Interview with the Vampire
My awakening to vampires didn't happen until 2001. Of course I knew about vampires, I just didn't seek them out. It took Buffy and William the Bloody for that to happen. But prior to that I wasn't in the dark. I knew who Anne Rice was because of an art class acquaintance who was obsessed with her books. I think she was actually the only Goth at my high school which makes me sad. There should have been more. And then you could not be alive in the nineties without knowing about the Tom Cruise Lestat casting controversy. But again, it was background noise. I didn't even see the Interview with the Vampire movie until it was on basic cable. Then I saw it. A lot. Randomly. It's one of those movies you just kind of watch some of and get drawn inexorably in. Eventually, as in only about ten years ago, I thought it was time for me to finally read Interview with the Vampire and I really didn't like it. Gave the book away didn't like it. What's odd is the only thing I actually remember about the book, other than hating it, is Claudia's death scene. That's very vivid in my mind. Also I kind of what to re-read it to see if it's really as bad as I thought it was, so it just goes to show I should hold on to all my books for ever and ever. Which makes it oddly strange that I was so excited for AMC's new Interview with the Vampire. But I was. And it was magical. It transformed the book into something more. The book became a starting off point and from their it grew to be about sexual identity, racism, family, justice, relationships, trauma, abuse, truth, as Louis says at one point to Daniel, now older, wiser, grumpier, and played perfectly by Eric Bogosian, we are on an odyssey of memory. And memory changes, becomes warped, distorted by love and hate. This adaptation is very insular, an almost claustrophobic little world, where thought and language and words are king. Daylight is never seen, everything happens in these opulent little rooms in New Orleans that look and feel like jewel boxes. You actually feel the suffocation that Louis feels while around Lestat. The words swirl around and around in your head so that after an episode you feel lightheaded, as if somehow they snuck into your house and drained you of blood while you watched. Every change is so much for the better that I can not praise the writers of this series enough. But the biggest improvement is when Louis refuses to talk about Claudia's rape at the hands of another vampire. He says that he will not exploit her pain. And that's when I realized the showrunners really knew what they were doing. Claudia's exploitation almost to the point of child pornography in the book is what alienated me from it and they knew they had to point blank say that this adaptation was going beyond the book, making it more modern, more thoughtful, and yes, even a bit more Grey Gardens. And if this entire adaptation just existed to give me Lestat and Louis as Big and Little Edie, then I say it was a job well done.
Interview with the Vampire gave me false hope that Mayfair Witches would be equally good, despite different creators, writers, and cast, though oddly sometimes repurposed sets. I should have known better. This is the new Anne Rice "immortal universe" that AMC is fully embracing and we're getting the full range of her writing, and not all of that was good. There is literally a third show in development as I write this, possibly more by the time this publishes. The thing is within this "immortal universe" this is the trailer trash end. This is AMC by way of V.C. Andrews. I mean Harry Hamlin was actually in a V.C. Andrews adaptation only six months previously to Mayfair Witches airing. The problem is they don't realize they're V.C. Andrews, they think they are better than that. Lifetime's V.C. Andrews adaptations are a joy to watch because they know exactly what they are, unlike this show. Mayfair Witches' opening credits alone hit you over the head with a mallet with there "subtle" White Lotus Southern Gothic vibe. Just because your star was on the first season of White Lotus that does not give you permission to ape the style. Especially because it's not carried through the rest of the show. It's an aberrant opening credit sequence to trick the viewer. It's just infuriating. I would gnash my teeth just watching them. And given I don't live in a bubble and I talk to other people I am still shocked this got a second season. The number one problem noted time and again in my discussions with fellow viewers is the pacing. This show is glacial. It took them eight episodes to do what could have been done in a single TV movie. And still they omit things. Mayfair Witches is eight episodes of WTF and why am I watching this. And no matter how obsessed the internet is with Alexandra Daddario I will never get it. I have seen no evidence that she can actually act and her character is totally unlikable, which is actually a problem for all the characters in this series minus the marvelous Jen Richards as Jojo. I'd watch a show about Jojo. So if that's the forth "immortal universe" show then I'm down with that. I mean, how did they ruin Jack Huston!?! Gaw! But the WORST problem of all is that I think they think the viewers are stupid. How have I come to this conclusion? The subtitles. In the flashbacks to Scotland, which yes, I confirmed it's Scotland, the accents due tend to wander and slip and if you occasionally thought they were Irish I forgive you. So instead of fixing this problem by redubbing with actors who could do the accents much like the Andy MacDowell Greystoke controversy, they had the brilliant idea of subtitles. Now I was watching this show at the same time as Karen Pirie, which has true Scots accents, and this subtitling infuriated me. I really couldn't decide if they thought their viewers couldn't comprehend or they knew their actors were horrible. And maybe that's the problem at the bottom of this all, do they realize what a bad job they are doing or are they aware and trying to right a sinking ship? Either way I won't be turning into season two. Unless they are evil geniuses and figure out someway to tie this into the divine Interview with the Vampire... But even then there are enough websites that write summaries of shows that I don't think I'll be forced to endure anymore of whatever this is.
