Showing posts with label Communist. Show all posts
Showing posts with label Communist. Show all posts

Wednesday, August 19, 2020

Mitfords

Six sisters raised in an unorthodox manner, with their own argot, Honnish, with education being for boys, not girls, they never had a formal education, yet despite that hindrance, two of them went on to become celebrated writers, with Nancy Mitford regarded as one of the best writers of the 20th century. They are a topic of conversation that would make any Anglophiles sqweee with joy and historians of the bright young things generation pant. In any time period the Mitfords would be called eccentric which made them all the more memorable. As The New York Times said: "A Nazi, a Fascist, a Communist, a Novelist, a Countrywoman, a Duchess...Sisters." The eldest, Nancy, went on to be famous for her novels satirising her family, Pamela's lesbian relationship didn't raise many eyebrows especially because her younger sister Diana married the heir to the Guinness fortune then left him for Walter Mosley, the leader of Britian's Fascist movement, eventually marrying in Joseph Goebbels' drawing room with Hitler in attendance. Unity was much like her sister Diana, in that she too flocked to Hitler, but was so torn when Britain and Germany declared war that she shot herself in the head, but didn't die until after the war, lingering but wounded. Jessica meanwhile was a staunch Communist and ran off with her cousin to the Spanish Civil War, they eventually married. Deborah on the other hand was quite docile, having married the Duke of Devonshire and eventually taking the reigns of Chatsworth, one of the great houses of England, and turning it into one of the most successful country homes and tourist attractions. Of the six sisters, only Pamela and Unity never took pen to paper. While Nancy wrote fiction, it seems that the sisters main literary interest was in non-fiction. Writing biographies, not just of famous people, but also contrasting biographies of themselves. Besides their own writing there has been a plethora of books written on them, even a series of murder mysteries wherein they solve crimes from when they were bright young socialites. Controversial, stylish and notorious... They are an unforgettable family.

Friday, February 24, 2017

Movie Review - Tinker Tailor Soldier Spy

Tinker Tailor Soldier Spy
Based on the book by John le Carré
Starring: Mark Strong, John Hurt, Zoltán Mucsi, Gary Oldman, Toby Jones, David Dencik, Ciarán Hinds, Colin Firth, Kathy Burke, Benedict Cumberbatch, Stephen Graham, Simon McBurney, Tom Hardy, Peter O'Connor, Roger Lloyd Pack, William Haddock, Tomasz Kowalski, Svetlana Khodchenkova, Laura Carmichael, Rupert Procter, and Christian McKay
Release Date: January 6th, 2012
Rating: ★★
To Buy

A failed mission in Budapest carried out by British Intelligence quickly grows into an international incident and throws the Circus into chaos. The spy on the ground, Jim Prideaux, is dead, Control is ousted, as is his right-hand man, George Smiley. The new cabal that takes over the Circus, Alleline, Haydon, Bland, and Esterhase, are now running the entire intelligence operation based on "Witchcraft." This magic is an operation that started under Control, which he didn't approve of, thinking that relying too much on one Russian source, no matter how good the material, was dangerous business. But a year after Budapest Control is dead and Smiley is in retirement. Soon new rumors of a mole within the Circus has Smiley coming out of retirement to investigate his former colleagues. With the help of an agent Smiley recruited and trained still loyal to him within the agency, Peter Guillam, and a retired Special Branch Officer, Mendel, the investigation begins. Smiley talks to other ousted agents while Guillam carefully removes files from the Circus itself relevant to their inquires. Soon Ricki Tarr, the agent whose call restarted this investigation which was started by Control himself appears on the scene and tells Smiley about his mission in Istanbul that lead to his certainty of the mole. But spies hold their secrets close and it turns out that even the facts of the Budapest mission are omitting a key piece of evidence; Jim Prideaux is alive. Can Smiley unravel this web of deceit and double agents? Only time will tell.

Taking a labyrinthine book and trimming it down to a film that is only two hours means certain liberties are going to be taken. Instead of slow reveals and doubling back on incidents that we saw before but this time from a different angle this is straight forward linear storytelling at it's simplest. The mission in "Budapest" which in the book we don't learn about until the very end opens up the film and from that moment on I just knew it was going to be drastically different. I had hoped for the better because I didn't love the book, but that hope was sadly in vain. What occasionally bogs down the source material is that there is such depth, occasionally exquisite writing that, taken as a whole, is severely overwritten. Here they went too far in the other direction making everything shallow. There's one scene the film keeps going back to, a Christmas party before everything went wrong. Again and again we return to this shiny happy party, to this time when everyone seemed content. Yet if this was meant to show the subterfuge and secret currents beneath the surface and between the characters it fails miserably. Everything is laid out simply and cleanly making it appear that all lack of knowledge on the part of the spies is based solely on willful ignorance. But then again, a movie which casts Colin Firth as the mole is obviously lacking subtlety. Seriously. It was SO OBVIOUS to me just from the cast list.

Yet what I found oddest about this adaptation was that it was no longer Smiley's story. The book is all about him and his investigation, and yes, while watching Gary Oldman sit in a room reading papers by himself might not have been a movie that would garner box office gold, I still think that this change diminishes Smiley. Which is interesting, because in the book he's constantly diminished by his cheating wife, whereas here she's barely mentioned... so I guess you could say they accomplished the diminishment in a different way? But I have a feeling that wasn't their intent. They filled the screen with so many well regarded stars that they all had to have their screen time and therefore Smiley had to fall by the wayside. And while I might have initially thought this was a bad idea, after seeing Gary Oldman's performance... the less of Smiley the better. Seriously, just trust me on this, he was like an embalmed corpse, and in fact, an embalmed corpse would have had more range and facial expressions than Oldman did in this film. I literally was thinking how even a cardboard cut out would have made a more convincing agent. There's blending into the scenery to be the perfect spy, then there's becoming so much a part of the scenery that you have omitted yourself from the narrative. If you doubt anything I've said here, just watch the scene where Smiley recounts his first meeting with Karla, wherein Karla is played by a chair in some weird student acting flashback and the chair gives a better performance. 

The only benefit to Smiley being sidelined is that he needed a sidekick more than ever and in stepped Peter Guillam, aka Benedict Cumberbatch. Guillam's role is significantly beefed up, which I very much like, because, come on, it's Benedict! But it's also significantly changed. In the book he's a playboy who's in deep with a flautist who he thinks may or may not be playing him with her own husband... he's attractive and blond and bright eyed and bushy tailed, and Benedict could have just as easily played him as originally written as he played him as rewritten. Here Guillam is meek, disheveled, and a closet homosexual. I don't take any issue with him being rewritten as homosexual, his character was already quite fluid in the book, what I take issue with is I feel like this rewrite was done as an apology for the lack of sensitivity in handling gay and bisexual characters in the book. While they proliferate on the pages of Tinker, Tailor, Solider, Spy they are also constantly getting shade thrown at them. If there's a hint of anything not straight about them then it is commented on in a very disparaging way and their loyalties are questioned. To fix this issue all they would have had to do is keep the characters as they are but not disparage them. It seems like a concession that was thrown in for the benefit of modern audiences without actually thinking it through. It's like how I felt when watching the Gilmore Girls revival. I had spent the last year watching an episode a day a had come to realize that the show was extremely homophobic, so how did they fix that? They attempted to throw a gay parade and out one of the characters... in other words, just a token gesture. So not cool.

Though the biggest WTF moment in the entire movie is that by having Ricki Tarr show up far later in the story I'm mystified as to how Lacon got Smiley to investigate anything. In the book the only reason why Smiley agrees to go back in, to investigate the Circus, is because Tarr's story is so convincing. It also provides the audience with an emotional connection. Tarr fell in love on the job and because of the mole his love was killed. See, an emotional investment for the audience. Here by throwing Tarr's story in almost half-way through the movie, why should we even care about it? He's just corroborating evidence he'd already given over the phone. Did they think, this is when the audience will get bored, throw in a love story... uh, please don't insult our intelligence! But time and time again I come back to the fact that just Lacon whispering a few words in Smiley's ear makes him give up all his beliefs and go back into the fray. This once again is a diminishment. He is easily swayed, he can just give up his daily swims in the river and move into a crappy hotel that looks like it was imported from the Eastern Block and get on with the next chapter of his life. I mean, seriously!?! Come on! Your protagonist doesnt' have sufficient motive for their actions and therefore, once again, I see that this movie is nothing more than surface. He can't just investigate because he's told to, he must have a reason. He must have motive. He must be invested in the outcome because otherwise the audience will be likewise disengaged.

There is only one thing I actually liked about this movie. So let's move beyond the trite chess pieces with the potential spies pictures on them and Control's den of files that were somehow not confiscated when he left, let's go to the small school where Prideaux is in hiding, teaching French. There's a reason the book begins and ends with the school and with Prideaux's father/son relationship to one of his students, Bill Roach, because they are the heart of the story. Roach is rather a pudgy kid with big glasses. There's one line that Prideaux delivers to Roach about the fact that when Roach puts on his glasses there's nothing he can't see. This is a call back to a scene wherein Smiley got new thick glasses. This sets up a lovely parallel between Roach and Smiley that I didn't really think about when reading the book. The two of them are both really Prideaux's benevolent guardians. Smiley wants to protect Prideaux while getting to the bottom of the case and makes every effort to kept up the pretense of his death. Whereas Roach is always looking out for Prideaux. Roach has got his back and will protect him with the faithfulness of the converted. This one line makes you see so many connections and call backs and possibilities that I just wonder what would have happened had the filmmakers bothered to imbue the rest of their story with this depth. This one line shows so much depth, and yet for the most part we're just being show a shiny picture of a past party. I know which one I'd rather have, but perhaps there are those out there who can settle for a quick snapshot in time that captures and hides nothing.

Wednesday, February 22, 2017

Book Review - John le Carré's Tinker, Tailor, Soldier, Spy

Tinker, Tailor, Soldier, Spy by John le Carré
Published by: The Franklin Library
Publication Date: 1974
Format: Hardcover, 355 Pages
Rating: ★★
To Buy (different edition than one reviewed)

When you're a spymaster for the Circus you don't really think about what your retirement will be like, yet that's what George Smiley has been forced to ponder for the last year. Forced out because of a botched operation in Czechoslovakia he spends his days waiting for his faithless wife to return to him. He has come to terms with the fact he'll never know what exactly happened, how Control botched things up so badly that Jim Prideaux got two bullets in his back and all their networks were blown. Yet fate as something different in store for Smiley. The Circus might be under new management, but there's now evidence that perhaps Operation Testify was brought down by a mole. Ricki Tarr is also on the outs with the Circus. Ricki was in Hong Kong to follow a member of the Soviet Trade Delegation code named Boris and ended up falling for Boris' wife, Irina. She was willing to defect for Ricki, but when Ricki contacted the Circus she was swept back to Moscow. Ricki was shaken, he knew this was proof of a mole and went to ground himself. He's come out of hiding to help bring down the mole. But the small enclave of agents working with Under Secretary Oliver Lacon agree, it's George Smiley who must run the operation. He's been called back into action and he must dig into the Hong Kong events, he must look into Czechoslovakia, he must use all the spycraft he's ever learned to smoke out a traitor among his own former colleagues and save the Circus from disaster.

Picking up a book that many people view as a Classic with a capital "C" is daunting. There are those books that legitimately deserve that classification... and there are those that, in my mind, don't. I truthfully don't think I have a prejudice against certain modern classics, but maybe I do... because if it's modern and about war, I just tune out. A Farewell to Arms, Catch-22, both modern classics that I just couldn't stand. Now along comes Tinker, Tailor, Soldier, Spy and I'm torn. Because it's a classic of spy fiction, it's about the cold war, and well, it just left me cold. Yes, it's a clever and probably more realistic alternative to the image of Bond, but if this is a more truthful representation of the Cold War era perhaps that era isn't for me. It is rare for me to admit, but this book, about 95% of it just left me baffled. If was confusing and at times completely incomprehensible. Every so often I'd get into a good groove, I'd be like, yeah, I'm finally in the book, I totally know what's going on, then I'd put down the book for two seconds and when I picked it back up again it's like all the words had rearranged themselves on the pages and I had no idea what I had read, who anyone was, or what the hell was going on. At the close of the book it's almost like everything you read doesn't matter, it was a foregone conclusion that Smiley would catch the mole, and the mole doesn't justify himself, explain himself, or anything. So why exactly did I read this book again?

I read this book because it's THE spy book to read. Though I find it interesting that after reading it I find all these caveats from people complaining about Carré overwriting his characters and having tedious descriptions of all those who people his pages. I'd say that half that is right. Carré overwrites. He loves minutiae and getting into Smiley digging deep into files for what feels like hundreds of pages. And the thing is, it's not badly written, it's just badly plotted, like he's very purposefully trying to throw the reader off track and kind of forgets that was his purpose and he has now fallen down a rabbit hole and is writing gibberish. Nicely written gibberish, occasionally beautiful, but still gibberish. Whereas for his characters? I could really actually do with a bit more description. Because I have no way of telling them apart. Their names all kind of blended together and sometimes they were referred to by first names sometimes by last, and yet there's no mental image of what they look like to differentiate them. And seriously, one of the characters is named Bland!?! Yeah, cause that's SO going to make me remember him. I think that perhaps this is one of those books that would be better as a re-read because you supposedly know the characters, but the thing is I still don't know who these characters are. I figured out the mole in like five minutes and the rest was just hundreds of pages of sitting around literally reading about Smiley sitting around.

The reason the mole isn't that hard to spot is because Carré based this book on his own experiences, in particular the revelation of the Cambridge Five, Philby, Maclean, Burgess, Blunt, and Cairncross. I know quite a bit about this from watching the Cambridge Spies miniseries as well as all the documentaries on the DVD set which were actually far more interesting. So knowing this history going in it was just about matching the ill-defined character to the real life counterpart. Of course later in the book they are all given codenames, Tinker, Tailor, Soldier, Poor Man, and Beggarman. But that doesn't matter because obviously the mole is the one most like Philby, aka "Tailor." In fact Tailor is the only one really described in detail of the group, so it's not that much of a leap to deduce him as the mole. The only real question that needs answering in this story is if the mole was working alone or as part of a group, like the Cambridge Five. I think it's a bit of a cop-out that Tailor was working alone, but in a way that used the rest of his group and kind of made them look complicit. Having the taint of Communisim be more deep-seated, more wide spread would have made Smiley's task harder. It wouldn't have been just one word, but several. After all that palaver to end with just one? Seems kind of wasteful.

What was fascinating about reading this book in the current world climate is that this book is still very relevant. Until the last few years, and in particular since the election, I think the vast majority would have said that the Cold War ended with the dissolution of the USSR in 1991. While now we see that it's never ended, just went black ops, underground. So all this spycraft was still ongoing. This isn't a book about 1974 and the events before, this is a book about now. This book is so relevant it's actually a little spooky. To think that everything we had kind of relegated in our mind to being something of the past to realize it's of the now... Carré knows what he's writing about, even if it's not that linear or succinct. There's a reason why The Night Manager resonated so much with viewers, and it's not just because of Tom Hiddleston's ass. In the labyrinth of Smiley's world and all the dealing and double-dealing that goes on, there was one thing that really struck me. That sometimes a country would welcome a defector with open arms, promise them safety, security, a new life, not just for their secrets. There was a hidden agenda. Yes, a vast majority would be taken in, some played back into their country, but some, some were just taken in for bargaining down the road. Some were then sold to other countries, some even sold back to the country they had defected from. That just scares the shit out of me. To be promised this new life only to be passed along.

But what I found most startling was that at the root of it, the mole's reason for turning against his country wasn't a hatred for Britain, it was a hatred for the United States. Tailor clearly saw Britain's position on the world stage and realized that they could never bring down the United States, he saw their ineffectualness. Only the USSR could destroy America, so he should align himself with them in order to achieve his goal. While I fully admit, especially right now, America isn't a popular country, I don't quite get why Tailor felt this way. His reveal as the mole and his summation of why was given so few pages that his hatred of America felt a bit like a slap in the face. I just wanted the why. Why did he come to this conclusion personally. America is barely mentioned in the book. A few of the spies are in Washington from time to time but years previously, and Karla, the Russian spymatser, ran a failed radio scheme in San Francisco, but that is the only real mention of America. So why should Tailor, who was, let's face it, a lover of the finer things, including lots of pretty men and women, and wasn't logically the traitor aside from the fact he aligned with Philby's profile, a strident hater of all things American? I think this is what will stick with me most. Not the rambling and meandering of Carré but the xenophobic hatred of America that comes out of nowhere at the last second. Just why!?!

Wednesday, December 14, 2016

Book Review - Daphne Du Maurier's The Birds

Don't Look Now by Daphne Du Maurier
Published by: NYRB Classics
Publication Date: October 28th, 2008
Format: Paperback, 368 Pages
Rating: ★★★
To Buy

On December the 3rd life changed forever for Nat Hocken and his family. The day before was like any other, he worked at the farm and ate his lunch on the cliffs overlooking the channel. But the birds seemed agitated. That night, the wind came in from the East and turned fall into winter in Cornwall. While he slept soundly next to his wife he was awoken by a tapping on the glass. Upon opening the window a bird attacked him and flew off. This happened once more, though his wife insisted in her groggy state that it was a dream. But once the children were attacked in the room across the hall his wife became scared as well. Nat spent the night fighting the birds off to find fifty little corpses on the floor of his children's bedroom by morning. The day after the night attack they tried to resume life as normal. After walking his daughter Jill to the school bus stop he decided to stop in at the farm to see if this was a unique occurrence to his family. Up at the farm they had heard nothing, but on his way back to his family the home service announced that birds were massing all over the country. Nat went home and prepared his house for the coming attack which he could feel coming deep in his bones. They survived that second night, those at the farm weren't so lucky. But how long can his family survive with their supplies ever dwindling and the birds become ever more fierce and silent?

There are many ways to interpret "The Birds." You can read that the East wind is the tide of Communism, a threat that could arrive at any moment, which was what Du Maurier intended seeing as this was written at the height of the Cold War. I, like Patrick McGrath who selected the stories for this book, found "The Birds" post apocalyptic setting more compelling. Yes, the story IS more Russian scare than world destroying plague, but this 1952 story could be seen as a prototype for what was to come in literature and television. Walking Dead anyone? Yet this is a far more languid way to tell a story that is about "the end." It's peaceful and quiet. The Hocken family trying to withstand an unknown force on limited rations in a desolate landscape sounds just like the best in horror films, but this would be of far more artistic fare, where the lighting of Nat's cigarette signals giving in to the inevitable.

The scope of this story is what I find most compelling. Knowing that this was the impetus for an Alfred Hitchcock classic I had assumptions as to what this story would be. Assumptions that I should have second guessed knowing Du Maurier's dislike of the adaptation. This shows horror on a very intimate and knowable scale with a single family facing off against the mundane omnipresent birds. Could we die because of something we took for granted as being peaceful turning against us? Could the known become unknown? You can see why this story still appeals to readers today, fear of the unknown, and attack by the previously known will always be a real threat, be it the reanimated corpses of loved ones as zombies or birds. Yet here it boils down to the fatalism in that last ambiguously bleak cigarette.

If you've only read Daphne Du Maurier's novels you truly haven't experienced her range as an author. Yes, her novels are some of the best and most beautifully written and suspenseful books you'll ever read from Rebecca to Jamaica Inn to The Scapegoat, but they often cover the same ground and don't even touch on the supernatural and strange that her short stories, such as "Don't Look Now" and "The Birds" delve into. It's like Du Maurier felt a freedom in this shorter format that let her handle the outre, the other, and the persecuted that will surprise you in their range and occasional depravity. Each story is easily worthy of Rod Serling and The Twilight Zone with a supernatural agency at work in the everyday lives of our heroes and heroines that is never quite fully explained. In "Blue Lenses" Mrs. Marda West has ocular surgery with special lenses inserted to regain her sight only to open her eyes and see that everyone has an animal's head. At first she thinks it's a joke being perpetrated on her but soon comes to realize that these visions are giving her insight into the true nature of people. People whom she trusted are animals of dubious nature and ill repute.

"The Blue Lenses," besides showing this "otherness," showcases an ongoing theme in these shorter works. Du Maurier's protagonists often think that they are the object of a joke being played at their expense. They are the victim of a con and the proper authorities are often viewed as conspiring against them. From "Split Second" to "La Sainte-Vierge" to "Don't Look Now" to the aforementioned "Blue Lenses" delusion and trickery are what everything hinges on. But this paranoia that has these people confused by what they see, hoping they are mistaken, actually shines a light on Du Maurier's true interest, plumbing the depths of humanity. The fact that these characters are so willing to believe that someone would go to the trouble of conning them shows a fear of the "other," a fear of what people are capable of. Because looking deeper, past the supernatural trappings, at the root these stories show that people are capable of murder.

In fact sometimes Du Maurier forgoes the supernatural entirely and tells a tale that is, in the end, just about murder. In fact my favorite story, "Kiss Me Again Stranger," is about a troubled girl who kills RAF men she meets. Of course it wouldn't be a true Du Maurier story if you weren't bamboozled into thinking it was a love story until the very last page, but again and again that is why these stories work, she is continually subverting your expectations. Yes you could boil this all down to man versus nature, be it's man's inner nature or actual nature or something against nature, but trying to condense it down does an injustice to the writing. Du Maurier through stories about killer birds, "The Birds," and killer usherettes, "Kiss Me Again Stranger," and women joining mountain cults that may be leper colonies, "Monte Verità," touches on so many truths and so many weighty topics that you can see why she was always miffed that people called her a "romance" author. She is so much more. If you don't believe, just pick up this book. I think it will change your mind.

Thursday, December 5, 2013

Book Review - Nelson Mandela's Long Walk to Freedom

Long Walk to Freedom by Nelson Mandela
Published by: Little, Brown and Company
Publication Date: March 11th, 2008
Format: Kindle, 684 Pages
Rating: ★
To Buy

It is hard to grasp that a little boy who grew up in a tribal setting in South Africa would become the driving force to eliminate apartheid and would subsequently become the president of South Africa, and a man who changed history and shaped the 20th century. Nelson Mandela was fortunate in that he was allowed access by a flawed system to an education, an education that he would then use to dismantle that very system. There is no ambiguity that Mandela and his struggles symbolized freedom to the world and to South Africa. He was a great man. But being a great man doesn't translate to being a great writer. To me, the reason to read is for enjoyment and entertainment, and yes, education. But I like my knowledge presented to me in an engaging fashion. Therefore nonfiction has never been my genre of choice. The fact of the matter is life doesn't necessarily have a narrative. Life has a beginning, a middle, and an end, that is true. But not every life is worth or worthy of a book. Great historical figures, as well as annoying celebrities, are an exception.

Yet to have a biography or autobiography there needs to be more then this beginning, middle, and end. There needs to be insight as to how that time was filled. As a reader I didn't want just a dry telling of the facts, I wanted to know Mandela's feelings. I wanted to know his beliefs, his loves, his despair at spending 27 years of his life incarcerated. His feelings when Winnie went a little crazy, instead of a press release. This is what I desired, and instead I got brief glimpses of his life amid a struggle with no narrative, nothing to grab you and make you feel invested in his journey. Just a dry telling of the facts and figures that would make a statistician cry from sheer boredom. Flat, emotionless writing with so many names and acronyms, I wasn't sure if I could finish the book without loosing my mind.

To be fair, I will say that I was fairly ignorant of what the history in South Africa was, I kind of dropped that African history class in undergrad due to surly students and an indifferent TA that reminded me of Eric Stoltz. I did work on the play "Master Harold"... and the Boys about institutionalized bigotry and racism in Port Elizabeth during apartheid, but I can honestly say I don't remember anything about it other then how long it took me to paint that set. Therefore learning more about this time did hold some fascination for me and also underscored the fact that the world will basically turn a blind eye if you're killing your own people, Pol Pot, Stalin, early Hitler. But the fact that the government was just as bad if not worse then Nazi Germany and that this lasted not just a few decades but for almost an entire century is staggering. The travel bans, the pass books, the government did everything they could to push down the natives. The fact that the government was Boer, aka the Dutch who came and settled in South Africa, who are most known for that lovely Boer War, has made me draw the conclusion that the Boers are Bastards... I think this would make a catchy bumper sticker, don't you? Or Afrikaners suck. Your choice.

This is the world that Mandela grew up in. I liked that we saw his journey and how he questioned things. He thinks like I do in some respects. If he didn't know about something he would go out and find out everything about it before making a decision. He'd read and read and read till he came to his own conclusions. But this was a bit lugubrious to read about his reading. I don't want to be doing battle with my books. Really I don't. I take a certain glee in writing the reviews later... but that doesn't make up for the previous torture the book has inflicted on me. What I wouldn't have given for maybe a little bit about his family, his feelings about not being there for them instead of a day by day breakdown of one of his trials that lasted years, but felt like millennia. While nothing makes up for the life he lost locked behind prison walls, I can definitively say that I felt every single year he was locked away with him. 

With this book there is also a final question to be asked. How much did this book sanitize Mandela's image? The book was rushed to publication for his taking office as president with the help of his co-author, not, in my mind, ghostwriter as some have said, if it was ghostwritten, it would have been actually better written, so therefore, what was tweaked? What was taken out and what was kept in? In fact many people believe that Mandela was chosen as the image for anti-apartheid because his hands we clean. While he advocated the taking up of arms, he himself didn't.

There were little things in the book that disturbed me, such as his having a picture on the wall of the winter palace to commemorate the uprising that killed the Tsar and his family. How could anyone want to hang on their wall a reminder of the death of innocent children? Even if you are a communist, seriously? No. Just no. He also worshipped Castro, which recent articles have said wasn't talked about in the book, I just think they didn't finish the fifty million page opus of dullness, because Mandela clearly states his admiration of him. There are just so many thoughts spinning in my head about using one bad political model to fight another one... I just want to clear my head, get ride of the lugubriousness of this text, wipe away the cobwebs and have a real author come in and write about Mandela. With his passing I want a truly great writer of biographies to come along and do justice for Mandela, and maybe find a little bit of the truth... or at least don't varnish over things like Winnie.

Wednesday, July 10, 2013

Dashiell Hammett

Samuel Dashiell Hammett was born in Maryland and grew up in Philadelphia and Baltimore. Despite being later known for his literary fetes, he left school at the young age of thirteen. During his early years his chief form of income was working for the Pinkerton Detective Agency, a job he would always fall back into from time to time. He served in WWI till illness had him invalided out. While recovering he met his future wife who was a nurse. Though his chronic illness of TB often kept the couple apart, though some would say it wasn't just the TB, he would always support his wife and daughters financially no matter where or with whom his affairs would take him.

After working for the Pinkertons, he took up a job in advertising, though he was far more likely to pick up a bottle. When Hammett started writing he used his experiences working for the Pinkertons as inspiration. The Pinkertons role in union strike-breaking disillusioned Hammett and he would soon become outspoken in politics. Although he wasn't as fervent in his Communist beliefs after WWII, he was still blacklisted by McCarthy and even served some time in jail. Life had worn him down, as did his alcoholism, TB, and time behind bars. During his decline he was too ill even to write. But he would leave behind a legacy as "the dean of the... 'hard-boiled' school of detective fiction." His characters of Nick and Nora Charles, and Sam Spade would be some of the most memorable characters in fiction ever to be written. While most would call him the king of noir amongst his other titles, there is no ambiguity that he was one of the Golden Age of Mystery's greatest writers. 

Older Posts Home