Showing posts with label Unity Mitford. Show all posts
Showing posts with label Unity Mitford. Show all posts

Wednesday, July 27, 2016

Book Review - Barbara Taylor Bradford's The Cavendon Luck

The Cavendon Luck by Barbara Taylor Bradford
ARC Provided by the Publisher
Published by: St. Martin's Press
Publication Date: June 7th, 2016
Format: Hardcover, 512 Pages
Rating: ★
To Buy

The Cavendons and the Swanns have weathered tragedy and loss but have always had luck and the wherewithal to marshal their resources and come out on top. They will need that luck more than ever as the clouds of war start to mass over Europe. They see hard times coming and retrenchment will happen, but as long as they can stand as a united front they are undefeatable. The eldest "D" Dierdre is more aware of the dire situation they all face than the rest of the family. After the sudden death of her husband she returned to her covert work with the government. Burying her sorrows in work with a purpose. Now her work has a purpose much closer to home. Her sister-in-law Cecily has a devoted employee whose family is still in Berlin. To make matters worse they are Jewish intellectuals. Dierdre will use her connection at the war off as well as an old friend to attempt to save one family of the millions that will die. But this is just one part of the larger war machine that is starting up. On the homefront there is preparations to be made, jams to be canned, inappropriate alliances to be quashed. While once war breaks out there are children fighting in the fields to worry about, danger from the skies, and worry every single day. Not all the Cavendons will live to see the end of the war. But life during wartime the cruelest of sacrifices are to be dreaded, though sadly expected.

For some reason I feel duty bound to have liked this book or to find something positive to say about it but the only thing I can think of to say is that it was insipid. And that's being kind. Each volume in this trilogy, please say it's only a trilogy, has been declining in quality and the rapid descent from The Cavendon Women to The Cavendon Luck has made me question the need to keep the first two volumes on my bookshelves. Each book has had less and less to make it work to the point where I was severely struggling to even finish The Cavendon Luck. It is not a joke to say that when I hit the half-way point in this book I had to put it down for almost a month to steel myself to push on through to the end. Now I'm not saying this was as heroic as those brave fishermen Bradford incongruously writes about evacuating troops from the shores of Normandy... but I did feel like I was at war with this book just to get through the next page let alone the next chapter with waves of repetitive and self-congratulatory writing buffeting me about. The entire book was a stagnate quagmire with no forward momentum. There's no desire to read on to see the characters develop and grow, which they of course don't. In fact Bradford is continually stating the characters ages in an apparent need to remind us that time is indeed moving, because the sad fact is, Cecily at fifty-something is the exact same as she was as a teenager. And Taylor reminding us? Well, that just shows she knew the flaws existed and didn't bother to fix them.

But what is remarkable about The Cavendon Luck is that this must be the most asinine handling of WWII I have ever read. This can be broken down into the covert antics pre-war and the stock vignettes during the war. And seriously, I'm not sure which is worse, you'll have to decide. And yes, you can make your decision from my review, I'd never force anyone to read this book. As it was stated earlier, the oldest "D" aka Dierdre, is in "intelligence." A well-known secret in the family that NO ONE talks about or has actually bothered substantiating with Dierdre. So Dierdre takes up much of the narrative with attempting to get the family of Cecily's worker out of Germany. My problem with this is that firstly, Cecily's assistant is a new character, so why should we care about the plight of people who we aren't emotionally invested in? Yes, this might sound callous because all human life is important, but narratively speaking it was Bradford's job to make us care. And she doesn't! But most importantly it's the ludicrous codes and pet names that Dierdre uses in her daily work calling her contacts that makes this plot line unbearable. If this had been done tongue-in-cheek, like say The Avengers, it could have worked. But every time Dierdre was referred to as Daffy Dilly or the weather was mentioned as to gauge how things were in Germany, gag me now. Please. It took something that should be fascinating and made it cartoonish. Just no. And as for that family needing evacuation? Oh, they'll be evacuated and then their plot line will be left dangling with a quick sentence later on thrown to us as a bone.

Yet little did I know that "Daffy Dilly" would be sophisticated to what came later. I groan just even remembering it. For some reason Bradford decided to handle the war itself in the swiftest and most oblique way possible. Little vignettes with people we may or may not know in different defining moments of the war, from the London Blitz to Dunkirk, all book-ended by long quotes from Churchill. And oh gee, wasn't Churchill just the best! It just seems such a weird way to handle the war. A book that's been all about the personal connection to these two entwined families becomes something akin to a WWII special shown for Veterans Day on PBS. A highlights reel of what the brave British endured. But of course we can't have the war overshadow our story, it's only about a fifth of the book. So why even have the war in the book then? I just don't get the handling of time in this series. To luxuriate and draw out say a three week period where the family goes to Europe and have the same page count for the entirety of the war makes no sense. Time stops and starts, juddering about, stagnating and then whooshing by at the speed of light taking many family members in it's wake. But this writing style has been problematic from the beginning it's just in the final volume that I have to say enough is enough. No more of this doggerel.

Sticking with the war, I really want to know how the Cavendons and the Swanns were so omniscient. The ENTIRE book leading up to the war was them discussing the fact war was coming. Yes, war was looming ever since the strictures forced on Germany at the end of WWI, but to have everyone talk about it so blithely and confidentially seemed wrong. There's preparedness and then there's omniscience that comes from a modern writer wanting to make her characters seem smarter and more prescient. Yes, it's great that the WI played such a key roll and actually their jam making and preserves might be one of the only interesting parts of this book, and makes me want to learn more about that, but then there's the flip side. I'm not talking about the whole Churchill is the future and will save us, which is a whole other kettle of fish, I'm talking about Cecily, in particular, being confident in the coming war and not just being a savvy business woman with scaling back her fashion empire, but strategically buying warehouses that the army would need which she would then lease to them. There's a word for that. War profiteering. So not only did I become sick of the love-in between the Cavendons and the Swanns, but I grew to despise them because they come above all else and they will stoop to anything when it comes to preserving the family home. Even profiting from death!

Going beyond the war, looming or otherwise, the basic framework of the D's has always been very much influenced by the Mitford sisters. In this installment it got absurdly so. In fact so much of the D's and in particular their trip to Germany was ripped right from the life of the Mitfords that I felt it was veering on plagiarism. Bradford even compounded this problem by mentioning the Mitfords at one point. If you've read any of the biographies written on or by the Mitfords the whole feel of Berlin was lifted almost verbatim from their pages. Yes, this series originally intrigued me because it was like a mirrored Mitford life, but once it left homage and veered into stealing outright, this has become the darkest timeline. Just don't read this series anymore. From the beginning of the book I was thinking that this series would continue on because poor DeLacey has never been showcased. Turns out DeLacey is the Pamela or Unity Mitford of our tale, first relegated to the sidelines and them unceremoniously killed in an air raid. And, as someone who felt sorry for her, I came to the conclusion that her death was the best for all of us. Hopefully it means no more books about the Cavendons. Seriously. This is my biggest wish for the future.

Thursday, September 25, 2014

A World Without Mitfords

Deborah Mitford has died. This is the first time in over a hundred years that we haven't had a Mitford sibling still in the world, and it will be a far sadder place because of it. As the luminaries of the world, from celebs to royalty step forward to share their grief, I say pick up a book (even if she claimed she wasn't a reader) and enjoy the life that Debo lived, chronicled in many tomes. For what is death but the period at the end of a great life story. The last of the Mitfords shall forever be remembered, for her love of animals, chickens in particular. Here's to Debo! 31st of March 1920 to 24th of September 2014.

Friday, March 28, 2014

Book Review - Nancy Mitford's The Blessing

The Blessing by Nancy Mitford
Published by: Vintage
Publication Date: 1951
Format: Paperback, 256 Pages
Rating: ★★
To Buy

Grace Allingham is engaged to a nice English boy. He didn't push for the marriage to happen before the war and therefore when Charles-Edouard de Valhubert comes into her life and sweeps her off her feet, it's really Hughie's own fault for not locking that down. Charles-Edouard is French and exciting. He loves art and beauty and Grace. Grace, like her father, is taken by all things French and is therefore really taken with her new husband. They have two glorious weeks together till he ships out and she doesn't see him for seven years. In those two weeks she managed to get pregnant, so the seven years away from her husband that she barely knows is spent raising their son Sigi and tending goats.

A year after the war is over Charles-Edouard sweeps back into Grace's life and whisks her away to France and a new life. Only Charles-Edouard is determined to continue living his old life. Sure, he has a wife and son, but that doesn't mean he's not going to reunite with his mistresses and perhaps pick up a few more. When Grace catches him in the act she flees back to England and the familiar. The couple want to reunite, but they both want what the other can't give. Meanwhile Sigi sees an opportunity. It appears to him that keeping his parents apart might benefit him. He would no longer be ignored but would be lavished with presents and attention. Plus, if he could also get bribes off of perspective suitors for his mother's or father's hand in marriage... he might come out very well, as long as his parents don't rumble his con.

The Blessing is an odd novel in that it feels like you are reading about ghosts long gone, a feeling enhanced by the visit to the Père Lachaise Cemetery in the book. Grace Allingham and Charles-Edouard de Valhubert are quite literally Linda Radlett and Fabrice de Sauveterre from The Pursuit of Love brought back from the dead. There are many questions this brings up. Is The Blessing a long "what if" novel wherein Nancy was wondering one day what would have happened if Linda and Fabrice hadn't died? Did she just love these characters so much that though she parted with them she had to bring them back in some way? Or was she using the ghosts of the past to recapture the best seller cache of her previous two novels, The Pursuit of Love and Love in a Cold Climate? All or none of these things may be true, but as a reader I felt like I was just trudging over terrain I had already gone over and over and was now trapped in a rut. There are only so many phone conversations between louche Frenchman and naive English girls that one can take in a lifetime and I think I have had my fill.

By giving Charles-Edouard/Fabrice and his lackadaisical morals full reign the book, no matter how Nancy tries, isn't a love story but a reflection of an amoral society that you aren't quite sure she's making fun of or even trying to justify in some sick way. The situations in The Pursuit of Love are able to push Fabrice into being a loving antihero for awhile, but without the strictures of the war, you see that Fabrice would have easily reverted to Charles-Edouard and his philandering ways. Charles-Edouard in some ways does love Grace, but the truth is, it isn't a love I would accept on any level. She must abide by his character or else lose him.

How is this fair? And why does everyone expect Grace to just accept this? Charles-Edouard has a long standing mistress, but of course it's "innocent" because the sex doesn't matter as much as the conversation. Then there's the young nubile mistress who Grace catches him with, though he still denies that there wasn't anything wrong with what she saw. Then there's the danger of any pretty woman anywhere that he might just wander off with at a moments notice. Yet Grace is expected to just be ok with this? No. It's not funny, it's not ok, it's sad. Everyone deserves to be loved exclusively without caveats. Sorry Nancy if you think this is acceptable, I don't.

And speaking of Nancy, and her sad Francophile life... the truth is maybe she didn't find this acceptable but she was trying to justify her own life. In 1942 she met a man, Gaston Palewski. He worked closely with Charles de Gaulle and was key in the French government for many years. Nancy fell in love, hard. Gaston was the love of her life, she dedicated a book to him and based both Fabrice and Charles-Edouard on him. Sadly, she wasn't the love of his life and he would never give up his ways as a reckless womanizer. In 1946 she moved to Paris to be closer to Gaston, with her life revolving around whenever he could spare a moment for her. She was willing to drop any plans if she could see or hear him for just a few minutes.

This obsession is oddly similar to Unity's obsession with Hitler and the stalker qualities it brought out in her. Nancy could easily be said to have been Gaston's stalker, seeing as their relationship was mainly one sided. She would have killed herself willingly for Gaston, a situation he found flattering and amusing. In 1969 Gaston married another one of his mistresses who was not much younger then Nancy. Nancy soon after became ill and eventually died of Cancer. He broke her heart. The Blessing might be see as one long justification of the life Nancy lived, a way to con herself into believing that just being a part of his life, just being one of his women was enough. I, on the other hand, find it heartbreaking. That such a smart, witty, bright woman could think that this was enough for her, that this was the life she deserved, it breaks my heart.

Friday, March 7, 2014

Book Review - The Sisters: The Saga of the Mitford Family

The Sisters: The Saga of the Mitford Family by Mary S. Lovell
Published by: W. W. Norton and Company
Publication Date: March 17th, 2003
Format: Paperback, 640 Pages
Rating: ★★
To Buy

The Mitford sisters were the most dynamic family in England during the 20th century. They were front and center for world events, two of them even being so reviled in their own country that they were the subject of public scorn and debate in the houses of parliament. Despite a slightly unconventional upbringing with no medical care, little schooling, and constantly moving houses due to monetary issues, all six of the sisters would leave their mark on the world. Nancy as a great author, Pamela as a loving aunt, Diana as a notorious fascist married to Oswald Mosley and imprisoned with him, Unity who was in Hitler's inner circle and tried to kill herself when WWII was declared, Jessica who became the red sheep of the family with her Communist leanings as well as a noted journalist, and then Deborah, the Duchess of Devonshire.

Such a clash of personalities and all in one family couldn't help capture the attention of the world. But this book explores not just the public image, but all the horrors of their lives; the marriages (7), the divorces (3), the children (14), the miscarriages (7+), the stillbirths (3), the lost children (2), the abortions (2), the deaths in the war (2), the attempted suicides (2), Cancer (2), the list goes on and on; because once you look into a person's life, you realize the sadness that is masked by the joie de vivre and the sparkling wit.

Very rarely have I experience this phenomena, but I am reading a book and I start to notice things, really just little things, but soon they gain momentum. The text is uneven, but obviously skewed purposefully. One section is lavished with attention, the littlest details are lingered on, while other sections are rushed through like an oncoming train, speeding past important details to get back to that other subject. The more you read the more obvious it becomes that the author doesn't love what they are writing. Why would you write something that you didn't love? Yes, I could go into contracts and all that here, but I won't. Instead, perhaps it's because there is one small aspect that they are fascinated with and were sadly saddled with the rest. They are not writing the book they want to write, and it shows.

The most obvious example I have is the book Fear of Music by Jonathan Lethem. This book is part of the 33 1/3 series that has an author cover an album track by track. Lethem did the Talking Heads album "Fear of Music." You can see that he loves this band, but you get the distinct impression that this isn't the album he wanted to write on. What happened with Fear of Music is that, aside from being the worst book I've ever read, is that there was this imbalance, like in The Sisters, where you could feel the author's discontent and it resulted in your discontent, which eventually escalated into rage, and then you and your book club are coining the phrase "rage reading" to signify how the book made you feel as you pushed through to the bitter end.

An unhappy author leads to an unhappy reader. Letham loves Talking Heads but didn't love the album he was saddled with, much like Mary S. Lovell loves Unity Mitford, while the remaining five sisters she couldn't care less about. Look at it this way, for 200 pages occupying 10 years of the 20th century, roughly 40% of the book, Unity is front and center. This book covers 106 years but 40% is in the war years. Yes, a lot did happen to the Mitfords during this time... but still... this leads to decades of Jessica and Nancy's lives being glossed over and we hardly know what Pamela was up to! If this book was equal in weight Unity should have only occupied about 16% of it. In simpler terms, Mary S. Lovell really needed to just write a biography on Unity and not have disguised it as a biography on "The Sisters." Therefore right from the start, the author was not the ideal candidate to write this book because she didn't have a love of the subject.

A lack of love can lead to many problems. Mainly you wouldn't care if you fudged the details, got some things wrong, moved space and time, because if it wasn't about that one slightly deranged Nazi loving Mitford, what does it matter right? Well, to us readers who wanted to read about the Mitfords, it matters a lot. Also it brings into question the whole idea of accuracy. If I can find errors in this book, big, obvious glaring errors, how can I trust anything that she is telling me? The first warning signal was when the author said that the Mrs. Simpson affair with the King was all the newspapers were talking about. NO! People might have been talking about it, but out of loyalty to King and country the story didn't break in the newspapers till literally DAYS before the abdication, not months, not early in the year, I believe the author hints at February, but DAYS before it happened, in DECEMBER! So right there, anything that she says might be a lie or wrong.

The author also distorts facts into her favor. She's loosey-goosey with dates having things timeslip to when it suits her. In the chapter about the year 1938 she has moved events that happened in 1937 to better fit her narrative (just check the footnotes to see what I'm talking about). Past, present, and future apparently can all happen when Mary S. Lovell decrees it. Borrow a bit from the future, add bit from the past and viola, this certain year was made a little more interesting, but a lot more inaccurate. Not to mention her other foibles of how she refers to herself in the footnotes... pick first or third person, stop switching it up already! Or that she assumes you know every minor celeb from the day, you know what they say about assuming... only, you're the ass Mary, not me.

So, I'm guessing by now I've pretty much turned you off reading this book, so my work here is done. The Sisters is a flat, skewed history that lacks the sparkling wit and vivacity of any of these amazing sisters. Yes, I might have learned a few new things about them, but I don't know if I can trust the source at all so it's really all hearsay. But then again, reading up on the Mitfords, they had a tendency to mythologize their own lives, so can anything we learn about them be the whole truth? Well, one thing is certain, you're not going to get any sort of truth in this book. And for such a literary family, it's a sin to pick up secondary source materials. If you want to know more about them read Nancy's books, pick up Decca's or Diana's autobiographies, choose from the vast books of Debo's. Why bother with anything else when you can get a first hand account? Sure they might be trying to make themselves look better or exaggerating a story for laughs... but it's how they would have wanted you to know about them, not through some hack writer, but through their own words... which Mary S. Lovell borrows freely to pad her book, which makes her own writing appear even more wane.

Wednesday, March 5, 2014

Unity and Pamela Mitford

Unity and Pamela are possibly the most diametrically opposed of the Mitford sisters, with Unity being the most notorious for her relationship with Hitler, and Pamela being the most unobtrusive, settling for a life out of the limelight with her horses. The warrior and the woman.

Unity Valkyrie Mitford was ironically conceived in Swastika, Ontario, where her parents would occasionally work a gold mine they owned. Later when she became involved with the Third Reich she would take this as a sign that she was destined to be with Hitler. By the time Unity was debuting in society her family had already made quite a ruckus, with her sister Diana leaving her husband, the heir of the Guinness fortune, for Oswald Mosley, the head of the British Union of Fascists. Unity was never the wit or the beauty of the family and seemed to set herself apart through her shock value. She notoriously would bring her pets to balls and when things got a little boring she would spice them up by saying her rat or snake was on the loose. She longed to find the perfect tease and initially she thought she had found it by joining the BUF and setting up against her younger sister Jessica and her fervent communist beliefs. But Unity's tease seems to have become real devotion, if a bit fanatical, to fascism. 

Unlike her sisters she didn't want to be "finished" in France and begged to go to Germany. Her parents relented and soon Unity found her place in the world and in history, dubious though it may be. She became obsessed with the Nazis and worshipped Hitler, spending months and months figuring out his routine and how she could cross paths with him. Her months of stalking paid off and she soon became a confidant of Hitler's, one of his inner circle. No one knows the extent of their relationship, but they were frequently in each others company. There is every chance that it was just true friendship and not salacious at all, but their closeness as war loomed on the horizon made Unity one of the most reviled women in England, along with her sister Diana. As war seemed more and more inevitable those close to Unity worried about her because she began to make cryptic messages about not being around if there was war because she couldn't face the two countries she loved fighting. On the day war was declared between England and Germany Unity shot herself in the head, but survived. She would live to see the end of the war in a bizarre infantile state brought on by the brain damage the bullet wrought. She would never make a full recovery and contacted meningitis and died before she was even 34 years old.

Unlike Unity, Pamela was quiet and retiring, the rural Mitford. She was called "Woman" by all her family members for her domestic aptitude and her love of home and hearth, becoming "Tante Femme" to her various nieces and nephews whom she adored. Pam also loved the horse and hounds life even though she had problems with one of her legs due to a case of polio as a child, which would trouble her more and more as she aged. She married and divorced without making waves and spent several of the war years caring for her sister Diana's children while Diana was in prison, but was sadly not blessed with her own children, suffering several miscarriages. Living for years on the Cavendish estate in Ireland, she eventually settled down in Zurich where she lived with an Italian horsewoman, Giuditta Tommasi. Much like Unity and Hitler, there was much speculation even among the other siblings about the relationship between Pam and Giuditta. Pam was still living an active life till the end, not letting age (and considerable age at 86) slow her down. On her deathbed her main concern was "Who won the Grand National."

Saturday, March 1, 2014

Mitford March Mach Deux

Last March I finally was able to get around to doing my long planned "Mitford March." I had so much fun delving into the lives and loves of this eccentric family that I decided to do it again! Well, that's stretching the truth a bit, the fact is when I made up my reading list last year I realized I had more books then would fit in one month (yes, I have a lot of books by and on them, would you expect anything less?) So I thought, just perhaps, if it works the first time, I might do it again. Huzzah! It worked and I'm back with more (worked as in, didn't bottom out with you, my readers, like February always does, you fickle fickle audience, I love everyone of you).

Last spring, while mentioning all six of the sisters raised in such an unorthodox manner to make Anglophiles sqwee with joy and historians of the bright young things generation pant, I concentrated on the most, not literate, but most proficient literaryily speaking, those being Nancy, Jessica, and Deborah (go Debo). That meant I kind of left poor Diana, Unity, and Pamela by the wayside... well two of them were Nazis, so history has labelled them the losers and therefore they must wait. So this March, not only am I concentrating on the less popular of the sisters, as well as some more from Nancy, seriously Vintage publishing has got to stop putting dents in my pocketbook, but the group of sisters as a whole... that's right, it's time to start bringing in the outside biographies! So here's to March! Here's to Debo's 94th birthday! And here's to the Mitfords!

Wednesday, April 3, 2013

Book Review - Nancy Mitford's Wigs on the Green

Wigs on the Green by Nancy Mitford
Published by: Vintage
Publication Date: August 10th, 2010
Format: Paperback, 192 Pages
Rating: ★★★★
To Buy

"I discovered Nancy Mitford as a teenager and haven’t looked back since. She even supplanted Evelyn Waugh in my affections—which, considering Brideshead and the glorious inanities of Decline and Fall, took some doing. When I was writing The Ashford Affair, I used Nancy Mitford’s works as an idiomatic style guide; if someone in The Pursuit of Love said it, there were good odds my aristocratic characters might as well. 

Of course, all this Mitford immersion did have some unintended side effects. I spent several months running around referring to everything as “too too utterly!” or “too too shame-making!” (Note: it does wear off after a few weeks or with serious application of Elizabeth Peters novels.)" - Lauren Willig

Noel Foster has come into some money. So, he decides to get his money to work for him. He will set himself up as a rich bachelor in order to entice an heiress his way. Therefore, the money just needs to hold out until his hoped for nuptials. Unfortunately, he has asked for the help of his friend Jasper Aspect, who is quite good at parting Noel from his money and making it disappear at a prodigious rate. So they remove themselves from London to Chalford, where the heiress Eugenia Malmain lives. Of course, she's a bit odd... in that she is a fanatic fascist and will convert anyone to the cause. Noel and Jasper quickly sign up in the hopes that it will bring them closer to the goal of Noel marrying Eugenia, his targeted heiress. Though soon the town has a rather wealthy lady on the run from her wedding day along with her best friend Poppy, who rather thinks Jasper is nicer then her own husband, as well as a few Private Eyes. If only Noel could fall for Eugenia and tie everything up, but sadly, he falls for the local beauty who is under the mistaken assumption that Noel is deposed royalty. In true British fashion, everything goes haywire and then ends with a fete. Yet, what are the fates of those involved?

When perusing Lauren Willig's list of books that inspired The Ashford Affair, I saw this little, long out of print book by Nancy Mitford among the other tomes. I turned around and looked at the little volume sitting on my shelf and it spoke to me. In fact, all the Nancy Mitford books got so chatty that I ended up doing my long thought of "Mitford March" because of their insistence. Also, as Lauren and Nancy have said, if I hadn't I would have probably been "too too shame-making" and my Mitford books would have run away. Oddly enough the book that inspired this idea ended up being the last read on my Mitford binge. Wigs on the Green is an interesting book, not just for the humor and the sly pokes at Nancy's family, but because of the controversy surrounding it. Because it deals with Fascism (in a humorous way) and pokes fun not only at Nancy's sister Unity, but also her sister Diana, and Diana's husband to be, Walter Mosley, the three darlings of Hitler. The book understandably infuriated quite a few members of her family and resulted in some long and awkward silences. Therefore, when her publisher requested the rights to reprint, Nancy denied them. Whether this was for her families sensibilities and a desire to restore the calm, or whether it was because she truly believed that Hitler's atrocities were so serious and horrid, that it was no longer a laughing matter, we will not know.

Thankfully when Nancy's back catalog was being re-released, Wigs on the Green was among those selected. I personally believe that it must have been family pressure that resulted in this books long absence, because I don't think that her excuse of not laughing at Hitler is valid. Yes, he was pure evil, yes, it wasn't a laughing matter... but the way to take away someone's power is to laugh at them, and Nancy loved to tease and everything was a laughing matter to her. Look to Harry Potter, and yes, it's an odd digression I admit. In Prisoner of Azkaban, Professor Lupin has the students face a boggart, which is a shape-shifter that takes the form of your worst nightmare. The spell that destroys the boggart, Riddikulus, forces the nightmare to take on a humorous form and is then destroyed by laughter. Proving, in the most simplest of terms, that by laughing at something or someone, you take away their power. This book should have been widely distributed to soldiers everywhere, so, her publisher was right on that count. Everyone needs a laugh, and a laugh at the enemies expense is all the better.

As for the laughing. This book was seriously funny, especially if you know a little British history. The send up of the Blackshirts with the Union Jackshirts with their absurd outfits and laughable fervor. I think that Eugenia is probably the only earnest believer in Fascism, while all the rest are just joining the bandwagon, and the fact that Eugenia has been so sheltered, her fervent belief is to be laughed at like that one friend you had in high school who spent all their time lecturing you on why Pepsi was evil because of various civil rights infringements that they could never explain properly to you, but insisted you join their boycott. And that is where the humor really lies, in the personality types Nancy is teasing. We have all known the oddly fervent and political, likewise, the ones who pretend to be to get in with them, those who would do anything for money, even marrying odd heiresses, those who revel in making merry hell for their friends, those who get the wrong end of the stick, and those who are totally potty... though perhaps not to the extent of living up a tree... Sure she was making fun of her family, but it wasn't just them, it's the personality they typified. We are all amusing, Nancy just had a way of making it apparent.

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