strange and random happenstance

A Friendly Game of Murder by J.J. Murphy
Published by: Signet
Publication Date: January 1st, 2013
Format: Mass Market Paperback, 336 Pages
Rating: ★★★★
To Buy

The Algonquin is having their big New Year's Eve Party. Up in the penthouse Douglas Fairbanks and Mary Pickford are giving the party of the season. Down in the lobby Dorothy is waiting for Benchley to arrive so that perhaps she might have the midnight kiss she has dreamed of. Though things go a little south when the hotel is put under quarantine... they can party, but they can't leave. Which is not a problem so long as the booze holds out. When the new Broadway sensation Bibi Bibelot decides to make a bit of a spectacle, in nothing but her birthday suit and some bubbly, tensions become high, and heated for many of the young bucks. When Bibi turns up dead, things get worse. But with her wit and her friends by her side, Dorothy knows she can solve this mystery before the quarantine is lifted, it doesn't hurt that she has the creator of Sherlock Holmes on hand to help her. Of course she does have to figure out how to kill Woollcott before the night is out... sadly that crime is only in fun, being a "friendly game of murder."

There is nothing better then the perfect book at the perfect time. This book was such a book. I have, in recent years, come to love snuggling down for New Year's with a nice book or movie, preferably with a cat nearby. This past year I got to snuggle down and read about characters who have become dear friends while they celebrated their New Year's... albeit fictionally and nearing on a hundred years ago. But still, I can't think of a more perfect New Year's Eve, so kudos to the publishers for coinciding the release date with the story. I'm a die hard book geek and this made my day.

I loved that J.J. really upped the game in this book. In the previous two installments, the characters have been boozing it up and running hither and yon and being who knows where, and, while always a great read, all that tooing-and-frooing can be a little tiring. So having them locked in the Algonquin was a nice respite from all that rushing about greater Manhattan. Yet, this means we are now working within that greatest of detective tropes, the locked room mystery. Does J.J. settle there? No! He one-ups that and makes the murder a locked room in a locked room, the Agatha Christie fan in me did a double squeal of joy, followed by a polite throat clearing in the manner of Poirot. There is also the method of murder being not apparently obvious, so the suspect is not obvious, therefore the how comes before the who. I'm just giddy now.

As for the "guest stars" who wouldn't be over the moon with Arthur Conan Doyle becoming a reluctant sleuth? I love how Dorothy tries to draw him into their world of fun and games, but the stoic Doyle with his walrus moustache tries to stay apart from the rabble... an endeavour that is bound to fail when Dorothy's involved! Yet nothing warmed the cockles of my heart more then Doyle being all blustery and Woolcott being all blustery and having at each other... the denouement of their butting heads is hilarious. Then there is the game of "murder." I think it's spiffing that J.J. used a game that the members of the Round Table actually played and was able to use this as a framing device for the novel, as well as a wonderful title. 

While no one can beat the witty banter and the amusing scenarios that happen when Parker and Benchley are around; I defy someone to find a scene in a recent book as funny as Robert Benchley trying to work the Algonquin Hotel's telephone switchboard, not only are there a lot of crossed wires, but a lot of information gained that is pertinent to the case; I was grateful for "the lovebirds" being apart for the midnight hour. I'm still not sure how I feel about their romance. They are indeed star crossed lovers, but I think that in order to maintain the light air of this series that they must always, alas, remain flirty friends.

On a final note, seriously, can someone tell me when Philately got so big in mysteries? Is it down to Flavia De Luce? Or was it a trend I never noticed till then... because really people, it's everywhere lately.

Posted by Miss Eliza at 12:00 AM 2 comments  

Labels: A Friendly Game of Murder, Alexander Woollcott, Dorothy Parker, Douglas Fairbanks, Flavia De Luce, Happy New Year, J.J. Murphy, Mary Pickford, Philately, Robert Benchley, The Algonquin Round Table

Your Might As Well Die: Algonquin Round Table Mystery 2 by J.J. Murphy
Published by: Signet
Book provided by the author
Publication Date: December 6th, 2011
Format: Paperback, 336 Pages
Rating: ★★★★
To Buy
Ernie MacGuffin is a truly bad artist. No one likes his art and no one much likes him. He decides to end it all and gives his suicide note to Dorothy Parker figuring she'll understand. Yet Dorothy feels that something is not quite right when she sees the scene of the crime on the Brooklyn Bridge. Something doesn't add up, and to top it off, New York seems to be going cuckoo, now they all love MacGuffin and his work! The paintings values have skyrocketed. Ernie's ex mistress decides to make a little extra for herself claiming that she's a medium and starts holding seances to talk to the deceased Ernie. Parker has Benchley benched for most of her investigation because she has a real seance skeptic to aid her, none other than Harry Houdini! He would give anyone good money to prove that there was contact with the other side. And who's Dorothy to turn up her noise at good money when her credit is no longer good at the local speakeasy.

Detective work is hard, detective work while sober is even harder. Racing around the city trying to figure out all the crosses and double crosses, Dorothy feels like she's in Harpo and Woollcott's famous game of croquet, being played anywhere and everywhere, football fields to rooftops to theatres! While solving the mystery of what truly is going on with MacGuffin is well and good, getting enough money to pay off her bar tap is the final solution.

Again JJ Murphy has delighted me beyond measure. Witty banter, shenanigans, antics, croquet and the sheer joy of a 1920s or 1930s screwball comedy. With the addition of Houdini as a stronger foil than Faulkner in the first installment, the book just hummed along. Also, addressing, even in a sideways manner, Dorothy's struggle with depression and her several attempts at suicide was a nice nod to the fact that Dorothy's life was much more than it appeared on the surface. What really made the book work for me though was two things I have a very strong interest in: art and spiritualism. The whole idea of an artists work being more valuable after their death has led, I am sure, to many artists thinking of pretending to die, I know, I've thought of it, but then, creating a new identity and all that rigmarole, too much effort, especially if the market is soft at the time or if they don't go up in value till a significant time after your "death."

The spiritualism is what also gripped me. I find it interesting that the next book will have Arthur Conan Doyle as the literary guest star, who was a huge proponent of spiritualism, and who in fact was good friends with Houdini, until they clashed over the idea of life after death. Houdini wanted to believe, desperately, but as a showman, he could see through all the hoaxes and tricks better than anyone else. The whole history of this time period, the Cottingly Fairies, the unexplainable versus the people obviously tapping at tables just enthralls me. I went to an exhibit a few years ago at the MET where they showed all these original pictures as "proof" of spirits... while the pictures where interesting, much like Houdini, I think I need some more solid proof. I don't need more proof though as to how much I love this series. It's going to be a long hard wait for that next book, much like Dorothy waiting for a drink.

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: Alexander Woollcott, Arthur Conan Doyle, Dorothy December, Dorothy Parker, Harpo Marx, Harry Houdini, J.J. Murphy, Spiritualism, You Might as Well Die

Your Might As Well Die: Algonquin Round Table Mystery 2 by J.J. Murphy
Published by: Signet
Book provided by the author
Publication Date: December 6th, 2011
Format: Paperback, 336 Pages
Challenge: Mystery and Suspense 2011
Rating: ★★★★
To Buy
Ernie MacGuffin is a truly bad artist. No one likes his art and no one much likes him. He decides to end it all and gives his suicide note to Dorothy Parker figuring she'll understand. Yet Dorothy feels that something is not quite right when she sees the scene of the crime on the Brooklyn Bridge. Something doesn't add up, and to top it off, New York seems to be going cuckoo, now they all love MacGuffin and his work! The paintings values have skyrocketed. Ernie's ex mistress decides to make a little extra for herself claiming that she's a medium and starts holding seances to talk to the deceased Ernie. Parker has Benchley benched for most of her investigation because she has a real seance skeptic to aid her, none other than Harry Houdini! He would give anyone good money to prove that there was contact with the other side. And who's Dorothy to turn up her noise at good money when her credit is no longer good at the local speakeasy.

Detective work is hard, detective work while sober is even harder. Racing around the city trying to figure out all the crosses and double crosses, Dorothy feels like she's in Harpo and Woollcott's famous game of croquet, being played anywhere and everywhere, football fields to rooftops to theatres! While solving the mystery of what truly is going on with MacGuffin is well and good, getting enough money to pay off her bar tap is the final solution.

Again JJ Murphy has delighted me beyond measure. Witty banter, shenanigans, antics, croquet and the sheer joy of a 1920s or 1930s screwball comedy. With the addition of Houdini as a stronger foil than Faulkner in the first installment, the book just hummed along. Also, addressing, even in a sideways manner, Dorothy's struggle with depression and her several attempts at suicide was a nice nod to the fact that Dorothy's life was much more than it appeared on the surface. What really made the book work for me though was two things I have a very strong interest in: art and spiritualism. The whole idea of an artists work being more valuable after their death has led, I am sure, to many artists thinking of pretending to die, I know, I've thought of it, but then, creating a new identity and all that rigmarole, too much effort, especially if the market is soft at the time or if they don't go up in value till a significant time after your "death."

The spiritualism is what also gripped me. I find it interesting that the next book will have Arthur Conan Doyle as the literary guest star, who was a huge proponent of spiritualism, and who in fact was good friends with Houdini, until they clashed over the idea of life after death. Houdini wanted to believe, desperately, but as a showman, he could see through all the hoaxes and tricks better than anyone else. The whole history of this time period, the Cottingly Fairies, the unexplainable versus the people obviously tapping at tables just enthralls me. I went to an exhibit a few years ago at the MET where they showed all these original pictures as "proof" of spirits... while the pictures where interesting, much like Houdini, I think I need some more solid proof. I don't need more proof though as to how much I love this series. It's going to be a long hard wait for that next book, much like Dorothy waiting for a drink.

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: Alexander Woollcott, Arthur Conan Doyle, Dorothy December, Dorothy Parker, Harpo Marx, Harry Houdini, J.J. Murphy, Spiritualism, You Might as Well Die

January 19 15, 1887-January 23, 1943

Bio:
Drama critic for the New York Times and New York World and commentator for The New Yorker magazine, CBS radio star as the Town Crier, model for the character of Sheridan Whiteside in Kaufman and Hart’s "The Man Who Came to Dinner" and for the far less likable character Waldo Lydecker in the 1944 film Laura. He claimed to be the inspiration for Rex Stout's brilliant detective Nero Wolfe, but Stout, although he was friendly to Woollcott, said there was nothing to that idea.

November 23, 1888-September 28, 1964

Bio:
An American comedian, musician, card player and film star. He was the second oldest of the Marx Brothers. His comic style was influenced by clown and pantomime traditions. He wore a curly reddish wig, and never spoke during performances (he blew a horn or whistled to communicate). Marx frequently used props such as a walking stick with a built-in bulb horn, and he played the harp in most of his films.

November 15, 1881-March 23, 1960

Bio:
Columnist at the New York Tribune, the New York World, and the New York Evening Post; wrote the "Always in Good Humor" and "The Conning Tower" columns. Always known by his initials FPA and his wit. A prolific writer of light verse.

December 7, 1888-December 18, 1939

Bio:
American journalist. He worked as a sportswriter, newspaper columnist, and editor in New York City for such papers and the New York Tribune and New York World. He founded the American Newspaper Guild, now known as The Newspaper Guild. He is best remembered for his writing on social issues and his championing of the underdog. He believed that journalists could help right wrongs, especially social ills.

December 13, 1890-December 21, 1980

Bio:
Newspaperman turned playwright, director, producer, performer, and lyricist; co wrote plays with George S. Kaufman. Won Pulitzer Prize for Drama in 1930 for the play The Green Pastures.

1887-September 18, 1934

Bio:
Broadway press agent and  a freelance writer who worked for women's rights in New York City, USA, during the era before and after World War I and helped pass Nineteenth Amendment for women’s rights, married Heywood Broun. Hale's cause led her to fight for women to be able to legally preserve their maiden name after marriage. She challenged in the courts any government edict that would not recognize a married woman by the name she chose to use.

November 16, 1889-June 2, 1961

Bio:
Playwright, New York Times drama editor, drama critic, producer, director, actor and humorist. In addition to comedies and political satire, he wrote several musicals, notably for the Marx Brothers. One play and one musical that he wrote won the Pulitzer Prize for Drama: You Can't Take It With You (1937, with Moss Hart), and Of Thee I Sing (1932, with Morrie Ryskind and Ira Gershwin). He also won the Tony Award as a Director, for the musical Guys and Dolls. Wrote forty-five plays (twenty-six hits).

November 6, 1892-December 6, 1951

Bio:
Founded The New Yorker with his wife, Jane Grant, which he edited from the magazine's inception in 1925 to his death. In World War I, he enlisted in the U.S. Army Eighteenth Engineers Railway Regiment. In France, he edited the regimental journal and went to Paris to work for the Stars and Stripes, serving from February 1918 to April 1919. On the Stars and Stripes, he met Alexander Woollcott, Cyrus Baldridge, Franklin Pierce Adams, and Jane Grant.

April 4, 1896-November 4, 1955

Bio:
Vanity Fair drama editor, Life editor, author, playwright who won four Pulitzer Prizes. Won Oscar for writing The Best Years of Our Lives.

August 15, 1885-April 16, 1968

Bio:
An American novelist, short story writer and playwright. Her novels were especially popular and included the Pulitzer Prize-winning So Big (1924), Show Boat (1926; made into the celebrated 1927 musical), and Giant (1952; made into the 1956 Hollywood movie). Cowrote plays with George S. Kaufman, including Dinner at Eight. Ferber and another member of the Round Table, Alexander Woollcott, were long-time enemies, their antipathy lasting until Woollcott's death in 1943. In July 1904, Edna Ferber encountered Harry Houdini in a drugstore on College Avenue. Ferber, just 19 years old, was the first female reporter for the Appleton Crescent. She took the occasion to interview the famous entertainer, and her account of the meeting was published in the Crescent on July 23, 1904.

Side note, people from Wisconsin rock, not that I'm biased or anything...

January 24, 1888-May 12th, 1949

Bio:
Popular magazine cover illustrator, painter. From 1923 through 1937, McMein created all of McCall's covers. She also supplied work to McClure's, Liberty, Woman's Home Companion, Collier's, Photoplay, and other magazines. She created advertising graphics for such accounts as Palmolive soap and Lucky Strike cigarettes. General Mills's Marjorie C. Husted commissioned her to create the image of "Betty Crocker", a fictional housewife whose brand name was intended to be a seal of solid middle-class domestic values.

In each of J.J. Murphy's Algonquin Round Table Mysteries we have had a literary icon or popular culture icon of the day stop by to either help with the sleuthing, or be a suspect in the crime. Here's who's popped by so far... who knows which literary lion will be next?

September 25, 1897-July 6, 1962

Bio:
An American writer from Oxford, Mississippi. Faulkner worked in a variety of media; he wrote novels, short stories, a play, poetry, essays and screenplays during his career. He is primarily known and acclaimed for his novels and short stories, many of which are set in the fictional Yoknapatawpha County, a setting Faulkner created based on Lafayette County, where he spent most of his childhood.

Faulkner is considered one of the most important writers of the Southern literature of the United States. Though his work was published as early as 1919, and largely during the 1920s and 1930s, Faulkner was relatively unknown until receiving the 1949 Nobel Prize in Literature.Two of his works, A Fable (1954) and his last novel The Reivers (1962), both won the Pulitzer Prize for Fiction.

In Murder Your Darlings:
William Faulkner visits New York City as an unknown writer to stumble upon a murder and the Vicious Circle, becoming a suspect, whom Dorothy just wants to protect. Interestingly, "Billy" did indeed visit New York City as an unknown writer in the early 1920s- although there is no reason to believe he met anyone from the Round Table at this time, or that he was a suspect in a murder. He finally met Dorothy and the other member of the Round Table in 1930 when the table was coming to an end and he was a great literary success... and Dottie did feel a need to mother him.

March 24, 1874-October 31, 1926

Bio:
Born Erik Weisz, later Ehrich Weiss, a.k.a. Harry Weiss was a Hungarian-born American magician and escapologist, stunt performer, actor and film producer noted for his sensational escape acts. He was also a skeptic who set out to expose frauds purporting to be supernatural phenomena which led to a falling out with Arthur Conan Doyle.

In You Might as Well Die: Houdini's show at the Hippodrome is reviewed by Dorothy for Vanity Fair, but she also lures Houdini into the mystery of Ernie MacGuffin's death with the promise to expose some fraudulent spiritualists. While it's unknown if they actually met, he did have a long run of shows opposite the Algonquin when Dorothy was living there, as for the spiritualists, he'd take ever chance he could to catch them in fraudulent activity.

May 22, 1859-July 7, 1930

Bio:
A Scottish physician and writer, most noted for his stories about the detective Sherlock Holmes, generally considered a milestone in the field of crime fiction, and for the adventures of Professor Challenger. He was a prolific writer whose other works include science fiction stories, plays, romances, poetry, non-fiction, historical novels and humours.

Following the death of his wife Louisa in 1906, the death of his son Kingsley just before the end of World War I,  Conan Doyle sank into depression. He found solace supporting spiritualism and its attempts to find proof of existence beyond the grave. Doyle's book The Coming of the Fairies (1921) shows he was apparently convinced of the veracity of the five Cottingley Fairies photographs (which decades later were exposed as a hoax). He reproduced them in the book, together with theories about the nature and existence of fairies and spirits.

Conan Doyle was friends for a time with Harry Houdini, the American magician who himself became a prominent opponent of the Spiritualist movement in the 1920s following the death of his beloved mother. Although Houdini insisted that Spiritualist mediums employed trickery (and consistently exposed them as frauds), Conan Doyle became convinced that Houdini himself possessed supernatural powers—a view expressed in Conan Doyle's The Edge of the Unknown. Houdini was apparently unable to convince Conan Doyle that his feats were simply illusions, leading to a bitter public falling out between the two.

In A Friendly Game of Murder:
We'll just have to wait and see!

Posted by Miss Eliza at 12:00 AM 2 comments  

Labels: Alexander Woollcott, Arthur Conan Doyle, Edna Ferber, Harpo Marx, Harry Houdini, Heywood Broun, Neysa McMein, Sherlock Holmes, Vicious Circle, William Faulkner

My first introduction to Dorothy Parker might not be what you expect. You probably picture my house growing up as jammed with books and me one day stumbling upon The Portable Dorothy Parker and that, as they say, was history. That would be an entirely fictitious history, one that Dorothy herself would probably like, she did after all say "I don't care what is written about me so long as it isn't true." The "truth" of it was, there where shelves and shelves of books, though Dorothy wasn't on them, and I viewed the shelves mainly as the stuff that was behind the tv. Yes that's right, I was not a bookworm as a child. I had a few books I loved and didn't really branch out till after high school, otherwise known as, the time when I got to pick what I wanted to read and wasn't assigned horrid and asinine books, My Brother Sam is Dead anyone?

One of my favorite shows was The Young Indiana Jones Chronicles. Ah, Sean Patrick Flannery, you are a god, and will always have a special place in my heart. I squealed like a little fangirl when I got to meet you this summer (luckily not to your face) and had so much fun talking about the show, I did after all bring my original Young Indiana Jones Chronicles fanclub magazine that I ordered through Scholastic, yes I am that dorky. Ironically this show, without me knowing it I might add, did what George Lucas set out to do, teach kids about history through the life of Indiana Jones. While I was more into the romantic travails of Indy fending off a young Ernest Hemingway, the Spanish Civil War wormed it's way into my brain. Pancho Villa worked his way in while I was admiring Indy's horsemanship. Damn that boy can ride! It was a silly episode though about Indy trying to balance three very different women, for the sake of humor, one a blond, one a brunette, and one a redhead, that caught my eye. It wasn't the goofy storyline, obviously he should be with the brunette, she was smart and streetwise and surprisingly Anne Heche, it was the literary world that caught me. Of course the members of the Algonquin Round Table did straddle different worlds and often had people in the arts and theatre other than just writers, it was the writers that Indy meets one day that transfixed me.

The whole table was there, from Benchley and Parker to Woollcott and Ferber. Woollcott and Parker actually go with Anne Heche's character to the Broadway musical Indy has been stage managing wherein Hemingway gets upset that Woollcott won't be quiet. What struck me rewatching the episode (yes, cause I'm that kind of person who won't let the opportunity to rewatch Sean Patrick Flannery pass me by) was that they really did capture the essence of the table. The biting humor along with the camaraderie. Benchley with his arm around Mrs. Parker's chair. The other tablemates telling Indy exactly how the press works. Indy being accepted as one of their own because he makes a biting comment about the scarcity of an Alexander Woollcott first addition saying that a second edition would be even rarer. A book to which they use Dorothy's famous quote, "This is not a book to be tossed aside lightly. It should be thrown aside with great force." Even if that was about another book entirely... I wanted to be in that room! I wanted to be at that table! One can dream...

I leave you with the finale of that episode.

Posted by Miss Eliza at 12:00 AM 2 comments  

Labels: Alexander Woollcott, Dorothy Parker, Ernest Hemingway, George Gershwin, George Lucas, Indiana Jones, Robert Benchley, The Algonquin Round Tabel, The Man I Love, The Portable Dorothy Parker