strange and random happenstance

Locke and Key by Joe Hill and Gabriel Rodriguez
Published by: IDW Publishing
Publication Date: February 20th, 2008 - December 18th, 2013
Format: Paperback, 984 Pages
Rating: ★★★★★
To Buy

Rendell Locke always told his wife Nina that if anything were to happen to him she should take the kids and leave San Francisco, pack up and go back to Lovecraft, Massachusetts, to the family home, to Keyhouse. When Rendell is killed by a disgruntled student Rendell's eldest son, Tyler, can't help but wonder if his father always knew that something like this would happen. That there would come a time when he would no longer be able to protect them and Keyhouse would. That a Sam Lesser would enter their lives and ruin everything. Now a world away from the lives they led, Tyler, Kinsey, and Bode, have to decide who they'll be. This is a new start and going to the high school their father attended Tyler and Kinsey don't want to have the label of victim hanging around their necks. But when Sam Lesser breaks out of juvenile detention hellbent on finishing what he started with their father the Locke siblings realize their lives will forever be entwined with tragedy. Though they will choose if they are the victims or the victors, and the house will help. Because Keyhouse isn't just the family ancestral seat that prosperous locksmiths built... it's so much more as Bode soon discovers.

Bode has been finding keys about the house. These aren't just skeleton keys to open any door in the house, they are keys with specific and unique abilities. One key allows you to walk through a door and become a ghost, another will open a door to anywhere in the world so long as you can picture it in your mind. At first these keys seem a gift, but Sam knows about the keys too. How could a disturbed youth who's lived his whole life on the other side of the country know about the secrets of Keyhouse that even the Locke kids didn't know about? Echoes through time... When Rendell was Tyler's age he used the keys with his friends. He used them for fun. Then one day he decided to use them for personal gain. Everything changed. A dangerous creature was unleashed and Rendell knew one day there would be a reckoning. He didn't send his children to safety, he set them to a warzone and they were oblivious to their danger. Though surviving Sam Lesser's attack has made the Locke kids oddly ready for this otherworldly battle. They can wield the keys for good. With the help of their friends they will set right what their father set in motion all those years ago.

Who hasn't dreamt of living in a big Gothic mansion with magical keys that open doors? There's a magic to childhood where big houses are full of secrets to be uncovered and old keys could open a door to adventure. The Locke and Key series taps into these memories and fantasies of youth and revitalized in me my love of reading. I was having all these feels. I was flashing back to reading Judy Blume's Fudge-a-Mania and the Hatcher family's vacation to Maine where the house had the separate taps in the bathroom, just like in my house. Because the quirks and personalities of houses are something I've always reveled in when reading books. All these callbacks to my childhood and how Keyhouse only lets the young, those who will do no harm with it's powers, uncover it's magic just made me want to pack a bag and move to Lovecraft, no matter it's H.P. overtones. But there's also a darker magic, an adult nature to Locke and Key that is taking what we love and remember from our childhood and subverting it, making it for adult readers. This is the perfect tale of terror in my mind, the nostalgia of youth combined with the horrors of the real world and I wouldn't have it any other way.

What makes this series so unique is that all these fantastical and Cthulhu originated elements are secondary to the journey of the characters and one family's struggle to survive. You care so much about the characters that the fantastical elements are almost a side note, yet one that you readily accept without qualms because if one aspect of your story is so rooted in reality you can't help but accept the fantastical as real as well. Re-reading this series over the last week while getting ready to write this review I was struck by something I didn't notice while reading the series over the course of a month last summer and I really should have because I think it's why the series speaks so strongly to me. This series taps into the same storytelling elements of one of my favorite television series ever, Buffy the Vampire Slayer. Buffy had a way of making the fantastical monsters of the week be about the daily struggles of being a teen in high school. Here we have the magic of Keyhouse shining a light on the humanity and struggles of the Locke family. They are two sides of the same coin. This was really brought home to me in the epic final battle, which occurs after Prom, a more Buffy plot device I couldn't think of. Plus, Joe Hill's wiliness to indiscriminately kill characters we've come to know and love? What's more Buffy than that?

Though there is one aspect of the narrative I question and that's this somewhat blanket forgiveness of the baddies. Sam Lesser not only murdered Rendell Locke but indiscriminately murdered his own parents and anyone that helped him in his journey across the United States to finish off the Locke family and because he helps to warn of the ultimate evil that tricked him he's kind of given a free pass. Excuse me? One act of kindness doesn't make up for all the horrors wrought! What's more that "act of kindness" was more an act of revenge. He felt tricked and cheated and would do anything to bring down the person who destroyed him. So how can vengeance be kindness? It's self-serving and therefore not an act of benevolence and therefore Sam Lesser should burn in hell. Forever. And as for that ultimate evil? The fact that a very human person was corrupted by an elder god from H.P. Lovecraft's plain of Leng from the Cthulhu Mythos gives this other human a free pass? As said human, and can I say how hard this is to write without spoilers, lays dying they say that the evil was within them all along, the Lovecraftian creature just flipped a switch to make bad feel oh so good. But the evil was there all along! How does that warrant forgiveness? Yes, it's nice to think we, as humans, can be magnanimous in our ability to forgive, but someone responsible for killing forty-five teenagers in one night isn't worthy of any understanding OR forgiveness. It just sits wrong with me.

While I usually spend most reviews dissecting every aspect of the story the truth is with Locke and Key, more than any other series I've read, the art perfectly balances the narrative so that one without the other wouldn't be Locke and Key. Therefore I have to discuss Gabriel Rodriguez. He has a very detail oriented style, at first I was strongly reminded of this series my grade school library had. In it all the great classics were lovingly drawn out as comics in exacting detail to ensnare reluctant readers like myself. In fact, thanks to these comics I am far more knowledgeable with regards to the plays of Shakespeare and the great classics of literature than I should be. The thing is that while that art style captured my imagination as a child my personal aesthetics have changed over time, so while I admire those capable of that level of detail, the watercolors of Tyler Crook in Harrow County, or Sean Phillips's work from Fatale to Criminal, have mood-oriented styles I can't help but adore. Rodriguez therefore had to overcome my own artistic prejudices and it literally only took a few pages. What makes Rodriguez stand out is his ability to not only draw amazing and lifelike detail but he is able to capture familial resemblances. So much of this comic is the dynamic relationships of the Locke family, and by God, you can tell they are related. Not just siblings, but ancestors, and parents. This is a feat that I don't think enough people applaud. Rodriguez's abilities are what make these characters real people and makes me pity the casting directors at Netflix as they work on the upcoming adaptation.

After leaving a book or television show behind they linger in your imagination but there is rarely something tangible that you can hold onto in the real world. As shows like Game of Thrones and Doctor Who and the fandoms that surround them have become bigger and more and more popular this isn't really the case anymore. There are prop replicas and tie-ins aplenty. Yes, I do personally have an Orb of Thesulah and it does make a rather nice paperweight, but there's a part of me that longs for books to have this same rabid fandom that television shows do. There are certain authors that have inspired merchandise, such as Terry Pratchett, where you can get everything from currency to postage for Discworld, and believe me, I have both. So I was more than a little excited to discover that the world that Joe Hill and Gabriel Rodriguez have created with Locke and Key has developed such a rabid following that we have our own name, and yes, I consider myself one based on the number of Facebook groups I belong to to be a Keyhead. But what's more, thanks to the Skelton Crew Studio the keys are real. THE KEYS ARE REAL PEOPLE! So while I haven't found out how to properly work my Anywhere Key, just being able to hold it in my hand makes me so happy and makes this series that much more real.

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: Buffy the Vampire Slayer, Chthulhu, Doctor Who, Gabriel Rodriguez, Gothic, H.P. Lovecraft, Joe Hill, Judy Blume, Keyhouse, Keys, Locke and Key, Lovecraft, Netflix, Sean Phillips, Skelton Crew Studio, Tyler Crook

Locke and Key by Joe Hill and Gabriel Rodriguez
Published by: IDW Publishing
Publication Date: February 20th, 2008 - December 18th, 2013
Format: Paperback, 984 Pages
Rating: ★★★★★
To Buy

Rendell Locke always told his wife Nina that if anything were to happen to him she should take the kids and leave San Francisco, pack up and go back to Lovecraft, Massachusetts, to the family home, to Keyhouse. When Rendell is killed by a disgruntled student Rendell's eldest son, Tyler, can't help but wonder if his father always knew that something like this would happen. That there would come a time when he would no longer be able to protect them and Keyhouse would. That a Sam Lesser would enter their lives and ruin everything. Now a world away from the lives they led, Tyler, Kinsey, and Bode, have to decide who they'll be. This is a new start and going to the high school their father attended, Tyler and Kinsey don't want to have the label of victim hanging around their necks. But when Sam Lesser breaks out of juvenile detention hellbent on finishing what he started with their father the Locke siblings realize their lives will forever be entwined with tragedy. Though they will choose if they are the victims or the victors, and the house will help. Because Keyhouse isn't just the family ancestral seat that prosperous locksmiths built... it's so much more as Bode soon discovers.

Bode has been finding keys about the house. These aren't just skeleton keys to open any door in the house, they are keys with specific and unique abilities. One key allows you to walk through a door and become a ghost, another will open a door to anywhere in the world so long as you can picture it in your mind. At first these keys seem a gift, but Sam knows about the keys too. How could a disturbed youth who's lived his whole life on the other side of the country know about the secrets of Keyhouse that even the Locke kids didn't know about? Echoes through time... When Rendell was Tyler's age he used the keys with his friends. He used them for fun. Then one day he decided to use them for personal gain. Everything changed. A dangerous creature was unleashed and Rendell knew one day there would be a reckoning. He didn't send his children to safety, he set them to a warzone and they were oblivious to their danger. Though surviving Sam Lesser's attack has made the Locke kids oddly ready for this otherworldly battle. They can wield the keys for good. With the help of their friends they will set right what their father set in motion all those years ago.

Who hasn't dreamt of living in a big Gothic mansion with magical keys that open doors? There's a magic to childhood where big houses are full of secrets to be uncovered and old keys could open a door to adventure. The Locke and Key series taps into these memories and fantasies of youth and revitalized in me my love of reading. I was having all these feels. I was flashing back to reading Judy Blume's Fudge-a-Mania and the Hatcher family's vacation to Maine where the house had the separate taps in the bathroom, just like in my house. Because the quirks and personalities of houses are something I've always reveled in when reading books. All these callbacks to my childhood and how Keyhouse only lets the young, those who will do no harm with it's powers, uncover it's magic just made me want to pack a bag and move to Lovecraft, no matter it's H.P. overtones. But there's also a darker magic, an adult nature to Locke and Key that is taking what we love and remember from our childhood and subverting it, making it for adult readers. This is the perfect tale of terror in my mind, the nostalgia of youth combined with the horrors of the real world and I wouldn't have it any other way.

What makes this series so unique is that all these fantastical and Cthulhu originated elements are secondary to the journey of the characters and one family's struggle to survive. You care so much about the characters that the fantastical elements are almost a side note, yet one that you readily accept without qualms because if one aspect of your story is so rooted in reality you can't help but accept the fantastical as real as well. Re-reading this series over the last week while getting ready to write this review I was struck by something I didn't notice while reading the series over the course of a month last summer and I really should have because I think it's why the series speaks so strongly to me. This series taps into the same storytelling elements of one of my favorite television series ever, Buffy the Vampire Slayer. Buffy had a way of making the fantastical monsters of the week be about the daily struggles of being a teen in high school. Here we have the magic of Keyhouse shining a light on the humanity and struggles of the Locke family. They are two sides of the same coin. This was really brought home to me in the epic final battle, which occurs after Prom, a more Buffy plot device I couldn't think of. Plus, Joe Hill's wiliness to indiscriminately kill characters we've come to know and love? What's more Buffy than that?

Though there is one aspect of the narrative I question and that's this somewhat blanket forgiveness of the baddies. Sam Lesser not only murdered Rendell Locke but indiscriminately murdered his own parents and anyone that helped him in his journey across the United States to finish off the Locke family and because he helps to warn of the ultimate evil that tricked him he's kind of given a free pass. Excuse me? One act of kindness doesn't make up for all the horrors wrought! What's more that "act of kindness" was more an act of revenge. He felt tricked and cheated and would do anything to bring down the person who destroyed him. So how can vengeance be kindness? It's self-serving and therefore not an act of benevolence and therefore Sam Lesser should burn in hell. Forever. And as for that ultimate evil? The fact that a very human person was corrupted by an elder god from H.P. Lovecraft's plain of Leng from the Cthulhu Mythos gives this other human a free pass? As said human, and can I say how hard this is to write without spoilers, lays dying they say that the evil was within them all along, the Lovecraftian creature just flipped a switch to make bad feel oh so good. But the evil was there all along! How does that warrant forgiveness? Yes, it's nice to think we, as humans, can be magnanimous in our ability to forgive, but someone responsible for killing forty-five teenagers in one night isn't worthy of any understanding OR forgiveness. It just sits wrong with me.

While I usually spend most reviews dissecting every aspect of the story the truth is with Locke and Key, more than any other series I've read, the art perfectly balances the narrative so that one without the other wouldn't be Locke and Key. Therefore I have to discuss Gabriel Rodriguez. He has a very detail oriented style, at first I was strongly reminded of this series my grade school library had. In it all the great classics were lovingly drawn out as comics in exacting detail to ensnare reluctant readers like myself. In fact, thanks to these comics I am far more knowledgeable with regards to the plays of Shakespeare and the great classics of literature than I should be. The thing is that while that art style captured my imagination as a child my personal aesthetics have changed over time, so while I admire those capable of that level of detail, the watercolors of Tyler Crook in Harrow County, or Sean Phillips's work from Fatale to Criminal, have mood-oriented styles I can't help but adore. Rodriguez therefore had to overcome my own artistic prejudices and it literally only took a few pages. What makes Rodriguez stand out is his ability to not only draw amazing and lifelike detail but he is able to capture familial resemblances. So much of this comic is the dynamic relationships of the Locke family, and by God, you can tell they are related. Not just siblings, but ancestors, and parents. This is a feat that I don't think enough people applaud. Rodriguez's abilities are what make these characters real people and makes me pity the casting directors at Netflix as they work on the upcoming adaptation.

After leaving a book or television show behind they linger in your imagination but there is rarely something tangible that you can hold onto in the real world. As shows like Game of Thrones and Doctor Who and the fandoms that surround them have become bigger and more and more popular this isn't really the case anymore. There are prop replicas and tie-ins aplenty. Yes, I do personally have an Orb of Thesulah and it does make a rather nice paperweight, but there's a part of me that longs for books to have this same rabid fandom that television shows do. There are certain authors that have inspired merchandise, such as Terry Pratchett, where you can get everything from currency to postage for Discworld, and believe me, I have both. So I was more than a little excited to discover that the world that Joe Hill and Gabriel Rodriguez have created with Locke and Key has developed such a rabid following that we have our own name, and yes, I consider myself one based on the number of Facebook groups I belong to to be a Keyhead. But what's more, thanks to the Skelton Crew Studio the keys are real. THE KEYS ARE REAL PEOPLE! So while I haven't found out how to properly work my Anywhere Key, just being able to hold it in my hand makes me so happy and makes this series that much more real.

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: Buffy the Vampire Slayer, Chthulhu, Doctor Who, Gabriel Rodriguez, Gothic, H.P. Lovecraft, Joe Hill, Judy Blume, Keyhouse, Keys, Locke and Key, Lovecraft, Netflix, Sean Phillips, Skelton Crew Studio, Tyler Crook

Spinning Silver by Naomi Novik
Published by: Del Rey
Publication Date: July 10th, 2018
Format: Hardcover, 480 Pages
To Buy

The official patter:
"A fresh and imaginative retelling of the Rumpelstiltskin fairy tale from the bestselling author of Uprooted, which was hailed as “a very enjoyable fantasy with the air of a modern classic” by The New York Times Book Review.

With the Nebula Award–winning Uprooted, Naomi Novik opened a brilliant new chapter in an already acclaimed career, delving into the magic of fairy tales to craft a love story that was both timeless and utterly of the now. Spinning Silver draws readers deeper into this glittering realm of fantasy, where the boundary between wonder and terror is thinner than a breath, and safety can be stolen as quickly as a kiss.

Miryem is the daughter and granddaughter of moneylenders, but her father’s inability to collect his debts has left his family on the edge of poverty—until Miryem takes matters into her own hands. Hardening her heart, the young woman sets out to claim what is owed and soon gains a reputation for being able to turn silver into gold.

When an ill-advised boast draws the attention of the king of the Staryk—grim fey creatures who seem more ice than flesh—Miryem’s fate, and that of two kingdoms, will be forever altered. Set an impossible challenge by the nameless king, Miryem unwittingly spins a web that draws in a peasant girl, Wanda, and the unhappy daughter of a local lord who plots to wed his child to the dashing young tsar.

But Tsar Mirnatius is not what he seems. And the secret he hides threatens to consume the lands of humans and Staryk alike. Torn between deadly choices, Miryem and her two unlikely allies embark on a desperate quest that will take them to the limits of sacrifice, power, and love.

Channeling the vibrant heart of myth and fairy tale, Spinning Silver weaves a multilayered, magical tapestry that readers will want to return to again and again."

I've always been a sucker for a fairy tale retelling!

Deep Roots by Ruthanna Emrys
Published by: Tor.com
Publication Date: July 10th, 2018
Format: Hardcover, 352 Pages
To Buy

The official patter:
"Ruthanna Emrys’ Innsmouth Legacy, which began with Winter Tide and continues with Deep Roots, confronts H. P. Lovecraft’s Cthulhu Mythos head-on, boldly upturning his fear of the unknown with a heart-warming story of found family, acceptance, and perseverance in the face of human cruelty and the cosmic apathy of the universe. Emrys brings together a family of outsiders, bridging the gaps between the many people marginalized by the homogenizing pressure of 1940s America.

Aphra Marsh, descendant of the People of the Water, has survived Deep One internment camps and made a grudging peace with the government that destroyed her home and exterminated her people on land. Deep Rootscontinues Aphra’s journey to rebuild her life and family on land, as she tracks down long-lost relatives. She must repopulate Innsmouth or risk seeing it torn down by greedy developers, but as she searches she discovers that people have been going missing. She will have to unravel the mystery, or risk seeing her way of life slip away."

Yes for a more direct Cthulhu continuation! 

European Travel for the Monstrous Gentlewoman by Theodora Goss
Published by: Saga Press
Publication Date: July 10th, 2018
Format: Hardcover, 720 Pages
To Buy

The official patter:
"In the sequel to the critically acclaimed The Strange Case of the Alchemist’s Daughter, Mary Jekyll and the rest of the daughters of literature’s mad scientists embark on a madcap adventure across Europe to rescue another monstrous girl and stop the Alchemical Society’s nefarious plans once and for all.

Mary Jekyll’s life has been peaceful since she helped Sherlock Holmes and Dr. Watson solve the Whitechapel Murders. Beatrice Rappaccini, Catherine Moreau, Justine Frankenstein, and Mary’s sister Diana Hyde have settled into the Jekyll household in London, and although they sometimes quarrel, the members of the Athena Club get along as well as any five young women with very different personalities. At least they can always rely on Mrs. Poole.

But when Mary receives a telegram that Lucinda Van Helsing has been kidnapped, the Athena Club must travel to the Austro-Hungarian Empire to rescue yet another young woman who has been subjected to horrific experimentation. Where is Lucinda, and what has Professor Van Helsing been doing to his daughter? Can Mary, Diana, Beatrice, and Justine reach her in time?

Racing against the clock to save Lucinda from certain doom, the Athena Club embarks on a madcap journey across Europe. From Paris to Vienna to Budapest, Mary and her friends must make new allies, face old enemies, and finally confront the fearsome, secretive Alchemical Society. It’s time for these monstrous gentlewomen to overcome the past and create their own destinies."

Just like I'm a sucker for fairy tale retellings, so may it be said for interesting continuations of horror classics.

Murmuration by Robert Lock
Published by: Legend Press
Publication Date: July 10th, 2018
Format: Kindle, 368 Pages
To Buy

The official patter:
"'Murmuration is a magically woven tale of human connectivity, frailty, and the hold the past can have over the present. My promise of just one more page was constantly broken' Laura Parish, Novel Kicks.

The starlings dance in mesmerising patterns. In and out they fold. Up and down. Below them a Victorian pier has stood the test of time, carrying each generation over a cold and relentless sea.

As the birds dance they watch the lives of those who pass beneath. Two scandalous comedians born a century apart; a seemingly ageless deckchair attendant; the fortune-teller who believes no one can see the future. And in this seaside town one man knows the only way to stop history repeating itself is to solve a mystery as old as the pier."

I've always wondered what life would be life viewed from the collective unconscious of a bird... 

Murder at the Flamingo by Rachel McMillan
Published by: Thomas Nelson
Publication Date: July 10th, 2018
Format: Paperback, 352 Pages
To Buy

The official patter:
"Hamish DeLuca has spent most of his life trying to hide the anxiety that appears at the most inopportune times -- including during his first real court case as a new lawyer. Determined to rise above his father’s expectations, Hamish runs away to Boston where his cousin, Luca Valari, is opening a fashionable nightclub in Scollay Square. When he meets his cousin's “right hand man,” Reggie, Hamish wonders if his dreams for a more normal life might be at hand.

Regina “Reggie” Van Buren, heir to a New Haven fortune, has fled fine china, small talk, and the man her parents expect her to marry. Determined to make a life as the self-sufficient city girl she’s seen in her favorite Jean Arthur and Katharine Hepburn pictures, Reggie runs away to Boston, where she finds an easy secretarial job with the suave Luca Valari. But as she and Hamish work together in Luca’s glittering world, they discover a darker side to the smashing Flamingo nightclub.

When a corpse is discovered at the Flamingo, Reggie and Hamish quickly learn there is a vast chasm between the haves and the have-nots in 1937 Boston—and that there’s an underworld that feeds on them both. As Hamish is forced to choose between his conscience and loyalty to his beloved cousin, the unlikely sleuthing duo work to expose a murder before the darkness destroys everything they’ve worked to build."

Ah, the bygone eras of crime solving, why are they always so much more glamorous? 

Plaster Sinners by Colin Watson
Published by: Farrago
Publication Date: July 10th, 2018
Format: Kindle, 160 Pages
To Buy

The official patter:
"Sergeant Love is a sucker for a picturesque country cottage.

But he finds himself quite literally knocked out by the little bas-relief plaster cottage that’s on display at Flaxborough’s antiques auction. This pretty but rather crudely painted trinket mysteriously sells for hundreds of pounds having sparked a heated bidding war, while the Sergeant gets floored by a would-be cottage thief.

So DI Purbright, teamed up with a world-weary brother officer down from London, must dig deep into the dubious past of the local gentry, the laconic Moldhams, in their crumbling stately pile, to find out how the little plaster picture leads to a tale of heirlooms and murder.

Witty and a little wicked, Colin Watson’s tales offer a mordantly entertaining cast of characters and laugh-out-loud wordplay."

The thing I love most about Kindles are they keep bringing back forgotten classics! 

Hope Never Dies  by Andrew Shaffer
Published by: Quirk Books
Publication Date: July 10th, 2018
Format: Paperback, 304 Pages
To Buy

The official patter:
"This mystery thriller reunites Vice President Joe Biden and President Barack Obama for a political mashup full of suspense, intrigue, and laugh out loud bromance.

Vice President Joe Biden is fresh out of the Obama White House and feeling adrift when his favorite railroad conductor dies in a suspicious accident, leaving behind an ailing wife and a trail of clues. To unravel the mystery, "Amtrak Joe" re-teams with the only man he's ever fully trusted--the 44th president of the United States. Together they'll plumb the darkest corners of Delaware, traveling from cheap motels to biker bars and beyond, as they uncover the sinister forces advancing America's opioid epidemic.

Part noir thriller and part bromance novel, Hope Never Dies is essentially the first published work of Obama/Biden fanfiction--and a cathartic read for anyone distressed by the current state of affairs."

I need an escape from the currents state of affairs... 

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: Barack Obama, Chthulhu, Colin Watson, Deep Roots, Hope Never Dies, Jekyll, Joe Biden, Murder at the Flamingo, Naomi Novik, Plaster Sinners, Rachel McMillan, Ruthanna Emrys, Spinning Silver, Theodora Goss

After last year I now realize that I am not along in my Gothic obsession, or should I call it predilection, because it seems I'm just drawn to the genre whether I intend to be or not. Therefore I welcome you to Going Gothic 2: The Gothining! Or perhaps I should say Going Gothic 2: The Rise of Cthulhu. Why "The Rise of Cthulhu" you might ask? Because in the last year my Gothic bent went more to the monstrous side... Because Gothic literature isn't all about a fair damsel in a dilapidated mansion, oh no, Dracula, Frankenstein, Cthulhu, these are the creatures of the Gothic genre! Because Gothic does have the tendency to slip, ever so slightly, towards horror. And horror would be a good way to categorize 2017 and my reading just went with it. Therefore we might have some more "traditional" tales, but we will also have some off the beaten path, in Antarctic wastes, with wolves howling at the gates. So join me in a month of revelry to the gods of the Gothic.   

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: Angela Carter, Antarctic, Chthulhu, Dracula, Frankenstein, Going Gothic, Horror, Lovecraft, Mary Stewart, Monsters