Showing posts with label Norman Bates. Show all posts
Showing posts with label Norman Bates. Show all posts

Monday, August 22, 2016

Tuesday Tomorrow

Associates of Sherlock Holmes edited by George Mann
Published by: Titan Books
Publication Date: August 23rd, 2016
Format: Paperback, 304 Pages
To Buy

The official patter:
"For the very first time, famous associates of the Great Detective – clients, colleagues, and of course, villains – tell their own stories in this collection of brand-new adventures. Follow Inspector Lestrade as he and Sherlock Holmes pursue a killer to rival Jack the Ripper; sit with Mycroft Holmes as he solves a case from the comfort of the Diogenes Club; take a drink with Irene Adler and Dr Watson in a Parisian café; and join Colonel Sebastian Moran on the hunt for a supposedly mythical creature…"

My friend George has a new Sherlock Holmes Anthology he edited out this week... which means you better go buy it if you're my friend. 

The Mammoth Book of the Adventures of Professor Moriarty edited by Maxim Jakubowski
Published by: Skyhorse Publishing
Publication Date: August 23rd, 2016
Format: Paperback, 592 Pages
To Buy

The official patter:
"The hidden life of Sherlock Holmes’s most famous adversary is reimagined and revealed by the finest crime writers today.

Some of literature’s greatest supervillains have also become its most intriguing antiheroes—Dracula, Hannibal Lecter, Lord Voldemort, and Norman Bates—figures that capture our imagination. Perhaps the greatest of these is Professor James Moriarty. Fiercely intelligent and a relentless schemer, Professor Moriarty is the perfect foil to the inimitable Sherlock Holmes, whose crime-solving acumen could only be as brilliant as Moriarty’s cunning.

While “the Napoleon of crime” appeared in only two of Conan Doyle’s original stories, Moriarty’s enigma is finally revealed in this diverse anthology of thirty-seven new Moriarty stories, reimagined and retold by leading crime writers such as Martin Edwards, Jürgen Ehlers, Barbara Nadel, L. C. Tyler, Michael Gregorio, Alison Joseph and Peter Guttridge. In these intelligent, compelling stories—some frightening and others humorous—Moriarty is brought back vividly to new life, not simply as an incarnation of pure evil but also as a fallible human being with personality, motivations, and subtle shades of humanity.

Filling the gaps of the Conan Doyle canon, The Mammoth Book of the Adventures of Professor Moriarty is a must-read for any fan of the Sherlock Holmes’s legacy.

Skyhorse Publishing, as well as our Arcade, Yucca, and Good Books imprints, are proud to publish a broad range of books for readers interested in fiction—novels, novellas, political and medical thrillers, comedy, satire, historical fiction, romance, erotic and love stories, mystery, classic literature, folklore and mythology, literary classics including Shakespeare, Dumas, Wilde, Cather, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home."

I'm throwing this book out there because of the coincidence of two Doyle inspired books out this week... I know which one I'm most interested, but if they did have a crossover with Voldemort on Moriarty... just saying...

Friday, May 6, 2016

Book Review - Beverly Cleary's A Girl from Yamhill

A Girl from Yamhill by Beverly Cleary
Published by: Yearling
Publication Date: April 22nd, 1988
Format: Paperback, 320 Pages
Rating: ★★
To Buy (different edition than one reviewed)

Long before Beverly Cleary became a household name to generations of children who love her books, she was just a girl who grew up on a farm in the small town of Yamhill, Oregon. When she was a little older her family leased the farm and moved to Portland where Beverly's life took on a more typical existence. Instead of wandering through meadows looking for wildflowers, she had school and friends. She was a voracious reader and one of her greatest joys was graduating eighth grade and getting an adult library card. Growing up during the Great Depression with stresses at home with her father scraping by on work that was unsatisfactory and a mother that was controlling, Beverly escaped into the world of books and soon showed a talent for writing herself. While she was encouraged in her scholarly pursuits, her mother tried to maintain a firm grasp on the shape of Beverly's life, even guilt-tripping Beverly into a chaste relationship with a man named Gerhart for many years. If Beverly's mother had had her way Beverly would have ended up just like her, a frustrated housewife with ambitions of having been a writer, luckily for her, and us, things turned out differently.

When I was in sixth grade I became more then a little addicted to the Scholastic Book order forms we'd get at school. Prior to sixth grade I'd order a poster or two, most likely of a cat, maybe a book, but in sixth grade I started to pour over them with religious fervor, trying to pick just which books I wanted. My parents were accommodating, there weren't may bookstores in town and the fact that I showed an interest in reading beyond my few books I'd read at least a hundred times made their publishing hearts happy. The core of my book collection is still all these books I ordered from Scholastic, from Beverly Cleary to Judy Blume. But when I discovered Roald Dahl's Matilda, many of these books languished on my shelves. I spent most of sixth grade reading and re-reading Matilda, secreted in my desk at the back of the classroom near the sink. A Girl from Yamhill was one of these books that was brushed aside for Matilda. I have a vague recollection that I was sad it was a biography, and put it on my shelf to wait. Interestingly enough at some point my grandmother must have taken it down and started to read it. How could I intuit this almost thirty years later? My grandmother had a habit of using whatever was to hand to use as a bookmark and about a third of the way through this book I found a Queen of Hearts playing card. While not her common Halls wrapper, a playing card was as sure a sign she had been there as an "x" on a treasure map. She must have abandoned the book, and, seeing the book from her jaded POV I can see why. It's simplistic, lacks depth, and at times can be deathly boring. But there's something there that still makes it worthwhile.

The key aspect that I needed to keep in mind while reading A Girl from Yamhill was who Beverly Cleary's audience is. I mean, it should be obvious because I ordered this book from Scholastic in sixth grade, but it's easy to forget that her writing is aimed at children or adults who grew up on her books and have a fondness for her writing style. If, like me, you haven't read any of her books in years and are expecting some amazing depth or insight with this book you are sadly mistaken as to what kind of book you are about to read. It isn't entirely simplistic, but the prose are straightforward and almost stark. She lays things out simply and tells her story without embellishment, and this leads to a lack of depth. But likewise this means that anyone can pick it up and read it and find something to connect with. Cleary also sticks to incidents that would be universal to her readers while having the barest framework of the historical era. She talks about struggles with her parents and touches on money problems they had without going into too much depth about the Depression. She has the typical worries of all kids, will she like school, what about friends, what about boys. She sets out her life to be relatable while also telling how she became a writer. Though I wish I had known going in that it's the second volume of her biography that deals with her writing career. Perhaps that's why A Girl from Yamhill starts to flag at the end? Maybe she was saving up the good stories for the next volume and just resorted to bland entries in her diary to sum up this section of her life. Why else would anyone resort to the sloppy writing of "looking in my diary"?

Overall it's the unflinching honesty that makes this book unique. She doesn't sugarcoat her life. Bad and good things happen and she doesn't hesitate to mention them. This is most seen in her relationship with her Mother. I have a feeling that Mrs. Bunn and Norma Bates would get on rather well. They both have a clinging need to be the center of their child's life, they aren't overly demonstrative with affection, and are just plain nightmares to live with. Beverly's mother has a pathological need to live vicariously through Beverly, whether it's in managing her friends, her boyfriend, her parties, or her "accomplishments" from dancing to the piano, whatever her mother says goes. She is a tyrant. Beverly has almost no say in her life and you can feel her yearning to break free. If it wasn't for her father laying down the law and saying that Beverly was going to go to California for college I don't think she would have ever broken free from her mother. The creepiest thing though is her mother's diary. Only, her mother doesn't write her own day to day exploits, oh no, she writes her daughter's dairy. Which she keeps secret from Beverly. This is just, what is she, psychotic? It's almost too creepy to discuss. I think at this point even Norma Bates would be shying away from Mrs. Bunn. There's being a controlling parent, and then there's this, whatever this is. In Beverly's defense, at least she didn't try to make her mother a saint and she didn't kill her like Norman Bates.

The one aspect of the book though that makes me question that Beverly is always unfailingly honest is the prophetic nature of her life. With teachers as early as grade school telling her to be a writer. I think the first mention is in third grade. I can get behind high school teachers advising her on her talents, she did so much writing for the paper and even wrote the school play, then it makes sense that her abilities would be commented on. A grade school teacher, when she's barely started to write telling her? Um, no. It's fairly obvious that she wanted to be a writer her whole life, despite saying that she wasn't sure what direction her life was going. So she foisted this belief onto other people so that she could be uncertain about her future, which most of her young readers would relate to, while at the same time laying down the law that a writer she was going to be. This felt all just too pretentious. Like a higher being shined a light from the sky and said "Beverly Bunn YOU ARE A WRITER!" Yes everyone might have a calling, something they are good at. But she just made too big a deal about this and I can't get behind the propaganda of it. Sure, it might have been inevitable. Was it prophesized? No. Not at all. If her mother had had her way Beverly would have been a homemaker, and NOTHING is set in stone. It just worked out and Beverly seems to think this was fate. Sigh.

The real question I wonder though is is A Girl from Yamhill still relatable to kids growing up today? I don't think it is. My generation is the last generation to grow up with kids running wild in the streets with their bikes akimbo on the playground as they played till dusk. There is a lack of freedom and a focus on technology that today's kids grow up with. To read about someone growing up during the depression when school concentrated on penmanship and how to diagram a sentence, it might as well be a foreign language. Personally, I think it's more important then ever to make kids read books like this because they can relate to some of the struggles but it is also a more tangible, understandable, history lesson. This is what the world was like not too long ago before everyone had cellphones when having a private phone line to your house was a luxury. I can relate to the book because it's the world my grandparents and my parents and to an extent myself, grew up in. The world is just changing so fast that we need to look back to a time when things seemed slower. But more importantly, you see the maxim of history being doomed to repeat itself, think of the Depression and our current recession... they are very similar, if decades apart. Kids today need a little wake up call.

Wednesday, August 13, 2014

Book Review - Holly Black's Red Glove

Red Glove (Curse Workers Book 2) by Holly Black
Published by: Margaret K. McElderry
Publication Date: April 5th, 2011
Format: Hardcover, 336 Pages
Rating: ★★★
To Buy

Cassel has spent his summer celebrating the end of his mother's incarceration by getting back on the game with her in Atlantic City. Cassel is so worried about how Lila was cursed into loving him by his own mother that he isn't very concerned with his mother returning to her old ways; the ways that got her into prison in the first place. But Cassel doesn't care, he has his final year of school soon and will spend all that time trying not to think of Lila. Bit hard when Lila has transferred to Wallingford. Yet those are the least of his worries when the feds show up to interrogate Cassel about his brother Philip.

Turns out Philip isn't really the forgiving sort, even when it comes to family. To get revenge against Cassel he has turned narc and was going to tell the feds everything, until he was murdered... The feds are now looking to Cassel for help with Philip's murder, as well as a slew of other ones. While Philip's murder should bother Cassel the most, the other murders, or more accurately, disappearances, concern him more, because he thinks he might have done them himself. Then there's his mother, who has "aligned" herself with New Jersey's Governor who is for the anti-Workers bill. Walking a thin line between right and wrong in every aspect of his life, Cassel longs for normality, but the con keeps calling him.

One of the things that I love most about the Harry Potter books is that you get a feel for the character's daily lives amongst the chaos. Some of my favorite parts of the books are Harry, Ron, and Hermione just hanging out in the common room and doing their homework. There's something calming and homey about this. This, among many others, is the reason that the Harry Potter books are like comfort food in written form. Just sink into a chair in the Gryffindor common room and let the worries of the world wash away. That's what Red Glove felt like to me.

Like White Cat, Red Glove, is very much derivative of Harry Potter, but in this second installment it was almost entirely made up of those captured moments of rest at Hogwarts. Red Glove was a very non-demanding book. The mystery wasn't in any hurry to be solved and skipping a few classes to relax seemed of more importance. If I'm being honest, with things in my life as they are right now, this is exactly what I needed in a book. A quick read that wasn't demanding and felt like you'd had a good long nap after you finished it. A refreshing read if you will.

There is one thing that I thought had potential that was ill utilized, and I'm talking about the relationship between Cassel and his mother Shandra. For the previous volume she was in jail so their relationship was confined to phone conversations and we were unable to get how the dynamic of their relationship works. Now that she's out there's so much opportunity that Black could have exploited and we are left with one tantalizing glimpse of what could have been. Their relationship is very odd, the closest thing I can think of is Norma and Norman Bates on Bates Motel.

It's a weird vibe, what with the mother supplying endless girls to get Cassel over Lila, all while saying how ungrateful he is for the gift she made of Lila. Girls who may or may not be working girls it should be said. Plus the way Cassel just sits around watching his mother do her endless toilette to go on the game, icky spiders going up and down my spine. Yet the second Cassel is back in school, his mother is off his radar, though sometimes on his tv screen. I just wish this relationship had been explored more, because I think Cassel doesn't make much sense unless you look at his family. We already know how his brother's fucked him up, but his mother knew about that and also added in her own brand of sick.

Speaking of Shandra, she is just one of the many women in Cassel's life and I've got to say, there's a victim mentality with the three main women in Cassel's life. Shandra, his mother, Lila, the love of his life, and Philip's wife, Maura; all three women are victims. Shandra, because of her own impulses resulting in incarceration, Lila, because of years of captivity as a cat and then being whammied by Shandra, and Maura, whose memories were being wiped so that she wouldn't remember fights with her husband and therefore forget about leaving him.

Of course this could all be the cause of the world they live in and the life of crime they can't escape, but the fact that all three have been violated can not be forgotten. But Black does something interesting. She let's the victims have their revenge. She lets the oppressed claim a little of their own back. So while the depiction of women might seem bleak, they aren't weak in the end. Shandra gets out of prison and embarks on a major con that is for the benefit of all the cursed, instead of settling for her own comfort, Lila breaks free of her curse and starts to plan her future where she will take over her father's empire, while Maura... well, Maura's revenge is something you have to learn for yourself and then savor.

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