Book Review - Cyril Hare's An English Murder
An English Murder by Cyril Hare
Published by: Faber and Faber
Publication Date: 1951
Format: Paperback, 240 Pages
Rating: ★★★
To Buy
This will be Viscount Warbeck's last Christmas. Which is why he's invited those near and dear to him to Warbeck Hall, rumored to be the oldest inhabited house in Markshire. Which is why Dr. Wenceslaus Bottwink, a survivor of the Third Reich and the concentration camps, is visiting the house; not because he's near or dear, but because of the history within the walls and the manuscripts. To think, letters from the reign of George III with magnificent marginalia! He is perusing just such a document when the butler, Briggs, informs him of the Viscount's wishes. Dr. Bottwink had assumed that this holiday season would be more circumspect at Warbeck Hall given the circumstances, but these are a dying man's wishes, so guests are coming! Just a few members of his lordship's family. There's Sir Julius Warbeck, the Chancellor of the Exchequer and Lord Warbeck's first cousin, and his securty detail, James Rogers, Lady Camilla Prendergast, a niece of her late ladyship's first husband, Mrs. Carstairs, whose father was the rector of the parish and was practically raised in Warbeck Hall, and the son and heir, Robert Warbeck, whose arrival leads Dr. Bottwink to ask a favor of Briggs. Because Briggs has informed Dr. Bottwink that he has been placed for the duration with the family party, which Dr. Bottwink is loath to have happen. He wishes to eat with Briggs and his daughter Susan rather than the son of his host because Robert is the leader of a Fascist organization, The League of Liberty and Justice. Though Robert's antisemitic views are also abhorred by Sir Julius and Mrs. Carstairs, Dr. Bottwink knows that this is not a man he could take a meal with. Though Lady Camilla has a soft spot for Robert. Even if lately he has been cold to her. With so many tensions right from the start it's a wonder they make it through tea and dinner, but it is Lord Warbeck's dying wish, so they all try to get along. They bury their hatred and carry on. As the bells ring out Christmas Day Robert proposes a a toast hinting that he has a secret to be revealed. A secret that won't pass his lips as he drops down dead. Dr. Bottwink is sure it's potassium cyanide poisoning and suggests the police are called. Which is when they realize they are on their own. They are snowed in and the lines are down. It would be logical for James Rogers to head the investigation as he's a sergeant at the Met. But it's obvious he's in over his head and Dr. Bottwink worries that being Jewish and a foreigner that he will be the scapegoat. Therefore it is up to this historian to catch a killer before he or she strikes again! The marginalia will have to wait.
When reading books from the Golden Age of Detective Fiction, any informed reader knows that there are bound to be outmoded ways of thinking that were common back then. Or at least outmoded to those who aren't alt-right. I am of course talking about racism and antisemitism. And these outdated viewpoints aren't relegated to murder mysteries written in the early to mid twentieth century, just look to Mark Twain and the controversy about the bowdlerized edition of Huckleberry Finn which was re-released with the n-word removed. I don't believe in censorship, and I believe it's important to read books as they were written because it's a reflection of the time period and our culture just as much as it is a story. Changing that text, bowdlerizing it, changes it's impact and is done to make people feel better. We have to be willing to feel uncomfortable and try to continually be doing better. Literature is a reflection of us and our times, if you feel uncomfortable, perhaps you should look into why and try to change what you can in the world. This problem though is exacerbated within the Golden Age of Detective Fiction because of the five big name authors, Agatha Christie, Dorothy L. Sayers, Ngaio Marsh, Josephine Tey, and Margery Allingham, while they all have been known to have dated viewpoints, Dorothy L. Sayers is an out and out antisemite. Many people I know revere Dorothy L. Sayers as the pinnacle of writing. But I came to her late, I was thirty-four years old when I first read her, which is far too old to brush any objections under the carpet. When you read something as a kid or during your formative years, you can embrace it without fully understanding it and then it just becomes a part of your DNA, which explains why so many people can turn their backs on J.K. Rowling but still read Harry Potter. All this is to say that while this book is from 1951, firmly in the wider circle of the Golden Age, I was so pleasantly surprised by the lack of cringe. I didn't have to wince as Nazis walked across the pages, because they were, rightfully, the bad guys! I know that having this book come out after World War II contributed to Nazis being evil and there being a sympathetic Jewish lead, but, seriously people, we did not need a world war to know right and wrong. And yes, I am glaring at Dorothy L. Sayers. We need more Dr. Bottwinks and less Robert Warbecks. Which is why I like this book so much. It gets it.
Netflix isn't afraid to do high concept science fiction adaptations, just look to their recent success with 3 Body Problem. Bodies also fits strongly into this category, relying on a strange admixture of the grandfather paradox and the song made famous, in my mind, by The Muppets, "
Six sisters raised in an unorthodox manner, with their own argot, Honnish,
with education being for boys, not girls, they never had a formal
education, yet despite that hindrance, two of them went on to become
celebrated writers, with Nancy Mitford regarded as one of the best
writers of the 20th century. They are a topic of conversation that would make any Anglophiles sqweee with joy and historians of the bright young things generation pant. In any time period the Mitfords would be called eccentric which made them all the more memorable. As The New York Times said: "A Nazi, a Fascist, a Communist, a Novelist, a Countrywoman, a Duchess...Sisters." The eldest,
Nancy, went on to be famous for her novels satirising her family,
Pamela's lesbian relationship didn't raise many eyebrows especially
because her younger sister Diana married the heir to the Guinness
fortune then left him for Walter Mosley, the leader of Britian's
Fascist movement, eventually marrying in Joseph Goebbels' drawing
room with Hitler in attendance. Unity was much like her sister Diana, in
that she too flocked to Hitler, but was so torn when Britain and
Germany declared war that she shot herself in the head, but didn't die until after the war, lingering but wounded. Jessica meanwhile was a staunch Communist and ran
off with her cousin to the Spanish Civil War, they eventually married. Deborah
on the other hand was quite docile, having married the Duke of
Devonshire and eventually taking the reigns of Chatsworth, one of the great houses of
England, and turning it into one of the most successful country homes
and tourist attractions. Of the six sisters, only Pamela and Unity never took pen to paper. While
Nancy wrote fiction, it seems that the sisters main literary interest
was in non-fiction. Writing biographies, not just of famous people, but
also contrasting biographies of themselves. Besides their own writing
there has been a plethora of books written on them, even a series of murder mysteries wherein they solve crimes from when they were bright young socialites. Controversial,
stylish and notorious... They are an unforgettable family.
