Showing posts with label Kyle Soller. Show all posts
Showing posts with label Kyle Soller. Show all posts

Friday, February 20, 2026

Season 6 - Poldark Series 1 (1976-1977)

My introduction to Poldark was the 2015 adaptation starring Aidan Turner and Eleanor Tomlinson. I of course knew of the original. I even have some of the Winston Graham paperback tie-in editions from the seventies that I picked up at a library sale with that very yellow logo with it's double handled "P" and swooping "K." But, for me, the first season of the 2015 adaptation was one of the most perfect seasons of any show ever. So perfect in fact that as time went on the show was never able to recapture the magic of that first season, and the less said about the nonsensical plot of the fifth and final season the better. I mean, Ross was a spy embedded and in bed with the French!?! Deep breath in, pretend they didn't try to shoehorn the entire season's plot into one episode, and breath out. Which all leads to the fact I was hesitant to watch the seventies adaptation. I'd only seen Robin Ellis in a handful of roles and they didn't endear me to him. In every one he annoyed me beyond belief with his quick temper and hauteur, which, I have to admit, are qualities necessary to playing Ross Poldark. And yet he's a far less hot-headed Ross. I was expecting the sanctimoniousness of Aidan Turner's Ross and instead, Robin Ellis's Ross is blunt. His word is his bond. This, among countless other reasons, is why I now love the original seventies adaptation more than I ever loved the reboot. They may try to lure me back in by continuing with the story in a few years, but they won't be Robin Ellis and Angharad Rees! And yet this version of Poldark is far from perfect. The second season, which comprises the plot of the third and forth seasons of the reboot, was more staid. It was a faithful adaptation that didn't swing for the fences. Yes, we finally had the longed for addition of Aunt Agatha and her hatred of George Warleggan, leading her to proclaim that she hopes "shit take him!" And oh, Morwenna needs to do even more monologues about how she feels like a gutted deer. But these highlights weren't enough to make up for the toning down of the show and it's copious recasts. They literally recast Dwight Enys! He's one of the core four! I could almost forgive Nicholas Warleggan and Harris Pascoe, but never Dwight! Which leads me to the conclusion that I will only ever get a perfect first season of any Poldark adaptation. This one was just a little longer ending with Francis's death and Elizabeth's remarriage to George. And that right there might be the key to the tonal shift in the show. Francis Poldark as played by Clive Francis is a revelation. He is the core to the campiness of season one which literally ends with a party taken straight from the pages of Edgar Allan Poe with an homage to "The Masque of the Red Death." Francis is unhinged. His drunken Christmas dinner screaming about his sister being a whore and then brandishing a knife while hacking at the beautifully prepared bird before collapsing to the floor is up there with Truman Capote's Thanksgiving rant on Feud: Capote vs. The Swans. I need more of this in my life. Why couldn't Francis have had just an iota of this energy in the remake? We know what a fabulous actor Kyle Soller is, he could have brought this delightful depravity, instead he was just dissatisfied and petulant. The manic energy, the mood swings, the joy in Clive Francis's face when Ross asks Francis to join him in his venture at Wheal Grace. This was perfection. Too bad it didn't last longer. But the greatest things never do, unlike Aunt Agatha's curses. They last forever. No matter George's wishes that she may rot in hell. 

Friday, October 18, 2024

Bodies

Netflix isn't afraid to do high concept science fiction adaptations, just look to their recent success with 3 Body Problem. Bodies also fits strongly into this category, relying on a strange admixture of the grandfather paradox and the song made famous, in my mind, by The Muppets, "I'm My Own Grandpa." And it's a really clever conceit, the same body shows up in four different time periods, 1890, 1941, 2023, and 2053, and detectives in each time period have to find a way to work across the eras without being sure that their work will pay off and stop an extinction level event that Stephen Graham's character Elias Mannix triggers in 2023. Bodies obviously wants to be Blade Runner meets From Hell with a hefty dose of The Prestige and Line of Duty, and if you replaced Blade Runner with The Fifth Element but with bad prosthetics, you're spot on. Because no matter how good the acting is the failure of the prosthetics give it a slight cheese factor. Amaka Okafor aged up has this weird neck that looks like it's almost all peeling glue. As for Stephen Graham's various looks? I mean, the least said the soonest forgotten. And I think at this point they actually realized it was working against them and tried to keep him out of frame on his deathbed as much as possible. Though, even with these dodgy looks having such a strong cast leads you to care for all the detectives in all the different eras. Kyle Soller, can I give you a special shout out and say you are killing it recently? You TOTALLY deserved that Peabody for Andor. Occasionally one era's storyline will pull you in a little more, hello again Kyle, and you're dying for them to go back to it but then something will happen in another time and then that's all you care about. It's a balancing act that, while occasionally frustrating, pays off in the end because everything comes together in a perfect bow. It's self-contained. It's a miniseries that draws you in, answers the questions, and leaves you satisfied but still hoping for a little more. But where it really got me is how easy it is to have the world just slide into Fascism. The Executive that controls Britain in the aftermath of the attack with the haunting motto "know you are loved" is too plausible. And what's sad is that at the heart of this horrible movement is just a lost boy who thought he was never loved. Maybe that's what's happening in America right now... All these people who've never felt loved just screaming into the void. But not realizing that violence, that Fascism, that control, isn't the answer. That isn't love. That will never be love. Repeating to yourself that you are loved while in some instances is self-affirming, here is delusional. A lonely boy wants love and fabricates it but with just the hint that it's an illusion everything falls apart. If only more things could be saved with a seed of doubt and a hug.

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