Showing posts with label King Tut. Show all posts
Showing posts with label King Tut. Show all posts

Friday, January 20, 2023

Book Review 2022 #3 - Tasha Alexander's Secrets of the Nile

Secrets of the Nile by Tasha Alexander
Published by: Minotaur Books
Publication Date: October 4th, 2022
Format: Hardcover, 320 Pages
Rating: ★★★★★
To Buy

Lady Emily has long wanted to take a romantic trip down the Nile with her husband Colin. While having her stepdaughter and mother-in-law on the dahabiya might not be the romantic trip Emily had imagined it is because of her mother-in-law that the trip is happening at all and thankfully Emily and Colin's three boys aren't there. Yet. There have been some rather alarming correspondences about train timetables and crocodiles. Hopefully their nanny is up to the job of keeping them in England. As for their trip, Mrs. Ann Hargreaves has been lifelong friends with Lord Bertram Deeley and due to his late wife's health he has wintered every year in Egypt at his magnificent home in Luxor. And each voyage he has peopled his house with friends. He has long hoped the Ann would join him in Egypt. But until now Ann hasn't felt up to visiting. Egypt was were she met her beloved late husband. They met halfway up the Great Pyramid at Giza and were engaged by the time they came down. A story that has always endeared her mother-in-law to Emily through all their strife. Needless to say Emily is not the sort of wife Ann pictured for her son. But that doesn't preclude her from using Emily as a convenient shield against Lord Deeley's plans. Showing Emily, Colin, and Katarina Egypt in her own way meant that instead of being on his boat with the other guests they have taken their voyage at a more sedate pace. Plus they were spared the other guests. Now that they have finally arrived in Luxor and are at the mercy of Lord Deeley's hospitality they are now defenseless against his other guests; Mr. Troubridge, an amusing fellow, or so says Lord Deeley, Mr. Inigo Granard, Lord Deeley's political counterpart, and Inigo's wife Adelaide, Lady Wilona Bestwick, a termagant if ever their was one, and her young companion, Miss Pandora Evans, Dr. Oliver Rockley, a young doctor to assure the safety of the travelers, and finally Mr. McLeod, an archaeologist at a nearby dig who has been invited to fill out the numbers. As they take in the opulence of Lord Deeley's house his hospitality is almost suffocating. He has done everything he can for his guests, including preparing the most sumptuous of feasts. A feast that is to be his last as he dies from arsenic that was added to his special tisane he partakes of at the end of every meal. The police assume it is the work of a disgruntled employee who has since run away, but Emily and Colin aren't so sure. Therefore it is up to them to find out who the real murderer is because they were most likely at that dinner table and one rarely stops at one murder.

If you are a fan of Lady Emily and Tasha Alexander you are perhaps overwhelmed that Emily has finally made it to Egypt. You knew this would one day happen but every time a new volume was introduced Emily was off to Russia or Greece or France or anywhere that wasn't Egypt. And us die hard fans have long known how much Tasha has been wanting to write this volume. She is one of the biggest Elizabeth Peters fans out there and she has peppered references throughout previous volumes. So I can tell you that not only is today the day, but that today is magnificent. This book is everything Lady Emily fans have wanted, this is everything Elizabeth Peters fans have wanted, and it is even everything Agatha Christie fans have wanted, and I'll even say Clue fans will find something to love. I have not enjoyed an Egyptian mystery this much since Elizabeth Peters' The Curse of the Pharaohs, which is hands down my favorite in the Amelia Peabody series. And if anyone is wondering, yes, Amelia was in the Valley of the Kings in 1904 when this book is set but that is all that you will drag out of me on that subject. As for how much I love Egypt, I will talk your ear off! My entire life I have been fascinated with Egypt, perhaps because my parents loved to tell me stories that were equal parts historical and terrifying. I remember crying at the Chicago Field Museum because my Dad told me if I looked on the pharaoh I would be forever cursed. And in an interesting twist of fate a dear friend of my family actually worked on the excavation of Tut's tomb with Howard Carter. I've been to every traveling exhibit of mummies that has come within a day's drive from me for as long as I can remember. And back in 2011 I was overjoyed when I stumbled on the Haskell Oriental Museum at the University of Chicago and was well chuffed it was mentioned within the pages of this book. I mean, I think it's mandatory because Tasha used to live in Chicago, but another author might be remiss. But what gets me every time I read one of Tasha's books is that she connects to the wonders of a place on a different level. There's a depth of feeling and understanding that makes you realize how much she loves Emily's passion and they ignite in the reader a love as well. Not just of Emily, but of the wonders of the world she is seeing. Secrets of the Nile took me back to my Art History classes where my deep admiration of Egypt was assured and Tasha once again had me falling in love with a culture I had previously studied. By now I've convinced you that this book is all about Egypt, but it's not, it's about mystery and romance and, just like Emily's first adventure, And Only to Deceive, the fluidity and mutability of our pasts. How new evidence can change how you look at a previous event forever. If I have one hope for this book it's that you will fall in love with Egypt forever. Sorry, I seem incapable of not bringing it back around to Egypt. It's a mystery!

Tuesday, October 4, 2022

Book Review - Tasha Alexander's Secrets of the Nile

Secrets of the Nile by Tasha Alexander
Published by: Minotaur Books
Publication Date: October 4th, 2022
Format: Hardcover, 320 Pages
Rating: ★★★★★
To Buy

Lady Emily has long wanted to take a romantic trip down the Nile with her husband Colin. While having her stepdaughter and mother-in-law on the dahabiya might not be the romantic trip Emily had imagined it is because of her mother-in-law that the trip is happening at all and thankfully Emily and Colin's three boys aren't there. Yet. There have been some rather alarming correspondences about train timetables and crocodiles. Hopefully their nanny is up to the job of keeping them in England. As for their trip, Mrs. Ann Hargreaves has been lifelong friends with Lord Bertram Deeley and due to his late wife's health he has wintered every year in Egypt at his magnificent home in Luxor. And each voyage he has peopled his house with friends. He has long hoped the Ann would join him in Egypt. But until now Ann hasn't felt up to visiting. Egypt was were she met her beloved late husband. They met halfway up the Great Pyramid at Giza and were engaged by the time they came down. A story that has always endeared her mother-in-law to Emily through all their strife. Needless to say Emily is not the sort of wife Ann pictured for her son. But that doesn't preclude her from using Emily as a convenient shield against Lord Deeley's plans. Showing Emily, Colin, and Katarina Egypt in her own way meant that instead of being on his boat with the other guests they have taken their voyage at a more sedate pace. Plus they were spared the other guests. Now that they have finally arrived in Luxor and are at the mercy of Lord Deeley's hospitality they are now defenseless against his other guests; Mr. Troubridge, an amusing fellow, or so says Lord Deeley, Mr. Inigo Granard, Lord Deeley's political counterpart, and Inigo's wife Adelaide, Lady Wilona Bestwick, a termagant if ever their was one, and her young companion, Miss Pandora Evans, Dr. Oliver Rockley, a young doctor to assure the safety of the travelers, and finally Mr. McLeod, an archaeologist at a nearby dig who has been invited to fill out the numbers. As they take in the opulence of Lord Deeley's house his hospitality is almost suffocating. He has done everything he can for his guests, including preparing the most sumptuous of feasts. A feast that is to be his last as he dies from arsenic that was added to his special tisane he partakes of at the end of every meal. The police assume it is the work of a disgruntled employee who has since run away, but Emily and Colin aren't so sure. Therefore it is up to them to find out who the real murderer is because they were most likely at that dinner table and one rarely stops at one murder.

If you are a fan of Lady Emily and Tasha Alexander you are perhaps overwhelmed that Emily has finally made it to Egypt. You knew this would one day happen but every time a new volume was introduced Emily was off to Russia or Greece or France or anywhere that wasn't Egypt. And us die hard fans have long known how much Tasha has been wanting to write this volume. She is one of the biggest Elizabeth Peters fans out there and she has peppered references throughout previous volumes. So I can tell you that not only is today the day, but that today is magnificent. This book is everything Lady Emily fans have wanted, this is everything Elizabeth Peters fans have wanted, and it is even everything Agatha Christie fans have wanted, and I'll even say Clue fans will find something to love. I have not enjoyed an Egyptian mystery this much since Elizabeth Peters' The Curse of the Pharaohs, which is hands down my favorite in the Amelia Peabody series. And if anyone is wondering, yes, Amelia was in the Valley of the Kings in 1904 when this book is set but that is all that you will drag out of me on that subject. As for how much I love Egypt, I will talk your ear off! My entire life I have been fascinated with Egypt, perhaps because my parents loved to tell me stories that were equal parts historical and terrifying. I remember crying at the Chicago Field Museum because my Dad told me if I looked on the pharaoh I would be forever cursed. And in an interesting twist of fate a dear friend of my family actually worked on the excavation of Tut's tomb with Howard Carter. I've been to every traveling exhibit of mummies that has come within a day's drive from me for as long as I can remember. And back in 2011 I was overjoyed when I stumbled on the Haskell Oriental Museum at the University of Chicago and was well chuffed it was mentioned within the pages of this book. I mean, I think it's mandatory because Tasha used to live in Chicago, but another author might be remiss. But what gets me every time I read one of Tasha's books is that she connects to the wonders of a place on a different level. There's a depth of feeling and understanding that makes you realize how much she loves Emily's passion and they ignite in the reader a love as well. Not just of Emily, but of the wonders of the world she is seeing. Secrets of the Nile took me back to my Art History classes where my deep admiration of Egypt was assured and Tasha once again had me falling in love with a culture I had previously studied. By now I've convinced you that this book is all about Egypt, but it's not, it's about mystery and romance and, just like Emily's first adventure, And Only to Deceive, the fluidity and mutability of our pasts. How new evidence can change how you look at a previous event forever. If I have one hope for this book it's that you will fall in love with Egypt forever. Sorry, I seem incapable of not bringing it back around to Egypt. It's a mystery!

Friday, December 4, 2020

Book Review - Zilpha Keatley Snyder's The Egypt Game

The Egypt Game by Zilpha Keatley Snyder
Published by: Atheneum Books for Young Readers
Publication Date: 1967
Format: Paperback, 240 Pages
To Buy

My mom has always been a fan of Zilpha Keatley Snyder. She's one of the few authors I was allowed to order from my school book program. I have an old Scholastic copy of The Egypt Game and I was obsessed with that cover. In fact, I had many books when younger that I was meaning to read which instead I would just look at the cover and make up my own story in my head. I was convinced that The Egypt Game would be too scary. This was probably due to my Dad and brother. While me now has a deep abiding love of all things Egyptian, I literally can not get enough, me then was convinced mummy curses were real and they were coming for me. Actually I still think mummy curses are real, they're just not coming for me because I'm not stupid enough to mess with them. But I remember going to Chicago to see King Tut. It was a big family trip where we were meeting up with my cousin and Aunt who lived down there and all going to The Field Museum to see Tut. We got there and my Dad and brother informed me that if I looked on the boy King I would get the curse. I spent the trip in the stairwell crying. Therefore reading a book called The Egypt Game that I got around this same time seemed dire folly. YOU DO NOT MESS WITH MUMMIES! Though I'm glad I didn't read the book then, just making my nightmares worse, because now I can enjoy it with hindsight and the knowledge I'm reading yet another book my mother loved.

Friday, October 6, 2017

Book Review - Philip Pullman's The Collectors

The Collectors by Philip Pullman
Published by: Alfred A. Knopf
Publication Date: September 22nd, 2015
Format: Kindle, 24 Pages
Rating: ★★★
To Buy

On a winter's night at Oxford College Horley sits in the Senior Common Room with his guest Grinstead. As the room gets colder and the hour gets late the other occupants slowly leave while the two talk about Horley's recent purchase of a painting and it's link to another piece of art, a rather terrifying bronze monkey. The painting Horley bought because it was a rather arresting portrait of a young women with an enigmatic air whose expression seems to always be changing. The dealer he bought it from had already made the sale so the story that came with it appears to be genuine. The painting has never been in one owner's hands for long. But wherever it goes the bronze monkey is soon to follow, though occasionally it is the monkey that arrives first and the painting shows up later. These two objects have some connection that cannot be broken as the provenance of the two pieces has undoubtedly shown. As it so happens the monkey has just arrived in Horley's possession as payment for a debt just after he purchased the painting. He hasn't even opened the packing case but the fact of it's arrival proves the story to be genuine. At this point Grinstead almost demands of his host that the time has come for Horley to show him these two pieces. They return to Horley's rooms where things take a turn. Grinstead has not been entirely honest with Horley and the story that was told wasn't new to him. These two pieces have a storied past steeped in mysteries from a distant world. And their subjects? They might just be pleased at the fate of these two men.

The Collectors never registered on my radar when it was first released in 2014 because it was an audiobook and while I am a fan of books in all forms there's something about audiobooks that I just tune out. Therefore my recent discovery that it was released as a short story for Kindle was a joyous surprise because it took me back to the beginning of Lyra's story in The Golden Compass and reconnected me to what I loved best, Lyra's life at Oxford before her journeys began. If there's one image seared in my brain from His Dark Materials it's Lyra sneaking into the Retiring Room at Jordan College. That musty and fusty domain of the male teachers that holds so much interest to the young girl and also catapults her into her destiny. With Horley and Grinstead I felt I was back in that room hearing about the adventures as the true armchair traveler that I am. I was totally absorbed until the story went a little too Douglas Adams and I felt Dirk Gently wandering about. But issues aside, what Pullman does here is to tap into the zeitgeist of the traditional English ghost story and deliver his own spin on classics like The Turn of the Screw and The Woman in Black. There's not just the mystery surrounding these two pieces of art which is almost timeless, but something akin to an ancient Egyptian curse. Something about these kind of tales that fascinate people down through the generations. Why else would people still talk about the curse of Tutankhamun?

This story taps into something primal with this idea of worlds touching and bleeding into each other and through this we get another way to look at ghosts. When I was little I had an imaginary friend. Years later I started to wonder if he was actually imaginary. I remember when we moved across the street I told my parents that Robbie couldn't come over anymore. Later I learned that the previous owner of our old house had hanged himself in the garage, right near where I saw Robbie. What if Robbie was a ghost? Or, here, what if he was someone from another world who slipped through and played with me until one day he couldn't. Maybe it was his ghostly tether or maybe it was his doorway into this world. Whatever it was this story showed me another way to look at the world. Yet this little glimpse into the fluidity of worlds was nothing for what I felt for the connection the two pieces of artwork had for each other. The painting was of Lyra's mother, Mrs. Coulter, before her marriage, and the bronze was of her daemon. While within Pullman's stories these two are morally ambiguous characters leaning towards being unrepentantly evil their connection even after death is so touching to me. That their link was so strong that inanimate objects that are basically their totems or avatars must always be together shows the power of love. They had each other and would always return to each other. So while yes, this is a ghost story, true ghost stories always, deep down, highlight something more, something human, and here, it's the power of love.

Friday, November 13, 2015

Movie Review - Young Sherlock Holmes

Young Sherlock Holmes
Inspired by the works of Sir Arthur Conan Doyle
Release Date: December 4th, 1985
Starring: Nicholas Rowe, Alan Cox, Sophie Ward, Anthony Higgins, Susan Fleetwood, Freddie Jones, Nigel Stock, Roger Ashton-Griffiths and Earl Rhodes
Rating: ★★★★★
To Buy

A young John Watson is sent to Brompton Academy in London after his previous school is shut down. There, on the next bunk, trying to learn the violin, is a young Sherlock Holmes, who is put out because he should have mastered the violin in the three days he's had it. But at least he is able to quickly deduce all there is to know about Watson, the son of a Doctor from the north of England who is overly fond of custard tarts. Holmes takes Watson under his wing and shows him the ropes at the school. The real benefit of the school is that up in the rafters one of the retired teachers, Rupert T. Waxflatter, has created a laboratory to rival anyone's and spends most of his time working on a Da Vinci-esque flying machine, mentoring Holmes, and taking care of his orphaned niece Elizabeth, who has caught the eye of every boy in the school but whose heart belongs to Sherlock. Yet things aren't as idyllic as they seem. There is an odd man hanging around the school looking to talk to Waxflatter. Also there is an odd jingly sound heard on several occasions. Two distinguished men, Bentley Bobster and the Reverend Duncan Nesbitt have committed suicide. But if they committed suicide, why was Waxflatter interested in their deaths? Holmes takes his queries to a young police officer, Lestrade, who brushes Holmes aside clearing the way for the trio to investigate on their own.

But their investigation is put on hold when Holmes is expelled, despite his teacher Rathe speaking up for him. One of the other students has framed Holmes, very nicely indeed, for cheating. Holmes's perfect school record works against him because it is assumed by the board that only a cheater could reach that level of perfection. They just don't understand the brilliance of Holmes! As Holmes is about to be sent away, Waxflatter kills himself... or so it would appear to the common observer, much like the previous two "suicides". But Holmes knows better, this was his mentor, and with Waxflatter's dying words "Eh-tar" the game is afoot! Soon Elizabeth, Watson, and Holmes are racing through the streets of London and uncovering an ancient Egyptian cult, the Rame Tep, who are worshippers of Osiris and have been sacrificing young girls in their temple. But their only goal isn't to silence these unwelcome interlopers. They have revenge in mind and the diabolical genius behind the evil machinations might just change Holmes's life forever.

There are movies that forever change you and help form the person you are. They become a part of your DNA. You remember the first time you watched them. Usually followed immediately by the second viewing. And then, in some rare cases, the third. For me there are a few besides the original Star Wars trilogy, which is on a separate list. These films are: Clue, The Princess Bride, The 'burbs, and, of course, Young Sherlock Holmes. Besides forever installing Sherlock Holmes as a focal point in my life, this movie forever shaped my sensibilities and instilled a love of Victoriana and Egypt, not to mention mysteries, in me. Whenever there is an Egyptian exhibit somewhere within driving distance I will be sure to be there. Because not only did my parents encourage my love of movies, helping to refine my tastes by the simple expedient of refusing to watch any crap, they also gave me my love of museums. Though I will still call them out for the incident of King Tut. The Young Sherlock Holmes provided me with a great fear of Egyptian cults and mummification, which exists to this day in one form or another. Sometime in the late eighties King Tut was on display again at the Field Museum in Chicago. I was convinced that he would kill me, take my soul, in other words, something really bad was going to happen. But I think that had more to do with the fact my Dad told me that the mummies all came alive at night and if I wasn't careful I would be locked in with them and they'd attack me. Yes, because I had a "normal" childhood. Therefore I spent the entire time crying in a stairwell. But other than that, I love me some mummies.

Despite the fear I still have whenever I hear the Rame Tep chanting, the movie's music being played at the first Teslacon I went to during the mummy unwrapping sure didn't help any, I love Egyptian history and art. I adore poplar fiction set in Egypt from Elizabeth Peters to the Theodosia Throckmorton books by Robin LaFevers. I can tell you if an artifact is Mesopotamian or Egyptian just from a cursory look, and yes, this has been tested. Because of this movie my world view was expanded and therefore, being a book worm, I sought out more knowledge and information. I have a brain bursting with facts just because of the little seeds planted by Spielberg in my youth. And yes, I still want to ask why there really wasn't any representation of Osiris in the pyramid of a cult devoted to him, instead just his buddy Anubis hanging out. Iconography fascinates me to no end. And when you start to study Egyptian society and culture, this Western culture of ours is just a drop in the bucket. The Pyramids of Giza were built almost three thousand years before Christ. We aren't even three thousand years past the time of Christ, and that society thrived for millennia! Plus, not to put to fine a point on it, but a culture that worships cats? Well, they are doing it right in my mind.

Yet, it's not just Egypt that got me. The whole Gaslight Victorian romance aspect hooked me too. If you think about this film, you could quite easily remove the "Holmes" element and still have a corking good mystery and movie on your hand. The Holmesian elements just add another layer. People might argue with me as to why I love the "romance" aspect, because canonically romance has no place in the world of Sherlock Holmes. Part of it is that I just want to hear Nicholas Rowe say my name over and over again. Holmes purists would decry the idea of lost love being the reason for Holmes's somewhat puritanical sex life. But to me it comes down to the fact that, as Holmes says, he never wants to be alone. That is an astute observation, and a sad one, because isn't that what we all want? And an arch nemesis doesn't really fill that void. They're not someone we can cuddle up to at night. The same can be said for a comrade in arms, now don't you go being one of those people who think Holmes and Watson were more than just work colleagues and roommates, at least in this instance. This movie creates a relatable and good entry point for younger people to get an interest in Sherlock Holmes, and I'm sticking to that statement. If it wasn't for this movie who knows where my interests might lay? Would I have had such a love of Art History that I almost went to graduate school for it? Probably not. This movie made me, and it's as simple as that.

But it wasn't just the side of me that loved art, antiquity, and Victoriana that blossomed because of this movie. It was the creative side of me that wanted to make art as well. My Star Wars obsession had pretty much made me adore Industrial Light and Magic (ILM) for years. But their work on Young Sherlock Holmes showed that their work didn't have to exist in a futuristic setting. Perhaps there most famous and memorable scene they've ever done was the stained glass knight separating himself from the window embrasure and chasing the Reverend Duncan Nesbitt under a carriage in this movie. Because of the way they combined practical and computer generated effects they still stand up till this day. This fueled my love of Muppets and props, leading me to do much sculpture and theater in Undergrad. In fact, when I was at a loose end not sure if I wanted to continue schooling beyond a bachelor's degree, again ILM changed my life. They had a job opening, which I applied to despite being woefully underqualified. Being turned down by them made me go back to school, to learn more about computers, to expand my skill set. Because of this I have the career I have now as a graphic designer. I also have the friends I have because I met them through school and Teslacon. It's weird to think that so much of my life ties into the spark this movie awoke in me, but there you have it.

Friday, November 7, 2014

Book Review - George Mann's The Osiris Ritual

The Osiris Ritual by George Mann
Published by: Tor
Publication Date: August 3rd, 2010
Format: Hardcover, 319 Pages
Rating: ★★★★
To Buy

Newbury and Hobbes are not working in tandem. Sir Maurice is off on assignment for the Queen looking into the "return" of another agent, William Ashford, who may have gone rogue and who may be involved in a high profile killing of the Egyptologist Lord Winthrop, whose discovery and then death are front page news as written by Newbury's new protege, George Purefoy. Veronica meanwhile is concerned about a spate of disappearances of young women, all who visited a magician, The Mysterious Alfonso, and participated in his stage show. They are both so wrapped up in their own cases that they don't realize the danger they are putting themselves in by working separately. Soon Veronica is trapped and in danger deep under a theatre, while Sir Maurice is racing across rooftops, not even sure if he's chasing the right man. They need each other to put things right before it's too late, or before the Queen gets tetchy.

I have an inkling that while I had heard of George Mann and The Affinity Bridge it wasn't until I heard about the second book in the series, The Osiris Ritual, that I really sat up and took notice. I am more then a bit of an addict for anything Egyptian. Like my love of Victoriana, it's the darker side of Egyptology that I am drawn to. The plagues and curses brought down for desecrating the dead, hold me back. When you crave bedtime stories about King Tut's Curse and Lord Carnarvon's dog howling and dropping dead at the same moment his master died, well, it's not that much of a surprise that that person grows up to dwell on stories of mummies and devours the entire oeuvre of Elizabeth Peters.

I still occasionally have nightmares that the Rame Tep from The Young Sherlock Holmes might come for me. But this nightmare is tinged with a deliciousness, because sometimes it's a good thing to be scared by something you can't explain. Though of course I like my Egyptian thrills from a nice comfy armchair versus up close and personal, the time my parents took me to the King Tut exhibit and I spent the entire time crying in a stairwell at The Field Museum in Chicago because by father and brother had convinced me that the mummy would curse me is a case study in why books are best. Armchair traveler for life, stamp my passport please!

Therefore the opening of The Osiris Ritual is a dream come true. I got to sit in my comfy chair wrapped snugly against the cold and read about a mummy unwrapping ceremony. The erstwhile and eager reporter George Purefoy was my entre into this world, we stood in awe together, and who wouldn't want to be brought under the wing of Sir Maurice Newbury and listen to his insights? The lush opulence of Lord Winthrop's house with all his artifacts, the ton gathering around as the mysterious sarcophagus was placed on the table, sigh. If I could just sink into a book and live in the moment, I would have chosen this one.

At TeslaCon, where I met George a few years back now, there was a staged mummy unwrapping, and while it lacked the intimacy of a true unwrapping, I was surprised that it was able to still contain that frisson of excitement. Though at the unwrapping we attended there was no chance of a curse, or at least I assume so. Here reading the book, I was just holding my breath till the "curse" took effect, and to my heart's delight I didn't have long to wait. Like all good storytelling while we are given an answer to the "curse" the book was able to suspend our disbelief and make us believe in the magic of "what if?"

Though in other parts the magic faltered a little. This would be the magical pairing of Sir Maurice and Veronica. The problem here was that they were separated for most of the book. Yes, I do understand that the main reason for this was that they were pursuing different cases and that it narratively worked for them to be separated so that they were ignorant that their cases were linked and therefore drew out the suspense for us readers. But it just somehow didn't click. Newbury couldn't exactly hook arms with George Purefoy and go walking down the street to face the next foe, it wouldn't be the same.

Yes The Avengers occasionally went off and did their own thing, Emma taking one lead, Steed another, but it's never the same with them apart, and that's how it is here. I also realize that the growing attraction between the leads has to be drawn out in some way, you can't have them get together too early and then have them lose their chemistry and destroy the series a la Moonlighting. But just using the simple expedient of keeping them apart seems a bit too contrived. There are many more reasons for them to not get together, and it looks like in future this will work far better for George's storytelling then this move did.

Though this separation was just a niggling problem in a book with a lot going right for it. What I loved most, which was oddly not Egyptian, was the hunt for the two former agents for the Crown, William Ashford and Newbury's predecessor, Knox. Not only was George able to portray the depth of these characters, making the villains have just as much going for them as the hero and heroine, but the relationship between Ashford and Knox reminded me powerfully of another famous book that has influenced the Steampunk genre. I'm talking about Frankenstein.

The monster that Ashford has become is very much created as a result of Knox's actions. Therefore the two have this creature/creator relationship that mirrors Shelley's work in many interesting ways, most of which I can't say without screaming "spoilers" beforehand. Needless to say there are just so many layers and connections to itself and other great stories that this is a penny dreadful to be savoured and returned to again and again just to see what you missed last time.

Friday, August 17, 2012

Movie Review - Young Sherlock Holmes

Young Sherlock Holmes
Inspired by the works of Sir Arthur Conan Doyle
Release Date: December 4th, 1985
Starring: Nicholas Rowe, Alan Cox, Sophie Ward, Anthony Higgins, Susan Fleetwood, Freddie Jones, Nigel Stock, Roger Ashton-Griffiths and Earl Rhodes
Rating: ★★★★★
To Buy

A young John Watson is sent to Brompton Academy in London after his previous school is shut down. There, on the next bunk, trying to learn the violin, is a young Sherlock Holmes, who is put out because he should have mastered the violin in the three days he's had it. But at least he is able to quickly deduce all their is about Watson, the son of a Doctor from the north of England who is overly fond of custard tarts. Holmes takes Watson under his wing and shows him the ropes at the school. The real benefit of the school is that up in the rafters one of the retired teachers, Rupert T. Waxflatter has created a laboratory to rival anyone and spends most of his time working on a Da Vinci-esque flying machine, mentoring Holmes, and taking care of his orphaned niece Elizabeth, who is Holmes's love interest.

Yet things aren't as idyllic as they seem. There is an odd man hanging around the school looking to talk to Waxflatter. Also, there is an odd jingly sound heard on several occasions. Two distinguished men, Bentley Bobster and Reverend Duncan Nesbitt, have committed suicide. But if they committed suicide, why was Waxflatter interested in their deaths? Holmes takes his queries to a young police officer, Lestrade, who brushes Holmes aside. The trios investigation is put on hold when Holmes is expelled, despite his teacher Rathe speaking up for him. One of the other students has framed Holmes, very nicely indeed, for cheating. Holmes's perfect school record works against him because it is assumed by the board that only a cheater could reach that level of perfection. They just don't understand the brilliance of Holmes!

As Holmes is about to be sent away, Waxflatter kills himself... Holmes knows that what appears to be the case couldn't be, and with Waxflatter's dying words "Eh-tar" the game is afoot! Soon Elizabeth, Watson and Holmes are racing through the streets of London and uncovering an ancient Egyptian cult, the Rame Tep, who are worshippers of Osiris. They have revenge in mind and the diabolical genius behind the evil machinations might just changes Holmes's life forever.

There are movies that forever change you and help form the person you are. For me there where a few: Clue, The Princess Bride, The Wrong Box, The 'burbs, and, of course, Young Sherlock Holmes. This movie forever shaped my sensibilities and instilled a love of Victoriana and Egypt, not to mention mysteries, in me.  Though it also provided me with a great fear of Egyptian cults and mummification, which exists to this day in one form or another, but not to the extent that made me hide from King Tut in the stairwell when I went to the Tut exhibit as a small child at the Field Museum in Chicago. But I think that had more to do with the fact my Dad told me that the mummies all came alive at night and if I wasn't careful I would be locked in with them and they'd attack me. Yes, because I had a "normal" childhood.

Dispite the fear I still have whenever I hear the Rame Tep chanting, the music being played at last year's Teslacon during the mummy unwrapping sure didn't help any, I love Egyptian history and art. I adore poplar fiction set in Egypt from Elizabeth Peters to the Theodosia Throckmorton books by Robin LaFevers. I go to any Egyptian exhibit I can. I can tell you if an artifact is Mesopotamian or Egyptian just from a cursery look. Because of this movie my world view was expanded and therefore, being a book worm, I sought out knowledge and information. I have a brain bursting with facts just because of the little seeds planted by Spielberg years before. And yes, I still want to ask why there really wasn't any representation of Osiris in the pyramid set of a cult devoted to him, instead just his buddy Anubis hanging out.

Yet, it's not just Egypt that got me. The whole Gaslight Victorian romance aspect hooked me too. If you think about this film, you could quite easily remove the "Holmes" element and still have a corking good mystery and movie on your hand. The Holmesian elements just add another layer. People might argue with me as to why I love the romance aspect. Part of it is that I just want to hear Nicholas Rowe say my name over and over again. Holmes purists would decry the idea of lost love being the reason for Holmes's somewhat puritanical sex life. But to me, it comes down to that fact that, as Holmes says, he never wants to be alone. That is an astute observation, and a sad one, because isn't that what we all want? And an arch nemesis doesn't really fill that void.

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