Showing posts with label Cher. Show all posts
Showing posts with label Cher. Show all posts

Friday, December 6, 2024

The Umbrella Academy

Of all the shows my friends and I have watched on our Thursday Night Teleparties since the pandemic started The Umbrella Academy is easily my favorite. Each week I'd patiently wait for the next episode, and let me tell you, there's something about spending that prolonged time with them that makes the show hit so differently than if you binge it. They became my family, a wonderfully fucked up family of ex-childhood superheroes and their continued efforts to thwart the apocalypse that just seems to follow them wherever and whenever they go. The dark humor, the dancing, I was in love with all of it. Until the end. And let's acknowledge upfront, there was no way that the seven Hargreeves siblings and Lila were going to get a happy ending. This isn't the world that they live in. Time and time again they clawed their way to some sort of happiness only to have it brutally taken away. Their deaths were a given. I mean for most of the show one of them actually was dead. So I'm not arguing that ending, I'm arguing how they got there. And I probably should have said spoiler alert, they all die... Now I'm in no way blaming the actors and their spectacular work, it's the writers who let them down. In fact, the ending of season three, with the universe being rebooted would have been a preferable ending to this, whatever this was. Because it seemed like the writers weren't serving the characters, they were serving themselves. They had all these little ideas they'd been kicking around for years and decided to shoehorn them into the overall arc at the expense of the greater story. Why else would we have Klaus wasted on a storyline where he gets pimped out and has a ghost possess him to have sex with his ex? A job he does just to get the drugs. Oh, and he's also buried alive and rescued by a ghost dog, but again, how does this serve the overall story? It doesn't. Nor does Luther being a stripper or Diego working at the CIA or finally having Lila and Five be together. This season started strong because the family was together. But as soon as they separated them they started chipping away at what makes this show work. Their bickering and their badass skills are what brings them together. Also, they weren't paying attention to their own rules. Marigold, AKA what made them them, was a name Harlan gave to his powers. IT WAS NOT THE UNIVERSAL TERM! It was Harlan's term! But then again, they end with a big old plothole; a grandfather paradox. If the Hargreeves don't exist how do their children? It breaks the rules! I just wanted Five to pop in after the credits and be like, actually... This isn't how it happened. At this point you're thinking, damn, she hated this season, why did she rate it in her top ten adaptations of the year? Because I love me my Hargreeves. That's why. This might have ended on a whimper instead of a bang, though the end did kind of start with a bang, Ben and Jennifer sex joke! But it's still one of the best shows out there. It was clever, it was unique, and I want more. I'd be willing to totally forget this season ever happened in fact... But this season did give us something. Closure on why Luther was on the moon and Ben's death. We actually learned how Ben died, and it was way more brutal than you could ever have imagined. And then he died again with the worst CGI I've ever seen that is some horrific tribute to Junji Ito and Kaju. Though I'll let that go. I'll let it all go. So what if I had no emotional connection to this Ben. I at least got to see Megan Mullally and Nick Offerman get down to Cher. Something I imagine is a typical Saturday night for them.

Wednesday, November 30, 2022

Book Review - Elly Griffiths's Now You See Them

Now You See Them by Elly Griffiths
Published by: Houghton Mifflin Harcourt
Publication Date: October, 3rd 2019
Format: Kindle, 352 Pages
Rating: ★
To Buy (different edition than one reviewed)

Ten years and three kids ago Edgar Stephens proposed to Emma Holmes. They were are the start of their lives together. Emma had loved Edgar so fiercely while Edgar was blinded by the dazzle that was his fiance Ruby, the daughter of his best friend, the famous magician Max Mephisto. Since their last case together in 1953 they all went in different directions; Edgar and Emma to wedded bliss, Ruby to television stardom, and Max to Hollywood where even he settled down and had a few more kids with a starlet. They are reunited in Brighton for the funeral of Diablo. Who would have thought the irascible old performer would last this long? But the funeral brings them all together to catch up. Only none of their lives are as perfect as they seem. Emma in particular is dissatisfied with her lot. Her husband is now chief of police whereas she's chief of nappies. They should never have had a third kid. Sure Edgar was happy to finally have a son, but Emma was finally thinking that she would be out from under the yoke of domesticity and could get back to work. She was once the amazing Emma Holmes, always cracking the case. Now Edgar is always talking about the young girl who has replaced her on the force, Meg. Damn Meg, damn nappies, damn them all. When a young girl goes missing from Emma's old school Roedean, she wants in on the case. She HAS to be in on the case. It's the only thing that will make her feel human again. With the help of her friend, local journalist Sam, the two of them start to uncover clues that this girl's disappearance is just one of many. Clues they decide to withhold from the police who are more concerned with a film star the missing girl was obsessed with. But Emma makes serious errors in judgement. Again and again. She has been out of the game too long and her desire to prove her worth clashes with her judgement and it places everyone in danger. But worst is that she has endangered her own daughter. Will they be able to save her daughter as the police have to deal with the violence of the Mods and the Rockers on the beaches or will it be too late?

I don't want to be all cliched and say this series has lost it's magic, because at this point I haven't read The Midnight Hour so it might redeem itself, but I have never read a series that went from sublime to shit so quickly. The time jump could be blamed, but I don't really think that's the source of the problems. It's just that everything about the book is wrong. Instead of letting the mystery be the driving force it's on the back burner until the last minute with a solution that I saw from the start and the cringeworthy cliche of child in danger and oodles of violence towards women. And as for the characters? Can we talk about a more morose and miserable lot? What happened to these people I knew and loved? Yes, ten years can change a lot, but it's more like Elly Griffiths lost her connection to the characters... Rivalry among the women? Emma who is now a stay at home mom is jealous of the new female cop Meg just because that used to be her? Emma could have welcomed Meg with open arms as the next generation, the woman to carry on her legacy, but no, that wouldn't be in fitting with this series new grim aesthetic. And as for Meg not liking Emma without even meeting her? Please. And that's not even my biggest issue! Was the point of this whole book to explode the myth of happily ever after with Emma and Edgar's marriage being so steeped in dissatisfaction? I mean, couldn't that at least have been a source of joy? A source of at least some version of contentment for at least one of them? I just wanted to yell at everyone and say that this wasn't them, following which I would channel Cher and tell them to snap out of it. What's most annoying though is if you look hard enough the elements were here, we could have had Max doing some Maxim de Winter shit at his big county house now that he's lord of the manor, we could have had Ruby doing a British Bewitched, instead, everyone is bemoaning and bitching about EVERYTHING. Which makes me bemoan and bitch about what happened to my favorite new series. Seriously, what happened? Where is the magic!?!

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