strange and random happenstance

Back in 2017 when Philip Pullman released Volume One of The Book of Dust, La Belle Sauvage, I did a deep dive into the world of His Dark Materials, re-reading all the classics and hunting down all the short stories I had missed. I even went so far as the re-watch the much maligned film. It was nowhere near as bad as I remembered, but nowhere near what these beloved books deserved, especially that sanitized ending. Therefore I was looking forward to this series with bated breath. Obviously it had to be better! On the one hand they had the time to fully explore the world, on the other hand, television series don't get the budgets of blockbusters, especially when there had been a previous and costly prior attempt. Still, the casting made my heart jump, Ruth Wilson!?! Ruth 'Alice' Wilson as Mrs. Coulter!?! That right there was enough. They could mess up everything else but I was spared the most complicated character being given to someone not up to the challenge. While this adaptation as a whole wasn't perfect, I think it was as close to perfect as we're ever going to get. The three main points of contention are the expansion of the roles of the adults, the daemon problem, and the introduction of plot points from The Subtle Knife. Well, more Ruth Wilson just made me happy and made me finally understand Mrs. Coulter, and this was done to deepen the world as well as to get around how many hours child actors can work. The daemon problem, well, yes, I understand that there is a problem, but I think it was the explanation versus the execution. Daemons needed to be better explained as our other halves versus more camera time, because I don't think we will ever get to a point where we'll have realistic CGI animals. The final issue I will fight you tooth and claw over. The Subtle Knife has plot points that take place concurrently with The Golden Compass, so one, it made sense to include them in season one because then we don't have half a season with no Lyra, and two, the big reveal of Lord Boreal and Sir Charles Latrom being the same person doesn't work in television! You'd go, hey, that's the same actor in five seconds. So it was a logical change. Plus, it made me more invested in Will from the start. What I do find entertaining though is that not one review mentioned the one major gripe I had, which was there just wasn't enough snow!

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: And the Emmy Goes To, CGI, Daemons, His Dark Materials, La Belle Sauvage, Lyra Belacqua, Movie, Mrs. Coulter, Philip Pullman, Ruth Wilson, Snow, The Book of Dust, The Golden Compass, The Subtle Knife, Will Parry

Lethal White by Robert Galbraith
Published by: Mulholland Books
Publication Date: September 18th, 2018
Format: Hardcover, 656 Pages
To Buy

The official patter:
"Lethal White is the fourth book in the Cormoran Strike series from the international bestselling author Robert Galbraith.

“I seen a kid killed…He strangled it, up by the horse.”

When Billy, a troubled young man, comes to private eye Cormoran Strike’s office to ask for his help investigating a crime he thinks he witnessed as a child, Strike is left deeply unsettled. While Billy is obviously mentally distressed, and cannot remember many concrete details, there is something sincere about him and his story. But before Strike can question him further, Billy bolts from his office in a panic.

Trying to get to the bottom of Billy’s story, Strike and Robin Ellacott - once his assistant, now a partner in the agency - set off on a twisting trail that leads them through the backstreets of London, into a secretive inner sanctum within Parliament, and to a beautiful but sinister manor house deep in the countryside.

And during this labyrinthine investigation, Strike’s own life is far from straightforward: his newfound fame as a private eye means he can no longer operate behind the scenes as he once did. Plus, his relationship with his former assistant is more fraught than it ever has been - Robin is now invaluable to Strike in the business, but their personal relationship is much, much trickier than that.

The most epic Robert Galbraith novel yet, Lethal White is both a gripping mystery and a page-turning next installment in the ongoing story of Cormoran Strike and Robin Ellacott."

I wasn't fully on the whole J.K. Rowling/Robert Galbraith bandwagon until earlier this year, but now I'm all in and CAN NOT WAIT for this next installment. The problem will be the waiting for the next after I devour Lethal White in a matter of days... 

Black Diamond Fall by Joseph Olshan
Published by: Polis Books
Publication Date: September 18th, 2018
Format: Hardcover, 304 Pages
To Buy

The official patter:
"From the acclaimed author of Clara's Heart and Cloudland comes a rich, literary mystery based and united by two real events that occurred at Middlebury College; the disappearance of a student during winter break; and the vandalism of the Robert Frost Homestead located on one of the outer campuses.

Luc Flanders has just finished playing a game of pond hockey with his college roommates when he realizes he has lost something precious and goes back to the ice to find it. He never returns, and the police department in Middlebury, Vermont are divided in their assessment of what may have happened to him. Some feel that Flanders left on his own accord and is deliberately out of touch. Others, including detectives Nick Jenkins and Helen Kennedy, suspect that harm may have come to him. As the search for Luc Flanders widens and intensifies, suspicions about several different people, including his Middlebury College roommates and ex-girlfriend arise. Unfortunately, Sam Solomon an older man with whom Luc has been having a secret relationship, cannot prove his whereabouts during the hours when the younger man may have disappeared and Solomon, too, comes under suspicion.

As Luke Flanders disappears, the Robert Frost house near the Middlebury campus is vandalized. And there seems to be a link between the two events that the police are determined to discover. Alternating points of view between Luc Flanders Sam Solomon, Luc’s mother and detective Nick Jenkins, Black Diamond Fall races to a disturbing and astonishing conclusion in a lush, literary mystery that could only come from the mind of acclaimed author Joseph Olshan."

I was sold on the linked real events!

Wychwood - Hallowdene by George Mann
Published by: Titan Books
Publication Date: September 18th, 2018
Format: Paperback, 336 Pages
To Buy

The official patter:
"Former London journalist Elspeth Reeves is trying to carve a new life for herself in the sleepy Oxfordshire countryside, until she's sent to cover the excavation of a notorious local witch's grave. Three hundred years ago, her name mixed up with murder and black magic, Agnes Levett was hanged and then buried under an immense stone, to prevent her spirit from ever rising again. Elspeth investigates, but soon finds there is far more to the old tale than meets the eye, as the surrounding area is rocked by a series of mysterious and brutal murders, all of people somehow connected with the dig. She and her childhood friend DS Peter Shaw race to uncover the truth, but secrets lain buried for centuries are not easily discovered."

I have literally had George's new book preordered from the second I could. I can't wait to dive into this book that's so timely for this season...

Labyrinth of the Spirits by Carlos Ruiz Zafon
Published by: Harper
Publication Date: September 18th, 2018
Format: Hardcover, 816 Pages
To Buy

The official patter:
"The internationally acclaimed, New York Times bestselling author returns to the magnificent universe he constructed in his bestselling novels The Shadow of the Wind, The Angel’s Game, and The Prisoner of Heaven in this riveting series finale—a heart-pounding thriller and nail-biting work of suspense which introduces a sexy, seductive new heroine whose investigation shines a light on the dark history of Franco’s Spain.

In this unforgettable final volume of Ruiz Zafón’s cycle of novels set in the universe of the Cemetery of Forgotten Books, beautiful and enigmatic Alicia Gris, with the help of the Sempere family, uncovers one of the most shocking conspiracies in all Spanish history.

Nine-year-old Alicia lost her parents during the Spanish Civil War when the Nacionales (the fascists) savagely bombed Barcelona in 1938. Twenty years later, she still carries the emotional and physical scars of that violent and terrifying time. Weary of her work as an investigator for Spain’s secret police in Madrid, a job she has held for more than a decade, the twenty-nine-year old plans to move on. At the insistence of her boss, Leandro Montalvo, she remains to solve one last case: the mysterious disappearance of Spain’s Minister of Culture, Mauricio Valls.

With her partner, the intimidating policeman Juan Manuel Vargas, Alicia discovers a possible clue—a rare book by the author Victor Mataix hidden in Valls’ office in his Madrid mansion. Valls was the director of the notorious Montjuic Prison in Barcelona during World War II where several writers were imprisoned, including David Martín and Victor Mataix. Traveling to Barcelona on the trail of these writers, Alicia and Vargas meet with several booksellers, including Juan Sempere, who knew her parents.

As Alicia and Vargas come closer to finding Valls, they uncover a tangled web of kidnappings and murders tied to the Franco regime, whose corruption is more widespread and horrifying than anyone imagined. Alicia’s courageous and uncompromising search for the truth puts her life in peril. Only with the help of a circle of devoted friends will she emerge from the dark labyrinths of Barcelona and its history into the light of the future.

In this haunting new novel, Carlos Ruiz Zafón proves yet again that he is a masterful storyteller and pays homage to the world of books, to his ingenious creation of the Cemetery of Forgotten, and to that magical bridge between literature and our lives."

While I wasn't blown away by the first book in this series, it has stuck with me enough that I really want to check out the rest of the series, this being the newest installment with, easily, the best cover.

Escaping from Houdini by Kerri Maniscalco
Published by: jimmy patterson
Publication Date: September 18th, 2018
Format: Hardcover, 448 Pages
To Buy

The official patter:
"The #1 New York Times bestselling series that started with Stalking Jack the Ripper and Hunting Prince Dracula continues in this third bloody installment! A luxurious ocean liner becomes a floating prison of madness and horror when passengers are murdered one by one...with nowhere to run from the killer.

Audrey Rose Wadsworth and her partner-in-crime-investigation, Thomas Cresswell, are en route to New York to help solve another blood-soaked mystery. Embarking on a week-long voyage across the Atlantic on the opulent RMS Etruria, they're delighted to discover a traveling troupe of circus performers, fortune tellers, and a certain charismatic young escape artist entertaining the first-class passengers nightly.

But then, privileged young women begin to go missing without explanation, and a series of brutal slayings shocks the entire ship. The disturbing influence of the Moonlight Carnival pervades the decks as the murders grow ever more freakish, with nowhere to escape except the unforgiving sea. It's up to Audrey Rose and Thomas to piece together the gruesome investigation as even more passengers die before reaching their destination. But with clues to the next victim pointing to someone she loves, can Audrey Rose unravel the mystery before the killer's horrifying finale?"

I've had Houdini on my mind lately...

Time's Convert by Deborah Harkness
Published by: Viking
Publication Date: September 18th, 2018
Format: Hardcover, 448 Pages
To Buy

The official patter:
"From the #1 New York Times bestselling author of A Discovery of Witches, a novel about what it takes to become a vampire.

On the battlefields of the American Revolution, Matthew de Clermont meets Marcus MacNeil, a young surgeon from Massachusetts, during a moment of political awakening when it seems that the world is on the brink of a brighter future. When Matthew offers him a chance at immortality and a new life free from the restraints of his puritanical upbringing, Marcus seizes the opportunity to become a vampire. But his transformation is not an easy one and the ancient traditions and responsibilities of the de Clermont family clash with Marcus's deeply held beliefs in liberty, equality, and brotherhood.

Fast-forward to contemporary Paris, where Phoebe Taylor - the young employee at Sotheby's whom Marcus has fallen for - is about to embark on her own journey to immortality. Though the modernized version of the process at first seems uncomplicated, the couple discovers that the challenges facing a human who wishes to be a vampire are no less formidable than they were in the eighteenth century. The shadows that Marcus believed he'd escaped centuries ago may return to haunt them both - forever.

A passionate love story and a fascinating exploration of the power of tradition and the possibilities not just for change but for revolution, Time's Convert channels the supernatural world-building and slow-burning romance that made the All Souls Trilogy instant bestsellers to illuminate a new and vital moment in history, and a love affair that will bridge centuries."

Let's go back to the universe of Deborah Harkness shall we?

The Good Demon by Jimmy Cajoleas
Published by: Amulet Books
Publication Date: September 18th, 2018
Format: Hardcover, 320 Pages
To Buy

The official patter:
"It wasn’t technically an exorcism, what they did to Clare. When the reverend and his son ripped her demon from her, they called it a “deliverance.” But they didn’t understand that Clare and her demon - known simply as Her - were like sisters. She comforted Clare, made her feel brave, helped to ease her loneliness. They were each other’s Only.

Now, Clare’s only comforts are the three clues that She left behind:
Be nice to him
June 20
Remember the stories

Clare will do anything to get Her back, even if it means teaming up with the reverend’s son and scouring every inch of her small, Southern town for answers. But if she sacrifices everything to bring back her demon, what will be left of Clare?"

Sounds like her demon is a bit of a daemon, and yes, I'm leading into the next book out this week...

Daemon Voices by Philip Pullman
Published by: Knopf
Publication Date: September 18th, 2018
Format: Hardcover, 480 Pages
To Buy

The official patter:
"From the internationally best-selling author of the His Dark Materials trilogy, a spellbinding journey into the secrets of his art--the narratives that have shaped his vision, his experience of writing, and the keys to mastering the art of storytelling.

One of the most highly acclaimed and best-selling authors of our time now gives us a book that charts the history of his own enchantment with story--from his own books to those of Blake, Milton, Dickens, and the Brothers Grimm, among others--and delves into the role of story in education, religion, and science. At once personal and wide-ranging, Daemon Voices is both a revelation of the writing mind and the methods of a great contemporary master, and a fascinating exploration of storytelling itself."

While yes, I'd prefer a new fiction book by Pullman, one can't look a gift horse in the mouth that in under a year we're getting a new Pullman book...

Soulless by Gail Carriger
Published by: Orbit
Publication Date: September 18th, 2018
Format: Hardcover, 416 Pages
To Buy

The official patter:
"A delightful illustrated edition of Soulless, the first novel in the New York Times bestselling Parasol Protectorate series: a comedy of manners set in Victorian London, full of werewolves, vampires, dirigibles, and tea-drinking. Featuring illustrations by Jensine Eckwall.

Alexia Tarabotti is laboring under a great many social tribulations. First, she has no soul. Second, she's a spinster whose father is both Italian and dead. Third, she was rudely attacked by a vampire, breaking all standards of social etiquette.

Where to go from there? From bad to worse apparently, for Alexia accidentally kills the vampire -- and then the appalling Lord Maccon (loud, messy, gorgeous, and werewolf) is sent by Queen Victoria to investigate.

With unexpected vampires appearing and expected vampires disappearing, everyone seems to believe Alexia responsible. Can she figure out what is actually happening to London's high society? Will her soulless ability to negate supernatural powers prove useful or just plain embarrassing? Finally, who is the real enemy, and do they have treacle tart?"

While one might ask, how many copies of Soulless are too many, I'd point out the illustrated aspect of this one... though by the cover I'm not sure I'll like the style at all.

The Impossible Girl by Lydia Kang
Published by: Lake Union Publishing
Publication Date: September 18th, 2018
Format: Paperback, 364 Pages
To Buy

The official patter:
"Two hearts. Twice as vulnerable.

Manhattan, 1850. Born out of wedlock to a wealthy socialite and a nameless immigrant, Cora Lee can mingle with the rich just as easily as she can slip unnoticed into the slums and graveyards of the city. As the only female resurrectionist in New York, she’s carved out a niche procuring bodies afflicted with the strangest of anomalies. Anatomists will pay exorbitant sums for such specimens - dissecting and displaying them for the eager public.

Cora’s specialty is not only profitable, it’s a means to keep a finger on the pulse of those searching for her. She’s the girl born with two hearts—a legend among grave robbers and anatomists - sought after as an endangered prize.

Now, as a series of murders unfolds closer and closer to Cora, she can no longer trust those she holds dear, including the young medical student she’s fallen for. Because someone has no intention of waiting for Cora to die a natural death."

This book had me sold at resurrectionist add in the Whovian vibe of two hearts, and it's a must read.

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: Carlos Ruiz Zafon, Cormoran Strike, Daemons, Deborah Harkness, George Mann, Harry Houdini, J.K. Rowling, Jimmu Cajoleas, Joseph Olshan, Kerri Maniscalco, Lydia Kang, Philip Pullman, Robert Galbraith, Soulless

Lyra's Oxford by Philip Pullman
Published by: Alfred A. Knopf
Publication Date: October 28th, 2003
Format: Hardcover, 64 Pages
Rating: ★★★★
To Buy

Lyra is in her favorite place in the world, high on the rooftops of Jordan College. It's been a few years since her journey with Will and she's settled into the academic life at St. Sophia's College and she's diligently studying when there's a ruckus among the birds. Pantalaimon and her quickly see the cause, the birds are attacking a witch's daemon. They rescue the daemon and sneak him back to their room to find out what's going on. The daemon, Ragi, was sent to Lyra to ask for help. His witch, Yelena Pazhets, has a wasting disease that is ravaging the witches and is rare in that it doesn't effect their daemons. There is a cure available from an alchemist in Jericho and Ragi needs Lyra's help to find this Sebastian Makepeace. Lyra agrees to help him later after her school commitments are done. That night as they sneak through the streets of Oxford her and Pan start to question Ragi's story. There's something about it that seems off. Yet Lyra isn't faint of heart. If they ARE walking into a trap then at least they will soon know the whole story. That story is dark and involves the love of a witch and the death of a son in the cause that Lord Asriel championed. Will Lyra have to pay for the sins of the father or will she be able to pull off an improbable victory once again?

Lyra's Oxford wasn't written just to wallow in the nostalgia of seeing a beloved character again. This isn't like every returning television series out there that is more of the same, it's like the uniqueness of the return of Twin Peaks. Yes, there's nostalgia, but this is an entirely new story, a new chapter, and while Lyra isn't dealing with tulpas she has dark forces to face and daemons to overcome. There are repercussions from what she and Will did, but more so just from the fact that her father wagged a war and people died because of his beliefs and not everyone is happy about that. Lord Asriel is dead and so can not face justice, therefore Lyra must pay. I think this book is what sparked the hope in Philip Pullman's readers that Lyra's story wasn't over because here, with this vengeful witch, we see that the fallout from the war against the Authority is still just beginning. As a reader my appetite was whetted for more. This taste just wasn't enough! What else happened? What else came after? I don't just want to see this more confident Lyra with this more settled Pan, I want to see the Magisterium fall, I want to see what happened to everyone. And like David Lynch, Pullman is a genius in that here he gives us just a little taste and then, with La Belle Sauvage, he goes back, further than his previous start and shows us the story we knew in an entirely new light. We don't necessarily get what we want or what we expected but what we needed.

And the one thing we needed to see here was a bit of Lyra not only coming into her own but coming home. Oxford and Jordan College have always been where Lyra belonged, yet when she takes off with Mrs. Coulter and later embarks on her epic journey with Will she doesn't look back. Yet it's the stories of her life in Oxford that pacify the harpies. It's her stories that give the ghosts in the land of the dead hope again. Therefore Lyra being in Oxford was a must. Yet there's all these questions, foremost of which is, after all her adventures would Oxford still feel like home? At the end of The Amber Spyglass we get a little hint that Lyra's going to settle back into life and find a purpose with Hannah Relf of St. Sophia's College who is an expect in the alethiometer but it's so much better to see that firsthand. And here we see a confident and studious Lyra, and that makes my heart glad. But what I really love about this little book is that it's not just that Lyra belongs in Oxford it's that Oxford knows this and protects and takes care of her. Those birds that were attacking the witch's daemon? They were trying to protect Lyra! Again and again this book gives us big and small signs that not only did the city of Oxford welcome Lyra back with open arms but that their number one goal is to protect her. Oxford really is Lyra's and I hope that with the coming books I get to visit it again and again in the years to come.

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: A Different Kind of P and P, Alchemist, Daemons, David Lynch, Hannah Relf, His Dark Materials, Jericho, Jordan College, Lyra Belacqua, Lyra's Oxford, Oxford, Philip Pullman, The Amber Spyglass, Twin Peaks, Witches

The Golden Compass
Based on the book by Philip Pullman
Starring: Eva Green, Daniel Craig, Kristin Scott Thomas, Dakota Blue Richards, Freddie Highmore, Ben Walker, Clare Higgins, Charlie Rowe, Jack Shepherd, Magda Szubanski, Nicole Kidman, Simon McBurney, Derek Jacobi, Edward de Souza, Christopher Lee, Jim Carter, Tom Courtenay, Sam Elliott, Kathy Bates, Ian McKellen, Jason Watkins, Paul Antony-Barber, Hattie Morahan, and Ian McShane
Release Date: November 27th, 2007
Rating: ★★
To Buy

There are parallel worlds, worlds joined by Dust, some are just like ours with the only difference being that humans have constant animal companions called daemons. This is a story of that world and a girl, Lyra, and her daemon Pan. Lyra's living a carefree life in Jordan College, Oxford. She has her best friend Roger and all the gyptian kids to play with. They run amock and stage their childish wars and whisper about the evil gobblers that take kids away. Only maybe the gobblers are real... After a visit from her uncle, Lord Asriel, wherein he once again said Lyra was not to accompany him on his adventures to the north the beguiling Mrs. Coulter arrives and offers Lyra what Lord Asriel wouldn't, a true home and a northern adventure. Only Roger isn't there to see Lyra off. Soon Lyra is in London and thoughts of Roger are long gone. But life isn't perfect in Mrs. Coulter's world. She can be cruel and is obviously hiding things from Lyra. Of course Lyra is hiding things from her as well, in particular a Golden Compass, a symbol reader that the Master of Jordan College gave her. It soon becomes clear that Mrs. Coulter is actually the head of the gobblers who are kidnapping children to perform an operation on them called intercision and Roger was one of the kids taken. This and Mrs. Coulter's daemon trying to steal the Golden Compass is the last straw. Lyra runs into the night and is reunited with the gyptians. They are mounting a rescue mission north to rescue the children and Lyra wants to come. There she can rescue Roger, see an ice bear, and perhaps her uncle. But the journey is dangerous and she and Pan could be separated forever...

As the music soars and the end credits roll you realize that yes, not only are they ending the story before it's true grim final act, they are overly confident of a sequel that will never come. Could it be Daniel Craig's fault, as this is the first of many would be franchises that he kills proving he's only able to successfully churn out Bond film after Bond film? Or could it be that Chris Weitz shouldn't have had such grand ambitions? Whatever it was that went wrong, and a lot must have gone wrong, what was to be the next Harry Potter cum Lord of the Rings franchise was a sanitized steampunk odyssey that just didn't get it. Back when it was released in 2007 I remember getting all my friends together and just being dumbfounded that the whole movie was such a misstep. I seriously sat there unable to believe that they ended the tale on a happy and hopeful note. The reason I love the books is that despite being firmly rooted in fantasy there is realism with it's real world consequences. But the only real world consequence for the film franchise was that it was one and done. Girding my loins to actually watch the film for the first time since the theater I was struck by it's try-hard nature and that despite everything that went wrong, it wasn't as bad as I remembered. There were enough British actors that I love peppered throughout that they were able to distract me from the epic fail that was the overall film. Little things would occasionally be right, but overall it reeked of failed hope, even Saruman and Gandalf reuniting wasn't enough to save this floundering mess. Bloodless battles in a world that is too sleek and too dismissive of what the heart of the book is lead to a movie that makes no sense.

Moving beyond the illogical internal timeline that takes away all cause and effect, The Golden Compass was about flash and spectacle. The flash of a daemon being killed verses the substance of the connection between a human and their daemon. There is no heart and no soul. The irony shouldn't be lost on the faithful book readers. The story by Philip Pullman is all about growing up and learning about cause and effect and what if there was a procedure that could arrest childhood innocence. It's about separating the self from the soul in order to maintain this innocence. By stripping out all the layers on which the book works and going for a bowdlerized glitter-fest the movie has no soul. How can you ruminate on losing something you never had? This movie literally has no meaning. What's more is that while the soul is gone there could have been some glimmer of lessons learned. They could have maintained Lyra's loss of innocence with her journey from Jordan College to the perfumed, complicated, and adult world of Mrs. Coulter, but instead, once again, they vetoed that idea. By ending the tale on Lyra's balloon ride to her father she's still full of hope. The future is wide open. Yes, she's had harsh lessons, but all of them have been reversible. She fully loses her innocence when her father kills her best friend Roger, the one whom she had vowed to rescue. This false, and baffling to book fans, ending means that the entire moral of the story is gone, the cost of growing up is lost, and so was any chance at the film franchise succeeding.    

Yet the complete lack of insight into what the book is about wasn't just reserved to Lyra's journey, it encompassed the entire world Philip Pullman had built and can be seen most clearly in the daemons. This film literally just does not get daemons. The films opens with Eva Green's husky voice explaining about parallel worlds and Lyra's world and what exactly daemons are. But the truth is they tried and failed quite quickly while setting down the rules. There are glaring omissions and breeches that the uninformed viewer would just not see. One such omission is the whole distance rule. Humans and their daemons can only be a certain distance apart. Why is this important? Because when Lyra and Pan freak out not knowing where Mrs. Coulter's evil monkey is you don't get the reasoning behind it. It's because there should be no way that her monkey is off doing it's own thing. A HUGE revelation, and yet? Brushed aside. As for daemons touching each other and humans touching daemons not their own... well these are taboos NEVER laid down. The fact that Pan is all cosy with that creepy golden monkey about five seconds after meeting him, no no no. Touching is a no no. Lord Asriel's daemon bullying Pan? Again, NO! I mean, did Chris Weitz actually read the source material? Because once again by not setting the rules down a later scene doesn't have the impact it should. When the scientists at Bolvanger grab Pan no one watching this film would get the horror this implies. As for the Dust going THROUGH the daemons, lets not even go there. But all these things are nothing compared to how shitty the CGI is. Oh. Dear. Me. The truth is if you couldn't be sure of nailing this you just shouldn't have done this movie. The daemons are weirdly suffused with light and they don't move right, almost like the animators had never even seen a real animal. As for the fur? It shouldn't move by it's own wind and it shouldn't move in individual strands. 

Yet oddly enough it was the voices of the daemons that bothered me most. I'm not sure if it was miscasting or what, but the connection between a human and their daemon is so deep that I kind of feel weird hearing their voices aloud versus being a voice in their human's head. But I will say that this film isn't exempt from bad casting. Daniel "franchise killer" Craig aside I think anyone watching this film knows who is to blame, and that's Nicole Kidman. Sure, she's a big name, but that doesn't mean she's the right choice. She is ALL WRONG for Mrs. Coulter. This character has to be a split personality, she has to have a motherly seductive warmth that lures children in while also having a terrifying side embodied by that evil golden monkey. Here she only has the terrifying side. She's cold and calculating and just not right. It's like they took the arctic idea that threads through the book and instead of discussing the aurora or ice they just decided to have Nicole embrace these ideals, once again without looking at the bigger picture. The only plus that can be said is at least she hadn't at this point had so much plastic surgery that she looked more daemon than human, but that is a very small plus. Also, let's not even get started on Jim Carter, aka the beloved Carson from Downton Abbey wearing enough eye shadow that he could front a Glam Rock band because at least he was well cast. In fact the smaller roles were all so well cast that I almost want to go back in time and reshoot this film with almost the same cast but with a script that gets the bigger picture. For a film franchise you have to look to the future, not strip everything out and just hope it works. 

What was completely stripped out was the church. And this is unacceptable. I understand the reason behind this and I also understand why you'd be confused by me even mentioning the church in this review had you not read the source material. See, The Magisterium, the evil organization that Mrs. Coulter works for is really The Church, they are one and the same. Yet this adaptation took pains to make sure you never thought this by making cardinals councilors and throwing a few emissaries around the place. The production thought that the film would be too controversial if the big bad was the church. They removed them from Europe, plonked them down in London and made them an evil worlds dominating organization, not trying to, you know, stop the spread of sin, but helping these children become mindless zombies that they could control? Um, WTF!?! I just don't get it. The books are ALL about the church and if you remove it the domino effect happens, as you can see from all my previous complaints. You change one thing, and another, then another, all trying to fill the void by the initial change and in the end you end up with a near incomprehensible mess. A happy ending without a single grain of truth. Now, the church of old, the great old inquisition of centuries past might like the irony of this, but as a fan of the book just all the no. If you were going to change so much why even bother making this an adaptation? Make something new, something original. Don't take something with soul and strip mine it for something marketable, something soulless. Yes, I might not have loathed this film on second viewing, but it made me sad and wistful. The what could have been is so tangible that the ensuing disappointment is almost more of a letdown than the film itself.

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: A Different Kind of P and P, Adaptation, CGI, Church, Daemons, Daniel Craig, Downton Abbey, Dust, Eva Green, Harry Potter, Jim Carter, Lord of the Rings, Nicole Kidman, Oxford, Philip Pullman, The Golden Compass

The Golden Compass by Philip Pullman
Published by: Alfred A. Knopf
Publication Date: 1995
Format: Hardcover, 399 Pages
Rating: ★★★★
To Buy (different edition than one reviewed)

Lyra Belacqua has had the run of Jordan College in Oxford her whole young life. The poor scholars just don't know what do to with the unruly girl. With her daemon Pantalaimon by her side and her best friend Roger she has scaled the roofs, waged war on the Gyptians, and spent her life going where she pleased. Though she'd never made into the Retiring Room... the night she does is a momentous one. It's not just the success of a campaign she's long wagged, but her uncle Lord Asriel has arrived unexpectedly and within a short amount of time she saves his life and learns about something that is to become her obsession, Dust. She can feel the capital "D." But Lord Asriel leaves, alive, and life goes back to normal, that is until kids start disappearing all over England. The kidnappers are given the moniker of Gobblers and soon they aren't just in Oxford, but they've taken Roger! Lyra is determined to save him yet she is sidetracked by the lovely Mrs. Coulter. She arrives and whisks Lyra off her feet and to London, where she is to serve as her assistant. The coincidence of Mrs. Coulter's arrival and that of the Gobblers isn't noticed by Lyra until later. When she realizes that this mysterious woman is responsible and is bankrolled by the church she runs away to find Roger. Teaming up with the Gyptians they travel north. There Lyra will see the most amazing sights and also face the most horrific betrayal. But with Pantalaimon, an armoured bear, witches, an aeronaut, and the mysterious alethiometer, Lyra might just succeed and find out what this Dust is.

I first stumbled on His Dark Materials during a very turbulent time in my life. There was loss and chaos and somehow these books reflected that and made me realize things were going to be OK. I would even go so far as to say that they really helped inform my DNA and pushed me to read more, to escape into the magical worlds located innocuously between two covers but also to look outside myself, to forge new friendships and rebuild what had become of my life. These books even helped form one of my most lasting friendships. You know how finding someone who likes the same book as you is like a recommendation for that person? Well I recommended this series to my friend Jess early in our friendship and her embracing of them was like a gold star next to my name saying that I would make a good friend, which I hope I still am! But having our friendship founded on books, and I will add Buffy the Vampire Slayer, has lead to me finding more and more friends through the love of literature. I guess, as I write this, I never really grasped how much this one book changed me. The Golden Compass isn't my favorite book, but it is a formative book and all these years later I still enjoyed sinking back into Lyra's world.

Though this time I saw Lyra's world very differently. It's not that the book has changed in the least since I first picked it up or even since I re-read it before the movie came out, it's that I have changed and my world view has expanded. This of course not only makes sense but also is part and parcel of the book. The Golden Compass is all about growing up and becoming a part of the adult world. Learning about all the things, all the innuendo that slipped past you for years. Losing your innocence. It's like having the blinders taken off and what struck me forcibly this time was how much The Golden Compass is like an adult version of The Wizard of Oz. Now I'm not talking Wicked territory, though having read those books probably helped me to see this book more clearly. I mean all the elements are here, though slightly distorted. There's Lyra's daemon standing in for Toto, there's the Wicked Witch, Mrs. Coulter, there's bears and balloons and misunderstandings and and and... I just found it so interesting how the themes and the imagery from L. Frank Baum's book seemed to have so much influence here. Yet while it mirrors it it's not a carbon copy. While The Wizard of Oz is a classic, it's a flawed classic that's too saccharine and too condescending. Here we are given a new classic, it has all the elements there but is better. More adult, more adventure, and more, dare I insult a Tin Man and say heart?

The heart of this series is not our heroine Lyra, but the relationship between Lyra and her daemon Pantalaimon. I had a daemon once. He was black and white and furry and was quite literally my soul. When I first read The Golden Compass I had just lost his brother and at the age of fourteen Spot became an indoor cat. Over the next eight years we became even more inseparable so when the inevitable separation came I was gutted. It has been almost nine years of feeling like I'm not all there. Feeling as if a part of me is gone. On my previous two readings Spot was alive and well and with me and our parting was a thing never to be contemplated. Yes, it would happen, but one didn't dare actually think about it. This time though he is no longer with me and therefore all the emotions that Lyra feels at the possible severing, of the intercision between her and Pantalaimon devised by Mrs. Coulter to stop Dust settling wasn't hypothetical to me, it was a reality. My soul has been split and I can well see why those who actually survive this horror become ghosts or zombies. The pain is almost unbearable. Yet to never have had the connection would be worse. Philip Pullman captures the connection between humans and animals so exquisitely that while I was hurting all over again the fact that someone else out there gets it. That someone else out there knows the power of that connection, a power to literally unlock worlds, is something of a comfort.

Yet there were also discomforting thoughts that this book brings up, questions about the Church. The school my mom was a librarian at actually banned these books when the movie came out because of Philip Pullman's beliefs. Though I think reading the books and having a discussion over the content would be far more productive than slamming a book because its author is an atheist. But the parent to lodge the initial complaint kind of has a point in that the church is depicted very badly. No that doesn't mean I'm in favor of banning any books, it just means that I am open enough to see that they have a point. The church, through the process of intercision, wants to maintain the innocence of children by not allowing dust to settle on them. And yes, they are willing to do this at the expense of their young lives. This brings about a lot of questions. Mainly, if their daemon is their soul and it is cut from them how exactly do they enter heaven? The soul is what is most important, not what happens here on earth and yet they are forfeiting their souls through this procedure. I just don't get the church's backward thinking. Of course I believe all this is addressed in the proceeding volumes, I haven't read them in awhile and this is something my mind kept coming back to while reading The Golden Compass. What's more just look to the church in our world, with all the molestation and sexual assaults. These scandals clearly show that the church itself is one of the greatest risks to children's innocence and yet in Lyra's world they are all about protecting it? Yes, these are heavy thoughts that perhaps need more time to be addressed than in this review...

Let's move onto other topics, how about worldbuilding? Philip Pullman has built this amazing and parallel world to ours with steampunk elements and animal familiars and then he ever so slightly slips up. There's the scholarly world of Oxford, the glamorous world of Mrs. Coulter, which I picture very 1920s, the rough and tumble like of the Gyptians, all fitting together into this very British world view and then there's the Bolvager facility. A facility that just doesn't fit into this written world. I'm not talking about what they do at the facility, that is very much of this imagined world, I'm talking about the building itself with it's tunnels under the snow and the ceiling tiles that can admit a girl who is rather small for her age into it's secrets. It's just too Michael Crichton. I felt like I was reading the description of the facility built at the bottom of the ocean in Sphere. Or like I was about to watch the episode of The X-Files "Ice" which was clearly an ode to Michael Crichton with it's alien parasite living in the frozen tundra. Yes, the book regains it's momentum after this bump in the road, but it's still a bump that could have been fixed! This one little section takes you out of the story and makes you feel like you're visiting your own doctor's office. Yes, facilities like this the world over are very similar, but did this facility a world away have to be? Couldn't it have had some of the vast imagination that fueled the rest of this book? Pretty please? Make the connection to itself NOT to us.

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: A Different Kind of P and P, Church, Daemons, Dust, L. Frank Baum, Lyra Belacqua, Michael Crichton, Mrs. Coulter, Oxford, Philip Pullman, Sphere, The Golden Compass, The Wizard of Oz, The X-Files, Worldbuilding

The Collectors by Philip Pullman
Published by: Alfred A. Knopf
Publication Date: September 22nd, 2015
Format: Kindle, 24 Pages
Rating: ★★★
To Buy

On a winter's night at Oxford College Horley sits in the Senior Common Room with his guest Grinstead. As the room gets colder and the hour gets late the other occupants slowly leave while the two talk about Horley's recent purchase of a painting and it's link to another piece of art, a rather terrifying bronze monkey. The painting Horley bought because it was a rather arresting portrait of a young women with an enigmatic air whose expression seems to always be changing. The dealer he bought it from had already made the sale so the story that came with it appears to be genuine. The painting has never been in one owner's hands for long. But wherever it goes the bronze monkey is soon to follow, though occasionally it is the monkey that arrives first and the painting shows up later. These two objects have some connection that cannot be broken as the provenance of the two pieces has undoubtedly shown. As it so happens the monkey has just arrived in Horley's possession as payment for a debt just after he purchased the painting. He hasn't even opened the packing case but the fact of it's arrival proves the story to be genuine. At this point Grinstead almost demands of his host that the time has come for Horley to show him these two pieces. They return to Horley's rooms where things take a turn. Grinstead has not been entirely honest with Horley and the story that was told wasn't new to him. These two pieces have a storied past steeped in mysteries from a distant world. And their subjects? They might just be pleased at the fate of these two men.

The Collectors never registered on my radar when it was first released in 2014 because it was an audiobook and while I am a fan of books in all forms there's something about audiobooks that I just tune out. Therefore my recent discovery that it was released as a short story for Kindle was a joyous surprise because it took me back to the beginning of Lyra's story in The Golden Compass and reconnected me to what I loved best, Lyra's life at Oxford before her journeys began. If there's one image seared in my brain from His Dark Materials it's Lyra sneaking into the Retiring Room at Jordan College. That musty and fusty domain of the male teachers that holds so much interest to the young girl and also catapults her into her destiny. With Horley and Grinstead I felt I was back in that room hearing about the adventures as the true armchair traveler that I am. I was totally absorbed until the story went a little too Douglas Adams and I felt Dirk Gently wandering about. But issues aside, what Pullman does here is to tap into the zeitgeist of the traditional English ghost story and deliver his own spin on classics like The Turn of the Screw and The Woman in Black. There's not just the mystery surrounding these two pieces of art which is almost timeless, but something akin to an ancient Egyptian curse. Something about these kind of tales that fascinate people down through the generations. Why else would people still talk about the curse of Tutankhamun?

This story taps into something primal with this idea of worlds touching and bleeding into each other and through this we get another way to look at ghosts. When I was little I had an imaginary friend. Years later I started to wonder if he was actually imaginary. I remember when we moved across the street I told my parents that Robbie couldn't come over anymore. Later I learned that the previous owner of our old house had hanged himself in the garage, right near where I saw Robbie. What if Robbie was a ghost? Or, here, what if he was someone from another world who slipped through and played with me until one day he couldn't. Maybe it was his ghostly tether or maybe it was his doorway into this world. Whatever it was this story showed me another way to look at the world. Yet this little glimpse into the fluidity of worlds was nothing for what I felt for the connection the two pieces of artwork had for each other. The painting was of Lyra's mother, Mrs. Coulter, before her marriage, and the bronze was of her daemon. While within Pullman's stories these two are morally ambiguous characters leaning towards being unrepentantly evil their connection even after death is so touching to me. That their link was so strong that inanimate objects that are basically their totems or avatars must always be together shows the power of love. They had each other and would always return to each other. So while yes, this is a ghost story, true ghost stories always, deep down, highlight something more, something human, and here, it's the power of love.

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: A Different Kind of P and P, Art, Daemons, Ghost Story, His Dark Materials, King Tut, Love, Lyra Belacqua, Oxford, Philip Pullman, The Collectors, The Golden Compass, The Turn of the Screw, The Woman in Black

A Discovery of Witches by Deborah Harkness
Published by: Viking Adult
Publication Date: February 8th, 2011
Format: Hardcover, 592 Pages
Rating: ★★
To Buy
Diana is a witch. Something she has always denied herself. Magic killed her parents and magic would have no place in her life. She has created a great academic career for herself and is researching alchemy in Oxford for the semester. Then one day she calls a book from the stacks, Ashmole 782. This book isn't what it seems, it reeks of magic. As soon as she's done, Diana sends it back to the stacks and far away from her. Yet this book will change her life. Soon she learns that this book had been considered lost for hundreds of years and every kind of supernatural and preternatural want it, believing it to be their holy book. Vampires, Daemons and even her own kind are willing to do anything to get it. Enter Matthew Clairmont. Matthew is tall, dark and brooding, everything you'd expect a vampire to be. He takes a keen interest in Diana, not just because of the book, but because something draws her to him.

Soon the two of them are in an inseparable web. Falling for each other, but denying that it is happening. Oxford becomes too dangerous for Diana and Matthew spirits her away to his family estate in France, where Diana will have to face Matthew's mother and her disapproval. She has to be conciliatory to Matthew's wishes that she curtail her active and independent lifestyle in the face of danger. Soon though, it's not just Ashmole 782 which is the true danger, but her feelings for Matthew. Witches and Vampires are not to consort. The Congregation is an organization that rules over the otherworldly. Three members from each group lay down the law. Matthew and Diana are breaking their laws. Soon Diana is kidnapped and rescued and on the run, yet again. An ancient order of knights is called into action and a shadow council is unwittingly formed at Diana's family's home in upstate New York. If there's one thing they need, it's more time. Time to find out the true reason that Diana and Matthew prove such a danger, and time for Diana to embrace her heritage.

This book started out so good. Diana was living the dream. Ok, Diana was living my dream. Researching at Oxford, spending all her spare time in the Bodleian, having anxiety attacks, ok, that's not cool, but I have them, so I can relate, rowing, hey, I always wanted to do rowing, until I realized you had to get up at dawn. She was living the dream life. Then a tall dark stranger entered into her life and it started to get weird and silly. I was ok with the occasional weird multiple species yoga class, yes, there are vampires, witches and daemons doing yoga, because the book had Diana and Oxford. She was strong, independent, active. She kicked some serious ass, all the while in the city of Inspectors Morse and Lewis. Then off the France and she becomes the damsel in distress. She has power, but she can't access it unless certain things happen, mainly, if Matthew is there or in danger. So Deborah took this strong female lead and instantly made her Bella. The Twilight comparisons come fast and quick once Diana because vulnerable. Diana embraces Edward's... oh, wait, I mean Matthew's family, over her own. She continually gets injured and has to be protected, despite the fact that her genes show that she might be the most powerful witch ever. Matthew's siblings all argue over Diana but in the end accept her as one of their own. Sheesh... it went quickly from being a fun read to being an adult Stephenie Meyer's book.

Yet, there's so much silliness I can't stop listing it! Vampires, Daemons and Witches are worried about their races dying out and are obsessed with Darwin. Diana's family house is full of tons and tons and tons of ghosts. It's this weird house that gives and takes as people need, like a room of requirement but house sized. Of course Matthew has an evil ex that almost destroys them randomly thrown in at the end. Diana didn't choose her own fate, she didn't turn away from witchcraft because she wanted too, but because of some juju her parents worked on her. Diana has become a puppet that does yoga. Don't get me wrong, I'm still going to read the next book, but now we'll have the silliness of time travel on top of everything else. It's almost as if Deborah Harkness took every single trope in popular romance and fantasy and made it into one book. Some of it worked, some of it didn't. The way she describes the world is beautiful, and she is a talented writer, she just needs to learn you don't need to throw in everything AND the kitchen sink. Also, never, ever do anything that can make someone see parallels between your work and Twilight.

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: A Discovery of Witches, All Soul's Trilogy, Daemons, Deborah Harkness, Diana Bishop, Matthew Clairmont, Oxford, Stephenie Meyer, Twilight, Vampires, Wicthes