strange and random happenstance: Portland

By Earth by T. Thorn Coyle
Published by: Pf Publishing
Publication Date: April 27th, 2018
Format: Kindle, 242 Pages
Rating: ★★★
To Buy (different edition than one reviewed)

Legend has it that ghosts can't follow you over water. Between Tennessee and Portland there is a great big river bisecting the country. But legend fails to mention that there are ghosts everywhere. That is why Cassiel buried that part of her deep. Shoved her ability to see ghosts in a box and pushed it to the very back of the closet and kept it there through sheer willpower and rage. That wasn't who she was anymore. She wasn't the broken girl whose parents forced her to work with police. Now she has a new life, a coven, the Arrow and Crescent, whose patron Goddess is Diana, friends, and a job at a local cafe owned by the head of her coven, Raquel. Life is good, it's normal. Sure her landlord is about to make her homeless by increasing the rent, but at least she's in some control of her life. That is until the coven performs their Solstice eve ceremony and a ghost reaches out to Cassie. She's in denial that that is what she saw. That box is buried deep. History CAN NOT be repeating itself. And then into the cafe walks Joe. He's Raquel's next door neighbor. He's hot and he's haunted. His girlfriend Tarkia was a star reporter for the Mount Tabor Monthly who one night ended it all with a bottle of pills chased with some bourbon. An act totally against her nature. Her brother, Darius, has blamed Joe ever since. She's now been gone longer than Joe and her were together and yet he can't get over her. And his life is about to be hit with a dose of the uncanny. He suffers a severe injury at work due to a phone call that didn't register on his call log. When he approaches Cassie for help she freaks and he stumbles into Darius. Darius is not doing well. His apartment looks like the nest of a conspiracy theorist. But, loath as he is to admit it, Darius has a point. Whenever Cassie was working on something big she shut everyone out. Add to that she wasn't the type of person to kill herself and Darius has come to the conclusion she was murdered by whomever she was investigating. A suspicion Joe has had deep down for a long time. But Darius and Joe can't do this alone. Cassie is obviously involved because Tarika has reached out to her. And Cassie knows that three against unseen forces isn't nearly as good as a whole coven full of witches against the unknown. The Arrow and Crescent Coven is going to get justice for Tarkia, and maybe in the process start to help Portland to heal from the corruption at the very top. Sure, their approach might be unique, but after all, the goal is to keep Portland weird!

This book is like a warm embrace when you need it the most. A welcoming community with a conscience. It had the vibe of Charmed with a huge helping of social justice. It took me back to my college days where I moved through a cozy community of homes and restaurants and cafes talking about how the world could be changed while marveling that all my friends had the same moon and stars throw blanket. There is a very specific demographic for this book and I am it. Don't we all just want a safe haven? Don't we all just want there to be something we can do to help make the world a better place? Everyone deserves the right to live. That includes food and shelter. It also doesn't hurt that this takes place in Portland which has been on the news so much for how they are standing up to the government. Long live the frogs! Keep Portland weird! Go chicken man go! The issues I had with By Earth are that cozy vibes and good intentions can only take you so far. The plot matters. And as the book nears its conclusion it started to feel rushed and slightly incomprehensible. Like we were going to get some sort of ending but not everything wrapped up because there are eight more books focusing on different coven members that follow. And, well, even though this is from 2018, things have changed so much that I don't think a politician losing their shit on television is enough to get them ousted from power anymore. Their plan was to take those out at the top and it relied on consequences actually existing. And well, as we've seen more and more, there are no consequences anymore. And their are no editors anymore because dear me, the timeline errors and typos are rife. Because there is NO WAY the timeline of this book works. So, this story starts on the eve of winter solstice and primarily concludes on Christmas Eve. There's a denouement a few days later, but that's not important. Day one, we have our "meet cute" between Cassie and Joe when he comes to repair the pipes at the cafe. Day two, Joe has his accident. Which means they have their first "date" on the third day and Joe runs into Darius and agrees to meet him at his apartment the next day. Day four into day five, after being with Darius Joe stays up all night connecting the dots that Darius previously had and has some takeout with Cassie which leads to a full coven meeting. Day six Cassie and Darius meet and there's an arson attempt and everything concludes on day seven. That's, minimally, seven days it takes for the events of this story to happen. I'm sure I'm missing some and Joe's injury hopefully meant he rested a day or two in bed. But minimally seven days. So, the earliest the winter solstice can be is December 20th. That means our story starts properly on the 20th and concludes on the 24th. Five days. Are there two Mondays or Tuesdays!?! Because there actually are two Thursdays... This is just annoying lack of foresight that drove me batty. If I hadn't gone down the days of the week conspiracy like Darius with Tarkia's murder this would have been such an enjoyable read. As is, I enjoyed it, but with caveats because I could not in good conscience ignore the blatant time discrepancies.

Posted by Miss Eliza at 12:00 AM 0 comments

Labels: An Urban Development, By Earth, Charmed, Christmas Eve, Editor, Gentrification, Ghosts, Investigative Journalism, Politicians, Portland, Social Justice, T. Thorn Coyle, The Witches of Portland, Timeline, Winter Solstice, Witches

A Girl from Yamhill by Beverly Cleary
Published by: Yearling
Publication Date: April 22nd, 1988
Format: Paperback, 320 Pages
Rating: ★★
To Buy (different edition than one reviewed)

Long before Beverly Cleary became a household name to generations of children who love her books, she was just a girl who grew up on a farm in the small town of Yamhill, Oregon. When she was a little older her family leased the farm and moved to Portland where Beverly's life took on a more typical existence. Instead of wandering through meadows looking for wildflowers, she had school and friends. She was a voracious reader and one of her greatest joys was graduating eighth grade and getting an adult library card. Growing up during the Great Depression with stresses at home with her father scraping by on work that was unsatisfactory and a mother that was controlling, Beverly escaped into the world of books and soon showed a talent for writing herself. While she was encouraged in her scholarly pursuits, her mother tried to maintain a firm grasp on the shape of Beverly's life, even guilt-tripping Beverly into a chaste relationship with a man named Gerhart for many years. If Beverly's mother had had her way Beverly would have ended up just like her, a frustrated housewife with ambitions of having been a writer, luckily for her, and us, things turned out differently.

When I was in sixth grade I became more then a little addicted to the Scholastic Book order forms we'd get at school. Prior to sixth grade I'd order a poster or two, most likely of a cat, maybe a book, but in sixth grade I started to pour over them with religious fervor, trying to pick just which books I wanted. My parents were accommodating, there weren't may bookstores in town and the fact that I showed an interest in reading beyond my few books I'd read at least a hundred times made their publishing hearts happy. The core of my book collection is still all these books I ordered from Scholastic, from Beverly Cleary to Judy Blume. But when I discovered Roald Dahl's Matilda, many of these books languished on my shelves. I spent most of sixth grade reading and re-reading Matilda, secreted in my desk at the back of the classroom near the sink. A Girl from Yamhill was one of these books that was brushed aside for Matilda. I have a vague recollection that I was sad it was a biography, and put it on my shelf to wait. Interestingly enough at some point my grandmother must have taken it down and started to read it. How could I intuit this almost thirty years later? My grandmother had a habit of using whatever was to hand to use as a bookmark and about a third of the way through this book I found a Queen of Hearts playing card. While not her common Halls wrapper, a playing card was as sure a sign she had been there as an "x" on a treasure map. She must have abandoned the book, and, seeing the book from her jaded POV I can see why. It's simplistic, lacks depth, and at times can be deathly boring. But there's something there that still makes it worthwhile.

The key aspect that I needed to keep in mind while reading A Girl from Yamhill was who Beverly Cleary's audience is. I mean, it should be obvious because I ordered this book from Scholastic in sixth grade, but it's easy to forget that her writing is aimed at children or adults who grew up on her books and have a fondness for her writing style. If, like me, you haven't read any of her books in years and are expecting some amazing depth or insight with this book you are sadly mistaken as to what kind of book you are about to read. It isn't entirely simplistic, but the prose are straightforward and almost stark. She lays things out simply and tells her story without embellishment, and this leads to a lack of depth. But likewise this means that anyone can pick it up and read it and find something to connect with. Cleary also sticks to incidents that would be universal to her readers while having the barest framework of the historical era. She talks about struggles with her parents and touches on money problems they had without going into too much depth about the Depression. She has the typical worries of all kids, will she like school, what about friends, what about boys. She sets out her life to be relatable while also telling how she became a writer. Though I wish I had known going in that it's the second volume of her biography that deals with her writing career. Perhaps that's why A Girl from Yamhill starts to flag at the end? Maybe she was saving up the good stories for the next volume and just resorted to bland entries in her diary to sum up this section of her life. Why else would anyone resort to the sloppy writing of "looking in my diary"?

Overall it's the unflinching honesty that makes this book unique. She doesn't sugarcoat her life. Bad and good things happen and she doesn't hesitate to mention them. This is most seen in her relationship with her Mother. I have a feeling that Mrs. Bunn and Norma Bates would get on rather well. They both have a clinging need to be the center of their child's life, they aren't overly demonstrative with affection, and are just plain nightmares to live with. Beverly's mother has a pathological need to live vicariously through Beverly, whether it's in managing her friends, her boyfriend, her parties, or her "accomplishments" from dancing to the piano, whatever her mother says goes. She is a tyrant. Beverly has almost no say in her life and you can feel her yearning to break free. If it wasn't for her father laying down the law and saying that Beverly was going to go to California for college I don't think she would have ever broken free from her mother. The creepiest thing though is her mother's diary. Only, her mother doesn't write her own day to day exploits, oh no, she writes her daughter's dairy. Which she keeps secret from Beverly. This is just, what is she, psychotic? It's almost too creepy to discuss. I think at this point even Norma Bates would be shying away from Mrs. Bunn. There's being a controlling parent, and then there's this, whatever this is. In Beverly's defense, at least she didn't try to make her mother a saint and she didn't kill her like Norman Bates.

The one aspect of the book though that makes me question that Beverly is always unfailingly honest is the prophetic nature of her life. With teachers as early as grade school telling her to be a writer. I think the first mention is in third grade. I can get behind high school teachers advising her on her talents, she did so much writing for the paper and even wrote the school play, then it makes sense that her abilities would be commented on. A grade school teacher, when she's barely started to write telling her? Um, no. It's fairly obvious that she wanted to be a writer her whole life, despite saying that she wasn't sure what direction her life was going. So she foisted this belief onto other people so that she could be uncertain about her future, which most of her young readers would relate to, while at the same time laying down the law that a writer she was going to be. This felt all just too pretentious. Like a higher being shined a light from the sky and said "Beverly Bunn YOU ARE A WRITER!" Yes everyone might have a calling, something they are good at. But she just made too big a deal about this and I can't get behind the propaganda of it. Sure, it might have been inevitable. Was it prophesized? No. Not at all. If her mother had had her way Beverly would have been a homemaker, and NOTHING is set in stone. It just worked out and Beverly seems to think this was fate. Sigh.

The real question I wonder though is is A Girl from Yamhill still relatable to kids growing up today? I don't think it is. My generation is the last generation to grow up with kids running wild in the streets with their bikes akimbo on the playground as they played till dusk. There is a lack of freedom and a focus on technology that today's kids grow up with. To read about someone growing up during the depression when school concentrated on penmanship and how to diagram a sentence, it might as well be a foreign language. Personally, I think it's more important then ever to make kids read books like this because they can relate to some of the struggles but it is also a more tangible, understandable, history lesson. This is what the world was like not too long ago before everyone had cellphones when having a private phone line to your house was a luxury. I can relate to the book because it's the world my grandparents and my parents and to an extent myself, grew up in. The world is just changing so fast that we need to look back to a time when things seemed slower. But more importantly, you see the maxim of history being doomed to repeat itself, think of the Depression and our current recession... they are very similar, if decades apart. Kids today need a little wake up call.