strange and random happenstance

Bookstore: Browzer Bookshop

Location: Downtown Madison, Wisconsin

Why I Love Them: Browzer Bookshop didn't start out as a cavernous bookstore made labyrinthine by all the shelving above the UW Credit Union at the bottom of State Street. Originally it was at the exact opposite end of this iconic street, right at the top overlooking the state capital. Of course this location, romantic in outward appearance by it's turn of the century Midwestern town square vibe, had the misfortune of being badly lit and a bitch to park near. Therefore when they decided to move from top to bottom and go from Shakespeare's Books to Browzer Bookshop, I didn't lament the decision. Though I did become fascinated for awhile with the store that moved into their old location. They were never open and had arresting displays of taxidermy lions and British Empire ephemera where once books had filled the storefront. Then one day they were gone. But Browzer Bookshop remains. The new location showed just how much they were jamming into all the nooks and crannies of their old location. Mercifully brightly illuminated the bookstore goes back for days. Through the center of the store there are large glass display cases showing some of the most wonderful editions of books sadly at a reasonable, though out of my reach, price range. While the inventory doesn't turn over that frequently if you are a fan of the big doorstop books and Masterpiece Theater tie-in editions that your grandmother read in the 70s and 80s, then this is the store for you.

Best Buy: Before I state my best buy, here's a little fact about me that you should probably already know, and that is that I love the author Lauren Willig. I love her books, and I love her book recommendations; so therefore, whenever she says "read this book" I do it. I believe it was around when she started to work on her first standalone novel, The Ashford Affair, that she was talking about M.M. Kaye's work that isn't The Far Pavilions, such as her "Death In" series, but most importantly her book Trade Wind. A book set in 19th century Zanzibar was instantly what I wanted to read next. Of course it just so happened that at the time I desperately wanted to read this book it was out of print. But then I searched my memory for what used bookstore might just have this book I was looking for and I instantly thought of Browzer Bookshop! It wasn't just that this book fit perfectly into the genre of most of their fiction stock, it's that I actually remembered seeing The Far Pavilions there in hardcover, and while I had my own paperback edition of that book I had my fingers crossed that they would have other M.M. Kaye books... and indeed they did! I went to the far wall and then skirted the little jag until I hit the straight shot of fiction that's on the wall opposite the door all the way to the back of the store. When I hit "K" not only did they have Trade Wind but they also had one of the "Death In" books, Death in Zanzibar... it was turning into quite the day for M.M. Kaye books set in East Africa! I continued browsing for awhile and eventually made my way to the register and these two books made their way into my library.

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: 19th Century, Browzer Bookshop, Death in Zanzibar, Lauren Willig, M.M. Kaye, Masterpiece Theater, Shakespeare's Books, Support Your Brick and Mortar, The Ashford Affair, The Far Pavilions, Trade Wind, Zanzibar

The English Wife by Lauren Willig
Published by: St. Martin's Press
Publication Date: January 9th, 2018
Format: Hardcover, 384 Pages
Rating: ★★★★★
To Buy

Bayard Van Duyvil has the perfect life. The sole male heir of an old Knickerbocker family he has a beautiful English wife, for whom he's recreated her ancestral home on the banks of the Hudson, and two beautiful children, three-year-old fraternal twins Viola and Sebastian. But there are rumors that everything isn't as perfect as it seems. Why would Bayard and his wife Annabelle hide themselves away in Cold Springs? A beautiful house is no excuse to being a recluse when New York society thirsts for your lifeblood. Soon New York society will get exactly what it craves when during a lavish ball to celebrate Twelfth Night Bayard is found with a knife in his chest and the name Georgie on his lips while his wife has disappeared. Everyone believes that the rumors about Annabelle and the house's architect at true. She has murdered her husband and absconded with her lover! The only one who doesn't believe the salacious lies all the newspapers are printing is Bay's younger sister, Janie. She is expected to keep calm and wait for the scandal to die down. But it pains her to see Annabelle's name dragged through the mud, they didn't know her like she did. A chance encounter with a reporter from The News of the World, a Mr. Burke, leads Janie to form a tenuous alliance with a man who represents the scandal rags that are pulling her world apart. Before too long Janie realizes that perhaps she didn't know Annabelle or even Bay. But with the tenacious and increasingly devoted Mr. Burke helping her she will get to the bottom of her brother's death and perhaps solve the mysteries of his life.

Having first read Lauren back in 2007 a short time after her third Pink Carnation book, The Deception of the Emerald Ring, had hit bookshelves I don't want to claim I'm an expert on her writing, but I have been along for the ride for a decade now. She's even one of the reasons I decided to start my blog! While I have loved reading every single one of her books, finding characters to love and to hate, ones to root for and ones that I long to see fall flat on their faces, the greatest joy was seeing her mature as a writer. When she wrote her first standalone, The Ashford Affair, back in 2013 she tapped into something new. Her writing started to move beyond the dual timeline narrative where despite troubles everyone gets a happily ever after. While I am a fan of this wish fulfillment in writing sometimes I feel that it's unsatisfying. That it doesn't actually reflect the world around us. Sometimes I don't want everyone to get a happy ending. This was very much showcased with That Summer, Lauren's 2014 standalone which might just be my favorite book she's written. Here Lauren had matured to a point that she was willing to kill off characters that we, the readers, had very much fallen in love with. Thankfully after going a little darker Lauren didn't reign it in. She continued this exploration of the underbelly of humanity in The Other Daughter and now in The English Wife. Sometimes good intentions lead to death. Sometimes love can't conquer all. Sometimes there are secrets that will out no matter what. As for me, I loved every second of the seedier side, it's like Gossip Girl 1800s.   

If there is one linking thread through Lauren's work it would be her love of Shakespeare. Of course, seeing as he helped forge the very language we all use he could be considered important to every book ever written, but with Lauren it's special. I dare you to count the number of times her characters have had their mouth's stopped with a kiss as Benedick does to Beatrice in Much Ado About Nothing. Here though we've reached a whole new level wherein Shakespeare seems another character in the story. Annabelle and Bay meet in London where she is working on stage in a musical evisceration of Twelfth Night at the Ali Baba Theater. If the play's the thing, Twelfth Night is the thing in The English Wife. Bay meets his death on Twelfth Night, their palatial recreation of Lacey Hall is renamed Illyria, and Bay and Annabelle's children are named after the hero and heroine of the play. But the references aren't just about infusing The English Wife with a bit of Annabelle's homeland via Shakespeare. The play itself is filled with confusion, merriment, love, gender, orientation, romance, and thankfully not a random lion like in As You Like It. These are themes that are all seen in Annabelle and Bay's story. Lauren has mined Shakespeare to help not only create a mirror to her story but to show the universality of it. I could quote Shakespeare here, but instead I feel like quoting Battlestar Galactica, "All of this has happened before and will happen again." Humanity has a basic universality to it. The building blocks are all the same. Shakespeare knew this and so does Lauren. Sure, everything is a tale as old as time, but it's how you go about telling it that makes it unique.

While Shakespeare is classic, there's another author to whom this moniker belongs that The English Wife shares some DNA with and that's Daphne Du Maurier. I'm going to say this right out, there is no one like Daphne Du Maurier. Therefore when any book that is mildly Gothic and has a house starts throwing around comparisons to this unparalleled author I just want them to shut it. Because whatever they have written will be a disappointment because comparisons are nothing more than a marketing ploy. The book won't deliver and you'll spend all your time wondering why you're just not re-reading Rebecca. When I read The English Wife back in August there were obviously no reviews yet. No one proclaiming that The English Wife is in the least like Du Maurier. Nothing to taint or sully my initial impressions. Therefore I was wonderfully surprised that the denouement of the book set during the inquest and a subsequent blizzard trapping our cast of characters at Illyria felt like a modern interpretation of Du Maurier. I'm not sure if Lauren purposefully set out to do this, because most attempts fail in the execution, and yet, here she is, bucking the odds. What I think helped is that instead of going for the big similarities, she started small, with Giles Lacey, Annabelle's cousin from England, who happens to share a name with Maxim de Winter's brother-in-law. Though THIS Giles would be mortified that I called him small! Instead of reminding me of Rebecca's former in-law, he reminded me of Rebecca's cousin Jack Favell, and in particular George Sanders's portrayal of him in the Hitchcock film. From there it snowballed into other similarities to the book and Hitchcock's adaptation, but always still being Lauren's voice. How Lauren has mastered this, I do not know, but she gets a tip of my hat.

Yet that isn't the only doffing of my hat that I must do in reviewing The English Wife! Now this isn't a brag, or even a faux humble brag, the fact is I'm just really good at figuring out plot lines. Be it a procedural show or a whodunit, I will solve it so fast that you won't know what hit you. A recent example of my weird "gift" was when I was watching Big Little Lies. Now I hadn't read the book but in a seven episode miniseries I was able to put ALL the pieces together and proclaim them as fact before the end credits rolled on the first episode. Six more wasted hours later and I was proven right. Sometimes to try to make things harder on myself I'll tune into a show halfway through and see if I can figure out what's going on without any exposition. Ironically Elementary has proven to be the easiest to crack. Now I think you can see why I like character driven stories that are quirky. Humor goes a long way to fill plot holes. So why am I going on about this bizarre quirk of my analytical brain? Because when someone actually pulls one over on me I feel this need to give them a standing ovation. In The English Wife I was so involved in two of the reveals that it's like Lauren smacked me upside the head with the biggest one and I didn't see it coming. At all. Bravo Lauren! It's like there were these shining motes of dust alighting on Bay and his wife and their marital woes and I was linking a to b to c and going ah yes, I see how it is, and yet I didn't see! It was there, looming right around the corner, and it pounced and got me. If Lauren were a lion I would be a goner.

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: Daphne Du Maurier, Gossip Girl, Hudson Valley, Lauren Willig, Maxim de Winter, Rebecca, Shakespeare, That Summer, The Ashford Affair, The English Wife, The Other Daughter, Twelfth Night, Willig Winter

The second time I went to New York it was more than just a rushed trip tacked onto a family vacation to Washington. The second time was magical, going to all the museums and looking at all the art I'd spent years reading about. During that trip I discovered The Frick Collection, which is located right on fifth avenue and was the home of Henry Clay Frick. It's not just the art that is amazing, though seriously you will be shocked by the number of pieces you recognize from Ingres to Renoir to Vermeer to Rembrandt, but the house itself is a work of art preserved in time. It's like really cheap time travel! You feel as if Edith Wharton were about to hold court over high tea in the luxurious indoor garden. Years later when I went back to New York I discovered the Cooper Hewitt, Smithsonian Design Museum, which is located in the Andrew Carnegie Mansion. Again I was walking in another era. These homes were built by the New York upper crust as they slowly started moving to the Upper East Side. I was so pleasantly surprised when I picked up Lauren Willig's latest book, The English Wife, to slip back into this world again. A world of excess and elegance, fortunes lost and gained, and secrets, but all contained within this other time. So whether you knew about Lauren Willig's new book yet or not, I think you can feel the theme month coming on right? The English Wife is Lauren's fourth stand-alone and therefore a fourth theme month was not just necessary but vital. It's in another time and another world, but one I hope you've been wanting to explore as much as I have over the years. 

But enough from me, let's hear from Lauren as we welcome in Willig Winter!

"When Miss Eliza asked me if I would recommend six or seven books I’d used in writing The English Wife for a companion read, I thought, easy peasy!

Then I looked at my bookshelf.

I’d forgotten just how much went into The English Wife. My research pile included book-length accounts of infamous murder cases in turn of the century New York (of which there were more than you would expect), oversized coffee table books with pictures of mansions and marquetry and jewels and gowns, extensive histories of Dutch New York, biographies of robber barons, sociological studies of nineteenth century women’s charitable organizations, memoirs of nineteenth century authors and socialites, unpublished dissertations about specific towns in the Hudson Valley in the mid to late nineteenth century, and books on topics that I can’t go into without giving plot twists away.

And that’s just the New York end of things. We won’t even get into all the Newport research, the gossipy accounts of past residents and glossy pictures of “cottages”. A chunk of the book takes place in England and a smaller chunk in France, so I also have shelves and shelves of books on topics like theatre in Victorian England, monographs about Paris in the Belle Epoque, and biographies of Proust. I may have gotten just a little carried away while reading up for this book....

So, in the interest of brevity, I’m sticking to the New York-centric books for this particular list and keeping it to non-fiction. With one exception at the end. You’ll see why.

At some point, I’ll try to put up a more comprehensive list on my website. If I don’t get crushed beneath a giant pile of research books along the way." - Lauren Willig

Literally the seven books Lauren has selected look beyond tempting, but in the interest of full disclosure, unlike Ashford April (The Asford Affair), This Summer (That Summer), and Jazzy July (The Other Daughter), I have been unable to read them all and write reviews because this year has been a personal as well as a global dumpster fire. But my guilt is your reward, because this means I feel obliged to do a giveaway!  

Giveaway Prize:
A copy of The English Wife personalized TO YOU from Lauren's tour stop at Murder by the Book in Houston on January 17th, 2018

The Rules:
1. Open to EVERYONE (for clarification, this means international too).

2. Please make sure I have a way to contact you if your name is drawn, either your blogger profile or a link to your website/blog or you could even include your email address with your comment(s) or email me.

3. Giveaway ends Sunday, December 31st at 11:59PM CST (Yes, that's New Year's Eve folks!)

4. How to enter: Just comment on this post for a chance to win!

5. And for those addicted to getting extra entries:

• +1 for answering the question: What is your favorite house turned museum?
• +2 for becoming a follower
• +10 if you are already a follower
• +10 for each time you advertise this contest - blog post, instagram (@miss.eliza), twitter (@eliza_lefebvre), etc. (but you only get credit for the first post in each platform, so tweet all you like, and I thank you for it, but you'll only get the +10 once from twitter). Also please leave a link! 
• +10 for each comment you leave on other Willig Winter posts with something other than "I hope I win!" 

Posted by Miss Eliza at 12:00 AM 7 comments  

Labels: Ashford April, Cooper Hewitt, Edith Wharton, Giveaway, Jazzy July, Lauren Willig, New York, That Summer, The Ashford Affair, The English Wife, The Frick, The Other Daughter, This Summer, Willig Winter

Max Gate by Damien Wilkins
Published by: Aardvark Bureau
Publication Date: July 12th, 2016
Format: Paperback, 272 Pages
To Buy

The official patter:
"1928: Thomas Hardy is dying in the upstairs room of Max Gate, the house he built in his beloved Dorset. Downstairs, his literary friends are locked in a bitter fight with local supporters. Who owns Hardy’s remains? Who knew him best? What are the secrets of Max Gate?

Housemaid Nellie Titterington narrates this earthy and emotionally-charged novel about ambition, duty, belonging, and love. "

Upstairs, Downstairs but with the death of a famous writer? And Thomas Hardy at that! Yes please!

The Other Daughter by Lauren Willig
Published by: St. Martin's Griffin
Publication Date: July 12th, 2016
Format: Paperback, 320 Pages
To Buy

The official patter:
"Raised in a poor yet genteel household, Rachel Woodley is working in France as a governess when she receives news that her mother has died, suddenly. Grief-stricken, she returns to the small town in England where she was raised to clear out the cottage...and finds a cutting from a London society magazine, with a photograph of her supposedly deceased father dated all of three month before. He's an earl, respected and influential, and he is standing with another daughter -- his legitimate daughter. Which makes Rachel...not legitimate. Everything she thought she knew about herself and her past -- even her very name -- is a lie.

Still reeling from the death of her mother, and furious at this betrayal, Rachel sets herself up in London under a new identity. There she insinuates herself into the party-going crowd of Bright Young Things, with a steely determination to unveil her father's perfidy and bring his -- and her half-sister's -- charmed world crashing down. Very soon, however, Rachel faces two unexpected snags: she finds that she genuinely likes her half-sister, Olivia, whose situation isn't as simple it appears; and that she might just be falling for her sister's fiancé...

From Lauren Willig, author of the New York Times Best Selling novel The Ashford Affair, comes The Other Daughter, a page-turner full of deceit, passion, and revenge."

Seriously, one of the best books I read last year. So, if you don't have it yet, get ye to a bookstore! Or just follow the handy link to Amazon. 

A Curious Beginning by Deanna Raybourn
Published by: Berkley
Publication Date: July 12th, 2016
Format: Paperback, 368 Pages
To Buy

The official patter:
"In her thrilling new series, Deanna Raybourn, the New York Times bestselling author of the Lady Julia Grey mysteries, returns once more to Victorian England...and introduces intrepid adventuress Veronica Speedwell.
 
London, 1887. After burying her spinster aunt, orphaned Veronica Speedwell is free to resume her world travels in pursuit of scientific inquiry—and the occasional romantic dalliance. As familiar with hunting butterflies as with fending off admirers, Veronica intends to embark upon the journey of a lifetime.

But fate has other plans when Veronica thwarts her own attempted abduction with the help of an enigmatic German baron, who offers her sanctuary in the care of his friend Stoker, a reclusive and bad-tempered natural historian. But before the baron can reveal what he knows of the plot against her, he is found murdered—leaving Veronica and Stoker on the run from an elusive assailant as wary partners in search of the villainous truth."

Interesting thing about Deanna Raybourn... her series tend to be repacked almost as soon as they're out. Here's the new cover for A Curious Beginning. I'm not sure if I like this more... I guess it's more graphic and elegant but it's also in a style that's starting to be overused. But then again, wait five minutes we'll get another cover.

Sorcerer to the Crown by Zen Cho
Published by: Ace
Publication Date: July 12th, 2016
Format: Paperback, 384 Pages
To Buy

The official patter:
"Magic and mayhem clash with the British elite in this whimsical and sparkling debut.

The Royal Society of Unnatural Philosophers maintains the magic within His Majesty’s lands. But lately, the once proper institute has fallen into disgrace, naming an altogether unsuitable gentleman as their Sorcerer Royal and allowing England’s stores of magic to bleed dry. At least they haven’t stooped so low as to allow women to practice what is obviously a man’s profession…

At his wit’s end, Zacharias Wythe, Sorcerer Royal of the Unnatural Philosophers, ventures to the border of Fairyland to discover why England’s magical stocks are drying up, an adventure that brings him in contact with Prunella Gentlewoman, a woman with immense power and an unfathomable gift, and sets him on a path which will alter the nature of sorcery in all of Britain—and the world at large…"

One of THE BEST books I've read so far THIS year. Now in paperback!

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: A Curious Beginning, Damien Wilkins, Deanna Raybourn, Lauren Willig, Max Gate, Sorcerer to the Crown, The Ashford Affair, The Other Daughter, Thomas Hardy, Upstairs Downstairs, Veronica Speedwell, Zen Cho

The Other Daughter by Lauren Willig
Published by: St. Martin's Press
Publication Date: July 21st, 2015
Format: Hardcover, 304 Pages
To Buy

The official patter:
"Raised in a poor yet genteel household, Rachel Woodley is working in France as a governess when she receives news that her mother has died, suddenly. Grief-stricken, she returns to the small town in England where she was raised to clear out the cottage...and finds a cutting from a London society magazine, with a photograph of her supposedly deceased father dated all of three month before. He's an earl, respected and influential, and he is standing with another daughter-his legitimate daughter. Which makes Rachel...not legitimate. Everything she thought she knew about herself and her past-even her very name-is a lie.

Still reeling from the death of her mother, and furious at this betrayal, Rachel sets herself up in London under a new identity. There she insinuates herself into the party-going crowd of Bright Young Things, with a steely determination to unveil her father's perfidy and bring his-and her half-sister's-charmed world crashing down. Very soon, however, Rachel faces two unexpected snags: she finds she genuinely likes her half-sister, Olivia, whose situation isn't as simple it appears; and she might just be falling for her sister's fiancé...

From Lauren Willig, author of the New York Times bestselling novel The Ashford Affair, comes The Other Daughter, a page-turner full of deceit, passion, and revenge."

Seriously, you better be picking up this book! I might not talk to you otherwise.

The Novel Habits of Happiness by Alexander McCall Smith
Published by: Pantheon
Publication Date: July 21st, 2015
Format: Hardcover, 272 Pages
To Buy

The official patter:
"The insatiably curious Edinburgh philosopher and amateur sleuth Isabel Dalhousie returns, taking on a case unlike any she’s had before—this one with paranormal implications—in the eagerly anticipated new installment of Alexander McCall Smith’s beloved and best-selling series.

Through a mutual acquaintance, Isabel is introduced to a six-year-old boy who has been experiencing vivid recollections of a past life, which include a perfect description of an island off the coast of Scotland and a house on the island where he claims to have lived. When the boy’s mother asks Isabel to investigate, Isabel naturally feels inclined to help, and so she, her husband, Jamie, and their son, Charlie, set off for the island. To their great surprise, they actually locate the house that the boy described, which leads to more complicated questions, as Isabel’s desire to find rational explanations comes up against the uncanny mystery unfolding before her. It’s an extraordinarily delicate situation that will require all of her skills, as both sleuth and philosopher, to solve.

Back home, as she begins to prepare the next issue of the Review of Applied Ethics, Isabel confronts a threat to her professional well-being in the form of two visiting academics—Lettuce and Dove—who she fears will be a destabilizing influence on her cozy perch in enlightened Edinburgh.

But no matter the trials she faces, Isabel is blissfully content in her personal life, which is centered on her young son and devoted husband. Readers will be filled with happiness as they once again spend time with their beloved heroine and the people she holds dear."

And some Isabel Dalhousie for you as well.

The School for Good and Evil: The Last Ever After by Soman Chainani
Published by: HarperCollins
Publication Date: July 21st, 2015
Format: Hardcover, 672 Pages
To Buy

The official patter:
"In the stunning conclusion to the New York Times bestselling School for Good and Evil trilogy, everything old is new again, as Sophie and Agatha fight the past as well as the present to find the perfect end to their fairy tale.

Former best friends Sophie and Agatha thought their ending was sealed when they went their separate ways, but their storybook is about to be rewritten—and this time theirs isn't the only one. With the girls apart, Evil has taken over and the forces of Good are in deathly peril. Will Agatha and Sophie be able to work together to save them? Will they find their way to being friends again? And will their new ending be the last Ever After they've been searching for?

Soman Chainani delivers action, adventure, laughter, romance, and more twists than ever before in this extraordinary end to his epic series."

This one is for my friend and fellow book clubber Flavia who has been telling me to read this series for what seems like forever. Perhaps I was just waiting till the final book came out? I say innocently.

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: Alexander McCall Smith, Isabel Dalhousie, Jazzy July, Lauren Willig, Soman Chainani, The Ashford Affair, The Other Daughter, The School for Good and Evil

So my literary love of Lauren Willig should by now be fairly obvious. Even if I didn't have two months this year devoted to her books, as well as the year long Pink for All Seasons re-read that has been going on since last September, I hope my previous efforts haven't been overlooked by my readers. Back when Lauren first said her third stand-alone would be set in the 20s I might have gotten more then a little excited. The 20s is an era that I just have a natural affinity for. Perhaps it's because I was raised on stories of my grandmother in her youth being a rebellious flapper and sneaking out of school only to show up in a cell in Chicago after being detained after a raid on a local speakeasy. Or perhaps that mobsters held a special appeal. What started as a love for a distinctly American era has grown more and more to encompass the unique "Bright Young People" era of England. Therefore, even if the two previous theme months dedicated to Lauren's first two stand-alones, Ashford April and This Summer, didn't exist, well, Jazzy July would have happened. I also illogically insist that her publishers knew of my struggle trying to find a good title for my theme month when the book was slated for a May release and moved it back just so Jazzy July could exist. I did say it was illogical.

What I love about doing these specific theme months is that it gives me insight into Lauren's process and into her finished work. I shoot her an email and she shoots me an email back suggesting books to read that inspired or informed her newest book. I narrow the selection down, in this case a nice balance of biographical, historical, and contemporary books, and give her the final list, she writes a little something about them, and then I sit down and devour them, ending in a review. This year I decided to do something a little different. Usually I sit down, read Lauren's book, write the review, then go on to read all the other books, because I don't want any outside source tainting my reading of Lauren's book. But the last two times I did this I noticed that re-reading the book later after having read these other books gave Lauren's book even greater depth. And in the case of The Ashford Affair, I feel like I might have done the book a disservice with my review. So I had a new idea. I've read The Other Daughter, I mean, seriously, there was no waiting on reading that book. BUT as I write this I have still to write my review. I jotted down notes and have a vague outline, but so it will remain until I read all the other books for this month. I then plan on re-reading The Other Daughter and finally writing my review. Personally, I don't think in this instance my opinion is going to change, but I do feel my understanding of the world Lauren has brought back to life already expanding. This is going to be a fun month and I hope you'll join me. Flapper costume optional. Mainly because I don't think I could fit the one I have anymore.

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: Ashford April, Bright Young People, Chicago, Flappers, Jazzy July, Lauren Willig, Pink for All Seasons, Stand-Alones, That Summer, The Ashford Affair, The Other Daughter, Theme Month, This Summer

The Ashford Affair by Lauren Willig
ARC Provided by the Publisher
Published by: St. Martin's Press
Publication Date: April 9th, 2013
Format: Hardcover, 368 Pages
Rating: ★★★★
To Buy

Clemmie's life has been turned on its head. Everything she took as a given is slowly being taken away from her. Her Grandmother Addie and her Grandmother's apartment on the Upper East Side have always been a safe haven for Clemmie. Yet Addie hasn't been doing well. Clemmie though has been so busy wrapped up in her own world at her law firm that she doesn't realize time is passing by. Soon it might be too late and there is so much Clemmie hasn't asked or forgot to ask her Grandmother. When the family descend for Addie's birthday party Clemmie's Aunt starts dropping weird hints about a deep dark family secret. A secret that spans Addie's childhood and adolescence in England and then her time in Kenya. Could this secret change Clemmie's entire life?

Booked as Out of Africa meets Downton, I can see the marketing ploy... but The Ashford Affair didn't feel like this to me. For those epics there is a distancing between you and the characters. You feel like an outsider looking in. No matter how much you love and care for Denys Finch Hatton or Lady Mary, you are never part of their story. That's where Lauren shines. She has created characters you connect with in a different way. You become part of their story. Reminiscent of the writing style of Nancy Mitford, as you were sitting in the Hons cupboard listening to Linda recount the love of her life, there you are sitting with Addie as she braves the cold outdoor nightclub as she sees herself losing the love of her life.

While I'm sure there are others out there who would disagree with me, and say the marketing is apt, the thing is I'm an Out of Africa hater, so it's a good thing I didn't see The Ashford Affair as such. Also, as to the Downton angle, yeah, ok, but a lot of people are in "Downton Rage" as I'm calling it because of the Matthew debacle, and Downton doesn't have the constant witty banter and humor that Lauren has brought to The Ashford Affair. Downton is an epic soap opera, even if you are one of those people who didn't realize it as such at first, but how else to categorize a show where the heir goes down in the Titanic in the first episode? I mean, come on people! Downton has a lot going for it, but there's a disconnect between that show and this book. Therefore I am rechristening it Alconleigh to Kenya or possibly, Mitfords meet Clueless... still deciding on that one. Either way, Lauren has created characters who you could see spending time with and having a laugh with (PELT!) and enjoying life, verses the epic heart wrenching day to day life at Downton. Not saying that there aren't times when Lauren is ripping out your heart, she just won't leave you dead in a ditch.

I don't think my "Mitford" interpretation is that far off either. Let's look at the evidence, a Bolter, check, either if based on Idina Sackville, or the fictional Mitford Bolter... which may have been based on Sackville or even on Nancy Mitford's sister Diana, the Bolter is key. The elder sister Dodo, a horse and hounds girl, could that be Debo Mitford, the Duchess of Devonshire who likes to write books about her chickens? Then there's Addie... a cousin and an outsider who comes to live in a glorious estate with rather odd relatives while her own parents were in disrepute with the rest of the family, can anyone say Fanny Logan, the narrator of Nancy Mitford's famous trilogy? Lauren herself has said that Nancy's book Wigs on the Green was an inspiration, which was notorious for Nancy's lampooning of her own family and was therefore out of print for many years. Also just the humor fits in more with the Mitfords/Radletts. The scene that brings this out more than any other is when Addie's mouse is set loose by Bea at Dodo's coming out ball. Lauren was able to perfectly recapture a time that, in my mind, was exemplified my Nancy Mitford's writing. Lauren brought that world to life again, and that's a hard feat.

Speaking of time, time is an interesting thing. Though the twenties are a very specific time and place within the last century, it has still developed a timelessness to it. The sepia coloring of passing generations has made it an era we are nostalgic for and romanticize, even though we weren't alive. Maybe that's why we are nostalgic for it, because we didn't live through it. Unlike the late 90s. Having the modern day section set not in the "now" but in the 90s kept drawing me out of the book. Modern references niggled at me and then I was thinking of the weirdest things, like, was their really Lord of the Rings parties in the 90s? I mean, you'd have to be a hard core book nerd to be having the parties, because the first of the movies didn't come out until 2001. In fact, the film had only been filming for two months when the action of this book takes place.

I know this is nit picky, but this is where my mind goes. This is why, while I enjoyed the whole book, the modern sections I was almost skimming. I didn't really care about Clemmie's job travails (another thing, hating the name Clemmie, sounds like the demon Clem from Buffy the Vampire Slayer, or phlegm whereas I love the full name Clementine, so just call her by that). Clemmie's job was just a hurtle that kept her from her family, and while it was annoying for her, it was more annoying to me. I know Lauren connects to Clemmie's life of lawyering, I just personally didn't connect. But perhaps I just didn't want to go back to the modern sections of the book because I was reveling in the past. I would have loved it longer and more in depth because I didn't want to leave the past. Not one bit.

One thing can be certain, this book has allayed many worries of mine and I'm sure fears of others. With the inevitable end of Lauren's Pink Carnation series (le sigh) she has proven with The Ashford Affair that she is capable of writing books that I will keep buying. She kept me awake until the wee hours (is that dawn I see?) as I tried to puzzle out the mystery, which I thought I was certain of until, wham. Lauren has definitely got me for the entire span of her literary career, which I wager will be long and fruitful.

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: Buffy the Vampire Slayer, Clueless, Downton Abbey, Lauren Willig, Love in a Cold Climate, Nancy Mitford, Out of Africa, Pink Carnation, The Ashford Affair, The Bolter, The Pursuit of Love, Wigs on the Green

As most of you know by now I have a deep abiding love for Lauren Willig's writing. For a fan this is an exciting time in her writing career. With last year's The Ashford Affair she officially branched out from her Pink Carnation series, which is sadly winding down, and has started to write stand-alones. That Summer is her new stand-alone which is coming out this summer (get the theme month title eh?) I have to say, if she wanted to hook me more then Kenya, choosing the Pre-Raphaelites was a sure way to do it. Everyone knows who the Pre-Raphaelites are even if they aren't aware of it. I remember back in high school my English classroom had the ubiquitous Pre-Raphaelite posters on the back bulletin board. There was Sir Francis Bernard Dicksee's La Belle Dame Sans Merci and John William Waterhouse's The Lady of Shalott. They never removed these posters in the four years I had classes in that room on and off. There's just something so magical about these paintings, the way they convey such detail and meaning to the written word that it captures the cross pollination of artistic mediums that the Pre-Raphaelite Brotherhood embraced and made me want to learn more versus those people who just slap the posters up on their walls. 

When I was in undergrad getting a BS in Art there was a plethora of Art History courses that were required which I took to with great zeal, even adding in such classes as German Architecture: The Modern Movements, which oddly ties into the Pre-Raphaelite Brotherhood. Because the classes covered such a wide range of time, literally from Ancient Egypt to Picasso, there wasn't as much time to dwell on each subject as I would have liked. What was interesting though is that later when I took my German Architecture Class so many of the ideologies of these German artists harked back to the Brotherhood. The Brotherhood believe in craftsmanship, romanticism, spiritualism, nature, ideas, and never forget that signature jawline. They believed in elevating art for the people while there was always the irony that they spent so much time and effort on their art that it wasn't the common man but the wealthy who could afford their work, much like the Arts and Crafts movement, but more on that later. The German's believed in this craftsmanship and this love that was put into every aspect of the work with amazing attention to detail, which Frank Lloyd Wright would later use, going so far as to design the clothes that the inhabitants of his houses wore. If you have ever had the honor to see some of the Brotherhood's work, they made the frames that houses the paintings because it was the only way to truly view the art. They were Victorian Renaissance men that were both craftsmen and artists.

A few years back the Pre-Raphaelites got a little buzz again off the BBC Miniseries, Desperate Romantics, which I hope Lauren has finally watched after much urging on my part. While the series plays fast and loose with facts, making it in essence "Victorian Entourage," it once again ignited my interest in these artists. It didn't hurt having Aidan Turner playing Dante Gabriel Rossetti is all I'll say on that. At the same time the Art Institute of Chicago did a fascinating exhibition called Apostles of Beauty: Arts and Crafts from Britain to Chicago. The synchronicity of the exhibition's timing was eerily awesome for me. Because any way you look at it the Pre-Raphaelite Brotherhood and Arts and Crafts are connected movements with John Ruskin and Williams Morris being figureheads in both. The centerpiece of the exhibit was Dante Gabriel Rossetti's Beata Beatrix. But the exhibit had innumerable sketches and paintings and even house plans that gave such insight into the movements that I just wanted to learn more. Therefore this month is all about learning more. To delve into Lauren's research material, to read what inspired her, to find out the origins of That Summer and get special insights into why this world called out to her and me. And in another wonderful twist of fate, the MET is having a Pre-Raphaelite exhibition opening this month and thankfully lasting until I go to New York in August called The Pre-Raphaelite Legacy: British Art and Design. I'm positive they did this just to coincide with That Summer.

Posted by Miss Eliza at 12:00 AM 2 comments  

Labels: Aidan Turner, Art History, Beata Beatrix, Dante Gabriel Rossetti, Desperate Romantics, John William Waterhouse, Lauren Willig, Pink Carnation, Pre-Raphaelite, That Summer, The Ashford Affair, This Summer

The Passion of the Purple Plumeria by Lauren Willig
ARC Provided by the Publisher
Published by: NAL Trade
Publication Date: August 6th, 2013
Format: Paperback, 480 Pages
Rating: ★★★★★
To Buy

Colonel William Reid is retiring to England to live out his life in leisure with his two daughters, Kat and Lizzy, leaving behind three very different, one very difficult, sons in India. Little does he know that the school in Bath that Lizzy has been attending, Miss Climpson's Academy, seems to be the epicenter of spies in the battle between the French and the English. For two years Miss Gwendolyn Meadows has been at the center of that fight, or slightly next to the center wielding a dangerous parasol as the second in command to Britain's chief operative, The Pink Carnation, aka, Jane Wooliston. She has ostensibly been the dragonish chaperone of Jane while they lived in France with Jane's cousin. Jane has received a missive from her family that finds Jane and Gwen on the steps of Miss Climpson's just as Colonel Reid arrives.

As fate would have it, these three must unit in their cause because Jane's sister, Agnes, has gone missing along with Colonel Reid's daughter Lizzy. William doesn't grasp the seriousness of this, thinking it's just girls being girls. Jane knows that this is probably not the case. Somehow Agnes and therefore Lizzy's disappearance has to do with Jane's subversive activities. When William and Gwen are attacked while inquiring after Lizzy with his other daughter Kat, he comes to see that his little girl is truly in danger. He might have not been the best parent so far, but he was going to fix that. Though the reason for the girls disappearance might just not be Jane's fault and might actually be tangled up with William's most dubious of children, Jack, and not Jane at all... or at least not directly. Rumors are that, besides playing for both the French and the English, Jack has also made off with the famous jewels of Berar... the jewels which are rumored to have been sent to his little sister. This means that they aren't the only ones looking for the girls. That most dangerous of French spies, The Gardener, is also on their trail.

Lauren Willig's Pink Carnation series is like the ultimate comfort read, like watching The Princess Bride mixed with Bridget Jones's Diary. There's "fencing, fighting, torture, revenge, giants, monsters, chases, escapes, true love, miracles"... well, maybe not giants, monsters, or fencing per se, but there is Miss Gwen with a rapier parasol, and Lizzy Reid with a bow and arrow, and Lizzy alone is just as dangerous as those three things together. The release of yet another book in this series brings joy to my heart which was tripled when I realized that The Passion of the Purple Plumeria (an alliteration worthy of Gwen's lurid prose) was yet again raising the bar of this series. To have a long running series, ten books and counting, and to have each entry just as fresh and alive is a fete that Lauren needs a round of applause for. Yet in this installment we have a character we have loved since day one and who has been desperately demanding her own book, seriously, ask Lauren, Miss Gwen said her book was next and so it was.

Miss Gwen has always been a pillar of strength and fortitude. Ready to take down the French with an arch look or a well placed parasol to shin or other vulnerable body parts. We have seen this hilarious yet adept spy trailing behind The Pink Carnation, almost as an accessory to Jane. It is as if Gwen herself was Jane's multifunctional parasol weapon. In The Passion of the Purple Plumeria, we see that the reserve that Jane has always exhibited doesn't exclude Gwen. Gwen is just as in the dark as other agents, just hoping that in lying to herself, that she has found a place where she belongs, working beside Jane. Holding on to the dream that her life has purpose and that this work will continue. Lauren brings such depth to Gwen, showing that while she is strong and kicks ass at her job, there's a vulnerability. Gwen could lose Amy and therefore lose her calling. Beneath the gruff exterior Gwen really does have a gooey center. Yet in revealing Gwen's weaknesses, in showing us her painful history, Lauren doesn't take away anything, Gwen can be both vulnerable and strong. Like a parasol, something light and frilly, but with a hidden sword in the shaft. Gwen is just simply remarkable, "beneath that stern exterior was a lifetime's worth of adventure for the man brave enough to win her."

What we see in Gwen's past sins and also in the destitute life that William's daughter Kat is living, is a different world from the one we are used to in this series. Up until now, any people from lower classes, which weren't that numerous, were always seen in the setting of the world of prosperity. Laura Grey was a governess in a Parisian home, Arabella Dempsey is a teacher at the aforementioned Miss Climpson's Academy, and Letty Alsworthy's family is just a little hard up. Yet they are still in the sphere of influence. They are not in the gutter or in crummy little houses taking in laundry to just get by. Yet these people existed. The children out of wedlock, the family scraping by, these are incidents straight out of Jane Austen that are there, pushed into the corners but never talked about, not really. Here Lauren tackles that to some degree, and in doing so, she has made her world more whole. Every level of humanity makes up the world and in showing us something not quite pleasant there is a satisfying feeling of completion.

And in speaking of completion... how many more books till the end? Lauren has often said that this series would be ending soon with Jane's book, yet characters are always speaking up and demanding their own book, ie Sally Fitzhugh coming out next year I hope. I personally would be happy to see this go on for quite some time, as long as Lauren's writing the Pink Carnation series, I will read it. Yet, with her first stand alone, The Ashford Affair, you can see that Lauren has considerable talent and a lot more to offer and that to keep her churning out this series is unfair to her as a writer, I mean, the series does have it's limitations with time period and historical authenticity. But with her second stand alone coming next year, perhaps a happy medium will be reached. Yet one does feel that in the final pages of this book there is a big game changer at the hands of The Gardner. The Passion of the Purple Plumeria does lend itself to flipping the page to the final chapter of The Pink Carnation's story. A final chapter that will be bittersweet.

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: Bridget Jones's Diary, Colonel Reid, Jane Wolliston, Lauren Willig, Miss Climpson, Miss Gwen, Parasol, Pink Carnation, The Ashford Affair, The Gardener, The Passion of the Purple Plumeria, The Princess Bride

The Passion of the Purple Plumeria by Lauren Willig
ARC Provided by the Publisher
Published by: NAL Trade
Publication Date: August 6th, 2013
Format: Paperback, 480 Pages
Rating: ★★★★★
To Buy

Colonel William Reid is retiring to England to live out his life in leisure with his two daughters, Kat and Lizzy, leaving behind three very different, one very difficult, sons in India. Little does he know that the school in Bath that Lizzy has been attending, Miss Climpson's Academy, seems to be the epicenter of spies in the battle between the French and the English. For two years Miss Gwendolyn Meadows has been at the center of that fight, or slightly next to the center wielding a dangerous parasol as the second in command to Britain's chief operative, The Pink Carnation, aka, Jane Wooliston. She has ostensibly been the dragonish chaperone of Jane while they lived in France with Jane's cousin. Jane has received a missive from her family that finds Jane and Gwen on the steps of Miss Climpson's just as Colonel Reid arrives.

As fate would have it, these three must unit in their cause because Jane's sister, Agnes, has gone missing along with Colonel Reid's daughter Lizzy. William doesn't grasp the seriousness of this, thinking it's just girls being girls. Jane knows that this is probably not the case. Somehow Agnes and therefore Lizzy's disappearance has to do with Jane's subversive activities. When William and Gwen are attacked while inquiring after Lizzy with his other daughter Kat, he comes to see that his little girl is truly in danger. He might have not been the best parent so far, but he was going to fix that. Though the reason for the girls disappearance might just not be Jane's fault and might actually be tangled up with William's most dubious of children, Jack, and not Jane at all... or at least not directly. Rumors are that, besides playing for both the French and the English, Jack has also made off with the famous jewels of Berar... the jewels which are rumored to have been sent to his little sister. This means that they aren't the only ones looking for the girls. That most dangerous of French spies, The Gardener, is also on their trail.

Lauren Willig's Pink Carnation series is like the ultimate comfort read, like watching The Princess Bride mixed with Bridget Jones's Diary. There's "fencing, fighting, torture, revenge, giants, monsters, chases, escapes, true love, miracles"... well, maybe not giants, monsters, or fencing per se, but there is Miss Gwen with a rapier parasol, and Lizzy Reid with a bow and arrow, and Lizzy alone is just as dangerous as those three things together. The release of yet another book in this series brings joy to my heart which was tripled when I realized that The Passion of the Purple Plumeria (an alliteration worthy of Gwen's lurid prose) was yet again raising the bar of this series. To have a long running series, ten books and counting, and to have each entry just as fresh and alive is a fete that Lauren needs a round of applause for. Yet in this installment we have a character we have loved since day one and who has been desperately demanding her own book, seriously, ask Lauren, Miss Gwen said her book was next and so it was.

Miss Gwen has always been a pillar of strength and fortitude. Ready to take down the French with an arch look or a well placed parasol to shin or other vulnerable body parts. We have seen this hilarious yet adept spy trailing behind The Pink Carnation, almost as an accessory to Jane. It is as if Gwen herself was Jane's multifunctional parasol weapon. In The Passion of the Purple Plumeria, we see that the reserve that Jane has always exhibited doesn't exclude Gwen. Gwen is just as in the dark as other agents, just hoping that in lying to herself, that she has found a place where she belongs, working beside Jane. Holding on to the dream that her life has purpose and that this work will continue. Lauren brings such depth to Gwen, showing that while she is strong and kicks ass at her job, there's a vulnerability. Gwen could lose Amy and therefore lose her calling. Beneath the gruff exterior Gwen really does have a gooey center. Yet in revealing Gwen's weaknesses, in showing us her painful history, Lauren doesn't take away anything, Gwen can be both vulnerable and strong. Like a parasol, something light and frilly, but with a hidden sword in the shaft. Gwen is just simply remarkable, "beneath that stern exterior was a lifetime's worth of adventure for the man brave enough to win her."

What we see in Gwen's past sins and also in the destitute life that William's daughter Kat is living, is a different world from the one we are used to in this series. Up until now, any people from lower classes, which weren't that numerous, were always seen in the setting of the world of prosperity. Laura Grey was a governess in a Parisian home, Arabella Dempsey is a teacher at the aforementioned Miss Climpson's Academy, and Letty Alsworthy's family is just a little hard up. Yet they are still in the sphere of influence. They are not in the gutter or in crummy little houses taking in laundry to just get by. Yet these people existed. The children out of wedlock, the family scraping by, these are incidents straight out of Jane Austen that are there, pushed into the corners but never talked about, not really. Here Lauren tackles that to some degree, and in doing so, she has made her world more whole. Every level of humanity makes up the world and in showing us something not quite pleasant there is a satisfying feeling of completion.

And in speaking of completion... how many more books till the end? Lauren has often said that this series would be ending soon with Jane's book, yet characters are always speaking up and demanding their own book, ie Sally Fitzhugh coming out next year I hope. I personally would be happy to see this go on for quite some time, as long as Lauren's writing the Pink Carnation series, I will read it. Yet, with her first stand alone, The Ashford Affair, you can see that Lauren has considerable talent and a lot more to offer and that to keep her churning out this series is unfair to her as a writer, I mean, the series does have it's limitations with time period and historical authenticity. But with her second stand alone coming next year, perhaps a happy medium will be reached. Yet one does feel that in the final pages of this book there is a big game changer at the hands of The Gardner. The Passion of the Purple Plumeria does lend itself to flipping the page to the final chapter of The Pink Carnation's story. A final chapter that will be bittersweet.

Posted by Miss Eliza at 12:00 AM 2 comments  

Labels: Bridget Jones's Diary, Colonel Reid, Jane Wolliston, Lauren Willig, Miss Climpson, Miss Gwen, Parasol, Pink Carnation, The Ashford Affair, The Gardener, The Passion of the Purple Plumeria, The Princess Bride

I shall now interrupt our regularly scheduled programming (ie, Golden Summer) for a very special reason. Today I am the blog stop for the official virtual Lauren Willig tour (be sure to check out the rest of the stops too). That is correct, gentle readers, a blog tour for that most wonderful of books, The Ashford Affair. As you may recall, I spent April devoting my blog to Lauren Willig's first stand alone novel, The Ashford Affair, which I gather you all liked seeing as my blog analytics tell me that it was my second highest ever for hits in a single month. Personally, I know exactly why, Lauren is awesome. Also, it makes sense to have a little Lauren oasis during my Golden Summer... it was because of reading The Ashford Affair that I got on my 1920s kick, first with Mitfords then with mysteries, and eventually I ended up devoting the summer to 1920s whodunits. A nice progression of events and reading I must say. But let me tarry no longer, I reached out to you, my readers and asked what do you want to know from Lauren. Of course I slipped in one or two of my own questions, but I couldn't help it. Without further ado, I bring you Lauren.

Question: Seeing as The Ashford Affair is set in Kenya during the ‘Happy Valley’ days, if you were to have a dinner party with the Happy Valley Set, who would you invite? Might you leave Isak Dinesen off the guest list?

Answer: Yes, let’s leave Isak Dinesen at home! After reading up on that crowd, you do get the impression that she wasn’t quite the sympathetic character she was made out to be in the movie version of Out of Africa (although she did have some provocation). You get the sense that when people heard she was on her way, there was a muttered, “Quick, Karin’s coming—out the back door!”

Bror Blixen’s second wife, Cockie, on the other hand, sounds like she’d be fun to have around. We’d have to have Beryl Markham and Denys Finch-Hatton, of course: adventurers with stories to tell. And no Happy Valley party would be complete without Idina and Joss Hay, who, for all their hedonism, were both well-read, charismatic characters.

I’d leave out Alice and Frederic de Janze, though—he’d probably write a depressing book about it, and she might shoot someone.

Question: It seems that every person who settled in Kenya had a need to write a book, from Dinesen to Markham. What do you make of this phenomena?

Answer: Personally, I’m rather grateful for it, since it made my research much easier! It’s a skewed data set, though. When you look at the number of settlers who made their way to Kenya, the memoir writers were actually a fairly small percentage. In fact, that was one complaint that popped up as I was researching the period: that the flamboyant Happy Valley types overshadowed the fact that the bulk of the settlers in the region were hardworking farmers who kept their heads down and their farms running. For every Idina Sackville or Bror Blixen, there were a lot of people just minding their plows, but the gang who boozed it up at the Muthaiga Club left a disproportionately large footprint.

One thing I do find particularly interesting is the tilt, not just towards memoir-writing, but towards fictionalized memoir writing. One of my favorite sources, as I was reading up on the area, was Elspeth Huxley’s Flame Trees of Thika. It’s part memoir, part make believe, just like Isak Dinesen’s Out of Africa, the real and the fictional woven together in the guise of truth. In terms of physical details of life in Kenya, these books were gold mines, but I think there’s also something very telling in the fact that the line between fact and fiction in the narrative structure gets blurred. It goes to your next question, below, about the mystical lure of Kenya. Those settlers we’ve been talking about built a self-consciously mythologized image of the region and of their own place in it.

Question: What do you think is the mystical lure of Kenya? From English settlers back in the day to books set there, and even television shows like In the Heat of the Sun, what is the obsession with Kenya?

Answer: For the segment of English expats I was writing about, a lot of it had to do with escape and an attempt to rebuild or reclaim a romanticized version of their own past. The Great War had just torn through all levels of society and the old aristocracy was watching their estates become forfeit to death duties and rising costs. In 1919, the British government held a land lottery for plots of land in Kenya (then British East Africa). Larger plots could be purchased for relatively small sums. To the old Etonians who flocked to Kenya, Kenya was both a way to escape the horrors they had seen back in the old world and to rebuild their fortunes.

Some were straight out fortune hunters, hoping to make a killing in coffee or indigo (which generally worked out badly for them), but many harbored a romanticized vision of Africa as somehow untouched and unspoiled, a demi-Eden where a pre-war past could be recreated. That aspect comes out very clearly in their writings—there’s a lot of explicit comparison between the local tribes and medieval feudal societies—and also in their naming of their homes. Joss Hay, the Earl of Errol, one of the key members of the Happy Valley set, calls his plantation Slains: the name of the castle in Scotland his family had lost.

Question: Did your love of coffee make a book set on a coffee plantation inevitable?

Answer: It had less to do with my being a caffeine junkie and more to do with formative years spent watching the Britcom As Time Goes By. As I was writing Ashford, it was a running family joke that I should just call it My Life in Kenya, a la Lionel’s memoir.

Question: You have mentioned that a fair bit of The Ashford Affair set in Kenya was sadly a victim of edits, might we loyal readers someday see these pages as an extra on your blog?

Answer: In the past, I’ve rescued snippets of my Pink Carnation books from the cutting room floor, but those bits were small and discrete scenes. The cuts in Ashford were much more extensive—about a hundred pages set in Kenya in the late 20s and 30s. When I cut those segments, I reworked the rest of the novel to make up for those gaps. I felt like those chapters made sense in their original context in the novel, but they don’t stand on their own as fun little anecdotes, the way the Pink outtakes do. Those deleted chapters also make explicit incidents that, in the reworked version, are deliberately left ambiguous. So, the short answer is, probably not—although I might revisit those chapters at some point and see if there’s anything that can be salvaged for the outtakes section.

I will say that writing Ashford made me nostalgic for the doorstop novels of the 80s, when an author could safely write a thousand page tome. The original plan for Ashford involved a triple narrative—Clemmie, Addie, and Bea—in which we would follow both Addie’s and Bea’s threads right up through World War II. But the fashion right now is for leaner books, so the more ambitious and all-encompassing narrative had to be abandoned.

Question: Ancestry and our roots seem to be a big craze right now, what do you think it is that makes books revolving around family secrets so irresistible? 

Answer: My instinct is that it has something to do with the present being so uncertain. We live in uneasy times. The economy is shot, our sense of opportunity has been shaken; people are facing the prospect of rocky futures and straitened retirements. In those circumstances, there’s something very reassuring to turning to the past, to seeing what our grandparents or great-grandparents managed to struggle through and triumph. When you think of it, the last big era of the family saga and intertwined present/past narratives (Barbara Taylor, Judith Krantz, and so on) was back in the 70s and early 80s, which was another era of economic uncertainty and murky prospects. I think reading these books, especially the ones in which characters manage to fight their way from adversity to prosperity (or, in many cases, from prosperity, through a fall to poverty, and back to prosperity again) provides a sense of encouragement and hope, and that we as readers—in a parallel journey with the modern characters in the books—draw strength and a deeper understanding of our capabilities through comparison with the past.

Question: Now that you have successfully broken the limitations of writing just the Pink Carnation Series, what other stand alones do you see in your future?

Answer: I have another modern/historical hybrid (I’ve been told the au courant term is “time slip”) coming out next year, but since you ask about that below, I’ll skip the thumbnail sketch here.

As to what comes after that, there are three potential plots I’m playing with right now, all, surprisingly, twentieth century: one 1920s, one 1930s, one 1940s. I’m not quite sure which of these plot ideas is going to win out (each has its own particular allure), but, if I have my way, the next stand alone will be purely historical, with no modern component. As much as I’ve enjoyed writing the dual narratives in Ashford and the Victorian Book (aka stand alone #2), my real interest lies in the historical side, and that’s where I’d like to head next.

Question: Can you tell us more about the Victorian ‘Work in Progress’? (Miss Eliza added note, and have you finally watched Desperate Romantics, the Entourage of Victorian England?)

Answer: I have a weakness for what I think of as “house” books. I love books where the heroine inherits—or rents, or house-sits, or otherwise occupies—an old house, the dingier and more history crammed the better. If she can find some sort of mysterious artifact leading to a secret hidden in the house’s past, so much the better. (I blame this on a youth spent devouring Barbara Michaels novels.)

I also have a weakness for the Preraphaelite painters, for their lush compositions, their fascination with mythology, and their brash idealism.

The Victorian Book is a house book with a lost Preraphaelite painting. Basically, it’s my equivalent of chocolate with chocolate in it.

(Note to Miss Eliza: Nope, I still haven’t watched Desperate Romantics—I want to wait until the manuscript is all tied up and copyedited before I watch the show, so I can be sure that I’m not unconsciously letting it influence my portrayal of the painters. I’ve heard that it’s great fun, but not the most accurate.)

Anyway, here’s the thumbnail synopsis of the Victorian Book: it’s 2009 and my modern heroine, a financial analyst, has lost her job in the downturn. She inherits a house from an unknown great aunt in a suburb of London and goes out there to sort it out, with plans to sell. In the clean out process, she discovers not only some rather suspicious cousins and a disturbingly cute antiques shop owner, but also a Preraphaelite painting wrapped in crumbling paper, hidden behind the false back of a wardrobe. Her quest for the painting’s history takes up back to 1849, to the early days of the Preraphaelite movement and the tangled lives of the people who lived in the house back then.

For my Pink readers: the disturbingly cute antiques shop owner is one Nicholas Dorrington. Yes, that Dorrington. I snuck in a descendant of Miles and Henrietta as my (modern) leading man….

Question: Is Dare Me still a possible project?

Answer: Poor Dare Me. A contemporary romance novel that I started writing just for fun two summers ago, Dare Me has been a casualty of my souped-up publication schedule. (For those of you who haven’t seen it, you can find the first six chapters here.

Right now, I’m on a tight, two book a year schedule, which means that projects for which I’m not currently under contract fall by the wayside. That being said, I’m hopeful that I can find some time to work on Dare Me once the eleventh Pink book is safely in to my editor this fall. Now I just need to speed up my work on that Pink book….

Question: Do you usually have a couple in mind and an ending and then build the in-between parts or does the story unfold along the way and do you ever find yourself surprised by where your characters have taken you?

Answer: It varies book by book. Sometimes, I’m caught by a character and just need to follow that character and see where she—or he—goes. That was definitely the case with Miss Gwen in The Passion of the Purple Plumeria. In writing her book, I was primarily interested in seeing how her character unfolded and developed over the course of events. Other times, it will be a quirky historical incident I just need to use (like the underground Irish resistance managing to blow up their own headquarters in The Deception of the Emerald Ring), or a “what if” scenario, such as “what if a modern woman were to discover that nothing about her family was as it seemed?”

For the most part, though, I’d say I’m a character driven writer, which is why my books tend towards the latter scenario you mentioned: I’m constantly surprised by where my characters take me. I’ve learned that I’m best off being flexible and revising my plot plans as the story goes along, since the characters often develop in ways I would never have imagined. It can be nerve-wracking—I never know quite what’s going to happen, which is pretty scary when you’re only a few chapters in and a deadline is looming—but also keeps the writing fresh and exciting.

Question: Which book was the most fun to write and research?

Answer: That would be two different books. The most fun to research? Absolutely The Betrayal of the Blood Lily. I loved learning about the tangled intrigues of the court of the Nizam of Hyderabad in 1804. With a mad ruler, a semi-insane vizier, an all female platoon of soldiers, and wet-nurses turned master of ceremonies, so much of what I was reading fell into my favorite category: when truth is stranger than fiction. And that’s just the tip of the iceberg.

As for the most fun to write…. It would be a toss-up between The Masque of the Black Tulip and The Mischief of the Mistletoe, both of which had more than their fair share of madcap comedy.

Question: Now that the Pink Carnation series is winding down to an extent, do you plan to write more Pink novellas to bring back old characters?

Answer: There are still at least two books to go in the Pink series, Pink XI and Pink XII, so we’re not quite wound up yet. (Pink XI is Sally Fitzhugh’s book, slated to come out in August 2014. Unless something changes, Pink XII should be Jane’s book, presumably 2015, but I don’t have any hard and fast news about that yet.)

I’d love to revisit the older Pink characters with more novellas, but it all depends on timing. Now that I’m on the doubled up writing schedule, there is, sadly, less time to write just-for-fun novellas. On the plus side, it does mean two books a year rather than one; on the down side, fewer extraneous extras.

Question: *Note: stealing this one from Tracy Grant's interview of Deanna Raybourn on her blog: What four book characters (other authors, not yours) would you invite over for dinner and why?

Answer: Lord Peter Wimsey, for his ability to speak glorious nonsense; Elizabeth Peters’s Jacqueline Kirby (as a librarian, she’d have some excellent book recommendations); Jane Austen’s Emma, for all that gossip; and Mr. Rochester, because he smolders so nicely.

Ask me again tomorrow, and you’d probably get a different batch….

Question: What book by another author are you in love with right now?
Can I cheat and name multiple books?

Satisfying the gothic craving in me, I am deeply in love with Simone St. James’s two 1920s-set ghost stories, The Haunting of Maddy Clare and An Inquiry into Love and Death. I love ghost stories and these are particularly well done, just the right sort of prickles on the back of the neck with the Dorothy Sayers-esque 1920s tone.

Moving from windy nights to sunny beaches, the other book I’m in love with right now is Beatriz Williams’s A Hundred Summers, set in an upscale beach enclave in the 1930s as a young woman struggles to deal with her former fiance’s reappearance—as the husband of her former best friend. (Lily and Budgie in A Hundred Summers have a great deal in common with Addie and Bea in Ashford!)

Thanks so much for having me back here, Miss Eliza! It’s always a joy to visit Strange and Random Happenstance.

Posted by Miss Eliza at 12:00 AM 3 comments  

Labels: As Time Goes By, Blog Tour, Desperate Romantics, Happy Valley, Kenya, Lauren Willig, Out of Africa, Pink Carnation, Rochester, The Ashford Affair, The Betrayal of the Blood Lily, The Flame Trees of Thika

As Ashford April draws to a close, I know, you all want to still dwell in Kenya, but remember, by opening the pages of a book, you can be back there in mere minutes, there is one final piece of "business." And by business I mean, PRIZES! See, isn't it great when business equals books? I sure think so. So without further ado... the winners of the three prize packages for Ashford April are...

In 3rd place, with the prize of a 1st Edition of The Ashford Affair, as well as a SIGNED Paperback copy of The Temptation of the Night Jasmine, the 5th in Lauren's Pink Carnation Series is Misty! (After the original winner never emailed me, a warning to you all to leave your contact info, or you don't get cool prizes).

In 2nd place, with the prize of a 1st Edition of The Ashford Affair, as well as a SIGNED Paperback copy of The Seduction of the Crimson Rose, the 4th in Lauren's Pink Carnation Series is Giada!

In 1st place, with the grand prize of a lovely 1st Edition of The Ashford Affair, as well as a SIGNED ARC of The Ashford Affair AND (yes there's more) a SIGNED Paperback copy of my favorite Lauren Willig Book, The Mischief of the Mistletoe is Ashley!

If I don't have a way to contact you, please email me (click about me on the right and then email) and if I do have your email, expect me to drop you a line shortly to get your shipping details! I hope everyone enjoys! Also, be sure to check out my new giveaway... coming soon!

Posted by Miss Eliza at 11:59 PM 1 comments  

Labels: Ashford April, Giveaway, Lauren Willig, Pink Carnation, The Ashford Affair, The Mischief of the Mistletoe, The Seduction of the Crimson Rose, The Temptation of the Night Jasmine

A few weeks back now, on April 12th, I was lucky enough to see Lauren in person at the Warren-Newport public library down in Gurnee, Illinois. Now this was not my first time meeting Lauren or ever my first time meeting Lauren at this library. The first time I met her was before I was a blogger and had just restarted going to school for Graphic Design and I trekked down to Illinois to gush at Lauren about her first four books with the fifth, The Temptation of the Night Jasmine in ARC form. It's hard to imagine that so much would happen in the intervening years. I never would have thought that I would be where I am now and running this blog which I love, but I could have guessed that Lauren would be a huge success, with nine Pink Carnation books in print, the tenth arriving this summer and the eleventh underway, and her first stand alone, The Ashford Affair out and hitting the charts, with her second stand alone off with her editors, and a baby on the way. She's been one busy lady!

Needless to say, no matter how many times I've seen Lauren, each time is wonderful and different because unlike some authors, she has a wonderful gift for gab and interacts great with an audience. As in an anecdote she said, when interviewing for Yale, the old interviewer didn't see her as a writer because she is so outspoken and did plays and musicals and forensics and debates, and writers are meant to be introverted. Lauren has definitely proved his theory wrong.

The crowd was a wonderful group of Pink fans and I was happy to see a few men in the audience. Though when an ARC of the newest Pink book, The Passion of the Purple Plumeria, was passed around, it was a bit like watching people touch a holy relic. Thankfully, while we may occasionally be squealing girls, no one stole the book and made a break for it into the grey stormy day. I was at least more calm then most because I had already put in my request for a copy with Lauren's publisher and thankfully had an electronic ARC by the beginning of the next week... and might I add, it's awesome. So, in retrospect, totally worth stealing...

So what were some of the high points of the talk? Well, Lauren discussed her curtailing of her caffeine, which I have heard many of my pregnant friends lament, but I expect it is doubly so with Lauren because she is a prodigious coffee drinker. As the event was a Coffee Klatch, in honor of the book being set in Kenya, I'm sure it was doubly hard to avoid the temptation... coffee and kringle, it did look mighty tasty, the kringle that is, me not being a coffee person, yes, this manic me is all without caffeine. Speaking of Ashford, she said how much the modern section did mimic her life and how being a lawyer then writer is all just about the storytelling, or at least that's how she spins it. Also, the book originally had about 100 more pages in Kenya that was edited out, to which I say, put them back! More book! As for her second stand alone novel? It will once again have a modern and historical setting. This time a young woman shall inherit a house in England where she finds a painting of a Pre-Raphaelite artist who disappeared. Lauren said there actually wasn't anything sinister in that (or was there!) because they often gave up and wandered off to farm sheep.

Lauren discussed the fact that Jane's book actually won't be the next Pink book, though when it arrives, it will be the last. Sally, Turnip's sister, is to star in the next book, which I really really wish the publishers would realize that Lauren's title of The Dance of the Death Apple is so awesome and perfect. Why is it perfect? Well, firstly, it's Lauren's first autumnal tale, being set around Halloween, even if Halloween as such wasn't around as we know it. Secondly, it has Miss Gwen becoming a really popular author with her Convent of Orsino, which is liberally quoted in The Passion of the Purple Plumeria. Her popularity is a parody of the Twilight phenomenon, with Miss Gwen being besieged by teenage girls who love her vampire book. Yes, that's right, Miss Gwen started the vampire craze way back. Finally, Sally's love interest is a shadowy man... could he be a vampire? Oh, I just can't wait, and if you think about it, cause I've already read the newest book which isn't even out, I have to wait all the longer, sigh. As for Jane's book... well, there will be some need of research because it takes place in the Peninsular War, and all Lauren knows about that she learned from watching Sharpe. Mmm, Sean Bean in uniform. And Jane's prince charming? She knows, but the audience universally vetoed the reveal.

What else does the future hold? Hopefully a Mitford inspired book if Lauren gets her way... which I heartily approve. After all, Mitford fan typing this...

Posted by Miss Eliza at 12:00 AM 4 comments  

Labels: ARCs, Ashford April, Halloween, Kenya, Lauren Willig, Lawyer, Miss Gwen, Mitfords, Pink Carnation, Sean Bean, Sharpe, The Ashford Affair, The Dance of the Death Apple, The Passion of the Purple Plumeria

Out of Africa by Isak Dinesen
Published by: Random House
Publication Date: 1937
Format: Hardcover, 400 Pages
Rating: ★
To Buy (different edition then one reviewed)

"Okay, moment of slight cattiness here. Before I’d started researching The Ashford Affair, I knew Dinesen only through her own writings and, of course, the extremely sympathetic portrayal in the movie, Out of Africa. It was fascinating—like being let in on someone’s gossip circle—to read the reactions of others in that Happy Valley crowd, and then go back to Dinesen’s writing, knowing that many of her neighbors found her a bit of a pill. I’m afraid I’ll never be able to look at Out of Africa quite the same way again…." - Lauren Willig

"I had a farm in Africa, at the foot of the Ngong Hills." Karen Blixen, writing under the nom de plume, Isak Dinesen, lived in Africa for many years, till she finally had to give up her coffee plantation and head home to Denmark, were she became a famous writer for her memoirs of her time in Kenya. The non linear vignettes of life on her farm capture a time and place that she knew, even at the time, would soon be gone. From her connection to young Kikuyus and a menagerie of animals, to the luminaries of the Happy Valley passing through her door, she captures this world of long ago.

I will fully admit that my reaction to finally finishing Out of Africa was not the most mature, seeing as it involved me yelling "suck it Dinesen" and then thinking about her getting an STD (which she had by the way) as justice for me having to read this book. If it hadn't been so late at night, I'm sure there might have even been a victory dance... but as it was late and I was giddy, it was best to leave well enough alone. But I shall warn you now, this is going to be a ranty review because this book is designated a "Classic." Capitol "C" and all. WHY!?! I mean, really, WTF people, it took me YEARS to get through this book, and I'm not talking metaphorically or figuratively but in all honesty, literally.

Let us now segue into the past and my history with Out of Africa. My love of Africa, the country, never to be confused with this book, I think has to be somewhat hereditary, because I take after my mom. She loves Africa. Quite a few years back she went on a reading safari and picked up all the great books from the Kenyan Happy Valley Days. Beryl Markham, Isak Dinesen, Elspeth Huxley, they all came into our house and became common names, which was very handy when I was looking for copies of their books for Ashford April. During this time was when I first saw the movie Out of Africa, watching the whole movie with my mother ranting about how Robert Redford was in NO WAY like Denys Finch-Hatton. But she did concede that Isak's husband Bror was perfectly cast as was Isak, or should I call her by her real name, Karen Blixen?

I will warn you now, watching the movie gives you no sense of what the book is like. The movie is a romanticized version of Karen Blixen's life, not a translation of the life she wrote about in her book which is more vignettes then an autobiography. A little after first seeing the movie, Random House came out with a facsimile 1st edition to celebrate their 75th anniversary. I am a sucker for beautiful books, and seeing as my mom loved this book (which she is now taking back because of my harsh questioning) I bought it and tried to read it. Tried is the optimum word, because I didn't even get more then half way through before I abandoned it. Now, several years later with the book languishing I vowed to finish reading it for Ashford April. In fact, I kind of put it on the reading list, not because of any real connection to Lauren Willig's wonderful book, but because I was daring myself to finish it. Well, I finished it... she says dubiously.

So now we all get to the "meat" of the review. Why did I hate this book so much that I envisioned hurling it out a window or engulfing it in flames? Firstly, she can't write. Isak Dinesen can not form a coherent sentence to save her soul. Therefore my earliest fantasies regarding this book involved me traveling in time to beat her to death with a grammar book. She has sentences that make no sense, commas randomly inserted into the oddest of places and a narrative the jumps so much it's like she has ADD. Now she claimed that her Syphilis was fully cured... one must wonder though if it hadn't maybe rotted out her brain, just because rarely have a seen a published book so badly written. Sure I've read my fair share of bad books, but at least those people could write a sentence. It might have been a dull or boring or insipid sentence, but it was a sentence at least.

Yet her inability to write, while a hurdle, is not the main problem I had. I just couldn't stand her as a person. Now I'm sure you have a friend or an acquaintance who is so self absorbed and obsessed that they see everything in the world through themselves. I'm not talking about seeing everything through their eyes, but that they actually see everything in the world in relation to themselves and how it affects them. You might be having a conversation with them and if the topic doesn't effect them in anyway, they randomly interject to change the topic to one that interests them, mainly, themselves. They can never be objective and they live in their own little world, one where I imagine a statue of themselves at the center and then lots of roller coasters, like in the episode of Red Dwarf where Kryten makes the Rimmer Experience using Arnold's own diaries. The world is their own, and that is how Isak sees it. She can't talk about a Ngoba without going on about how it's in her honor. She can't talk about at trip into Nairobi, unless it's about her selflessness helping people at the hospital with rides round the country in her car. I can see why everyone thought her an insufferable twat. It was all "me, me, me" and this book bears it out. Can you imagine actually being her "friend?" I personally would leave Africa to get away from her...

I'm sure that right about now there are several people going, "but this is my favorite book" and "how could you say those things about this Classic of literature." Well, because I'm telling it as I see it. This book is a very polarizing book, you either love it or you hate it. I am firmly in the hate camp. Why did she have to keep comparing everything to the sea in very awkward metaphors? It's not just that the book is racist, which it is, but you have to make allowances for the eras Imperialist mentality, it's that it's badly written by a narcissist. Even in Isak's life she was polarizing, there were those who loved and hated her. Hemingway loved her, but I have a feeling this has more to do with that she killed things then her prose, whereas the artist Owen Gromme, who was a friend of my families, thought she was a self absorbed snob. Personally, this book made me realize that I should raise every other book I've ever read on Africa a full star and that you're better off reading any other book on Africa then this self proselytising memoir. I'd even read The Bolter again... and yes, I'm being serious.

Posted by Miss Eliza at 12:00 AM 2 comments  

Labels: Arnold Rimmer, Ashford April, Beryl Markham, Elspeth Huxley, Happy Valley, Isak Dinesen, Karen Blixen, Lauren Willig, Out of Africa, Red Dwarf, STD, The Ashford Affair, The Bolter