Showing posts with label Harry Houdini. Show all posts
Showing posts with label Harry Houdini. Show all posts

Wednesday, August 12, 2020

Book Review - J.J. Murphy's You Might As Well Die

Your Might As Well Die by J.J. Murphy
Published by: Signet
Book provided by the author
Publication Date: December 6th, 2011
Format: Paperback, 336 Pages
Rating: ★★★★
To Buy
 
Ernie MacGuffin is a truly bad artist. No one likes his art and no one much likes him. He decides to end it all and gives his suicide note to Dorothy Parker figuring she'll understand. Yet Dorothy feels that something is not quite right when she sees the scene of the crime on the Brooklyn Bridge. Something doesn't add up, and to top it off, New York seems to be going cuckoo because now they all love MacGuffin and his work! The paintings values have skyrocketed. Ernie's ex-mistress decides to make a little extra for herself claiming that she's a medium and starts holding seances to talk to the deceased Ernie. Parker has Benchley benched for most of her investigation because she has a real seance skeptic to aid her, none other than Harry Houdini! He would give anyone good money to prove that contact with the other side is possible. And who's Dorothy to turn up her noise at good money when her credit is no longer good at the local speakeasy. But detective work is hard and detective work while sober is even harder. Racing around the city trying to figure out all the crosses and double crosses Dorothy feels like she's in Harpo Marx and Alexander Woollcott's famous game of croquet, being played anywhere and everywhere, football fields to rooftops to theaters! While solving the mystery of what truly is going on with MacGuffin is well and good, getting enough money to pay off her bar tab is the final solution.

Again JJ Murphy has delighted me beyond measure. Witty banter, shenanigans, antics, croquet, and the sheer joy of a 1920s screwball comedy with the addition of Houdini as a stronger foil than Faulkner in the first installment the book just buzzed along. Also addressing, even in an offhand manner, Dorothy's struggle with depression and her several attempts at suicide was a nice nod to the fact that Dorothy's life was much more than it appeared on the surface. What really made the book work for me though were two things I have a very strong interest in: art and spiritualism. The whole idea of an artist's work being more valuable after their death has led, I am sure, to many artists thinking of faking their death. I know, I've thought of it, but then, creating a new identity and all that rigmarole, too much effort, especially if the market is soft at the time or if they don't go up in value till a significant time after your "death" it just wouldn't be worth it. As for the spiritualism? Yes please! I find it interesting that the next book will have Arthur Conan Doyle as the literary guest star, who was a huge proponent of spiritualism, and who was in fact a good friend of Houdini's until they clashed over the idea of life after death. Houdini wanted to believe, desperately, but as a showman he could see through all the hoaxes and tricks better than anyone else. The whole history of this time period, the Cottingly Fairies, the unexplainable versus the people obviously tapping at tables just enthralls me. I went to an exhibit quite a few years ago at the MET where they showed all these original pictures as "proof" of spirits... while the pictures where interesting, much like Houdini, I think I need some more solid proof. I don't need more proof though as to how much I love this series. It's going to be a long hard wait for that next book, much like Dorothy waiting for a drink.

Monday, December 16, 2019

Tuesday Tomorrow

Doctor Who: Star Tales by Paul Magrs et al
Published by: Penguin Group UK
Publication Date: December 17th, 2019
Format: Hardcover, 256 Pages
To Buy

The official patter:
"'Even though they’re gone from the world, they’re never gone from me.'

The Doctor is many things - curious, funny, brave, protective of her friends...and a shameless namedropper. While she and her companions battled aliens and travelled across the universe, the Doctor hinted at a host of previous, untold adventures with the great and the good: we discovered she got her sunglasses from Pythagoras (or was it Audrey Hepburn?); lent a mobile phone to Elvis; had an encounter with Amelia Earhart where she discovered that a pencil-thick spider web can stop a plane; had a 'wet weekend' with Harry Houdini, learning how to escape from chains underwater; and more.

In this collection of new stories, Star Tales takes you on a rip-roaring ride through history, from 500 BC to the swinging 60s, going deeper into the Doctor's notorious name-dropping and revealing the truth behind these anecdotes."

A new Doctor Who book is always a celebration. A new Doctor Who book with a story by my friend Paul Magrs? What's bigger than a celebration? A festival? A parade? Something big a fun and bubbly for sure!

The Disasters by M.K. England
Published by: HarperTeen
Publication Date: December 17th, 2019
Format: Hardcover, 368 Pages
To Buy

The official patter:
"The Breakfast Club meets Guardians of the Galaxy in this YA sci-fi adventure by debut author M. K. England.

Hotshot pilot Nax Hall has a history of making poor life choices. So it’s not exactly a surprise when he’s kicked out of the elite Ellis Station Academy in less than twenty-four hours. But Nax’s one-way trip back to Earth is cut short when a terrorist group attacks the Academy.

Nax and three other washouts escape - barely - but they’re also the sole witnesses to the biggest crime in the history of space colonization. And the perfect scapegoats.

On the run, Nax and his fellow failures plan to pull off a dangerous heist to spread the truth. Because they may not be “Academy material,” and they may not even get along, but they’re the only ones left to step up and fight.

Full of high-stakes action, subversive humor, and underdogs becoming heroes, this YA sci-fi adventure is perfect for fans of Illuminae, Heart of Iron, or the cult classic TV show Firefly and is also a page-turning thrill ride that anyone - not just space nerds - can enjoy."

Yes, all my favorite movies and TV series were name checked in this blurb, so obviously I HAVE to buy it! 

Omens of Death by Nicholas Rhea
Published by: Agora Books
Publication Date: December 17th, 2019
Format: Kindle, 262 Pages
To Buy

The official patter:
"A bad omen. A sign of sorrow. One for sorrow, two for joy, three for a girl, four for a boy...

Detective Inspector Montague Pluke has always been superstitious, so when he sees a lone crow fly over the Crowther’s home, he’s sure death is waiting in the wings.

And it doesn’t take long for Pluke’s premonitions to become a reality: the naked body of a young woman is found in a Druid’s Circle - a place thought by locals to be the site of black magic. Rumours circulate about human sacrifice and dark rituals, but Pluke’s not convinced the murder was committed in the circle.

Trusting his intuition, Pluke returns to the scene of that first omen of death: the house of Cyril and May Crowther. And when two more victims perish in suspicious circumstances, Montague Pluke is ready and waiting to catch the killer..."

Yes, ever since reading The Death of Westaway I've been drawn to that rhyme... though this book came first!

Monday, September 17, 2018

Tuesday Tomorrow

Lethal White by Robert Galbraith
Published by: Mulholland Books
Publication Date: September 18th, 2018
Format: Hardcover, 656 Pages
To Buy

The official patter:
"Lethal White is the fourth book in the Cormoran Strike series from the international bestselling author Robert Galbraith.

“I seen a kid killed…He strangled it, up by the horse.”

When Billy, a troubled young man, comes to private eye Cormoran Strike’s office to ask for his help investigating a crime he thinks he witnessed as a child, Strike is left deeply unsettled. While Billy is obviously mentally distressed, and cannot remember many concrete details, there is something sincere about him and his story. But before Strike can question him further, Billy bolts from his office in a panic.

Trying to get to the bottom of Billy’s story, Strike and Robin Ellacott - once his assistant, now a partner in the agency - set off on a twisting trail that leads them through the backstreets of London, into a secretive inner sanctum within Parliament, and to a beautiful but sinister manor house deep in the countryside.

And during this labyrinthine investigation, Strike’s own life is far from straightforward: his newfound fame as a private eye means he can no longer operate behind the scenes as he once did. Plus, his relationship with his former assistant is more fraught than it ever has been - Robin is now invaluable to Strike in the business, but their personal relationship is much, much trickier than that.

The most epic Robert Galbraith novel yet, Lethal White is both a gripping mystery and a page-turning next installment in the ongoing story of Cormoran Strike and Robin Ellacott."

I wasn't fully on the whole J.K. Rowling/Robert Galbraith bandwagon until earlier this year, but now I'm all in and CAN NOT WAIT for this next installment. The problem will be the waiting for the next after I devour Lethal White in a matter of days... 

Black Diamond Fall by Joseph Olshan
Published by: Polis Books
Publication Date: September 18th, 2018
Format: Hardcover, 304 Pages
To Buy

The official patter:
"From the acclaimed author of Clara's Heart and Cloudland comes a rich, literary mystery based and united by two real events that occurred at Middlebury College; the disappearance of a student during winter break; and the vandalism of the Robert Frost Homestead located on one of the outer campuses.

Luc Flanders has just finished playing a game of pond hockey with his college roommates when he realizes he has lost something precious and goes back to the ice to find it. He never returns, and the police department in Middlebury, Vermont are divided in their assessment of what may have happened to him. Some feel that Flanders left on his own accord and is deliberately out of touch. Others, including detectives Nick Jenkins and Helen Kennedy, suspect that harm may have come to him. As the search for Luc Flanders widens and intensifies, suspicions about several different people, including his Middlebury College roommates and ex-girlfriend arise. Unfortunately, Sam Solomon an older man with whom Luc has been having a secret relationship, cannot prove his whereabouts during the hours when the younger man may have disappeared and Solomon, too, comes under suspicion.

As Luke Flanders disappears, the Robert Frost house near the Middlebury campus is vandalized. And there seems to be a link between the two events that the police are determined to discover. Alternating points of view between Luc Flanders Sam Solomon, Luc’s mother and detective Nick Jenkins, Black Diamond Fall races to a disturbing and astonishing conclusion in a lush, literary mystery that could only come from the mind of acclaimed author Joseph Olshan."

I was sold on the linked real events!

Wychwood - Hallowdene by George Mann
Published by: Titan Books
Publication Date: September 18th, 2018
Format: Paperback, 336 Pages
To Buy

The official patter:
"Former London journalist Elspeth Reeves is trying to carve a new life for herself in the sleepy Oxfordshire countryside, until she's sent to cover the excavation of a notorious local witch's grave. Three hundred years ago, her name mixed up with murder and black magic, Agnes Levett was hanged and then buried under an immense stone, to prevent her spirit from ever rising again. Elspeth investigates, but soon finds there is far more to the old tale than meets the eye, as the surrounding area is rocked by a series of mysterious and brutal murders, all of people somehow connected with the dig. She and her childhood friend DS Peter Shaw race to uncover the truth, but secrets lain buried for centuries are not easily discovered."

I have literally had George's new book preordered from the second I could. I can't wait to dive into this book that's so timely for this season...

Labyrinth of the Spirits by Carlos Ruiz Zafon
Published by: Harper
Publication Date: September 18th, 2018
Format: Hardcover, 816 Pages
To Buy

The official patter:
"The internationally acclaimed, New York Times bestselling author returns to the magnificent universe he constructed in his bestselling novels The Shadow of the Wind, The Angel’s Game, and The Prisoner of Heaven in this riveting series finale—a heart-pounding thriller and nail-biting work of suspense which introduces a sexy, seductive new heroine whose investigation shines a light on the dark history of Franco’s Spain.

In this unforgettable final volume of Ruiz Zafón’s cycle of novels set in the universe of the Cemetery of Forgotten Books, beautiful and enigmatic Alicia Gris, with the help of the Sempere family, uncovers one of the most shocking conspiracies in all Spanish history.

Nine-year-old Alicia lost her parents during the Spanish Civil War when the Nacionales (the fascists) savagely bombed Barcelona in 1938. Twenty years later, she still carries the emotional and physical scars of that violent and terrifying time. Weary of her work as an investigator for Spain’s secret police in Madrid, a job she has held for more than a decade, the twenty-nine-year old plans to move on. At the insistence of her boss, Leandro Montalvo, she remains to solve one last case: the mysterious disappearance of Spain’s Minister of Culture, Mauricio Valls.

With her partner, the intimidating policeman Juan Manuel Vargas, Alicia discovers a possible clue—a rare book by the author Victor Mataix hidden in Valls’ office in his Madrid mansion. Valls was the director of the notorious Montjuic Prison in Barcelona during World War II where several writers were imprisoned, including David Martín and Victor Mataix. Traveling to Barcelona on the trail of these writers, Alicia and Vargas meet with several booksellers, including Juan Sempere, who knew her parents.

As Alicia and Vargas come closer to finding Valls, they uncover a tangled web of kidnappings and murders tied to the Franco regime, whose corruption is more widespread and horrifying than anyone imagined. Alicia’s courageous and uncompromising search for the truth puts her life in peril. Only with the help of a circle of devoted friends will she emerge from the dark labyrinths of Barcelona and its history into the light of the future.

In this haunting new novel, Carlos Ruiz Zafón proves yet again that he is a masterful storyteller and pays homage to the world of books, to his ingenious creation of the Cemetery of Forgotten, and to that magical bridge between literature and our lives."

While I wasn't blown away by the first book in this series, it has stuck with me enough that I really want to check out the rest of the series, this being the newest installment with, easily, the best cover.

Escaping from Houdini by Kerri Maniscalco
Published by: jimmy patterson
Publication Date: September 18th, 2018
Format: Hardcover, 448 Pages
To Buy

The official patter:
"The #1 New York Times bestselling series that started with Stalking Jack the Ripper and Hunting Prince Dracula continues in this third bloody installment! A luxurious ocean liner becomes a floating prison of madness and horror when passengers are murdered one by one...with nowhere to run from the killer.

Audrey Rose Wadsworth and her partner-in-crime-investigation, Thomas Cresswell, are en route to New York to help solve another blood-soaked mystery. Embarking on a week-long voyage across the Atlantic on the opulent RMS Etruria, they're delighted to discover a traveling troupe of circus performers, fortune tellers, and a certain charismatic young escape artist entertaining the first-class passengers nightly.

But then, privileged young women begin to go missing without explanation, and a series of brutal slayings shocks the entire ship. The disturbing influence of the Moonlight Carnival pervades the decks as the murders grow ever more freakish, with nowhere to escape except the unforgiving sea. It's up to Audrey Rose and Thomas to piece together the gruesome investigation as even more passengers die before reaching their destination. But with clues to the next victim pointing to someone she loves, can Audrey Rose unravel the mystery before the killer's horrifying finale?"

I've had Houdini on my mind lately...

Time's Convert by Deborah Harkness
Published by: Viking
Publication Date: September 18th, 2018
Format: Hardcover, 448 Pages
To Buy

The official patter:
"From the #1 New York Times bestselling author of A Discovery of Witches, a novel about what it takes to become a vampire.

On the battlefields of the American Revolution, Matthew de Clermont meets Marcus MacNeil, a young surgeon from Massachusetts, during a moment of political awakening when it seems that the world is on the brink of a brighter future. When Matthew offers him a chance at immortality and a new life free from the restraints of his puritanical upbringing, Marcus seizes the opportunity to become a vampire. But his transformation is not an easy one and the ancient traditions and responsibilities of the de Clermont family clash with Marcus's deeply held beliefs in liberty, equality, and brotherhood.

Fast-forward to contemporary Paris, where Phoebe Taylor - the young employee at Sotheby's whom Marcus has fallen for - is about to embark on her own journey to immortality. Though the modernized version of the process at first seems uncomplicated, the couple discovers that the challenges facing a human who wishes to be a vampire are no less formidable than they were in the eighteenth century. The shadows that Marcus believed he'd escaped centuries ago may return to haunt them both - forever.

A passionate love story and a fascinating exploration of the power of tradition and the possibilities not just for change but for revolution, Time's Convert channels the supernatural world-building and slow-burning romance that made the All Souls Trilogy instant bestsellers to illuminate a new and vital moment in history, and a love affair that will bridge centuries."

Let's go back to the universe of Deborah Harkness shall we?

The Good Demon by Jimmy Cajoleas
Published by: Amulet Books
Publication Date: September 18th, 2018
Format: Hardcover, 320 Pages
To Buy

The official patter:
"It wasn’t technically an exorcism, what they did to Clare. When the reverend and his son ripped her demon from her, they called it a “deliverance.” But they didn’t understand that Clare and her demon - known simply as Her - were like sisters. She comforted Clare, made her feel brave, helped to ease her loneliness. They were each other’s Only.

Now, Clare’s only comforts are the three clues that She left behind:
Be nice to him
June 20
Remember the stories

Clare will do anything to get Her back, even if it means teaming up with the reverend’s son and scouring every inch of her small, Southern town for answers. But if she sacrifices everything to bring back her demon, what will be left of Clare?"

Sounds like her demon is a bit of a daemon, and yes, I'm leading into the next book out this week...

Daemon Voices by Philip Pullman
Published by: Knopf
Publication Date: September 18th, 2018
Format: Hardcover, 480 Pages
To Buy

The official patter:
"From the internationally best-selling author of the His Dark Materials trilogy, a spellbinding journey into the secrets of his art--the narratives that have shaped his vision, his experience of writing, and the keys to mastering the art of storytelling.

One of the most highly acclaimed and best-selling authors of our time now gives us a book that charts the history of his own enchantment with story--from his own books to those of Blake, Milton, Dickens, and the Brothers Grimm, among others--and delves into the role of story in education, religion, and science. At once personal and wide-ranging, Daemon Voices is both a revelation of the writing mind and the methods of a great contemporary master, and a fascinating exploration of storytelling itself."

While yes, I'd prefer a new fiction book by Pullman, one can't look a gift horse in the mouth that in under a year we're getting a new Pullman book...

Soulless by Gail Carriger
Published by: Orbit
Publication Date: September 18th, 2018
Format: Hardcover, 416 Pages
To Buy

The official patter:
"A delightful illustrated edition of Soulless, the first novel in the New York Times bestselling Parasol Protectorate series: a comedy of manners set in Victorian London, full of werewolves, vampires, dirigibles, and tea-drinking. Featuring illustrations by Jensine Eckwall.

Alexia Tarabotti is laboring under a great many social tribulations. First, she has no soul. Second, she's a spinster whose father is both Italian and dead. Third, she was rudely attacked by a vampire, breaking all standards of social etiquette.

Where to go from there? From bad to worse apparently, for Alexia accidentally kills the vampire -- and then the appalling Lord Maccon (loud, messy, gorgeous, and werewolf) is sent by Queen Victoria to investigate.

With unexpected vampires appearing and expected vampires disappearing, everyone seems to believe Alexia responsible. Can she figure out what is actually happening to London's high society? Will her soulless ability to negate supernatural powers prove useful or just plain embarrassing? Finally, who is the real enemy, and do they have treacle tart?"

While one might ask, how many copies of Soulless are too many, I'd point out the illustrated aspect of this one... though by the cover I'm not sure I'll like the style at all.

The Impossible Girl by Lydia Kang
Published by: Lake Union Publishing
Publication Date: September 18th, 2018
Format: Paperback, 364 Pages
To Buy

The official patter:
"Two hearts. Twice as vulnerable.

Manhattan, 1850. Born out of wedlock to a wealthy socialite and a nameless immigrant, Cora Lee can mingle with the rich just as easily as she can slip unnoticed into the slums and graveyards of the city. As the only female resurrectionist in New York, she’s carved out a niche procuring bodies afflicted with the strangest of anomalies. Anatomists will pay exorbitant sums for such specimens - dissecting and displaying them for the eager public.

Cora’s specialty is not only profitable, it’s a means to keep a finger on the pulse of those searching for her. She’s the girl born with two hearts—a legend among grave robbers and anatomists - sought after as an endangered prize.

Now, as a series of murders unfolds closer and closer to Cora, she can no longer trust those she holds dear, including the young medical student she’s fallen for. Because someone has no intention of waiting for Cora to die a natural death."

This book had me sold at resurrectionist add in the Whovian vibe of two hearts, and it's a must read.

Friday, July 13, 2018

Book Review - Rebecca Rosenberg's The Secret Life of Mrs. London

The Secret Life of Mrs. London by Rebecca Rosenberg
ARC Provided by the Publisher
Published by: Lake Union Publishing
Publication Date: January 30th, 2018
Format: Paperback, 348 Pages
Rating: ★★★★
To Buy

Charmain London loves her husband Jack, the famous author, but sometimes their marriage feels like a boxing match both literally and figuratively. He longs to be surrounded by his comrades and friends while he holds court at his agrarian utopia, Beauty Ranch, while Charmain, his Mate-Woman, longs to be alone with him. She longs to share the same bed, feel his arms around her, but instead he uses his mate as he sees fit, even if it's fodder for his new book, The Little Lady of the Big House. He seems to be pushing her into the arms of their friend Lawrence all for his narrative needs. But when Charmain finally succumbs their world comes crashing down. Because that's the night that she not only betrayed her husband, but the night Wolf House, Jack's dream home, the monument to his success, what they had scrimped and saved and slaved for for years burned to the ground. Did Jack set the fire himself realizing what he drove his wife to? Or did Lawrence set the fire because he knew Charmain would never be his for more than a few moments? All this and more hangs over the couple when someone new enters their life. One night they go to see Houdini perform in San Francisco and Charmain is brought on stage to assist Houdini and his with Bess with their "Metamorphosis" act. Afterwards the two couples go out for dinner and Charmain and Bessie form a friendship over the struggles of loving men who are larger than life. Their friendship just begun must soon be tried as Jack's ill health returns and Charmain decides to take him to Hawaii, where they were happiest. Hopefully the magic will return to their marriage. Only she can't help thinking of another magic man... Houdini has worked his way into her heart and he will be there for her when she needs him most. But is it right to fall for her friend's husband? And who is she without Jack?

There are certain shared experiences that everyone connects to. A historical event you remember, a book you read, a movie you saw. These events make up our collective unconscious. Let's take The Call of the Wild. Every schoolkid growing up in America has in all likelihood read Jack London's The Call of the Wild or White Fang. In fact they're probably the only books your teachers made you read that you rather enjoyed. For me it was The Call of the Wild in seventh grade and I can still remember Buck's journey as being an escape from the drudgery and crippling amount of schoolwork. We all have Jack London's second wife and subject of this book, Charmain London, to thank for championing him after his death and making sure he became a part of our collective unconscious. Though for most of us it's been years, perhaps decades since we read these books and therefore the power of Jack London's writing is forgotten amongst his narrative. Recently I was rewatching Northern Exposure and I was reliving my main obsession with the show, which was my love of the ex-con DJ Chris Stevens, when I had the delightful surprise of Chris reading from The Call of the Wild. During the season three episode, "The Three Amigos," the words of Jack London served as a counterpoint to Maurice and Holling journeying out into the wilderness to bury their friend. But what struck me was the lyricism and power of London's writing. Sometimes just reading a book doesn't give you the full experience, you have to hear it aloud to fully appreciate it.

This new appreciation of London's writing was one of the reasons I was drawn to The Secret Life of Mrs. London and signed up for this blog tour. Rebecca Rosenberg's book deepened my admiration of London as she has begun each chapter in the first two parts with a quote from London's writing, whether novel or letter. It's a bold choice for a first time author. Because no matter what, the reader is going to compare her writing to London's, whether that was the intent or not. Whether her writing holds up... that's another question. Rosenberg tells her story plainly and interestingly, but she never reaches the lyricism of London. Yet this works in her favor. London's writing, while beautiful, can be a bit inaccessible. Sometimes it's so dense that it takes several readings to understand what he's getting at. Whereas Rosenberg's writing is accessible. She never hides her story behind verbose verbiage. This helps to mirror and bring home to the reader the loving yet somewhat antagonistic relationship between Charmain and Jack. Charmain is so relatable and Jack is a bit enigmatic, his motives even questioned by his wife, so that as a reader you can't help but root for Charmain. She is our heroine. Whatever happens, wherever she goes, whatever decisions she makes, both sound and slightly insane, by using London's own words against him we modern readers will always side with Charmain. She is our avatar to this world of literary wonders and she's able to make it real in a way London's writing doesn't for today's audience. No matter how much he was trying to capture the real on the page.

While reading The Secret Life of Mrs. London one can't help but think of 2016's much talked about and lauded book about Beryl Markham by Paula McLain, Circling the Sun. These are both women who were true originals, they were free spirits that didn't quite feel of their time. Adventurers that broke with conventions. What I find interesting is that many great writers live within these bubbles that are out of sync with their times and embrace free love. While Kenya was the haven for this kind of bed-hopping behavior, any community of artists would come under this kind of scrutiny and notoriety. They were known for standing out from the crowd and throwing convention to the wind. Rosenberg does a good job though in grounding Charmain within this lifestyle. This solid footing makes Charmain far more sympathetic and her actions understandable, not a betrayal to her husband. Being raised by her Aunt Netta she was exposed to a lifestyle that was fluid when it came to love, as Netta had two men in her life. Therefore when Charmain became London's lover and subsequently his second wife she understood that he was liable to wander. Being a very sexual being herself she understood this, but her dalliance that commences the book almost seems indulged in because it's what Jack wanted. He was playing a game with his wife for his own literary means. Yet she heavily feels her betrayal and when he betrays her in return it's just pain heaped on pain. They are by no means a functional couple, but they have a symbiotic relationship. They need each other, but at the same time they need more.

What Charmain ends up needing is Houdini, her Magic Man. What is so interesting about The Secret Life of Mrs. London is that it shows how truly messy love is. Jack is everything to Charmain, her home was where he was, and yet, despite him saying that she was his everything in return, it was clear through his infidelities that she wasn't. You can spout free love, but the truth of it was, Charmain wanted to remain loyal to her husband but her heart and her needs took her elsewhere. I don't know if the same could be said of her husband. Because she was willing to give him all the he got elsewhere, yet he never compromised and gave her what she needed. I couldn't help thinking about Hamilton while reading this book. Their wives, despite not having perfect husbands, are the ones who carried on their legacies, told their stories. Would London and Hamilton be this well remembered to this day if not for their beleaguered spouses? To an extent even Bessie Houdini carried on her husband's torch, holding a seance for him yearly after his death, just as he requested. All this is so interesting to me in that it's all about these women whose lives were in the shadows, yet were remarkable in their own right. History is putting them rightly back in their places and examining what their impact was. Charmain was Jack's editor and typist for years, her thoughts, her ideas, spun into his stories, and yet she is only remembered as Mrs. London. Living her life through these great men while never really living a life of her own. The end of the book gives you hope, but at the same time, she still, to this day, is only known as Mrs. London. Hopefully this book will help redress this wrong.

But now I must nitpick... Writing historical fiction that actually includes real historical figures as your leads is tricky. You are fictionalizing their life, to an extent. You have to get in their head and tell the story you want to tell but within the framework of their life, and I'm not convinced that Rebecca Rosenberg fully succeeds. The biggest problem I have is moving the burning down of Wolf House, Jack London's dream domicile, two years into the future so that it happens at the same time as the 1915 Panama-Pacific International Exposition. You can not do that! These are very specific set events! It's like saying, hey can we just move the start of World War I so that it fits my narrative better? Your narrative has to fit events not the other way around. Rosenberg admits that she condensed the timeline to be two instead of five years, but from my point of view she really didn't need to do this. The narrative could have easily spanned more time. The only reason I can see that this was done was in order for Charmain to think she was pregnant, father unknown, when she met the Houdinis. Which was, in my mind, unnecessary. But I'm sure Rosenberg would justify this with comparing the once fertile Charmain with the childlike Bessie... But back to my main point, Rosenberg has lots of weird time anomalies, some of which, such as the burning down of Wolf House I previously mentioned, I'm pretty sure she's aware of, as well as certain Houdini stunts that were shifted, while others are "words from the future." Yes, she uses words that are anachronistic to the time. Guess what? Pheromones didn't exist as a word until 1959, four years after Charmain died. A good editor should have flagged this... but editors, and good ones, are a dying breed. So authors, if you don't want your audience being temporarily taken out of the narrative, double and triple check everything.

Wednesday, September 7, 2016

Book Review - Mary Robinette Kowal's Ghost Talkers

Ghost Talkers by Mary Robinette Kowal
ARC Provided by the Publisher
Published by: Tor Books
Publication Date: August 16th, 2016
Format: Hardcover, 304 Pages
Rating: ★★★★
To Buy

Ginger Stuyvesant is stationed in France with the Spirit Corps. The Spirit Corps is ostensibly there to provide hospitality rooms for the soldiers. A place for them to sit down, have a cup of tea and a bit of a chat with a pretty lady, maybe a dance, so they can have a bit of normalcy when they get away from the front. But the spirits the Corps are dealing with aren't just of the morale boasting variety. The tents and the tea, besides providing much needed support, are also the front for their real purpose; spiritualism. Ginger is a medium and she works with her circle to take the reports of recently fallen soldiers. Each soldier, before heading to the front, is conditioned to report to Potter's Field when they die. The giant warehouse, chilled by the spirits coming through, has circles of two mediums and their anchors, waiting for the dead to tell their final minutes. Conditioned to report on their death and any other important details, such as troop positions or gun turrets, these soldiers don't die in vain. They are able to give vital information after their last breath and go to their well deserved rest.

There are two things keeping Ginger at her post. While the valuable work she is doing is of the utmost importance, it would be a lie to say that she doesn't take comfort in being near her fiance, Captain Benjamin Hartshorne. Yet something odd happens when Ben is at the front. There is evidence from two different sources that the Germans are not only aware of the true purpose of the Spirit Corps, but that the Corps is being targeted. The higher ups won't listen to Ginger thinking that it's utter nonsense that the Spirit Corps is being targeted. She needs Ben to back her up. He's an intelligence officer and his voice is heard in meetings where she's often asked to get the tea. But then everything changes. Ginger's greatest fear has always been that Ben would report in to Potter's Field. There's a huge backlog one day and Ginger fears that all these deaths were for one purpose only, to stall the Spirit Corps so valuable information can't get through. Valuable information that Ben might have when Ginger spots him. When she realizes he is dead her world collapses. But Ben isn't like the other ghosts checking in, he's not going to rest until he finds his killer and protects the Spirit Corps with the help of Ginger.

Ghost Talkers is Mary Robinette Kowal's first novel not set within the world of the Glamourist Histories which I love so dearly. I am all for authors branching out, especially when they maintain their quality of prose, character creation, and worldbuilding like Mary does her. Instead of creating an alternate history we are given more a secret history with Ghost Talkers. The Spirit Corps could actually have existed as a shadowy organization and I think that is one of the things that I love most about this book. The fact that it could have been. Working within the actual framework of history to create a story that isn't just plausible by possible to the reader is a grand achievement. The conceit with how the Spirit Corps collects information just makes sense. To use two mediums and a circle of other people who would otherwise have nothing to give to the war effort, from old women to wounded soldiers, as their anchor to this plane of existence just seems logical. The way Mary describes how the mediums experience the reporting soldiers' last minutes as well as the toll on their bodies, to the lure of just letting go of your decaying heavy corporeal form, it's so real that it's like you're reading about something that happened, and who's to say it didn't?

But Mary takes her "spiritbuilding" beyond just the simple exchange of information from a reporting dead solider to a medium. With the death of Ben we get to see the spirit realm not just from Ginger's point of view but also from Ben's which is piercing the veil. The way Ginger sees Ben as shifting from standing to sitting to rocking to saluting all at once makes you not just see the transitory state Ben is trapped in but it also latches onto the fact that ghosts are entities of emotion, and emotions from rage to love can all exist simultaneously, much as Ben does in all these different stances. The idea that ghosts are really echoes and impressions of past emotions isn't a new concept, but the way Mary shows us how Ben is an amalgamation of these concentrated emotions gives a new depth to not only how we view the concept of ghosts in this world, but also a deeper understanding of what exactly is left of Ben and how Ginger loves him dearly. What I found most fascinating though was the idea that a ghost whose emotions take him over is what is a poltergeist. Ben could forever be trapped in that one emotion: rage or fear or despair. Forever. You can see why Ginger does all she can to ground him. Not just out of fear of what could be, but love for what a great man she lost.

This nailing of ghostly interaction while making it wholly her own isn't the only instance of Mary being able to take something that is ephemeral and give it a voice that we as readers relate to. I am speaking of Ginger's dreams, or nightmares in some cases. Now you might be wondering, how can a dream sequence be wrong, everyone dreams differently and therefore there can be all manner of weird dreams? Yet, correct me if I'm wrong, but I would be willing to bet good money that you've been watching some TV show or movie and they've had a dream sequence and you just didn't think it was believable. There wasn't enough grounding in the character's reality, and they just went for the gimmicky and the weird versus the believable. Because, believe you me, dreams do have logic! Why else would there be so many people trying to interpret them? Every dream I have I can tie back to something I've worried about or seen, even if it ends with me in a swimming competition with Captain America, I can still tell you where that came from. And yes, that was a dream I had this week. David Lynch and Joss Whedon are what people should aim for, and what I think Mary achieved. And as for the lucid dreaming. That's a whole other level of perfection and horror.

As for grounding in the real world, versus the subconscious or supernatural, what I found delightful was the mentions of Arthur Conan Doyle and Houdini as agents working to hide the existence of the Spirit Corps and the truth that spiritualism works. The "real" history of this is that Conan Doyle was obsessed with spiritualism, belonging to many societies, championing the truth of the Cottingley Fairies; he wrote books on his beliefs, his wife even believed herself to be a medium. He was the poster boy for spiritualism. Enter his good friend Harry Houdini. Houdini was a big mama's boy and when she died he was desperate to make contact with her. He wanted to believe in spiritualism but all he saw was people using the same tricks he used in his magic acts to con gullible and grieving people. Houdini even offered a cash prize to anyone who could prove they were a real medium. Needless to say it was never collected. Houdini's zeal in debunking false mediums caused a rift between him and Conan Doyle that turned into public antagonism and hatred. Now want if it was all smoke and mirrors? What if this big debacle was all masterminded to protect a valuable secret? I just get chills thinking about it and hope it's explored further in later books.

The true heart of the novel though is the love between Ginger and Ben. If their doomed love wasn't believable than Ghost Talkers would not have worked. But the problem is we join then relationship firmly established and then challenged. To form a bond between readers and the relationship between characters it's often best to see the whole arc of their relationship from beginning to end. And while we do get glimpses of the past in Ginger's dreams and in her conversations with Ben, it's almost like they're a fait accompli. There's nothing left but to wait for their tragic ending. So it's hard to see them together. We've just joined them at the end of their story. But then that all changed. Ginger asks Ben what is was that made him fall in love with her and he talks about her love for Brussels sprouts. In this little reminiscence you see the depth of their connection, you see their love. It's a love story not writ large, but writ small, the size of a little sprout. This somehow makes their connection so real that it physically aches when you think that by the time you finish this book they will no longer be together. To get across that it's the little things that make love love shows the depth of Mary's storytelling. She gets the little details right, and that just helps with the big, and then you have a book that feels whole.

Wednesday, September 25, 2013

Book Review - J.J. Murphy's You Might As Well Die

Your Might As Well Die: Algonquin Round Table Mystery 2 by J.J. Murphy
Published by: Signet
Book provided by the author
Publication Date: December 6th, 2011
Format: Paperback, 336 Pages
Rating: ★★★★
To Buy
Ernie MacGuffin is a truly bad artist. No one likes his art and no one much likes him. He decides to end it all and gives his suicide note to Dorothy Parker figuring she'll understand. Yet Dorothy feels that something is not quite right when she sees the scene of the crime on the Brooklyn Bridge. Something doesn't add up, and to top it off, New York seems to be going cuckoo, now they all love MacGuffin and his work! The paintings values have skyrocketed. Ernie's ex mistress decides to make a little extra for herself claiming that she's a medium and starts holding seances to talk to the deceased Ernie. Parker has Benchley benched for most of her investigation because she has a real seance skeptic to aid her, none other than Harry Houdini! He would give anyone good money to prove that there was contact with the other side. And who's Dorothy to turn up her noise at good money when her credit is no longer good at the local speakeasy.

Detective work is hard, detective work while sober is even harder. Racing around the city trying to figure out all the crosses and double crosses, Dorothy feels like she's in Harpo and Woollcott's famous game of croquet, being played anywhere and everywhere, football fields to rooftops to theatres! While solving the mystery of what truly is going on with MacGuffin is well and good, getting enough money to pay off her bar tap is the final solution.

Again JJ Murphy has delighted me beyond measure. Witty banter, shenanigans, antics, croquet and the sheer joy of a 1920s or 1930s screwball comedy. With the addition of Houdini as a stronger foil than Faulkner in the first installment, the book just hummed along. Also, addressing, even in a sideways manner, Dorothy's struggle with depression and her several attempts at suicide was a nice nod to the fact that Dorothy's life was much more than it appeared on the surface. What really made the book work for me though was two things I have a very strong interest in: art and spiritualism. The whole idea of an artists work being more valuable after their death has led, I am sure, to many artists thinking of pretending to die, I know, I've thought of it, but then, creating a new identity and all that rigmarole, too much effort, especially if the market is soft at the time or if they don't go up in value till a significant time after your "death."

The spiritualism is what also gripped me. I find it interesting that the next book will have Arthur Conan Doyle as the literary guest star, who was a huge proponent of spiritualism, and who in fact was good friends with Houdini, until they clashed over the idea of life after death. Houdini wanted to believe, desperately, but as a showman, he could see through all the hoaxes and tricks better than anyone else. The whole history of this time period, the Cottingly Fairies, the unexplainable versus the people obviously tapping at tables just enthralls me. I went to an exhibit a few years ago at the MET where they showed all these original pictures as "proof" of spirits... while the pictures where interesting, much like Houdini, I think I need some more solid proof. I don't need more proof though as to how much I love this series. It's going to be a long hard wait for that next book, much like Dorothy waiting for a drink.

Wednesday, February 27, 2013

Book Review - Mary Roach's Spook

Spook: Science Tackles the Afterlife by Mary Roach
Published by: W.W. Norton and Company
Publication Date: 2005
Format: Paperback, 311 Pages
Rating: ★★
To Buy
Mary Roach is taking a look into proof of an afterlife. Many numerous people have had experiences, but is there any scientific way to give these experiences the seal of approval? The idea of what happens to, for want of a better word, your soul, has captured imaginations for centuries. The hope that there is something more beyond this world we are currently living in is the basis of many belief systems. Can one prove that they have truly been reincarnated and does a cultural predisposition for this belief lead to more cases? Does the soul have a location in our body and when it leaves does the weight of the body change on an infinitesimal scale? Mediums in every form are discussed, as are the various revolting methods in which they fooled their public. Even more modern methods of telecommunicating with the dead are explored, from telegrams to computers, tape recorders to telephones. Mary Roach explores all the possibilities, and though this is a book that no answer can be found, at least not yet, there is a chance, Mary has to concede, that she believes that something exists, she's not sure what, but it's more than a denial, and that's something.

More than most people, at least I assume that spending lots of spare time reading about Spiritualism and how your soul was weighed in Ancient Egypt isn't par for the course for most people, going into this book I had a lot of foreknowledge, as well as my own personal thoughts of the afterlife. Firstly I'll state my own beliefs, in that, yes, I do believe in ghosts, because I've seen some and been scared shitless. As for the whole heaven, I think heaven is reincarnation, in that life is the most wonderful thing out there so heaven would be getting to live again. Also the fact that I have an unnatural fear of dust storms and I have no other explanation as to why they scar the shit out of me. Purgatory, yep, totally believe in it and think that it's like in Beetlejuice. I do agree with Mary's statement that your knowledge or beliefs are formed from those around you, and my Dad was a big teller of ghost stories, but being raised Catholic he had the heaven and hell dogma, whereas mine came from my own thoughts and conclusions.

So yeah, I have all my own baggage, on top of the fact that the whole Spiritualism craze is just fascinating to me and I have spent tons of time reading about Arthur Conan Doyle and Houdini and the Cottingley Fairies. Therefore, going in, I was expecting some new insight, some revelation, something more than an occasional laugh out loud moment. I will concede, there where laugh out loud moments, one in particular about a sheep, but that's just me and my love of sheep jokes. The truth might lie in the fact that I'm not a non-fiction reader and I think one of my problems is that I need some sort of narrative framework. I need this to be somehow bookended so that I don't feel like I'm reading little sound bites that only vaguely fit into the overall theme. I was hoping for, at the very least, some more background, some more depth. Roach sometimes assumes that people will know what she's talking about when there really needs to be some prior knowledge or facts given, she seems more interested in getting to the joke or the oddity or rapidly ending the chapter than shedding light. This makes the book jumpy to me. Why not some more cultural significance and history as to the search for the soul and how this played into our cultures instead of little stories about a few people she interviewed or researched. She seemed to have narrowed her focus too much so that the bigger picture was lost.

As I have said, people have always wondered about the afterlife, and she does hit the big bold headlines, past lives, Spiritualism, mediums, phone calls from the dead, yet she never seems to discuss the why. Why are people so obsessed with this. Why are we so determined to prove that there is more than this. A psychological grounding to the rise of Spiritualism should be conveyed in depth in my mind instead of a throw away line about The Great War's death toll leading to people looking for life beyond the veil. Instead she focuses on the gory details of ectoplasm, which I think might have scared me for life. There is just so much more that I was hoping to experience and instead, this was like a primer for someone who knew nothing about the various theories and research on the afterlife and just wanted to have fun facts or anecdotes for dinner parties. Perhaps I should have realized that the books popularity is because of it's accessibly versus a weightier discussion of the afterlife.

What really annoyed me though is that where Roach deigns to have a narrative, the book flows and comes together, and moves away from it's fact jumping nature that gives you names and humorous stories so fast that you don't care what is being said and you start to gloss over the names. Her discussion of actually going to Medium School was wonderful and way too short. In fact, the school itself could have acted as a framework for the other ideas and theories to flow through. All in all, it was an interesting book that just wasn't my cup of tea because I wanted something more, and also, sometimes Roach's attitude was too much for me when she showed a lack of respect. There's humor and than there's being rude and blowing someone off. I think Mary Roach didn't like Alison DuBois one little bit, and that stuck in my craw.

Wednesday, December 28, 2011

Book Review - J.J. Murphy's You Might As Well Die

Your Might As Well Die: Algonquin Round Table Mystery 2 by J.J. Murphy
Published by: Signet
Book provided by the author
Publication Date: December 6th, 2011
Format: Paperback, 336 Pages
Challenge: Mystery and Suspense 2011
Rating: ★★★★
To Buy
Ernie MacGuffin is a truly bad artist. No one likes his art and no one much likes him. He decides to end it all and gives his suicide note to Dorothy Parker figuring she'll understand. Yet Dorothy feels that something is not quite right when she sees the scene of the crime on the Brooklyn Bridge. Something doesn't add up, and to top it off, New York seems to be going cuckoo, now they all love MacGuffin and his work! The paintings values have skyrocketed. Ernie's ex mistress decides to make a little extra for herself claiming that she's a medium and starts holding seances to talk to the deceased Ernie. Parker has Benchley benched for most of her investigation because she has a real seance skeptic to aid her, none other than Harry Houdini! He would give anyone good money to prove that there was contact with the other side. And who's Dorothy to turn up her noise at good money when her credit is no longer good at the local speakeasy.

Detective work is hard, detective work while sober is even harder. Racing around the city trying to figure out all the crosses and double crosses, Dorothy feels like she's in Harpo and Woollcott's famous game of croquet, being played anywhere and everywhere, football fields to rooftops to theatres! While solving the mystery of what truly is going on with MacGuffin is well and good, getting enough money to pay off her bar tap is the final solution.

Again JJ Murphy has delighted me beyond measure. Witty banter, shenanigans, antics, croquet and the sheer joy of a 1920s or 1930s screwball comedy. With the addition of Houdini as a stronger foil than Faulkner in the first installment, the book just hummed along. Also, addressing, even in a sideways manner, Dorothy's struggle with depression and her several attempts at suicide was a nice nod to the fact that Dorothy's life was much more than it appeared on the surface. What really made the book work for me though was two things I have a very strong interest in: art and spiritualism. The whole idea of an artists work being more valuable after their death has led, I am sure, to many artists thinking of pretending to die, I know, I've thought of it, but then, creating a new identity and all that rigmarole, too much effort, especially if the market is soft at the time or if they don't go up in value till a significant time after your "death."

The spiritualism is what also gripped me. I find it interesting that the next book will have Arthur Conan Doyle as the literary guest star, who was a huge proponent of spiritualism, and who in fact was good friends with Houdini, until they clashed over the idea of life after death. Houdini wanted to believe, desperately, but as a showman, he could see through all the hoaxes and tricks better than anyone else. The whole history of this time period, the Cottingly Fairies, the unexplainable versus the people obviously tapping at tables just enthralls me. I went to an exhibit a few years ago at the MET where they showed all these original pictures as "proof" of spirits... while the pictures where interesting, much like Houdini, I think I need some more solid proof. I don't need more proof though as to how much I love this series. It's going to be a long hard wait for that next book, much like Dorothy waiting for a drink.

Friday, December 16, 2011

The Algonquin Who's Who: Not the Main Two

January 19 15, 1887-January 23, 1943

Bio:
Drama critic for the New York Times and New York World and commentator for The New Yorker magazine, CBS radio star as the Town Crier, model for the character of Sheridan Whiteside in Kaufman and Hart’s "The Man Who Came to Dinner" and for the far less likable character Waldo Lydecker in the 1944 film Laura. He claimed to be the inspiration for Rex Stout's brilliant detective Nero Wolfe, but Stout, although he was friendly to Woollcott, said there was nothing to that idea.

November 23, 1888-September 28, 1964

Bio:
An American comedian, musician, card player and film star. He was the second oldest of the Marx Brothers. His comic style was influenced by clown and pantomime traditions. He wore a curly reddish wig, and never spoke during performances (he blew a horn or whistled to communicate). Marx frequently used props such as a walking stick with a built-in bulb horn, and he played the harp in most of his films.

November 15, 1881-March 23, 1960

Bio:
Columnist at the New York Tribune, the New York World, and the New York Evening Post; wrote the "Always in Good Humor" and "The Conning Tower" columns. Always known by his initials FPA and his wit. A prolific writer of light verse.

December 7, 1888-December 18, 1939

Bio:
American journalist. He worked as a sportswriter, newspaper columnist, and editor in New York City for such papers and the New York Tribune and New York World. He founded the American Newspaper Guild, now known as The Newspaper Guild. He is best remembered for his writing on social issues and his championing of the underdog. He believed that journalists could help right wrongs, especially social ills.

December 13, 1890-December 21, 1980

Bio:
Newspaperman turned playwright, director, producer, performer, and lyricist; co wrote plays with George S. Kaufman. Won Pulitzer Prize for Drama in 1930 for the play The Green Pastures.

1887-September 18, 1934

Bio:
Broadway press agent and  a freelance writer who worked for women's rights in New York City, USA, during the era before and after World War I and helped pass Nineteenth Amendment for women’s rights, married Heywood Broun. Hale's cause led her to fight for women to be able to legally preserve their maiden name after marriage. She challenged in the courts any government edict that would not recognize a married woman by the name she chose to use.

November 16, 1889-June 2, 1961

Bio:
Playwright, New York Times drama editor, drama critic, producer, director, actor and humorist. In addition to comedies and political satire, he wrote several musicals, notably for the Marx Brothers. One play and one musical that he wrote won the Pulitzer Prize for Drama: You Can't Take It With You (1937, with Moss Hart), and Of Thee I Sing (1932, with Morrie Ryskind and Ira Gershwin). He also won the Tony Award as a Director, for the musical Guys and Dolls. Wrote forty-five plays (twenty-six hits).

November 6, 1892-December 6, 1951

Bio:
Founded The New Yorker with his wife, Jane Grant, which he edited from the magazine's inception in 1925 to his death. In World War I, he enlisted in the U.S. Army Eighteenth Engineers Railway Regiment. In France, he edited the regimental journal and went to Paris to work for the Stars and Stripes, serving from February 1918 to April 1919. On the Stars and Stripes, he met Alexander Woollcott, Cyrus Baldridge, Franklin Pierce Adams, and Jane Grant.

April 4, 1896-November 4, 1955

Bio:
Vanity Fair drama editor, Life editor, author, playwright who won four Pulitzer Prizes. Won Oscar for writing The Best Years of Our Lives.

August 15, 1885-April 16, 1968

Bio:
An American novelist, short story writer and playwright. Her novels were especially popular and included the Pulitzer Prize-winning So Big (1924), Show Boat (1926; made into the celebrated 1927 musical), and Giant (1952; made into the 1956 Hollywood movie). Cowrote plays with George S. Kaufman, including Dinner at Eight. Ferber and another member of the Round Table, Alexander Woollcott, were long-time enemies, their antipathy lasting until Woollcott's death in 1943. In July 1904, Edna Ferber encountered Harry Houdini in a drugstore on College Avenue. Ferber, just 19 years old, was the first female reporter for the Appleton Crescent. She took the occasion to interview the famous entertainer, and her account of the meeting was published in the Crescent on July 23, 1904.

Side note, people from Wisconsin rock, not that I'm biased or anything...

January 24, 1888-May 12th, 1949

Bio:
Popular magazine cover illustrator, painter. From 1923 through 1937, McMein created all of McCall's covers. She also supplied work to McClure's, Liberty, Woman's Home Companion, Collier's, Photoplay, and other magazines. She created advertising graphics for such accounts as Palmolive soap and Lucky Strike cigarettes. General Mills's Marjorie C. Husted commissioned her to create the image of "Betty Crocker", a fictional housewife whose brand name was intended to be a seal of solid middle-class domestic values.

In each of J.J. Murphy's Algonquin Round Table Mysteries we have had a literary icon or popular culture icon of the day stop by to either help with the sleuthing, or be a suspect in the crime. Here's who's popped by so far... who knows which literary lion will be next?

September 25, 1897-July 6, 1962

Bio:
An American writer from Oxford, Mississippi. Faulkner worked in a variety of media; he wrote novels, short stories, a play, poetry, essays and screenplays during his career. He is primarily known and acclaimed for his novels and short stories, many of which are set in the fictional Yoknapatawpha County, a setting Faulkner created based on Lafayette County, where he spent most of his childhood.

Faulkner is considered one of the most important writers of the Southern literature of the United States. Though his work was published as early as 1919, and largely during the 1920s and 1930s, Faulkner was relatively unknown until receiving the 1949 Nobel Prize in Literature.Two of his works, A Fable (1954) and his last novel The Reivers (1962), both won the Pulitzer Prize for Fiction.

In Murder Your Darlings:
William Faulkner visits New York City as an unknown writer to stumble upon a murder and the Vicious Circle, becoming a suspect, whom Dorothy just wants to protect. Interestingly, "Billy" did indeed visit New York City as an unknown writer in the early 1920s- although there is no reason to believe he met anyone from the Round Table at this time, or that he was a suspect in a murder. He finally met Dorothy and the other member of the Round Table in 1930 when the table was coming to an end and he was a great literary success... and Dottie did feel a need to mother him.

March 24, 1874-October 31, 1926

Bio:
Born Erik Weisz, later Ehrich Weiss, a.k.a. Harry Weiss was a Hungarian-born American magician and escapologist, stunt performer, actor and film producer noted for his sensational escape acts. He was also a skeptic who set out to expose frauds purporting to be supernatural phenomena which led to a falling out with Arthur Conan Doyle.

In You Might as Well Die: Houdini's show at the Hippodrome is reviewed by Dorothy for Vanity Fair, but she also lures Houdini into the mystery of Ernie MacGuffin's death with the promise to expose some fraudulent spiritualists. While it's unknown if they actually met, he did have a long run of shows opposite the Algonquin when Dorothy was living there, as for the spiritualists, he'd take ever chance he could to catch them in fraudulent activity.

May 22, 1859-July 7, 1930

Bio:
A Scottish physician and writer, most noted for his stories about the detective Sherlock Holmes, generally considered a milestone in the field of crime fiction, and for the adventures of Professor Challenger. He was a prolific writer whose other works include science fiction stories, plays, romances, poetry, non-fiction, historical novels and humours.

Following the death of his wife Louisa in 1906, the death of his son Kingsley just before the end of World War I,  Conan Doyle sank into depression. He found solace supporting spiritualism and its attempts to find proof of existence beyond the grave. Doyle's book The Coming of the Fairies (1921) shows he was apparently convinced of the veracity of the five Cottingley Fairies photographs (which decades later were exposed as a hoax). He reproduced them in the book, together with theories about the nature and existence of fairies and spirits.

Conan Doyle was friends for a time with Harry Houdini, the American magician who himself became a prominent opponent of the Spiritualist movement in the 1920s following the death of his beloved mother. Although Houdini insisted that Spiritualist mediums employed trickery (and consistently exposed them as frauds), Conan Doyle became convinced that Houdini himself possessed supernatural powers—a view expressed in Conan Doyle's The Edge of the Unknown. Houdini was apparently unable to convince Conan Doyle that his feats were simply illusions, leading to a bitter public falling out between the two.

In A Friendly Game of Murder:
We'll just have to wait and see!

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