titans of the small screen. In fact the scenes with her and Peter Egan as General Thomas Howard are just perfection, and funny, with her being a Catholic and him being someone unrepentant of his foul language except in her presence. But my favorite part of season two was the increased insanity of the Tudors, oddly not exemplified by Henry but by his sister Meg as she tries to rule Scotland. Seeing Georgie Henley, who is famous for playing Lucy Pevensie in The Chronicles of Narnia films, go medieval on the Scottish clans asses was a sight to behold. She was magnificently deranged and worthy of a spin-off. In fact, can we make that happen? 
When season one of Bridgerton dropped on Christmas I was in the middle of specially curated holiday viewing, mainly classic episodes of The Vicar of Dibley and Emmet Otter's Jug-Band Christmas. And with how viewing has become very much about the binge because I wasn't in on that initial weekend I felt like I'd missed the Bridgerton boat. This of course gave me time to read the books, which had been my plan all along, though not necessarily six months after the show had first aired. This also means that I was slightly more pedantic about the adaptation than I might otherwise have been. Because this isn't how we've seen Regency England before. This is Austenland meets the technicolor fantasia of Mary Poppins on crack. Bridgerton is very colorful and fantastic and leans heavily into the fairy tale aspect of it all, you will literally be wondering if there was a single fake flower left in all of England once production commenced. Yet there are still very real issues being dealt with, and thankfully in a natural, not ham-fisted way. I can't help by still cringe how the 2017 adaptation of Howards End tried to shoehorn in diversity. Here it is natural. People of every race and color exist because that was how it was! And yes, Queen Charlotte, while slaying every scene she is in, is historically believed to be biracial. So yes, they got so many things right, and so much of the casting is spot on, that when it's off, well, it stands out all the more, hello thirty-one year old Eloise. Yeah, I'm not buying you're seventeen and neither is anyone else. Especially with a voice that sounds like you smoke three packs of cigarettes a day. I'm not saying I didn't enjoy Eloise, I will only buy her character if we actually do the eleven year time jump. Most of my other problems are very nitpicky. I don't like how they plotted the ending of the story of Daphne and Simon. Here's the thing. It worked in the book. It really really worked. Authors spend so much time figuring it out it has to be annoying when an adaption comes along and they're like, oh, we have a better idea. Because it is so rarely better. Here the lack of communication between the newlyweds strained credulity. So I'm pretending it happened like it did in the book. And as for how they handled Whistledown... firstly, I don't think she would be so easily tricked into a trap, but more importantly, I don't think Julie Andrews worked. Yes, hiring Mary Poppins herself was a coup, but Whistledown is Regency Gossip Girl, and you need to have more punch and authority. Oh, and don't get me started on the music, which often drowned out the narration! Stupid "modern" music.
