Showing posts with label Anne Rice. Show all posts
Showing posts with label Anne Rice. Show all posts

Friday, December 15, 2023

Interview with the Vampire

My awakening to vampires didn't happen until 2001. Of course I knew about vampires, I just didn't seek them out. It took Buffy and William the Bloody for that to happen. But prior to that I wasn't in the dark. I knew who Anne Rice was because of an art class acquaintance who was obsessed with her books. I think she was actually the only Goth at my high school which makes me sad. There should have been more. And then you could not be alive in the nineties without knowing about the Tom Cruise Lestat casting controversy. But again, it was background noise. I didn't even see the Interview with the Vampire movie until it was on basic cable. Then I saw it. A lot. Randomly. It's one of those movies you just kind of watch some of and get drawn inexorably in. Eventually, as in only about ten years ago, I thought it was time for me to finally read Interview with the Vampire and I really didn't like it. Gave the book away didn't like it. What's odd is the only thing I actually remember about the book, other than hating it, is Claudia's death scene. That's very vivid in my mind. Also I kind of what to re-read it to see if it's really as bad as I thought it was, so it just goes to show I should hold on to all my books for ever and ever. Which makes it oddly strange that I was so excited for AMC's new Interview with the Vampire. But I was. And it was magical. It transformed the book into something more. The book became a starting off point and from their it grew to be about sexual identity, racism, family, justice, relationships, trauma, abuse, truth, as Louis says at one point to Daniel, now older, wiser, grumpier, and played perfectly by Eric Bogosian, we are on an odyssey of memory. And memory changes, becomes warped, distorted by love and hate. This adaptation is very insular, an almost claustrophobic little world, where thought and language and words are king. Daylight is never seen, everything happens in these opulent little rooms in New Orleans that look and feel like jewel boxes. You actually feel the suffocation that Louis feels while around Lestat. The words swirl around and around in your head so that after an episode you feel lightheaded, as if somehow they snuck into your house and drained you of blood while you watched. Every change is so much for the better that I can not praise the writers of this series enough. But the biggest improvement is when Louis refuses to talk about Claudia's rape at the hands of another vampire. He says that he will not exploit her pain. And that's when I realized the showrunners really knew what they were doing. Claudia's exploitation almost to the point of child pornography in the book is what alienated me from it and they knew they had to point blank say that this adaptation was going beyond the book, making it more modern, more thoughtful, and yes, even a bit more Grey Gardens. And if this entire adaptation just existed to give me Lestat and Louis as Big and Little Edie, then I say it was a job well done.

Friday, October 13, 2023

Mayfair Witches

Interview with the Vampire gave me false hope that Mayfair Witches would be equally good, despite different creators, writers, and cast, though oddly sometimes repurposed sets. I should have known better. This is the new Anne Rice "immortal universe" that AMC is fully embracing and we're getting the full range of her writing, and not all of that was good. There is literally a third show in development as I write this, possibly more by the time this publishes. The thing is within this "immortal universe" this is the trailer trash end. This is AMC by way of V.C. Andrews. I mean Harry Hamlin was actually in a V.C. Andrews adaptation only six months previously to Mayfair Witches airing. The problem is they don't realize they're V.C. Andrews, they think they are better than that. Lifetime's V.C. Andrews adaptations are a joy to watch because they know exactly what they are, unlike this show. Mayfair Witches' opening credits alone hit you over the head with a mallet with there "subtle" White Lotus Southern Gothic vibe. Just because your star was on the first season of White Lotus that does not give you permission to ape the style. Especially because it's not carried through the rest of the show. It's an aberrant opening credit sequence to trick the viewer. It's just infuriating. I would gnash my teeth just watching them. And given I don't live in a bubble and I talk to other people I am still shocked this got a second season. The number one problem noted time and again in my discussions with fellow viewers is the pacing. This show is glacial. It took them eight episodes to do what could have been done in a single TV movie. And still they omit things. Mayfair Witches is eight episodes of WTF and why am I watching this. And no matter how obsessed the internet is with Alexandra Daddario I will never get it. I have seen no evidence that she can actually act and her character is totally unlikable, which is actually a problem for all the characters in this series minus the marvelous Jen Richards as Jojo. I'd watch a show about Jojo. So if that's the forth "immortal universe" show then I'm down with that. I mean, how did they ruin Jack Huston!?! Gaw! But the WORST problem of all is that I think they think the viewers are stupid. How have I come to this conclusion? The subtitles. In the flashbacks to Scotland, which yes, I confirmed it's Scotland, the accents due tend to wander and slip and if you occasionally thought they were Irish I forgive you. So instead of fixing this problem by redubbing with actors who could do the accents much like the Andy MacDowell Greystoke controversy, they had the brilliant idea of subtitles. Now I was watching this show at the same time as Karen Pirie, which has true Scots accents, and this subtitling infuriated me. I really couldn't decide if they thought their viewers couldn't comprehend or they knew their actors were horrible. And maybe that's the problem at the bottom of this all, do they realize what a bad job they are doing or are they aware and trying to right a sinking ship? Either way I won't be turning into season two. Unless they are evil geniuses and figure out someway to tie this into the divine Interview with the Vampire... But even then there are enough websites that write summaries of shows that I don't think I'll be forced to endure anymore of whatever this is.

Friday, March 30, 2018

Book Review - Wendy Webb's The End of Temperance Dare

The End of Temperance Dare by Wendy Webb
Published by: Lake Union Publishing
Publication Date: June 6th, 2017
Format: Paperback, 336 Pages
Rating: ★★
To Buy

Despite a looming sense of dread she's carried for months everything seems to be falling into place for Eleanor Harper but in the most unexpected of ways. She loses her job as a crime reporter at the same time the position for director of the prestigious Cliffside Manor artists retreat becomes available. Eleanor has been drawn to the old tuberculosis hospital ever since she went there twenty years earlier as a cub reporter covering the sudden deaths of the hospital's founder, Chester Dare, and one of his daughters, Milly, in a tragic car accident. His remaining daughter, Penelope, has run the retreat ever since and she feels it's time to hand the reigns to the next generation. While Eleanor isn't the most qualified Miss Penny felt a connection to her all those years ago because they both agreed that the accident was no accident. Miss Penny never blamed Eleanor, who as an inexperienced reporter was unable to shed light on the deaths, but admired her tenacity and has followed her journalistic career with interest. When Eleanor arrives at the Manor through the mists she feels like she's home. Miss Penny welcomes her with open arms and inducts her into the running of the retreat, which is mainly handled by an extensive staff. In a week they are to get the current group of artists for a month-long residency and Eleanor will shadow Miss Penny until she's confident enough that she can handle the responsibilities herself. At least that's what Eleanor thought the plan was to be, Miss Penny had other ideas, as that afternoon she commits suicide and leaves everything in Eleanor's inexperienced hands. Eleanor is baffled by the predicament she has landed in but she views it only right to mourn but continue on in Miss Penny's memory. Therefore a week later the five artists arrive. Things do not go to plan. Miss Penny brought everyone here with a purpose... is she acting from beyond the grave? But more importantly, is she acting alone or are other supernatural elements at work?

Here's the problem I have with Gothic stories that involve haunted houses, there needs to be enough wiggle room that the "haunting" could all be chalked up to psychological issues. You need that suspension of disbelief. You have to be convinced or dissuaded through the story, Shirley Jackson's The Haunting of Hill House is a masterclass in this conceit. A Tuberculosis hospital is a whole lot of heck no from me. The reason for this is that TB hospitals were, as it says in this book, a “waiting room for death.” All hauntings derive from a death, here we have a plurality of death, so in my mind there is no question as to whether or not Cliffside Manor is haunted. It is SO haunted. This is a place where ghost hunters go, not artistic types. I have NO DOUBT that ghosts exist. What exactly they are I'm not sure, but I have seen many ghosts in my life, some benign, some very much the opposite. I would NEVER go willingly to a place like Cliffside Manor, it would be too much. Add to that the fact this retreat is made for artists like me... I really don't get how places at the retreat are so sought after. Yes, there is a wide range of susceptibility when it comes to seeing the supernatural, but the truth is the more sensitive you are to the world around you, the more open you are, the more likely you are to have such an experience. Therefore people who are artistic are more likely to pick up on these vibes, much like how artists are the ones who can hear the call of Cthulhu in the writings of H.P. Lovecraft. So how are these artists not being like, don't go there, it's haunted. Word of mouth would spread like wildfire, but instead they have people clamoring for vacancies. This makes no sense to me, which makes me feel like the entire setup is unbelievable and therefore I don't buy into the story.

What's more it's hard to buy into a story where you're not quite certain if you're dealing with an unreliable narrator or not. My problem in this instance was that I couldn't tell if the red herrings I was following were meant to be red herrings or were just bad editing. To be clear, I reached the correct conclusion, I just don't know if I was meant to reach that conclusion in the first few chapters. What alerted my spider senses was Eleanor arriving at Cliffside Manor on a Thursday and the guests being scheduled to arrive the next Friday, but within minutes it was "arriving in one week." I don't know who taught Eleanor or Webb about the days of the week but that's longer than a week. Yes, you could brush it off as just common vernacular, it's about a week, but the way Webb writes I disagree. She is very precise, very matter of fact, you can tell she was a journalist herself in the very way everything is as it should be and nothing is out of place. If a book could be neat as a pin, this would be that book, and if I'm honest, I'd rather choose sloppy and lyrical than this. Which makes this first error glaring. IF this was a hint as to Eleanor's reliability as a narrator, I have to give Webb kudos. It was subtle and just enough to bait the reader. If, on the other hand, this was just a typo, in fact the most common of typos if I'm to be honest, because writers as a whole don't look at calendars despite the fact you can look up ANY calendar year online, well, then it's bad luck that a transcription or writing or editing error gave away something that's rather important. But then again, I feel like the whole unreliable narrator is played out. It's a way to delay the reveal while having the answer in front of you the whole time, and to me, that's kind of smug storytelling, though not nearly as bad as an author like Josephine Tey who purposefully left clues out so that the reader couldn't solve her riddles.

The truth is, The End of Temperance Dare relies too heavily on overplayed tropes. The obviously haunted local, the unreliable narrator, the love triangle (more on that in a minute), and the sexualization of children as a sign of evil. Think of all the movies and all the books over the years that have had innocent children possessed by evil spirits say licentious things and you know where I'm coming from. The Exorcist anyone? The problem I have with this trope is that instead of just being unsettling it verges on the edge of child exploitation, which is one of the MANY reasons I have never read Anne Rice again after Interview with the Vampire because of how she handles Claudia. Here it's taken further with the evil spirit of Temperance who is eleven in human years being obsessed with the Doctor as her future husband and later while controlling her sisters body not only is a loose woman, but stalks the photographer Richard, who is one of the members of the retreat we meet. It's hinted at that she was born a demon and she had impure thoughts and behaviors from the day she was born, yet Webb is never explicit enough with these revelations. Instead she leaves it all up to the reader's imagination, and I just don't like that because it's a cop out. She shows us these disturbing images and behaviors and then never fully goes to the root of the evil, therefore making the villain a sexually precocious child. That just freaks me out too much. And not in the good way. Instead I felt ill and the denouement and happily ever after left a bitter taste in my mouth because evil was left to be evil and the motives behind that evil were just to have her way with everyone especially these two men?

These two men who then form the other two corners of a love triangle wit Eleanor/Temperance. Because instead of Eleanor being involved in a healthy relationship she finds herself drawn into flirtations with the retreat's doctor, Nat, and one of the guests, Richard. This triangle felt so forced. Here is a professional woman trying to make a good impression at her new job and instead she is behaving like a lovestruck teenager... or should I say sexually precocious child? So the reason I hated this element of the narrative isn't that I just hate love triangles, because I do, I really really do, it's because the relationships don't feel like they organically develop. Which, I guess you could say, they didn't. But in order to achieve that happily ever after we bafflingly reach there has to be a kernel of truth amongst all the supernatural manipulations for the ending to be at least mildly believable. But in the end, looking at the whole story of Temperance Dare, I can't help think that it was a looong setup for very little reward. Sure, all the pieces fit into place, but mechanically. You have no emotions invested in the characters. It's too by the book. A paint by numbers narrative which would just horrify Henry, who was the resident painter at the retreat who worked in oils yet had no proper venting in his room for painting oils indoors. And then a happy ending where everyone gets what they want? That's not believable, that's contrived. I haven't read any of Webb's other books, but I hope there's a little more spark and a lot less plodding out of plot points. I can't take another book like this one, it was too predictable and plebeian.

Monday, November 20, 2017

Tuesday Tomorrow

Victoria and Albert: A Royal Love Affair by Daisy Goodwin and Sara Sheridan
Published by: St. Martin's Press
Publication Date: November 21st, 2017
Format: Hardcover, 304 Pages
To Buy

The official patter:
"The official companion to the second season of the PBS/Masterpiece drama Victoria by award-winning creator and screenwriter Daisy Goodwin.

More than 16 million viewers watched the first season of the Masterpiece presentation of Victoria, created and written by Daisy Goodwin―the highest-rated PBS drama in twenty years, second only to Downton Abbey. But what happened after the Queen married her handsome prince? Did they live happily ever after, or did their marriage, like so many royal marriages past and present, fizzle into a loveless round of duty?

This all-new companion book by Daisy Goodwin and Sara Sheridan transports us to the private world of Victoria and Albert. Though first cousins, they could not have been more different: Victoria was impulsive, emotional, and capricious, Albert cautious, self-controlled, and logical. But together they forged a bond with each other and with their people that would change the world. Drawing on letters and diaries and fresh insights into royal history, this gorgeous book charts the constant ebb and flow of power within the couple’s surprisingly ardent and modern marriage.

Sumptuously illustrated and full of rich insider detail, Victoria and Albert takes us behind the scenes of the magnificent TV drama, including fascinating, in-depth information on the actors, the props, and the costumes – and bringing an extraordinary royal marriage even more fully to life."

YAS! I need my Victoria/Daisy Goodwin fix until the Christmas special!

Killer Fashion by Jennifer Wright
Published by: Andrews McMeel Publishing
Publication Date: November 21st, 2017
Format: Hardcover, 56 Pages
To Buy

The official patter:
"A beautifully illustrated book about deadly fashion—real historical stories of strangulation by scarves, neckbreaking high heels, and riot-causing top hats—from the author of the popular histories Get Well Soon and It Ended Badly.

Isadora Duncan was Red
Put on a scarf; popped off her head
Fashion is silly, thought Stein
It may tear your head from your spine

A darkly comic book about some surprisingly lethal garments. Featuring stories like the untimely demise of dancer Isadora Duncan caused by her signature red scarf and the bloody riot that greeted the appearance of the first top hat, among many others, these bite-size accounts will frighten and delight. Killer Fashion includes over twenty of these short tales along with beautiful full-page illustrations. Both morbid and humorous, this book will appeal to fans of Edward Gorey and dark historical trivia."

Edward Gorey meets high fashion? SOLD!

Secrets of Cavendon by Barbara Taylor Bradford
Published by: St. Martin's Press
Publication Date: November 21st, 2017
Format: Hardcover, 400 Pages
To Buy

The official patter:
"From #1 New York Times bestselling author Barbara Taylor Bradford, comes a striking, breathtaking saga featuring the aristocratic Inghams and the Swann family, who have loyally served them for generations.

It’s the summer of 1949, and things have run smoothly at Cavendon Hall for years, with very few quarrels, dramas, or upsets between the two families. But since the end of World War II, changes have arrived at Cavendon. A new generation is at the helm, and also at the forefront of new scandal and intrigue. With romance, betrayal, heartbreak, and possible murder threatening to tear them apart, the Inghams and Swanns will have to find a way to come together and protect each other in the face of threats they never could have predicted.

Told with Bradford’s inimitable deftness of prose and a beloved cast of characters, Secrets of Cavendon is a captivating novel that will draw readers in and grip them until the very last page."

Seriously, after the horrendous previous volume I'm actually shocked she wrote another one... 

Murder in the Manuscript Room by Con Lehane
Published by: Minotaur Books
Publication Date: November 21st, 2017
Format: Hardcover, 320 Pages
To Buy

The official patter:
"The second in Con Lehane's 42nd Street Library mystery series, Murder in the Manuscript Room is a smart, compelling mystery in which the characters themselves are at least as interesting as the striking sleuthing.

When a murder desecrates the somber, book-lined halls of New York City’s iconic 42nd Street Library, Raymond Ambler, the library’s curator of crime fiction, has a personal interest in solving the crime. His quest to solve the murder is complicated by personal entanglements involving his friend―or perhaps more-than-friend―Adele Morgan. Not only does Adele’s relationship with the young woman staffer who was murdered get in the way of Ambler’s investigation, more disturbing for him is Adele’s growing interest in a darkly handsome Islamic scholar.

Soon the Intelligence Division of the New York Police Department takes over the case from NYPD homicide detective Mike Cosgrove, Ambler’s friend and sometimes partner-in-crime solving. Ambler suspects that the murder of the young woman, who’d been working at the library under an assumed name and the curious intervention of NYPD’s intelligence division are connected. The trail of intrigue leads to a seemingly unrelated murder in an upstate prison and a long ago murder of a trade union reformer.

No one else sees the connections Ambler is sure are there―not an unusual state of affairs for Ambler. But with the city’s law enforcement establishment determined to stop his investigation, the inquisitive and intrepid librarian faces challenges that may put his very life at risk."

Murders and libraries always iconic books to me. 

The Magic Misfits by Neil Patrick Harris
Published by: Little, Brown Books for Young Readers
Publication Date: November 21st, 2017
Format: Hardcover, 272 Pages
To Buy

The official patter:
"From award-winning actor, Neil Patrick Harris, comes the magical first book in a new series with plenty of tricks up its sleeve.

When street magician Carter runs away, he never expects to find friends and magic in a sleepy New England town. But like any good trick, things change instantly as greedy B.B. Bosso and his crew of crooked carnies arrive to steal anything and everything they can get their sticky fingers on.

After a fateful encounter with the local purveyor of illusion, Dante Vernon, Carter teams up with five other like-minded illusionists. Together, using both teamwork and magic, they'll set out to save the town of Mineral Wells from Bosso's villainous clutches. These six Magic Misfits will soon discover adventure, friendship, and their own self-worth in this delightful new series.

(Psst. Hey, you! Yes, you! Congratulations on reading this far. As a reward, I'll let you in on a little secret... This book isn't just a book. It's a treasure trove of secrets and ciphers and codes and even tricks. Keep your eyes peeled and you'll discover more than just a story--you'll learn how to make your own magic!)"

Um, it's Neil Patrick Harris, there isn't even a question about buying this book, gimme! 

The Complete Sookie Stackhouse Stories by Charlaine Harris
Published by: Ace
Publication Date: November 21st, 2017
Format: Hardcover, 384 Pages
To Buy

The official patter:
"For the first time together in one volume, the complete short story collection starring Sookie Stackhouse—with a new introduction from the #1 New York Times bestselling author of the series, Charlaine Harris.

For the first time together in one volume, here is the complete short story collection starring Louisiana’s favorite telepathic waitress, Sookie Stackhouse—from #1 New York Times bestselling author Charlaine Harris. New fans can fill in the gaps in their Sookie lore while old friends can revisit some of their favorite moments and characters. From investigating the murder of a local fairy to learning that her cousin was a vampire, from remodeling her best friend’s house to attending a wedding with her shapeshifting boss, Sam, Sookie navigates the perils and pitfalls of the paranormal world.

Belly up to the bar at Bon Temps’s favorite watering hole and hear stories that will make you wish Sookie never left, including...

“Fairy Dust”
“One Word Answer”
“Dracula Night”
“Lucky”
“Gift Wrap”
“Two Blondes”
“If I Had a Hammer”
“Small-Town Wedding”
“Playing Possum”
“In the Blue Hereafter”

This definitive collection is the perfect binge read for people who like their stories with bite!"

Is it really "complete" though? Does it have all the Sookie-verse stories without Sookie!?! Doesn't look like it...

Ramses the Damned: The Passion of Cleopatra by Anne Rice
Published by: Anchor
Publication Date: November 21st, 2017
Format: Paperback, 416 Pages
To Buy

The official patter:
"From the iconic and bestselling author of The Mummy and The Vampire Chronicles, a mesmerizing, glamorous new tale of ancient feuds and modern passions.

Ramses the Great, former pharaoh of Egypt, is reawakened by the elixir of life in Edwardian England. Now immortal with his bride-to-be, he is swept up in a fierce and deadly battle of wills and psyches against the once-great Queen Cleopatra. Ramses has reawakened Cleopatra with the same perilous elixir whose unworldly force brings the dead back to life. But as these ancient rulers defy one another in their quest to understand the powers of the strange elixir, they are haunted by a mysterious presence even older and more powerful than they, a figure drawn forth from the mists of history who possesses spectacular magical potions and tonics eight millennia old. This is a figure who ruled over an ancient kingdom stretching from the once-fertile earth of the Sahara to the far corners of the world, a queen with a supreme knowledge of the deepest origins of the elixir of life. She may be the only one who can make known to Ramses and Cleopatra the key to their immortality—and the secrets of the miraculous, unknowable, endless expanse of the universe."

Anyone else find it out that this blurb seems to be hinting that Anne Rice wrote The Mummy, when it was just The Mummy of Ramses the Damned NOT the iconic movie franchise. It's Egypt so I'll still read it... I just now have blurb issues...

Monday, November 28, 2016

Tuesday Tomorrow

Talking As Fast As I Can by Lauren Graham
Published by: Ballantine Books
Publication Date: November 29th, 2016
Format: Hardcover, 224 Pages
To Buy

The official patter:
"In this collection of personal essays, the beloved star of Gilmore Girls and Parenthood reveals stories about life, love, and working as a woman in Hollywood—along with behind-the-scenes dispatches from the set of the new Gilmore Girls, where she plays the fast-talking Lorelai Gilmore once again.

In Talking as Fast as I Can, Lauren Graham hits pause for a moment and looks back on her life, sharing laugh-out-loud stories about growing up, starting out as an actress, and, years later, sitting in her trailer on the Parenthood set and asking herself, “Did you, um, make it?” She opens up about the challenges of being single in Hollywood (“Strangers were worried about me; that’s how long I was single!”), the time she was asked to audition her butt for a role, and her experience being a judge on Project Runway (“It’s like I had a fashion-induced blackout”).

In “What It Was Like, Part One,” Graham sits down for an epic Gilmore Girls marathon and reflects on being cast as the fast-talking Lorelai Gilmore. The essay “What It Was Like, Part Two” reveals how it felt to pick up the role again nine years later, and what doing so has meant to her.

Some more things you will learn about Lauren: She once tried to go vegan just to bond with Ellen DeGeneres, she’s aware that meeting guys at awards shows has its pitfalls (“If you’re meeting someone for the first time after three hours of hair, makeup, and styling, you’ve already set the bar too high”), and she’s a card-carrying REI shopper (“My bungee cords now earn points!”).

Including photos and excerpts from the diary Graham kept during the filming of the recent Gilmore Girls: A Year in the Life, this book is like a cozy night in, catching up with your best friend, laughing and swapping stories, and—of course—talking as fast as you can."

Yes, it feels a little bit too much of a tie-in to the show returning, but really, who cares? It's Gilmore Girls! 

Prince Lestat and the Realms of Atlantis by Anne Rice
Published by: Knopf
Publication Date: November 29th, 2016
Format: Hardcover, 480 Pages
To Buy

The official patter:
"From Anne Rice, conjurer of the beloved best sellers Interview with the Vampire and Prince Lestat, an ambitious and exhilarating new novel of utopian vision and power.

"In my dreams, I saw a city fall into the sea. I heard the cries of thousands. I saw flames that outshone the lamps of heaven. And all the world was shaken . . ." --Anne Rice, Prince Lestat and the Realms of Atlantis

At the novel's center: the vampire Lestat de Lioncourt, hero, leader, inspirer, irresistible force, irrepressible spirit, battling (and ultimately reconciling with) a strange otherworldly form that has somehow taken possession of Lestat's undead body and soul. This ancient and mysterious power and unearthly spirit of vampire lore has all the force, history, and insidious reach of the unknowable Universe.

It is through this spirit, previously considered benign for thousands of vampire years and throughout the Vampire Chronicles, that we come to be told the hypnotic tale of a great sea power of ancient times; a mysterious heaven on earth situated on a boundless continent--and of how and why, and in what manner and with what far-reaching purpose, this force came to build and rule the great legendary empire of centuries ago that thrived in the Atlantic Ocean.

And as we learn of the mighty, far-reaching powers and perfections of this lost kingdom of Atalantaya, the lost realms of Atlantis, we come to understand its secrets, and how and why the vampire Lestat, indeed all the vampires, must reckon so many millennia later with the terrifying force of this ageless, all-powerful Atalantaya spirit."

Seriously, if you're laughing as hard as I am after reading this synopsis, let's be best friends! 

Monday, November 29, 2010

Tuesday Tomorrow

Of Love and Evil by Anne Rice
Published by: Knopf
Publication Date: November 30th, 2010
Format: Hardcover, 192 Pages
To Buy
The official patter:
"“I dreamed a dream of angels. I saw them and heard them in a great and endless galactic night. I saw the lights that were these angels, flying here and there, in streaks of irresistible brilliance . . . I felt love around me in this vast and seamless realm of sound and light . . . And something akin to sadness swept me up and mingled my very essence with the voices who sang, because the voices were singing of me . . . ”
Thus begins Anne Rice’s lyrical, haunting new novel, a metaphysical thriller of angels and assassins that once again summons up dark and dangerous worlds set in times past. Anne Rice takes us to other realms, this time to the world of fifteenth-century Rome, a city of domes and rooftop gardens, rising towers and crosses beneath an ever-shifting layer of clouds; familiar hills and tall pines . . . of Michelangelo and Raphael, of the Holy Inquisition and of Leo X, second son of a Medici, holding forth from the papal throne . . . And into this time, into this century, Toby O’Dare, former government assassin, is summoned by the angel Malchiah to solve a terrible crime of poisoning and to search out the truth of a haunting by an earthbound restless spirit—a diabolical dybbuk.

O’Dare soon discovers himself in the midst of dark plots and counterplots surrounded by a darker and more dangerous threat as the veil of ecclesiastical terror closes in around him.

As he embarks on a powerful journey of atonement, O’Dare is reconnected with his own past, with matters light and dark, fierce and tender, with the promise of salvation and with a deeper and richer vision of love."

Glad to see Anne Rice back doing something I might actually want to read.

The Buntline Special by Mike Resnick
Published by: Pyr
Publication Date: November 30th, 2010
Format: Paperback, 300 Pages
To Buy
The official patter:
"The year is 1881. The United States of America ends at the Mississippi River. Beyond lies the Indian nations, where the magic of powerful Medicine Men has halted the advance of the Americans east of the river.

An American government desperate to expand its territory sends Thomas Alva Edison out West to the town of Tombstone, Arizona, on a mission to discover a scientific means of counteracting magic. Hired to protect this great genius, Wyatt Earp and his brothers.

But there are plenty who would like to see the Earps and Edison dead. Riding to their aid are old friends Doc Holliday and Bat Masterson. Against them stand the Apache wizard Geronimo and the Clanton gang. Battle lines are drawn, and the Clanton gang, which has its own reasons for wanting Edison dead, sends for Johnny Ringo, the one man who might be Doc Holliday's equal in a gunfight. But what shows up instead is The Thing That Was Once Johnny Ringo, returned from the dead and come to Tombstone looking for a fight.

Welcome to a West like you've never seen before, where "Bat Masterson" hails from the ranks of the undead, where electric lights shine down on the streets of Tombstone, while horseless stagecoaches carry passengers to and fro, and where death is no obstacle to The Thing That Was Once Johnny Ringo. Think you know the story of the O.K. Corral? Think again, as five-time Hugo winner Mike Resnick takes on his first steampunk western tale, and the West will never be the same."

This could be really really cool like Firefly, or really really bad like the Will Smith movie Wild Wild West.

Older Posts Home