Showing posts with label Hitler. Show all posts
Showing posts with label Hitler. Show all posts

Friday, February 2, 2018

Book Review - Nancy Mitford's The Pursuit of Love

The Pursuit of Love by Nancy Mitford
Published by: Vintage
Publication Date: August 10th, 2010
Format: Paperback, 240 Pages
Rating: ★★★★
To Buy

Fanny's mother is known throughout the family as "The Bolter." Leaving your child behind to be raised by your siblings isn't that odd in a family that uses children instead of foxes in hunts, has their own distinct argot, and lives in such an old house that only one closet has the warmth to be bearable in cold weather. It is in this "Hons" closet that Fanny and her cousin Linda spend all their time dreaming of true love. Because love is what life is all about. As they grow up their thoughts turn less from the fantasy of marrying the Prince of Wales and more towards any decent chap that can be lured to Alconleigh for their debut ball. Linda, growing up at Alconleigh, has not had the luxury of the education that Fanny has had living most of her time with their Aunt Emily in London. Linda therefore is so desperate to fall in love that she mistakenly falls for the first man who comes along. The wrong man, Tony Kroesig. While Fanny happily settles down with an Oxford don and starts having babies, Linda's marriage to Tony becomes nothing more than a sham. They have one daughter, whom Linda can't stand, but she keeps up the pretense of happy families, until one day she throws off her Facist husband for a Communist Christian. But yet again Linda has misstepped, thinking that she is in love when really she is just in love with being away from Tony. Always wanting so desperately to be in love Linda mistakes any male attention for the real deal. Could she be turning into Fanny's mother, The Bolter? Or will her desperate search for love pay off in the oddest of ways?

I remember one winter day when I first picked up the Vintage omnibus of The Pursuit of Love and Love in a Cold Climate. The selling point to me was the big silver sticker they had put on the cover for Masterpiece Theatre. I covet those PBS tie-in editions of yore with the beautiful artwork and here was a brand new one waiting for me to buy it. I have mentioned this before, but I am the book dork who must always read a book before watching the show, so I set to reading this before the miniseries was to air. This was a hard time in my life, I had just temporarily dropped out of college because of multiple deaths in the family and I took solace in this little escape. While I enjoyed the book, I was really looking forward to watching the miniseries more than anything. Of course, nothing goes to plan. My main problem was I was living with my family and we had only two tvs. This was to air on a Monday night, which meant one of the TVs was designated for my little brother watching Monday Night Wrestling, which meant I had to negotiate for the second TV with my mother. My mother agreed to watch it, so long as it was good. She lasted less then five minutes before she claimed boredom and changed the channel, to Two and a Half Men, to add insult to injury. I was so fed up with everyone else getting what they wanted when all I wanted to do was watch one episode of Masterpiece Theatre that I went into my room and cried. I had waited months and my mom had let me have five minutes. I had to wait more than four years to finally see the series... so logically enough, my memory of the book faded because of the incident and the emotion that followed.

Therefore a re-read was in order! I had remembered very little in the years that followed my initial reading, many of my memories were tied up in the aforementioned incident and in the second volume of the book, so I was pleasantly surprised by what I had forgotten and what I had remembered. The odd thing about this book is, truthfully, there really isn't a plot. Instead it is about the yearning and desire for love and how that can go unexpectedly right and horribly wrong. Of all the love stories told, the two that I enjoy the most were Jassy's and Linda's final love. Jassy, Linda's younger sister, has spent her entire life saving up money to run away, finally she does so in order to go to Hollywood and court an actor she has fallen for, who played a background artist in a pirate movie. The media sensation that follows is almost more entertaining than the end of the courtship, with her father viewing the reporters trying to sneak into his house as the first real and formidable enemies since he killed Germans with his entrenching tool in The Great War. While Linda's love of Fabrice is so unexpected when they meet at the train station as she is leaving her second husband, it is their banter and their easy natural conversation that makes you realize that it's not the money and it's not the looks, it's how you click that matters. Linda and I learned that love can be found in the most unexpected of places when you least expect it.

Yet, what I found most interesting about this book is how it was a mirror for the Mitfords themselves. The first time I read this book I knew about them in the vaguest of terms. Sisters, writers, one or two hung out with Hitler, whatever, it wasn't of concern to me, this was fiction. But as Nancy's sister Jessica points out in the introduction "we all know [Nancy's] got no imagination" because "there we were, larger than life, Mitfords renamed Radletts, reliving our childhoods as seen through Nancy's strange triangular green eyes." And this was a trait shared by all Nancy's books, just look to the controversy surrounding Wigs on the Green, therefore the more you know about the Mitfords the funnier her books are. Here Nancy revels in lampooning herself and her family. Her sisters Pamela, Diana, Unity, Jessica, and Deborah, and brother Tom are all fair game, from what they did to even how they spoke, Hons being the family argot for their honorable titles and here lovingly given to a closet. Let's look as to what happened in real life that was included in this book? Jessica running off to Spain with a communist, yes times two. Diana up and leaving her catholic husband for a fascist, yes, but in reverse. Nancy's affair with a Frenchman, thankfully showing she is willing to lampoon herself, also happens. But it's not just the big things, the life changing events that are mirrored, it's their love of animals, that weird language all their own, a million things that made up this family.

This book is the Mitfords as seen through a slightly wobbly magnifying lens and I love the book for this more than any other reason. It brings these people to life in a way a thousand biographies never could, though granted I've only read a few. And Nancy continued these characters stories in Love in a Cold Climate and Don't Tell Alfred. But here's the rub, Don't Tell Alfred is often forgotten and pushed aside. Albeit it is set twenty years later, and was written eleven years after Love in a Cold Climate, I find it odd that it's so often omitted. The first two books in this trilogy are often released as an omnibus and have even been dramatized twice, once in 1980 with Judi Dench and again in 2001, which was the version I mentioned above. Yet where is Alfred? I could be cruel and say it's because it's a far inferior book, which is my personal truth, but I just find it odd that Nancy Mitford only wrote a handful of books in her life, only eight "fiction" books, and of those so many were purposefully pushed aside. As I mentioned before her book Wigs on the Green had a bit of a to-do, which resulted in it never being reprinted until recently, and not many people rhapsodize about The Blessing, which overly romanticizes the philandering ways of French men, but it is my belief that we can't just omit something because it doesn't reach the heights attained by it's predecessors. For someone who so ruthlessly portrayed the painful truths of her family it's odd to me that Nancy would willingly excise parts of her own history. But that is the beauty of being the one who writes down the history am I right? You can make of it what you will. Or in this case you can just go read one of the books written by her sisters for another opinion.   

Friday, January 12, 2018

Book Review 2017 #6 - Philip Pullman's La Belle Sauvage

La Belle Sauvage by Philip Pullman
Published by: Alfred A. Knopf
Publication Date: October 19th, 2017
Format: Hardcover, 464 Pages
Rating: ★★★★★
To Buy

Malcolm Polstead is pretty content with his life. With his faithful daemon Asta at his side he helps his parents run their establishment, the Trout Inn, located in Godstow. The best part about the Trout is all the academics that frequent the pub due to it's proximity to Oxford. Malcolm is a bright lad and his school leaves something to be desired but he's able to fill in the gaps in his education through the conversations that swirl through the pub. He also benefits greatly from the Abbey located directly across the Thames. The nuns look on Malcolm as one of their greatest friends, whether he's helping Sister Fenella in the kitchen or Mr. Taphouse in the shed. All his free time is spent in his little canoe, La Belle Sauvage, traveling on the Thames. It's a life of little worries, with the dishwasher Alice Parslow being the only throne in his side. Though little does Malcolm know that everything is about to change when three distinguished gentlemen arrive at the Trout one night and question him about the Abbey. Soon there are rumors swirling that the nuns are caring for a baby of great importance. Malcolm quickly learns the truth, they are indeed protecting a young baby girl, Lyra Belacqua, and it's a matter of an instant for him to realize that he will protect her with his own life if it came to that. Being at Lyra's side means Malcolm has unwittingly become a focal point for various organizations and their needs, both nefarious and otherwise. The one he chooses to ally himself with, due to a horrific incident he witnessed, is called Oakley Street and his contact is Hannah Relf, a member of the research group studying the alethiometer. Malcolm's a valuable asset and his information, particularly concerning a disturbed man with a three legged hyena daemon, are very important. Yet soon a cataclysmic event will prove Malcolm's love for Lyra and his true worth to Oakley Street, if only he can outrun the laughs of that hyena.

La Belle Sauvage is a rare book in that not only did it meet my expectations it exceeded them. Reading this book has actually made me more excited for the rest of the series not less. I literally don't know how I'm going to handle the wait until The Secret Commonwealth which is hopefully coming out next year, not next week like I wish it was. Yes, it's not perfect, the cataclysmic and biblical flood goes on too long, the ending is abrupt with a lot of new concepts introduced but not yet fully explored, but these are pacing issues similar to His Dark Materials in that Pullman views the three volumes of each series as just one of three sections of a single book. In simple parlance, a book in three parts. A book in three parts that have their endings randomly decided by the length and by the arc of each section. Yet almost all problems that I have can be glossed over by the wonder that is Malcolm Polstead. There are many characters in the world I love, but there are few that I feel an instant connection with and have every fiber in my being devoted to protecting them. One such character in recent years was Neville Longbottom. Neville is just so vulnerable and sweet and had such a tragic backstory that if anything had happened to him I would have rioted. Malcolm is similar but in an entirely different way. He's gregarious and competent and smart and just loves the world and I want to shelter him from the harsh realities that are to come, much like Hannah Relf with regard to Oakley Street, but at the same time I know he can take the world on. If I had a kid I would love for him to be like Malcolm, he's just the sweetest most wonderful kid ever. I see him as a miniature Nick Frost, all 4' 6" of him just sauntering into the pub and going up to the elderly patrons and slipping into their conversations like he'd been doing it for fifty years and he knows all about what it's like to have lumbago. There's so much I want and hope for him, but even if it all comes to nought he'd run the best pub in the world if that's what he fell back on.

Malcolm's goodness and humanity is balanced by a rather odious organization that forms at his school. Through the Consistorial Court of Discipline, an arm of the church, a league is formed, The League of St. Alexander. This league's job in all schools is to inform on people in honor of St. Alexander who turned in his own parents for worshiping false idols. Teachers, parents, friends, neighbors, anyone is in danger from this group if these children decide they aren't loyal to the church. The children who join quickly become the power structure in Malcolm's school with the headmaster being ousted for trying to dismiss the league. Many teachers soon vanish as they are supposedly being "reeducated" in the ways of the church. Every lesson must start with a prayer, or else that teacher faces removal. Malcolm's school becomes a haven for fear and hate and while I'm sure Pullman had been planning this book for years and taking things from the historical context of the church one can't help feel that it's oddly prescient. They are like little Hitler Youths where the zealotry brings out the worst in everyone. Living in a country where hate, fear, racism, bigotry, and sexism, are all alive and well and spouted by those in charge, to have a league indoctrinating this in those who will one day lead? It makes me shudder. Really, think how terrifying this is, children can be vicious and merciless and they can make an accusation against anyone and have adults believe them and applaud them. Their bad behaviour is being rewarded! The scores they can settle all because they have righteousness on their side? The fear and hate they can spew because they have a little enamel badge on their lapels!?! I want to hope that this isn't the future we're building here, but more and more it looks like it is.

Though these terrifying thoughts, though they need to be processed and dwelt on, just added another level to the book while not taking away my enjoyment. What truly gripped my attention was all the spycraft. THIS is what I expected Tinker, Tailer, Solider, Spy to be! La Belle Sauvage is like Oxford academia meets Bletchley Park and I loved every single second of it. And, in fact, so many academicians were involved in the world wars and the cold war that this makes total sense. Yet while things like Oakley Street passing messages in acorns made me wildly giddy, the true success of the spycraft here is that we focus on two characters that are new to the game. There's the higher ups, the lords and ladies, but it's the lowly reader of the alethiometer Hannah Relf and her naivete and her relationship with Malcolm as a sort of den mother that make me just love this story. Firstly there's just cute little things like Hannah hating crosswords, which figured prominently in the placing of code-breakers at Bletchley Park and were favorites of the famous Oxford resident, Inspector Morse. Or the books Malcolm borrows from Hannah, and for some reason here Agatha Christie being in all universes makes sense whereas I've had issues with things from our world being in Lyra's world previously. Perhaps because it felt more grounded in the world of Oxford than the land of the dead... But the book once again goes to the bigger issues: how do you know you're on the right side? Hannah has been working for years for Oakley Street without really questioning who they were or why she was doing it, only that she trusted the man who approached her. When she brings Malcolm in it's then she starts to go, "hang on a minute, am I working for the good guys?" In this world basically anyone working against the church is good because the church wants to propagate ignorance and indoctrination, so Hannah is on the right side. But just the fact that she questions them, much like Malcolm questioned The League of St. Alexander shows that they are on the side of knowledge. They do not blindly follow.

With having such weighty issues as false faith, hate culture, and subversion, I find it odd that once again Pullman sidesteps some fairly important sexual issues. Again, I don't know if this is because of his audience or what, but I feel like obliquely talking about it is doing more harm than good. The disturbed man with the three legged hyena daemon, Bonneville, believes he is Lyra's father. He had also just finished serving time for a sexual offense in which Mrs. Coulter was the witness for the prosecution. The only way that he could believe he's Lyra's father, despite Malcolm's insistence on Bonneville being deluded, is if Bonneville had been intimate with Mrs. Coulter. Either they were in a consensual relationship, much like Bonneville and one of the younger nuns, and Mrs. Coulter decided to punish him for some reason and get him sent off to jail which I wouldn't put past her, or, and this is my belief, he raped Mrs. Coulter and assumed the pregnancy was from the rape and not from Lord Asriel's relationship with her. Whatever way this actually played out I think skirting the issue does damage to the story in not explicitly saying that rape is bad. This could have been, and how I hate myself for using this phrase, a teaching movement. Rape is bad. Period. Later in the book when Alice and Malcolm are attacked by Bonneville at the mausoleum it is hinted at by the blood on her legs that Alice is Bonneville's latest victim. But again, it's not spelled out. There seems to be this barrier that Pullman has set up that IF he were to state these things baldly then childhood innocence would be lost. But hinting at it is far worse. State it. Remember it. Then let the story continue with this knowledge firmly in place. But then again, Pullman casually drops using Malcolm as bait for a pedophile for the benefit of Oakley Street and the only one who objects to that is Hannah. So maybe there's some issues that Pullman needs to address in himself with regards to what is and isn't acceptable even in a fictional universe.

As I previously stated there was a lot thrown at us readers in the last chapters of the book, lots of supernatural fairy tale aspects with otherworldly beings that are not in the least handled. Of course, seeing as the gyptians refer to these phenomena as "The Secret Commonwealth" and that's the title of the second book I'm not too concerned about getting my answers eventually... but there is ONE thing that I wondered throughout La Belle Sauvage and have been wondering ever since I first read The Golden Compass and hope that the answer is near at hand. Lord Asriel has some "otherworldly gifts" as his manservant told Lyra on Svalbard. Whatever he needs, be it beautiful glass windows or a child to sacrifice, he sets his mind on it and it appears. Now Malcolm has a strange phenomenon happen to him, an aura in his eye, which he mentions to Hannah. Of course, he adorably mishears it and calls it his aurora. But the first time it happens is the night he meets Lord Asriel and helps him to see Lyra at the Abbey and then gives him his canoe. Later it happens again when he looks at the card Lord Asriel left for Malcolm in the canoe and it sways Malcolm to take Lyra to her father than just back to the nuns. Again it happens when Alice and him have lost Lyra and they see the place she is being kept high on a hill. Could Asriel be guiding Malcolm to help him protect Lyra and reunite them and this aurora is the signal? We've never seen what Asriel's will looks like from the one it's being acted on. Could it be a simple corona of light in the eye? Could it have origins with the fairies? Or could this be a gift of Lyra's... it is seen that she is a bit of a fairy child. Well, only time and Philip Pullman's next book can answers these questions. So I will stew on them until the next book. And no, I'm not going to stew patiently.

Friday, October 27, 2017

Book Review - Philip Pullman's La Belle Sauvage

La Belle Sauvage by Philip Pullman
Published by: Alfred A. Knopf
Publication Date: October 19th, 2017
Format: Hardcover, 464 Pages
Rating: ★★★★★
To Buy

Malcolm Polstead is pretty content with his life. With his faithful daemon Asta at his side he helps his parents run their establishment, the Trout Inn, located in Godstow. The best part about the Trout is all the academics that frequent the pub due to it's proximity to Oxford. Malcolm is a bright lad and his school leaves something to be desired but he's able to fill in the gaps in his education through the conversations that swirl through the pub. He also benefits greatly from the Abbey located directly across the Thames. The nuns look on Malcolm as one of their greatest friends, whether he's helping Sister Fenella in the kitchen or Mr. Taphouse in the shed. All his free time is spent in his little canoe, La Belle Sauvage, traveling on the Thames. It's a life of little worries, with the dishwasher Alice Parslow being the only throne in his side. Though little does Malcolm know that everything is about to change when three distinguished gentlemen arrive at the Trout one night and question him about the Abbey. Soon there are rumors swirling that the nuns are caring for a baby of great importance. Malcolm quickly learns the truth, they are indeed protecting a young baby girl, Lyra Belacqua, and it's a matter of an instant for him to realize that he will protect her with his own life if it came to that. Being at Lyra's side means Malcolm has unwittingly become a focal point for various organizations and their needs, both nefarious and otherwise. The one he chooses to ally himself with, due to a horrific incident he witnessed, is called Oakley Street and his contact is Hannah Relf, a member of the research group studying the alethiometer. Malcolm's a valuable asset and his information, particularly concerning a disturbed man with a three legged hyena daemon, are very important. Yet soon a cataclysmic event will prove Malcolm's love for Lyra and his true worth to Oakley Street, if only he can outrun the laughs of that hyena.

La Belle Sauvage is a rare book in that not only did it meet my expectations it exceeded them. Reading this book has actually made me more excited for the rest of the series not less. I literally don't know how I'm going to handle the wait until The Secret Commonwealth which is hopefully coming out next year, not next week like I wish it was. Yes, it's not perfect, the cataclysmic and biblical flood goes on too long, the ending is abrupt with a lot of new concepts introduced but not yet fully explored, but these are pacing issues similar to His Dark Materials in that Pullman views the three volumes of each series as just one of three sections of a single book. In simple parlance, a book in three parts. A book in three parts that have their endings randomly decided by the length and by the arc of each section. Yet almost all problems that I have can be glossed over by the wonder that is Malcolm Polstead. There are many characters in the world I love, but there are few that I feel an instant connection with and have every fiber in my being devoted to protecting them. One such character in recent years was Neville Longbottom. Neville is just so vulnerable and sweet and had such a tragic backstory that if anything had happened to him I would have rioted. Malcolm is similar but in an entirely different way. He's gregarious and competent and smart and just loves the world and I want to shelter him from the harsh realities that are to come, much like Hannah Relf with regard to Oakley Street, but at the same time I know he can take the world on. If I had a kid I would love for him to be like Malcolm, he's just the sweetest most wonderful kid ever. I see him as a miniature Nick Frost, all 4' 6" of him just sauntering into the pub and going up to the elderly patrons and slipping into their conversations like he'd been doing it for fifty years and he knows all about what it's like to have lumbago. There's so much I want and hope for him, but even if it all comes to nought he'd run the best pub in the world if that's what he fell back on.

Malcolm's goodness and humanity is balanced by a rather odious organization that forms at his school. Through the Consistorial Court of Discipline, an arm of the church, a league is formed, The League of St. Alexander. This league's job in all schools is to inform on people in honor of St. Alexander who turned in his own parents for worshiping false idols. Teachers, parents, friends, neighbors, anyone is in danger from this group if these children decide they aren't loyal to the church. The children who join quickly become the power structure in Malcolm's school with the headmaster being ousted for trying to dismiss the league. Many teachers soon vanish as they are supposedly being "reeducated" in the ways of the church. Every lesson must start with a prayer, or else that teacher faces removal. Malcolm's school becomes a haven for fear and hate and while I'm sure Pullman had been planning this book for years and taking things from the historical context of the church one can't help feel that it's oddly prescient. They are like little Hitler Youths where the zealotry brings out the worst in everyone. Living in a country where hate, fear, racism, bigotry, and sexism, are all alive and well and spouted by those in charge, to have a league indoctrinating this in those who will one day lead? It makes me shudder. Really, think how terrifying this is, children can be vicious and merciless and they can make an accusation against anyone and have adults believe them and applaud them. Their bad behaviour is being rewarded! The scores they can settle all because they have righteousness on their side? The fear and hate they can spew because they have a little enamel badge on their lapels!?! I want to hope that this isn't the future we're building here, but more and more it looks like it is.

Though these terrifying thoughts, though they need to be processed and dwelt on, just added another level to the book while not taking away my enjoyment. What truly gripped my attention was all the spycraft. THIS is what I expected Tinker, Tailer, Solider, Spy to be! La Belle Sauvage is like Oxford academia meets Bletchley Park and I loved every single second of it. And, in fact, so many academicians were involved in the world wars and the cold war that this makes total sense. Yet while things like Oakley Street passing messages in acorns made me wildly giddy, the true success of the spycraft here is that we focus on two characters that are new to the game. There's the higher ups, the lords and ladies, but it's the lowly reader of the alethiometer Hannah Relf and her naivete and her relationship with Malcolm as a sort of den mother that make me just love this story. Firstly there's just cute little things like Hannah hating crosswords, which figured prominently in the placing of code-breakers at Bletchley Park and were favorites of the famous Oxford resident, Inspector Morse. Or the books Malcolm borrows from Hannah, and for some reason here Agatha Christie being in all universes makes sense whereas I've had issues with things from our world being in Lyra's world previously. Perhaps because it felt more grounded in the world of Oxford than the land of the dead... But the book once again goes to the bigger issues: how do you know you're on the right side? Hannah has been working for years for Oakley Street without really questioning who they were or why she was doing it, only that she trusted the man who approached her. When she brings Malcolm in it's then she starts to go, "hang on a minute, am I working for the good guys?" In this world basically anyone working against the church is good because the church wants to propagate ignorance and indoctrination, so Hannah is on the right side. But just the fact that she questions them, much like Malcolm questioned The League of St. Alexander shows that they are on the side of knowledge. They do not blindly follow.

With having such weighty issues as false faith, hate culture, and subversion, I find it odd that once again Pullman sidesteps some fairly important sexual issues. Again, I don't know if this is because of his audience or what, but I feel like obliquely talking about it is doing more harm than good. The disturbed man with the three legged hyena daemon, Bonneville, believes he is Lyra's father. He had also just finished serving time for a sexual offense in which Mrs. Coulter was the witness for the prosecution. The only way that he could believe he's Lyra's father, despite Malcolm's insistence on Bonneville being deluded, is if Bonneville had been intimate with Mrs. Coulter. Either they were in a consensual relationship, much like Bonneville and one of the younger nuns, and Mrs. Coulter decided to punish him for some reason and get him sent off to jail which I wouldn't put past her, or, and this is my belief, he raped Mrs. Coulter and assumed the pregnancy was from the rape and not from Lord Asriel's relationship with her. Whatever way this actually played out I think skirting the issue does damage to the story in not explicitly saying that rape is bad. This could have been, and how I hate myself for using this phrase, a teaching movement. Rape is bad. Period. Later in the book when Alice and Malcolm are attacked by Bonneville at the mausoleum it is hinted at by the blood on her legs that Alice is Bonneville's latest victim. But again, it's not spelled out. There seems to be this barrier that Pullman has set up that IF he were to state these things baldly then childhood innocence would be lost. But hinting at it is far worse. State it. Remember it. Then let the story continue with this knowledge firmly in place. But then again, Pullman casually drops using Malcolm as bait for a pedophile for the benefit of Oakley Street and the only one who objects to that is Hannah. So maybe there's some issues that Pullman needs to address in himself with regards to what is and isn't acceptable even in a fictional universe.

As I previously stated there was a lot thrown at us readers in the last chapters of the book, lots of supernatural fairy tale aspects with otherworldly beings that are not in the least handled. Of course, seeing as the gyptians refer to these phenomena as "The Secret Commonwealth" and that's the title of the second book I'm not too concerned about getting my answers eventually... but there is ONE thing that I wondered throughout La Belle Sauvage and have been wondering ever since I first read The Golden Compass and hope that the answer is near at hand. Lord Asriel has some "otherworldly gifts" as his manservant told Lyra on Svalbard. Whatever he needs, be it beautiful glass windows or a child to sacrifice, he sets his mind on it and it appears. Now Malcolm has a strange phenomenon happen to him, an aura in his eye, which he mentions to Hannah. Of course, he adorably mishears it and calls it his aurora. But the first time it happens is the night he meets Lord Asriel and helps him to see Lyra at the Abbey and then gives him his canoe. Later it happens again when he looks at the card Lord Asriel left for Malcolm in the canoe and it sways Malcolm to take Lyra to her father than just back to the nuns. Again it happens when Alice and him have lost Lyra and they see the place she is being kept high on a hill. Could Asriel be guiding Malcolm to help him protect Lyra and reunite them and this aurora is the signal? We've never seen what Asriel's will looks like from the one it's being acted on. Could it be a simple corona of light in the eye? Could it have origins with the fairies? Or could this be a gift of Lyra's... it is seen that she is a bit of a fairy child. Well, only time and Philip Pullman's next book can answers these questions. So I will stew on them until the next book. And no, I'm not going to stew patiently.

Friday, March 28, 2014

Book Review - Nancy Mitford's The Blessing

The Blessing by Nancy Mitford
Published by: Vintage
Publication Date: 1951
Format: Paperback, 256 Pages
Rating: ★★
To Buy

Grace Allingham is engaged to a nice English boy. He didn't push for the marriage to happen before the war and therefore when Charles-Edouard de Valhubert comes into her life and sweeps her off her feet, it's really Hughie's own fault for not locking that down. Charles-Edouard is French and exciting. He loves art and beauty and Grace. Grace, like her father, is taken by all things French and is therefore really taken with her new husband. They have two glorious weeks together till he ships out and she doesn't see him for seven years. In those two weeks she managed to get pregnant, so the seven years away from her husband that she barely knows is spent raising their son Sigi and tending goats.

A year after the war is over Charles-Edouard sweeps back into Grace's life and whisks her away to France and a new life. Only Charles-Edouard is determined to continue living his old life. Sure, he has a wife and son, but that doesn't mean he's not going to reunite with his mistresses and perhaps pick up a few more. When Grace catches him in the act she flees back to England and the familiar. The couple want to reunite, but they both want what the other can't give. Meanwhile Sigi sees an opportunity. It appears to him that keeping his parents apart might benefit him. He would no longer be ignored but would be lavished with presents and attention. Plus, if he could also get bribes off of perspective suitors for his mother's or father's hand in marriage... he might come out very well, as long as his parents don't rumble his con.

The Blessing is an odd novel in that it feels like you are reading about ghosts long gone, a feeling enhanced by the visit to the Père Lachaise Cemetery in the book. Grace Allingham and Charles-Edouard de Valhubert are quite literally Linda Radlett and Fabrice de Sauveterre from The Pursuit of Love brought back from the dead. There are many questions this brings up. Is The Blessing a long "what if" novel wherein Nancy was wondering one day what would have happened if Linda and Fabrice hadn't died? Did she just love these characters so much that though she parted with them she had to bring them back in some way? Or was she using the ghosts of the past to recapture the best seller cache of her previous two novels, The Pursuit of Love and Love in a Cold Climate? All or none of these things may be true, but as a reader I felt like I was just trudging over terrain I had already gone over and over and was now trapped in a rut. There are only so many phone conversations between louche Frenchman and naive English girls that one can take in a lifetime and I think I have had my fill.

By giving Charles-Edouard/Fabrice and his lackadaisical morals full reign the book, no matter how Nancy tries, isn't a love story but a reflection of an amoral society that you aren't quite sure she's making fun of or even trying to justify in some sick way. The situations in The Pursuit of Love are able to push Fabrice into being a loving antihero for awhile, but without the strictures of the war, you see that Fabrice would have easily reverted to Charles-Edouard and his philandering ways. Charles-Edouard in some ways does love Grace, but the truth is, it isn't a love I would accept on any level. She must abide by his character or else lose him.

How is this fair? And why does everyone expect Grace to just accept this? Charles-Edouard has a long standing mistress, but of course it's "innocent" because the sex doesn't matter as much as the conversation. Then there's the young nubile mistress who Grace catches him with, though he still denies that there wasn't anything wrong with what she saw. Then there's the danger of any pretty woman anywhere that he might just wander off with at a moments notice. Yet Grace is expected to just be ok with this? No. It's not funny, it's not ok, it's sad. Everyone deserves to be loved exclusively without caveats. Sorry Nancy if you think this is acceptable, I don't.

And speaking of Nancy, and her sad Francophile life... the truth is maybe she didn't find this acceptable but she was trying to justify her own life. In 1942 she met a man, Gaston Palewski. He worked closely with Charles de Gaulle and was key in the French government for many years. Nancy fell in love, hard. Gaston was the love of her life, she dedicated a book to him and based both Fabrice and Charles-Edouard on him. Sadly, she wasn't the love of his life and he would never give up his ways as a reckless womanizer. In 1946 she moved to Paris to be closer to Gaston, with her life revolving around whenever he could spare a moment for her. She was willing to drop any plans if she could see or hear him for just a few minutes.

This obsession is oddly similar to Unity's obsession with Hitler and the stalker qualities it brought out in her. Nancy could easily be said to have been Gaston's stalker, seeing as their relationship was mainly one sided. She would have killed herself willingly for Gaston, a situation he found flattering and amusing. In 1969 Gaston married another one of his mistresses who was not much younger then Nancy. Nancy soon after became ill and eventually died of Cancer. He broke her heart. The Blessing might be see as one long justification of the life Nancy lived, a way to con herself into believing that just being a part of his life, just being one of his women was enough. I, on the other hand, find it heartbreaking. That such a smart, witty, bright woman could think that this was enough for her, that this was the life she deserved, it breaks my heart.

Friday, March 14, 2014

Book Review - Diana Mitford's A Life of Contrasts

A Life of Contrasts: An Autobiography by Diana Mitford
Published by: Gibson Square Books
Publication Date: 1977
Format: Paperback, 281 Pages
Rating: ★
To Buy (different edition than one reviewed)

Diana Mitford felt stifled in her life with her family. When she went to Paris she got a sense of the enormity of the world and how she was admired for her beauty and wit. As soon as she could she made a prosperous marriage to the heir of the Guinness fortune and started her life surrounded by artists and poets and writers to fill the void she felt in her life. Yet this wasn't her true calling. Her true calling was to Oswald Mosley, the dynamic and married politician who founded the British Union of Fascists. She left her husband for him and spent her life dedicated to his causes and his happiness. They did eventually marry in Germany with Hitler as one of the only guests at the ceremony, which was one of the reasons they spent much of the war in prison. In A Life of Contrasts, Diana finally tells us her side of the story that captured headlines and made her one of the most memorable to those very notable Mitford sisters.  

Frank Pakenham, the 7th Earl of Longford, had said of Diana in a review of her memoirs that she "lacked a dimension." I can think of no more perfect an insult than this for a woman who in her own writing comes across as a shallow, unfocused, self-centered, self-impressed, socialite. She is one dimensional, never bothering with anything below the surface. In fact, if you were to scratch her, I bet there would be more surface below the surface. Apparently being "the most glamorous Mitford Sister" means being the most superficial. Before reading about her life in her own words I wasn't predisposed to like her based on what I knew, but after reading Mary S. Lovell's book The Sisters, I was willing to give Diana the benefit of doubt. I was fully willing to let Diana surprise me with insights and details to the events of her life. To hear more about her feelings and thoughts on her marriages. But none of this presented itself. She had no depth coupled with a scattered writing style wherein she would change the subject every paragraph and sometimes every sentence. She never picked a thought and stuck with it unless it was to parrot Walter Mosley's ideologies to such an extent that I was made sick to my stomach and she literally disgusted me as a human being. I was left with the distinct feeling that the world would have been a better place without her in it, because really, what good did she ever contribute to society? Being pretty doesn't count, just FYI.

Diana's shallowness is evident in every line she writes in this book. Like minor celebrities she name drops like no tomorrow assuming that we will know who everyone is and be impressed with how much they love and adore her. Guess what Diana? Your day has come and gone and so have all your comrades in arms. Name drop all you want, all it shows is your own flaws in being needed to be validated by those around you because you had no inner life to sustain yourself. To need constant validation with artists demanding to paint her or draw her just made me want to smack her. The fact that Evelyn Waugh (one of the few celebrities I actually knew) was in love with Diana makes me not think more of Diana, but makes me think less of Evelyn.

Diana is also infuriatingly self-impressed, by all means Diana, don't translate all the French, Italian, and German for those who don't speak or read it to show us how worldly you are, I'm not going to bother to look it up on the assumption that it's just more of the same shit that came before. Also, with the book, she was given the chance to tell her side of the story, a story that has had many commentators and writers over the years, and she failed miserably. Her wedding to Bryan Guinness was glossed over in two seconds, as was her second marriage to Mosley. The fact that her sisters have written in more depth on her life shows that Diana has absolutely nothing to offer us.

Yet, it was this shallowness counterbalanced with bizarre political tracks that made me furious with her. You could feel at those times that it wasn't her voice by that of her master's, Walter Mosley. She was too shallow to have any true beliefs of her own so when she latched onto her idol Mosley, well, she took him all, even his opinions. Now that I've reached the "political tirade" section of my review, I firstly want to address the Hitler question. Diana has taken a lot of flack over the years for being unwilling to change her view of Hitler after the outbreak of war and his true desires and ambitions were revealed. Personally, I don't think that this in particular is what she should be criticized for. Hitler had to have been a charismatic and personable man in order to amass such a following and accomplish all that he did. I'm sure in a one on one setting he could be delightful. Therefore I don't blame Diana for being unwilling to take something back when her own experiences where different to public opinion. It was her opinion, one she is perfectly willing to stick to.

What I do think Diana should be criticized for is her parroting of horrid antisemitism. Yes, she is entitled to this view, but that doesn't mean it makes me like her, accept her, or even settle my nauseous stomach at some of the things she said. I came to not only really dislike her on a human level, but I revolt against all her ideologies. She actually states that what happened in the Holocaust could have been prevented if the Jews had just left Germany. Apparently they had plenty of warning, so they should have just moved on. Forget that these people have homes and lives and families, if they had just got up and gone history could have been different. In fact, in her opinion, if everyone would just go back where they came from, everything would be better for her. She didn't even want immigrants in England! While she never really outright states that she hates those who are Jewish or Black, the fact that she wants everyone to go back to where they came from shows a severe xenophobia that appears to be the sole aspect of her personality that isn't about her appearance. Also, extra ironic seeing as she lived in France and was therefore an immigrant herself. So by all means, if you want to read about a narcissist who will occasionally expound vitriolically on Jewry, well, Diana Mitford Mosley is the Mitford for you. She definitely isn't the Mitford for me.

Wednesday, March 12, 2014

Diana Mitford

Diana Mitford was the beauty of her generation. She was immortalized by many of the artists of the day and loved by all, especially Evelyn Waugh who had quite a tendre for her and dedicated two of his book to Diana. She made an early conquest the first year she was out, becoming engaged to Bryan Guinness, the heir of the Guinness fortune. Her parents objected because of her youth but eventually relented and she was the first of the Mitford sisters to be married. Many thought she had the ideal life, a devoted husband, two beautiful sons, everything she could have wanted, but then Oswald Mosley entered her life.

Oswald Mosley was a political lightning rod. His British Union of Fascists, known colloquially as the Black Shirts, would be a source of consternation for the British Government for years. When Diana and Mosley met he was married with three children and hadn't yet become so politically polarizing. While it might not have been the happiest of marriages due to Mosley's infidelities, he never planned on leaving his wife. Despite all this Diana divorced Bryan just to be near Mosley whenever she could as his mistress, scandalizing her family and society. Yet their love turned out to be true, their marriage would last all their lives and produce two beautiful sons.

Yet this couple cannot be viewed without an eye to their politics, which alienated much of their family and most of Britain. Mosley was fascinated with the success of Hitler and Diana and Mosley actually married in the Goebbels' drawing room with Hitler present. Because of these connections the couple spent most of WWII in prison without charge. After the war Mosley tried to reenter politics to no avail and the couple spent their time traveling and writing. Yet they remained a source of controversy all their lives, mainly due to Diana's instance of claiming Hitler a friend, no matter what horrors he wrought, she was unapologetic.

Wednesday, March 5, 2014

Unity and Pamela Mitford

Unity and Pamela are possibly the most diametrically opposed of the Mitford sisters, with Unity being the most notorious for her relationship with Hitler, and Pamela being the most unobtrusive, settling for a life out of the limelight with her horses. The warrior and the woman.

Unity Valkyrie Mitford was ironically conceived in Swastika, Ontario, where her parents would occasionally work a gold mine they owned. Later when she became involved with the Third Reich she would take this as a sign that she was destined to be with Hitler. By the time Unity was debuting in society her family had already made quite a ruckus, with her sister Diana leaving her husband, the heir of the Guinness fortune, for Oswald Mosley, the head of the British Union of Fascists. Unity was never the wit or the beauty of the family and seemed to set herself apart through her shock value. She notoriously would bring her pets to balls and when things got a little boring she would spice them up by saying her rat or snake was on the loose. She longed to find the perfect tease and initially she thought she had found it by joining the BUF and setting up against her younger sister Jessica and her fervent communist beliefs. But Unity's tease seems to have become real devotion, if a bit fanatical, to fascism. 

Unlike her sisters she didn't want to be "finished" in France and begged to go to Germany. Her parents relented and soon Unity found her place in the world and in history, dubious though it may be. She became obsessed with the Nazis and worshipped Hitler, spending months and months figuring out his routine and how she could cross paths with him. Her months of stalking paid off and she soon became a confidant of Hitler's, one of his inner circle. No one knows the extent of their relationship, but they were frequently in each others company. There is every chance that it was just true friendship and not salacious at all, but their closeness as war loomed on the horizon made Unity one of the most reviled women in England, along with her sister Diana. As war seemed more and more inevitable those close to Unity worried about her because she began to make cryptic messages about not being around if there was war because she couldn't face the two countries she loved fighting. On the day war was declared between England and Germany Unity shot herself in the head, but survived. She would live to see the end of the war in a bizarre infantile state brought on by the brain damage the bullet wrought. She would never make a full recovery and contacted meningitis and died before she was even 34 years old.

Unlike Unity, Pamela was quiet and retiring, the rural Mitford. She was called "Woman" by all her family members for her domestic aptitude and her love of home and hearth, becoming "Tante Femme" to her various nieces and nephews whom she adored. Pam also loved the horse and hounds life even though she had problems with one of her legs due to a case of polio as a child, which would trouble her more and more as she aged. She married and divorced without making waves and spent several of the war years caring for her sister Diana's children while Diana was in prison, but was sadly not blessed with her own children, suffering several miscarriages. Living for years on the Cavendish estate in Ireland, she eventually settled down in Zurich where she lived with an Italian horsewoman, Giuditta Tommasi. Much like Unity and Hitler, there was much speculation even among the other siblings about the relationship between Pam and Giuditta. Pam was still living an active life till the end, not letting age (and considerable age at 86) slow her down. On her deathbed her main concern was "Who won the Grand National."

Thursday, December 5, 2013

Book Review - Nelson Mandela's Long Walk to Freedom

Long Walk to Freedom by Nelson Mandela
Published by: Little, Brown and Company
Publication Date: March 11th, 2008
Format: Kindle, 684 Pages
Rating: ★
To Buy

It is hard to grasp that a little boy who grew up in a tribal setting in South Africa would become the driving force to eliminate apartheid and would subsequently become the president of South Africa, and a man who changed history and shaped the 20th century. Nelson Mandela was fortunate in that he was allowed access by a flawed system to an education, an education that he would then use to dismantle that very system. There is no ambiguity that Mandela and his struggles symbolized freedom to the world and to South Africa. He was a great man. But being a great man doesn't translate to being a great writer. To me, the reason to read is for enjoyment and entertainment, and yes, education. But I like my knowledge presented to me in an engaging fashion. Therefore nonfiction has never been my genre of choice. The fact of the matter is life doesn't necessarily have a narrative. Life has a beginning, a middle, and an end, that is true. But not every life is worth or worthy of a book. Great historical figures, as well as annoying celebrities, are an exception.

Yet to have a biography or autobiography there needs to be more then this beginning, middle, and end. There needs to be insight as to how that time was filled. As a reader I didn't want just a dry telling of the facts, I wanted to know Mandela's feelings. I wanted to know his beliefs, his loves, his despair at spending 27 years of his life incarcerated. His feelings when Winnie went a little crazy, instead of a press release. This is what I desired, and instead I got brief glimpses of his life amid a struggle with no narrative, nothing to grab you and make you feel invested in his journey. Just a dry telling of the facts and figures that would make a statistician cry from sheer boredom. Flat, emotionless writing with so many names and acronyms, I wasn't sure if I could finish the book without loosing my mind.

To be fair, I will say that I was fairly ignorant of what the history in South Africa was, I kind of dropped that African history class in undergrad due to surly students and an indifferent TA that reminded me of Eric Stoltz. I did work on the play "Master Harold"... and the Boys about institutionalized bigotry and racism in Port Elizabeth during apartheid, but I can honestly say I don't remember anything about it other then how long it took me to paint that set. Therefore learning more about this time did hold some fascination for me and also underscored the fact that the world will basically turn a blind eye if you're killing your own people, Pol Pot, Stalin, early Hitler. But the fact that the government was just as bad if not worse then Nazi Germany and that this lasted not just a few decades but for almost an entire century is staggering. The travel bans, the pass books, the government did everything they could to push down the natives. The fact that the government was Boer, aka the Dutch who came and settled in South Africa, who are most known for that lovely Boer War, has made me draw the conclusion that the Boers are Bastards... I think this would make a catchy bumper sticker, don't you? Or Afrikaners suck. Your choice.

This is the world that Mandela grew up in. I liked that we saw his journey and how he questioned things. He thinks like I do in some respects. If he didn't know about something he would go out and find out everything about it before making a decision. He'd read and read and read till he came to his own conclusions. But this was a bit lugubrious to read about his reading. I don't want to be doing battle with my books. Really I don't. I take a certain glee in writing the reviews later... but that doesn't make up for the previous torture the book has inflicted on me. What I wouldn't have given for maybe a little bit about his family, his feelings about not being there for them instead of a day by day breakdown of one of his trials that lasted years, but felt like millennia. While nothing makes up for the life he lost locked behind prison walls, I can definitively say that I felt every single year he was locked away with him. 

With this book there is also a final question to be asked. How much did this book sanitize Mandela's image? The book was rushed to publication for his taking office as president with the help of his co-author, not, in my mind, ghostwriter as some have said, if it was ghostwritten, it would have been actually better written, so therefore, what was tweaked? What was taken out and what was kept in? In fact many people believe that Mandela was chosen as the image for anti-apartheid because his hands we clean. While he advocated the taking up of arms, he himself didn't.

There were little things in the book that disturbed me, such as his having a picture on the wall of the winter palace to commemorate the uprising that killed the Tsar and his family. How could anyone want to hang on their wall a reminder of the death of innocent children? Even if you are a communist, seriously? No. Just no. He also worshipped Castro, which recent articles have said wasn't talked about in the book, I just think they didn't finish the fifty million page opus of dullness, because Mandela clearly states his admiration of him. There are just so many thoughts spinning in my head about using one bad political model to fight another one... I just want to clear my head, get ride of the lugubriousness of this text, wipe away the cobwebs and have a real author come in and write about Mandela. With his passing I want a truly great writer of biographies to come along and do justice for Mandela, and maybe find a little bit of the truth... or at least don't varnish over things like Winnie.

Friday, March 8, 2013

Book Review - Nancy Mitford's The Pursuit of Love

The Pursuit of Love by Nancy Mitford
Published by: Vintage
Publication Date: August 10th, 2010
Format: Paperback, 240 Pages
Rating: ★★★★
To Buy

Fanny's mother is known throughout the family as "The Bolter." Leaving your child behind to be raised by your siblings isn't that odd in a family that uses children instead of foxes in hunts, has their own distinct argot, and lives in such an old house that only one closet has the warmth to be bearable. It is in this "Hons" closet that Fanny and her cousin Linda spend all their time dreaming of true love. Because love is what life is all about. As they grow up their thoughts turn less from the fantasy of marrying the Prince of Wales and more towards any decent chap that can be lured to Alconleigh for their debut ball. Linda, growing up at Alconleigh has not had the luxury of an education that Fanny has living with their Aunt Emily. Linda therefore is so desperate to fall in love that she mistakenly falls for the first man who comes along. The wrong man.

While Fanny happily settles down with an Oxford don and starts having babies, Linda's marriage to Tony Kroesig is a sham. They have one daughter whom Linda can't stand, but she keeps up the pretense of happy families, until one day she throws off her Facist husband for Communist Christian. Yet again Linda has misstepped, thinking that she is in love once more, when really she is just in love with being away from Tony. Always wanting so desperately to be in love, Linda mistakes any male attention for the real deal. Could she be turning into Fanny's mother, The Bolter? Or will her desperate search for love pay off in the most oddest of ways?

I remember one winter day when I first picked up the Vintage omnibus of The Pursuit of Love and Love in a Cold Climate. The selling point to me was the big silver sticker they had put on the cover for Masterpiece Theatre. I covet those PBS tie-in editions of yore and here was a brand new one waiting for me to buy it. I have mentioned this before, but I am the book dork who must always read a book before watching the show, so I set to reading this before the miniseries was to air. This was a hard time in my life, I had just temporarily dropped out of college because of multiple deaths in the family and I took solace in this little escape. While I enjoyed the book, I was really looking forward to watching the miniseries more than anything. Of course, nothing goes to plan.

My main problem was I was living with my family and we had only two tvs. This was to air on a Monday night, which meant one of the tvs was designated for my little brother watching Monday night wrestling, which meant I had to negotiate for the second tv with my mother. My mother agreed to watch it, so long as it was good. She lasted less then five minutes before she claimed boredom and changed the channel. I was so fed up with everyone else getting what they wanted when all I wanted to do was watch one episode of Masterpiece Theatre that I went into my room and cried. I had waited months and my mom had let me have five minutes, a trait that more or less continues to this day. I had to wait more than four years to finally see the series... so, logically enough, my memory of the book has faded because of the incident that followed.

Therefore when finally getting around to planning Mitford March for my blog, I was excited for the re-read. I remembered very little in the years that followed my initial reading, many of my memories where tied up in the aforementioned incident and in the second volume of the book, more on that later, so I was pleasantly surprised by what I had forgotten and what I had remembered. The odd thing about this book is, truthfully, there really isn't a plot. Instead it is about the yearning and desire for love and how that can go unexpectedly right and horribly wrong. Of all the love stories told, the two that I enjoy the most is Jassy's and Linda's final love. Jassy, Linda's younger sister, has spent her entire life saving up money to run away, finally she does so in order to go to Hollywood and court an actor she has fallen for, who played a background artist in a pirate movie. The media sensation that follows is almost more entertaining then the end of the courtship, with her father viewing the reporters trying to sneak into his house as the first real and formidable enemies since he killed Germans with his entrenching tool in The Great War. While Linda's love of Fabrice is so unexpected when they meet at the train station as she is leaving her second husband, it is their banter and their easy natural conversation that makes you realize that it's not the money and it's not the looks, it's how you click that matters. Linda and I learned that love can be found in the most unexpected of places.

Yet, what I found most interesting about this book is how it was a mirror for the Mitfords themselves. The first time I read this book I knew about them in the vaguest of terms. Sisters, writers, one or two hung out with Hitler, whatever, it wasn't of concern to me, this was fiction. But as Nancy's sister Jessica points out in the introduction "we all know [Nancy's] got no imagination" because "there we were, larger than life, Mitfords renamed Radletts, reliving our childhoods as seen through Nancy's strange triangular green eyes." And the more you know about the Mitfords the funnier the book is. Nancy lampooning herself and her family. Jessica running off to Spain with a communist is both Linda and her little brother's fate. Up and leaving your husband, just like Diana did. Nancy's affair with a Frenchman. The families love of animals, their weird language all their own. This book is the Mitfords as seen through a slightly wobbly magnifying lens, and I love the book for this more then any other reason!

Friday, March 1, 2013

Mitford March

For some time now I have wanted to do a tribute month to the Mitfords. Now, while I really wanted to do this to coincide with Deborah Mitford's 90th birthday in March of 2010, she being the last living Mitford, as you can see I'm a few years off... but still, better late then never is what I say. For any Anglophile the Mitfords are an interesting subject. Six sisters raised in an unorthodox way, with their own argot, Honnish, with education being for boys, not girls, they never had a formal education, yet despite that hindrance, two of them went on to become celebrated writers, with Nancy Mitford regarded as one of the best writers of the 20th century.

In any time period the Mitfords would be called eccentric. The eldest, Nancy, went on to be famous for her novels saterising her family, Pamela's lesbian relationship didn't raise many eyebrows especially because her younger sister Diana married the heir to the Guiness fortune, then left him for Walter Mosley, the leader of Britian's Fascist movement. They eventually married in Joseph Goebbels' drawing room with Hitler in attendance. Unity was much like her sister Diana, in that she too flocked to Hitler, but was so torn when Britian and Germany declared war that she shot herself in the head, but didn't die till after the war. Jessica meanwhile was a staunch Communist and ran off with her cousin, whom she married, to the Spanish Civil War. Deborah on the other hand is quite docile, having married the Duke of Devonshire and taking care of Chatsworth, one of the great houses of England, and turning it into one of the most successful country homes and tourist attractions.

Of the six sisters, only Pamela and Unity never took pen to paper. While Nancy wrote fiction, it seems that the sisters main literary interest was in non-fiction. Writing biographies, not just of famous people, but also contrasting biographies of themselves. Besides their own writing, there has been a plethora of books written on them. Controversial, stylish and notorious... I can't think of a better gang of ladies to have their own month.

Friday, December 3, 2010

Bookworm Present Proposition - Jessica Mitford's Hons and Rebels

Hons and Rebels by Jessica Mitford
Published by: NYRB Classics
Publication Date: 1960
Format: Paperback, 320 Pages
Rating: ★★★★★
Recommended for: Anglophiles, Biography Buffs, Mitford Maniacs, Journalists and History Buffs
To Buy
Jessica Mitford was the "Ballroom Communist" of the engagingly eccentric Mitford Family. The second youngest daughter of the 2nd Baron Redesdalee, she had an unconventional upbringing where education was the bare minimum to make a good wife. Always wishing for an escape from her family, be it through schooling or politics or moving to another continent, she suffered through being a deb and presentation before the queen and watching her family come apart at the seems due to a divergence in beliefs. But at her first chance she ran off with her cousin, Esmond Rommilly, the nephew of Winston Churchill, to fight Franco in Spain. What with all of England trying to force her home, sending really big ships no less, even the courts of Chancery, it's surprising that she actually was able to succeed in her convictions and in marrying Esmond. The madcap and eccentric life that followed from Rotherhithe to the United States with Esmond equals that of her earlier life, but with herself being the master of her fate.

I rarely read biographies. I have to say, if more biographies were as fun and enjoyable as Jessica Mitford's I would read nothing but. The Mitford family has always been fascinating to me, what with the sisters paths being so divergent. Nancy was one of the "Bright Young Things" and a literary darling, with Love in a Cold Climate, which basically skewered her own family for her amusement. Pamela was horse obsessed and kind of out of the limelight. Diana married the heir to the Guinness fortune then divorced him to have an affair with the head of the British Facist party. When they eventually married, Hitler was at their wedding, which was held at the Goebbels' house. She also spent time in prison. Unity was Hitler's biggest fan and when war broke out between England and Germany she failed at committing suicide only to die of meningitis. And Debo... well she married the Duke of Devonshire and lives at Chatsworth, writes books about chickens and is the last remaining Mitford daughter. You could not make this stuff up! From her earliest days with family to her later life with Esmond, Jessica captures the love she had for these people while at the same time the exasperation of her situation. From hoarding money so she could run away, to the ultimate subterfuge that resulted in her being victorious, even if she had to chase the Spanish Consulate representative all over England and France. To the years scarping by in the States doing anything and everything to stay there, from selling stockings door to door to being a bouncer at a bar. That's right, Jessica, not her husband, was the bouncer.

Given the extreme fame of her family and the career Jessica later established as a journalist in her own right, if a muckracker at that, it's beyond enjoyable to see where it all began. The fact that a high born Hon would eschew her family and their beliefs to set out on her own crusade for right, for the poor and disadvantaged, is a noble crusade indeed. But what you also see is that with Esmond, this is a love story. From her first hearing mention of him, she was in love. From their similar backgrounds of trying to shed off what was their families hereditary hangups, she envied him for his actual escape and later he aided her escape as well. Whether he felt the same inevitability as her that they were meant to be is hinted at. But what is certain is that they were perfectly matched. It makes sense that the book ends with the outbreak of World War II. It's the event that, more than anything, shaped that generation, but more personally than that, embodied the division of this family. It was also the event that would claim Esmond's life. But at least in this book, we can see the love still remains.

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